206:(1850) is an elegiac, narrative poem in 2,916 lines of iambic tetrameter, composed in 133 cantos, each canto headed with a Roman numeral, and organised in three parts: (i) the prologue, (ii) the poem, and (iii) the epilogue. After seventeen years of composing, writing, and editing, from 1833 to 1850, Tennyson anonymously published the poem under the Latin title "In Memoriam A.H.H. Obiit MDCCCXXXIII" (In Memoriam A.H.H. 1833). Moreover, upon the literary, artistic, and commercial success of the poetry, Tennyson further developed the poem and added Canto LIX: 'O Sorrow, wilt thou live with me' to the 1851 edition; and then added Canto XXXIX: 'Old warder of these buried bones' to the 1871 edition. The epilogue concludes "In Memoriam" with an
1275:
360:
228:
45:
130:
1132:
262:
in service to mourning the death of his friend, the poet A. H. Hallam; thus, in Canto IX, Tennyson describes the return of the corpse to
England: "Fair ship, that from the Italian shore / Saileth the placid ocean-plains / With my lost Arthur's remains, / Spread thy full wings and waft him o'er".
1135:
583:
was a favourite poem of Queen
Victoria, who after the death of her husband, the Prince Consort Albert, was "soothed & pleased" by the feelings explored in Tennyson's poem. In 1862 and in 1883, Queen Victoria met Tennyson to tell him she much liked his poetry.
562:
Concerning the natural science of the time, in Canto CXXIII, Tennyson reports that "The hills are shadows, and they flow / From form to form, and nothing stands" in reference to the then-recent discovery, in the 19th century, that planet
253:
creates the tonal effects of the sounds of grief and mourning. In 133 cantos, including the prologue and the epilogue, Tennyson uses the stylistic beats of tetrameter to address the subjects of spiritual loss and themes of
458:
The conclusion of the poem reaffirmed
Tennyson's religiosity, his progress from doubt-and-despair to faith-and-hope, which he realised by mourning the death of his friend, Arthur Henry Hallam (1811–1833).
471:
relates the following lines, from canto XCIX, to the end of
Tennyson's boyhood at the Somersby Rectory, Lincolnshire, especially the boy's leaving Somersby upon the death of his father.
618:(2011), has his central character, the doomed Cecil Valance, quote from Canto CI, in which appear the lines "And year by year the landscape grow / Familiar to the stranger's child".
602:: "Oh yet we trust that somehow good / will be the final goal of ill"; and by citing Canto LV: I falter where I firmly trod"; whilst another character says that Lord Tennyson's
728:
853:
271:
As a man of the
Victorian age (1837–1901) and as a poet, Tennyson addressed the intellectual matters of his day, such as the theory of the
277:
1069:
1168:
1639:
632:
throughout the novel, with the principal characters discussing writing their own "In
Memoriam" poems for each other if they die in
1297:
738:
1587:
1581:
152:
995:
916:
44:
1593:
1248:
305:; thus, in Canto CXXIX, Tennyson alludes to "the truths that never can be proved" – the Victorian belief that
133:
1575:
1161:
1389:
1367:
1470:
1403:
594:
167:
lyrical verse, Tennyson's poetical reflections extend beyond the meaning of the death of Hallam, thus,
686:
1542:
1154:
401:
272:
238:
1274:
1605:
1523:
1353:
614:
879:
1644:
1559:
1374:
1192:
825:
970:
650:
1484:
1311:
1177:
211:
35:
1039:"Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry's Elegy for Brahms"
932:
290:
1491:
1477:
1410:
1263:
1242:
1012:
160:
8:
1649:
1290:
1214:
767:
294:
210:, a nuptial poem for the poet's sister, Cecilia Tennyson, on her wedding to the academic
156:
1038:
905:
1611:
1396:
1339:
1200:
827:
1146:
1547:
1417:
1382:
1207:
1077:
991:
912:
847:
771:
734:
609:
468:
406:
246:
164:
395:
Moreover, although
Tennyson published "In Memoriam A.H.H." (1850) nine years before
1456:
1449:
1325:
1221:
1050:
700:
359:
1599:
1498:
1256:
1122:
424:
In Canto CXXII, Tennyson addresses the conflict between conscience and theology:
282:
1070:"Solitude review – loneliness or reverie? Intense songs with lockdown resonance"
956:
944:
598:(1898), by Arthur Conan Doyle, characters quote the poem by citing Canto LIV of
1431:
1424:
1228:
396:
368:
231:
The poet Arthur Henry Hallam (1811–1833), whom
Tennyson mourned with the poem
163:
at the age of twenty-two years, in Vienna in 1833. As a sustained exercise in
1633:
1617:
1552:
1515:
1360:
1318:
1304:
1235:
1105:
1081:
666:
180:
933:"The hills are shadows, and they flow from form to form, and nothing stands"
656:
227:
207:
95:
606:
is "the grandest and the deepest and the most inspired in our language".
