262:, John Eyles called the album "extraordinary" and "a rich and varied portrait of that is powerful evidence of his pre-eminence." He wrote: "Solo, with or without electronics, he managed to construct dialogues with himself that invariably draw the listener in. In groups with others, be they duos or trios, he never seemed to hog the limelight but was a generous collaborator; nonetheless, time and again, it is the humanity of his playing that captures listeners' attention."
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Writer Raul Da Gama commented: "what Mr
Rutherford celebrates in grand, breathtaking manner forms a sort of central theme of human liberty... seems to be rejoicing in the empirical fact that it is by means of music that the individual breaks free of every shackle... This disc... is a timely reminder
281:
s
Michael Rosenstein remarked: "There is nothing in the least bit reductive in his strategies. Instead, there is more patience in the way he lets the arc of the solo unfold. He also makes particularly effective use of the juxtaposition of the extremes of register of the horn, leaping effortlessly
334:
Track 1 was recorded on
November 22, 1979, at the Teatro Auteo in Milano. Track 2 was recorded on August 27, 1988, at the Duke of Wellington in London. Track 3 was recorded on October 26, 2004, at the Petit Théâtre Mercelis in Brussels. Track 4 was recorded on May 7, 2007, at the Red Rose in
291:, Clifford Allen praised Emanem founder Martin Davidson for extracting the music from the label's "treasure trove of archival recordings," and called the trio track "a joyous coda to a life truly lived," consisting of "eliding flicks, pointillist chunks... and... harried harmonic gestures."
269:
stated: "Rutherford's work presents a sonic unity in the face of staggering diversity and invention. Each tone, half-tone and other namelessly unique gestures obviously spring from the same wellspring of creativity while avoiding the crutches of constantly recurrent pattern needed by lesser
311:... His outrageous wit, the griot's stories in the solo improvising tracks, his revolutionary horn sound, his respect and comradeship with brilliant co-musicians... and the sheer collectivism and democratic principles that mark the music he made with others are all there."
270:
improvisers to avoid a fall on the proverbial face. New confirmation of
Rutherford's still underappreciated genius is always welcome, and it can be shown in no better light than on this new chronologically diverse but musically unified disc."
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438:
178:. Drawn from archival tapes, it was recorded in 1979, 1988, 2004, and 2007, in Milano, London, and Brussels, and was released in 2017 by
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464:
298:, Ken Waxman stated that the album "provides a notable cross section of innovative skills through an almost 40-year time frame."
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381:
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190:. The final track was recorded roughly three months before Rutherford's death, and documents his last public performance.
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described the album as "revelatory," and commented: "Many of
Rutherford's qualities are there in the music of
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668:
345:
186:. Track 3 is a solo performance, and track 4 is a trio setting featuring cellist Marcio Mattos and pianist
175:
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Teatro Auteo, Milano; Duke of
Wellington, London; Petit Théâtre Mercelis, Brussels; Red Rose, London
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182:. On track 1, Rutherford is accompanied by live electronics, while track 2 is a duet with bassist
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of his musical legacy; a worthy tribute to one of the great musical masters of our time."
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Years given are for the recording(s), not first release, unless stated otherwise.
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439:"Emanem Releases New Music From Late, Great Heroes Lacy And Rutherford"
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November 22, 1979; August 27, 1988; October 26, 2004; May 7, 2007
591:"Paul Rutherford / Veryan Weston / Marcio Mattos / Paul Rogers"
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from the lowest growls to the highest, clarion peals."
870:
543:"Moment's Notice: Reviews of Recent Recordings"
491:"Paul Rutherford — In Backward Times (Emanem)"
348:– trombone (all tracks), electronics (track 1)
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884:Paul Rutherford (trombonist) live albums
463:Bettinello, Enrico (February 16, 2018).
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18:2017 live album by Paul Rutherford
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382:"Paul Rutherford - In Backward Times"
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517:"Paul Rutherford: in Backward Times"
465:"Paul Rutherford: In Backward Times"
410:"Paul Rutherford: In Backward Times"
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489:Medwin, Marc (September 13, 2017).
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736:The Gentle Harm of the Bourgeoisie
515:Da Gama, Raul (December 1, 2017).
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567:Allen, Clifford (February 2018).
437:Eyles, John (September 8, 2017).
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589:Waxman, Ken (February 1, 2018).
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357:Marcio Mattos – cello (track 4)
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174:is a live album by trombonist
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576:The New York City Jazz Record
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288:The New York City Jazz Record
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617:"Radical to his very roots"
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889:Emanem Records live albums
858:Spontaneous Music Ensemble
277:Regarding the solo track,
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787:(1988, 2004, & 2007)
771:(1986, 1993, & 1995)
755:(1978, 1981, & 1982)
301:Chris Callaghan of the
326:"Solo for One" – 18:06
323:"Duet for Two" – 25:29
320:"Duet for One" – 22:05
894:Live free jazz albums
701:Sequences 72 & 73
541:Rosenstein, Michael.
329:"Trio Finale" – 10:00
199:Professional ratings
792:The First Full Turn
744:Solo in Berlin 1975
386:Jazz Music Archives
279:Point of Departure'
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615:Callaghan, Chris.
547:Point of Departure
294:In an article for
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784:In Backward Times
704:(1972 & 1973)
696:(1970 & 1972)
363:– piano (track 4)
309:In Backward Times
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851:Related articles
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578:. p. 30.
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624:. Retrieved
621:Morning Star
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728:Live albums
626:February 4,
600:February 4,
552:February 4,
526:February 4,
500:February 4,
474:February 4,
448:February 4,
419:February 4,
391:February 4,
352:Paul Rogers
184:Paul Rogers
873:Categories
693:Iskra 1903
521:JazzdaGama
368:References
126:chronology
39:Live album
800:Raahe '99
752:Tetralogy
569:"Reviews"
340:Personnel
194:Reception
81:Free jazz
840:The Zone
595:JazzWord
296:JazzWord
59:Recorded
51:Released
41: by
335:London.
159:(2018)
150:(2017)
141:(2017)
843:(2006)
835:(2004)
827:(2004)
819:(2002)
811:(1999)
803:(1999)
795:(1998)
779:(1988)
776:Rogues
763:(1983)
747:(1975)
739:(1974)
720:(2004)
717:Iskra³
712:(1978)
212:Rating
209:Source
113:Emanem
87:Length
824:Hoxha
760:Gheim
709:Neuph
572:(PDF)
108:Label
76:Genre
67:Venue
628:2023
602:2023
554:2023
528:2023
502:2023
476:2023
450:2023
421:2023
393:2023
117:5045
54:2017
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