202:, and the established West-End theatres, but of the forlorn hopes led by Mr Vernon, Mr Charrington, Mr Grein, Messrs Henly and Stevenson, Miss Achurch, Miss Robins and Miss Lea, Miss Farr and the rest of the Impossibilities." He went on to urge that the London managers "might provide one marketable play each year", so that the Society could continue as a laboratory for experimental theatre.
190:, amongst the members. In 1895, Shaw wrote (of the Society) "The Independent Theatre is an excellent institution, simply because it is independent. The disparagers ask what it is independent of.... It is, of course, independent of commercial success.... If Mr Grein had not taken the dramatic critics of London and put them in a row before
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The
Society's performances, using professional actors, were given in theatres that were otherwise 'dark' — on Sundays, when no normal performances were scheduled. Because membership was by subscription, the performances were not "public", and so the Society was allowed to perform plays that
198:, with a small but inquisitive and influential body of enthusiasts behind them, we should be far less advanced today than we are. The real history of the drama for the last ten years is not the history of the prosperous enterprises of Mr Hare,
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was described thus: "an orderly audience, including many ladies... listened attentively to the dramatic exposition of a subject which is not usually discussed outside the walls of an hospital". Other critics called for the withdrawal of
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As a result of its small subscription base and its high ambitions, the
Society was not financially successful and was wound up in 1897, having presented 22 productions and premières of an additional 26 one-act programmes. The
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to give "special performances of plays which have a literary and artistic rather than a commercial value." The society was inspired by its continental forerunners, the
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fell vacant and offered the
Society an opportunity to stage plays with a professional cast and crew. The first performance for the Society there was of
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was a by-subscription-only organisation in London from 1891 to 1897, founded by Dutch drama critic
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took over the work two years later and was itself the inspiration for the formation of the
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The
Journals, 1868-1914, and Correspondence of Katharine Bradley and Edith Cooper
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Membership of the
Society never exceeded 175, but it was influential, including
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plays, mostly by continental
European playwrights, on the London stage.
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on 9 October 1891. Both plays were greeted with a storm of protest.
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in 1900 with his future wife, the actress, Alice
Augusta Greeven.
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1890s group staging theatrical productions in London, England
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Modern Drama in Theory and
Practice: Realism and Naturalism
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received its only performance, on 8 December 1893, at the
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to present a season of productions in French, of Ibsen's
258:(A Glimpse of Theatre History), accessed 15 January 2009
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The Pitt Estate in Dean Street: The
Royalty Theatre
136:(in translation) in 1894. In 1895, Grein invited
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100:for a play for the Society. Shaw's first play,
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39:(Free Stage). The Society produced modern
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392:1897 disestablishments in England
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248:The Independent Theatre
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122:by Irish playwright,
340:Theatreland Timeline
112:A Question of Memory
110:on 9 December 1892.
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224:Royal Court Theatre
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33:(Free Theatre) and
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47:Description
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318:Styan, J.
234:References
79:Émile Zola
305:from the
200:Mr Irving
162:L'Intruse
158:symbolist
345:Archived
299:