1463:
1054:
633:
259:
176:
826:
Josef L. Altholz, Professor of
History, University of Minnesota (1976).
1332:
621:
567:
was geologically active and far older than believed a century earlier.
137:
884:, Gary Martin, Phrases, Sayings and Idioms at The Phrase Finder, 1996.
418:
310:
302:
255:
726:
1141:
414:
893:
AQA A AS English
Literature: Victorian Literature: Student's Book
188:
84:
306:
286:
172:
564:
289:
functioning without divine direction. Moreover, 19th-century
192:
184:
88:
870:. (1850). London: Edward Moxon, Dover Street. pp. 80–81.
1176:
730:
The Oxford Handbook of English Literature and Theology
790:. (1850). London: Edward Moxon, Dover Street. p. 203.
776:. Cambridge, Mass.: The Riverside Press. p. 162.
803:. (1850). London: Edward Moxon, Dover Street. p. 12.
904:
727:Andrew Hass; David Jasper; Elisabeth Jay (2007).
405:(1859), contemporary advocates for the theory of
1631:
367:In Canto LVI, the poet queries Nature about the
249:(four-line ABBA stanzas), the poetical metre of
495:The poem has yielded many literary quotations:
285:about the negative theological implications of
1162:
957:http://www.queenvictoriasjournals.org/home.do
945:http://www.queenvictoriasjournals.org/home.do
757:. (1850). London: Edward Moxon, Dover Street.
852:: CS1 maint: multiple names: authors list (
363:Alfred, Lord Tennyson, photographed in 1857.
275:presented in the anonymously published book
975:. Smith, Elder, & Company. p. 330.
766:
655:The song "There Rolls the Deep" (1897), by
278:Vestiges of the Natural History of Creation
1169:
1155:
557:Like clouds they shape themselves and go.
175:seen from the conflicting perspectives of
43:
990:. United States: Knopf Publishing Group.
828:"The Warfare of Conscience with Theology"
382:With ravine, shriek'd against his creed —
348:I stretch lame hands of faith, and grope,
733:. Oxford University Press. p. 607.
541:With ravine, shriek'd against his creed
358:
226:
935:. Victorian Web. Retrieved 1 March 2019
773:The Complete Poetical Works of Tennyson
479:Unwatched, the garden bough shall sway,
384:Who loved, who suffer'd countless ills,
313:would reconcile science with religion.
155:, is an elegy for his Cambridge friend
1632:
1110:A Commentary on Tennyson's In Memoriam
553:From form to form, and nothing stands;
483:Unloved, that beech will gather brown,
59:IN MEMORIAM A. H. H. OBIIT MDCCCXXXIII
1150:
1036:
968:
902:
896:
832:The Mind and Art of Victorian England
555:They melt like mist, the solid lands,
438:A warmth within the breast would melt
429:If e'er when faith had fallen asleep,
179:and declining Christian faith in the
1067:
1010:
985:
551:The hills are shadows, and they flow
449:But that blind clamour made me wise;
444:Stood up and answer'd 'I have felt.'
345:That slope thro' darkness up to God,
171:also explores the random cruelty of
1178:Alfred Tennyson, 1st Baron Tennyson
639:
453:But, crying knows his father near;
447:No, like a child in doubt and fear:
386:Who battled for the True, the Just,
354:And faintly trust the larger hope.
350:And gather dust and chaff, and call
343:Upon the great world's altar-stairs
341:And falling with my weight of cares
323:That Nature lends such evil dreams?
195:for a friend, a time, and a place.
13:
1099:
911:. University of California Press.
539:Tho' Nature, red in tooth and claw
507:'Tis better to have loved and lost
462:
440:The freezing reason's colder part,
390:Or seal'd within the iron hills?"
380:Tho' Nature, red in tooth and claw
321:Are God and Nature then at strife,
14:
1661:
1116:
1112:. London, Macmillan and Co. 1901.
1013:"Maude Valérie White | Composers"
575:
509:Than never to have loved at all.
451:Then was I as a child that cries,
442:And like a man in wrath the heart
435:That tumbled in the Godless deep;
336:She often brings but one to bear,
325:So careful of the type she seems,
183:(1837–1901), the poem thus is an
1273:
1130:
525:And with no language but a cry.
519:So runs my dream, but what am I?
503:I hold it true, whate'er befall;
481:The tender blossom flutter down,
474:In Canto XCIX, the poet writes:
433:And heard an ever-breaking shore
431:I hear a voice 'believe no more'
409:had adopted the poetical phrase
332:Her secret meaning in her deeds,
222:
128:
49:Title page of 1st edition (1850)
1640:Poetry by Alfred, Lord Tennyson
1298:The Charge of the Light Brigade
1061:
1037:Allis, Michael (8 April 2022).
1030:
1004:
979:
962:
950:
938:
925:
887:
873:
860:
814:The New Encyclopædia Britannica
715:The New Encyclopædia Britannica
535:Who trusted God was love indeed
388:Be blown about the desert dust,
378:And love Creation's final law —
376:Who trusted God was love indeed
334:And finding that of fifty seeds
327:So careless of the single life;
258:, philosophic speculation, and
819:
806:
793:
780:
760:
747:
720:
707:
679:
523:An infant crying for the light
352:To what I feel is Lord of all,
330:That I, considering everywhere
1:
672:
537:And love Creation's final law
521:An infant crying in the night
505:I feel it when I sorrow most;
490:
485:This maple burn itself away.
413:(Canto LVI) to support their
411:Nature, red in tooth and claw
339:I falter where I firmly trod,
316:In Canto LIV, the poet asks:
1368:Now Sleeps the Crimson Petal
1125:from The Literature Network.
1123:Text of "In Memoriam A.H.H."
1057:– via Oxford Academic.
969:Doyle, Arthur Conan (1905).
691:. London: Edward Moxon. 1850
417:arguments for the theory of
7:
1471:Flower in the Crannied Wall
1140:public domain audiobook at
1068:Jeal, Erica (9 July 2020).
903:Ricks, Christopher (1989).
647:Four Songs from In Memoriam
217:
10:
1666:
972:The Tragedy of the Korosko
931:Landow, George P. (2012).
595:The Tragedy of the Korosko
198:
1568:
1535:
1508:
1441:
1282:
1271:
1184:
812:"Early Victorian Verse",
713:"Early Victorian Verse",
661:The cycle of seven songs
587:
570:
266:
127:
120:
112:
104:
94:
80:
72:
64:
54:
42:
32:
23:
1543:Chapel House, Twickenham
402:On the Origin of Species
371:of Man on planet Earth:
369:existential circumstance
273:transmutation of species
239:Francis Leggatt Chantrey
1606:Charles Tennyson Turner
1354:Lady Clara Vere de Vere
295:literal interpretations
1560:Blackdown, West Sussex
1193:Poems, Chiefly Lyrical
560:
544:
528:
512:
488:
456:
393:
364:
357:
301:against the theory of
281:(1844), a speculative
242:
134:In Memoriam (Tennyson)
1312:A Dream of Fair Women
1250:The Miller's Daughter
1011:Howe, Rachel (2022).
881:Red in Tooth and Claw
548:
532:
516:
500:
476:
467:The literary scholar
426:
373:
362:
318:
230:
212:Edmund Law Lushington
153:Alfred, Lord Tennyson
36:Alfred, Lord Tennyson
16:1850 poem by Tennyson
1492:Ring Out, Wild Bells
1478:The Higher Pantheism
1264:The Ballad of Oriana
1243:Mariana in the South
986:Winn, Alice (2023).
816:, Volume 18, p. 455.
768:James Rolfe, William
717:, Volume 18, p. 455.
615:The Stranger's Child
161:cerebral haemorrhage
1404:St. Simeon Stylites
1291:Break, Break, Break
1215:The Lady of Shalott
663:Under Alter'd Skies
651:Maude Valérie White
645:The cycle of songs
399:published the book
293:required belief in
177:materialist science
157:Arthur Henry Hallam
1612:Frederick Tennyson
1347:In Memoriam A.H.H.
1340:Idylls of the King
1201:The Deserted House
1137:In Memoriam A.H.H.
1055:10.1093/ml/gcab101
365:
251:In Memoriam A.H.H.
243:
233:In Memoriam A.H.H.
204:In Memoriam A.H.H.
148:In Memoriam A.H.H.
1627:
1626:
1548:Farringford House
1418:Tears, Idle Tears
1383:The Palace of Art
1043:Music and Letters
740:978-0-19-927197-9
610:Alan Hollinghurst
546:In Canto CXXIII:
469:Christopher Ricks
407:natural selection
247:iambic tetrameter
143:
142:
1657:
1594:Charles Tennyson
1450:Crossing the Bar
1277:
1222:The Lotos-Eaters
1171:
1164:
1157:
1148:
1147:
1134:
1133:
1093:
1092:
1090:
1088:
1065:
1059:
1058:
1034:
1028:
1027:
1025:
1023:
1008:
1002:
1001:
983:
977:
976:
966:
960:
954:
948:
942:
936:
929:
923:
922:
910:
900:
894:
891:
885:
877:
871:
864:
858:
857:
851:
843:
841:
839:
823:
817:
810:
804:
797:
791:
784:
778:
777:
764:
758:
751:
745:
744:
724:
718:
711:
705:
704:
701:Internet Archive
698:
696:
683:
640:Musical settings
628:(2023) mentions
498:In Canto XXVII:
260:Romantic fantasy
132:
131:
105:Publication date
60:
47:
38:
28:
21:
20:
1665:
1664:
1660:
1659:
1658:
1656:
1655:
1654:
1630:
1629:
1628:
1623:
1600:Emilia Tennyson
1588:Lionel Tennyson
1582:Hallam Tennyson
1564:
1531:
1504:
1437:
1278:
1269:
1180:
1175:
1131:
1119:
1102:
1100:Further reading
1097:
1096:
1086:
1084:
1066:
1062:
1035:
1031:
1021:
1019:
1009:
1005:
998:
984:
980:
967:
963:
955:
951:
943:
939:
930:
926:
919:
901:
897:
892:
888:
878:
874:
865:
861:
845:
844:
837:
835:
834:. Victorian Web
824:
820:
811:
807:
798:
794:
785:
781:
765:
761:
752:
748:
741:
725:
721:
712:
708:
694:
692:
685:
684:
680:
675:
642:
612:, in his novel
590:
578:
573:
559:
556:
554:
552:
543:
540:
538:
536:
527:
524:
522:
520:
511:
508:
506:
504:
493:
487:
484:
482:
480:
465:
463:Personal themes
455:
452:
450:
448:
446:
445:
443:
441:
439:
437:
436:
434:
432:
430:
419:human evolution
392:
389:
387:
385:
383:
381:
379:
377:
356:
353:
351:
349:
347:
346:
344:
342:
340:
338:
337:
335:
333:
331:
329:
328:
326:
324:
322:
303:human evolution
283:natural history
269:
236:
225:
220:
201:
129:
58:
50:
33:
24:
17:
12:
11:
5:
1663:
1653:
1652:
1647:
1642:
1625:
1624:
1622:
1621:
1615:
1609:
1603:
1597:
1591:
1585:
1579:
1576:Emily Tennyson
1572:
1570:
1566:
1565:
1563:
1562:
1557:
1556:
1555:
1545:
1539:
1537:
1533:
1532:
1530:
1529:
1521:
1512:
1510:
1506:
1505:
1503:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1445:
1443:
1439:
1438:
1436:
1435:
1428:
1425:The Two Voices
1421:
1414:
1407:
1400:
1393:
1386:
1379:
1371:
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1315:
1308:
1301:
1294:
1286:
1284:
1280:
1279:
1272:
1270:
1268:
1267:
1260:
1253:
1246:
1239:
1232:
1225:
1218:
1211:
1204:
1197:
1188:
1186:
1182:
1181:
1174:
1173:
1166:
1159:
1151:
1145:
1144:
1127:
1126:
1118:
1117:External links
1115:
1114:
1113:
1101:
1098:
1095:
1094:
1060:
1049:(3): 430–463.
1029:
1003:
996:
978:
961:
949:
947:5 January 1862
937:
924:
917:
895:
886:
872:
859:
818:
805:
792:
779:
770:, ed. (1898).
759:
746:
739:
719:
706:
677:
676:
674:
671:
670:
669:
659:
653:
641:
638:
589:
586:
577:
576:Queen Victoria
574:
572:
569:
549:
533:
530:In Canto LVI:
517:
514:In Canto LIV:
501:
492:
489:
477:
464:
461:
427:
397:Charles Darwin
374:
319:
299:The Holy Bible
291:Evangelicalism
268:
265:
224:
221:
219:
216:
200:
197:
159:, who died of
141:
140:
125:
124:
118:
117:
114:
110:
109:
106:
102:
101:
98:
92:
91:
82:
78:
77:
74:
70:
69:
68:United Kingdom
66:
62:
61:
56:
55:Original title
52:
51:
48:
40:
39:
30:
29:
15:
9:
6:
4:
3:
2:
1662:
1651:
1648:
1646:
1645:British poems
1643:
1641:
1638:
1637:
1635:
1619:
1618:Arthur Hallam
1616:
1613:
1610:
1607:
1604:
1601:
1598:
1595:
1592:
1589:
1586:
1583:
1580:
1577:
1574:
1573:
1571:
1567:
1561:
1558:
1554:
1553:Tennyson Down
1551:
1550:
1549:
1546:
1544:
1541:
1540:
1538:
1534:
1528:
1526:
1522:
1520:
1518:
1517:The Foresters
1514:
1513:
1511:
1507:
1500:
1496:
1493:
1489:
1487:
1486:
1482:
1479:
1475:
1472:
1468:
1466:
1465:
1461:
1458:
1454:
1451:
1447:
1446:
1444:
1440:
1433:
1429:
1426:
1422:
1419:
1415:
1412:
1411:Sweet and Low
1408:
1405:
1401:
1398:
1394:
1392:
1391:
1387:
1384:
1380:
1377:
1376:
1372:
1369:
1365:
1362:
1361:Locksley Hall
1358:
1355:
1351:
1348:
1344:
1342:
1341:
1337:
1335:
1334:
1330:
1327:
1323:
1320:
1316:
1313:
1309:
1306:
1305:The Day-Dream
1302:
1299:
1295:
1292:
1288:
1287:
1285:
1281:
1276:
1265:
1261:
1258:
1254:
1252:
1251:
1247:
1244:
1240:
1237:
1233:
1230:
1226:
1223:
1219:
1216:
1212:
1209:
1205:
1202:
1198:
1195:
1194:
1190:
1189:
1187:
1183:
1179:
1172:
1167:
1165:
1160:
1158:
1153:
1152:
1149:
1143:
1139:
1138:
1129:
1128:
1124:
1121:
1120:
1111:
1107:
1106:A. C. Bradley
1104:
1103:
1083:
1079:
1075:
1071:
1064:
1056:
1052:
1048:
1044:
1040:
1033:
1018:
1014:
1007:
999:
997:9780593534564
993:
989:
982:
974:
973:
965:
959:7 August 1883
958:
953:
946:
941:
934:
928:
920:
918:9780520067844
914:
909:
908:
899:
890:
883:
882:
876:
869:
866:Tennyson, A.
863:
855:
849:
833:
829:
822:
815:
809:
802:
799:Tennyson, A.
796:
789:
786:Tennyson, A.
783:
775:
774:
769:
763:
756:
753:Tennyson, A.
750:
742:
736:
732:
731:
723:
716:
710:
702:
690:
689:
682:
678:
668:
667:Jonathan Dove
664:
660:
658:
654:
652:
648:
644:
643:
637:
635:
631:
627:
623:
619:
617:
616:
611:
607:
605:
601:
597:
596:
592:In the novel
585:
582:
568:
566:
558:
547:
542:
531:
526:
515:
510:
499:
496:
486:
475:
472:
470:
460:
454:
425:
422:
420:
416:
412:
408:
404:
403:
398:
391:
372:
370:
361:
355:
317:
314:
312:
308:
304:
300:
296:
292:
288:
284:
280:
279:
274:
264:
261:
257:
252:
248:
240:
234:
229:
223:Metrical form
215:
213:
209:
205:
196:
194:
190:
186:
182:
181:Victorian era
178:
174:
170:
166:
162:
158:
154:
150:
149:
139:
135:
126:
123:
119:
115:
111:
107:
103:
99:
97:
93:
90:
86:
83:
79:
75:
71:
67:
63:
57:
53:
46:
41:
37:
31:
27:
22:
19:
1527:(song cycle)
1524:
1516:
1483:
1462:
1390:The Princess
1388:
1373:
1346:
1338:
1331:
1249:
1191:
1185:Early poetry
1136:
1109:
1085:. Retrieved
1074:The Guardian
1073:
1063:
1046:
1042:
1032:
1020:. Retrieved
1016:
1006:
987:
981:
971:
964:
952:
940:
927:
906:
898:
889:
880:
875:
867:
862:
836:. Retrieved
831:
821:
813:
808:
800:
795:
787:
782:
772:
762:
754:
749:
729:
722:
714:
709:
699:– via
693:. Retrieved
687:
681:
662:
657:Hubert Parry
646:
629:
625:
620:
613:
608:
603:
599:
593:
591:
580:
579:
561:
550:
545:
534:
529:
518:
513:
502:
497:
494:
478:
473:
466:
457:
428:
423:
410:
400:
394:
375:
366:
320:
315:
298:
276:
270:
250:
244:
232:
208:epithalamium
203:
202:
168:
147:
146:
144:
121:
96:Rhyme scheme
25:
18:
1509:Other works
1464:Enoch Arden
1442:Late poetry
1397:Sir Galahad
1017:Oxford Song
988:In Memoriam
868:In Memoriam
801:In Memoriam
788:In Memoriam
755:In Memoriam
688:In Memoriam
665:(2017), by
649:(1885), by
634:World War I
630:In Memoriam
626:In Memoriam
604:In Memoriam
600:In Memoriam
581:In Memoriam
245:Written in
214:, in 1842.
169:In Memoriam
165:tetrametric
26:In Memoriam
1650:1849 poems
1634:Categories
1596:(grandson)
1590:(grandson)
1525:The Window
1333:Lady Clare
1208:The Kraken
1076:. London.
838:6 November
695:13 October
673:References
622:Alice Winn
491:Quotations
151:(1850) by
138:Wikisource
1614:(brother)
1608:(brother)
1457:The Eagle
1326:St. Agnes
1082:0261-3077
624:'s novel
311:intellect
256:nostalgia
237:(Bust by
145:The poem
122:Full text
1620:(friend)
1602:(sister)
1499:Tithonus
1257:Claribel
1142:LibriVox
907:Tennyson
848:cite web
415:humanist
218:The poem
191:, and a
81:Genre(s)
73:Language
1536:Related
1432:Ulysses
1229:Mariana
1087:13 July
1022:13 July
235:(1850).
199:History
189:requiem
85:Requiem
76:English
65:Country
1578:(wife)
1569:People
1519:(play)
1378:(1842)
1319:Godiva
1283:Poetry
1236:Oenone
1196:(1830)
1080:
994:
915:
737:
588:Novels
571:Legacy
307:reason
287:Nature
267:Themes
173:Nature
1584:(son)
1375:Poems
565:Earth
193:dirge
185:elegy
113:Lines
89:elegy
1485:Maud
1089:2024
1078:ISSN
1024:2024
992:ISBN
913:ISBN
854:link
840:2007
735:ISBN
697:2021
309:and
187:, a
116:2916
108:1850
100:abba
1051:doi
1047:103
297:of
136:at
34:by
1636::
1108:,
1072:.
1045:.
1041:.
1015:.
850:}}
846:{{
830:.
636:.
421:.
87:,
1501:"
1497:"
1494:"
1490:"
1480:"
1476:"
1473:"
1469:"
1459:"
1455:"
1452:"
1448:"
1434:"
1430:"
1427:"
1423:"
1420:"
1416:"
1413:"
1409:"
1406:"
1402:"
1399:"
1395:"
1385:"
1381:"
1370:"
1366:"
1363:"
1359:"
1356:"
1352:"
1349:"
1345:"
1328:"
1324:"
1321:"
1317:"
1314:"
1310:"
1307:"
1303:"
1300:"
1296:"
1293:"
1289:"
1266:"
1262:"
1259:"
1255:"
1245:"
1241:"
1238:"
1234:"
1231:"
1227:"
1224:"
1220:"
1217:"
1213:"
1210:"
1206:"
1203:"
1199:"
1170:e
1163:t
1156:v
1091:.
1053::
1026:.
1000:.
921:.
856:)
842:.
743:.
703:.
241:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.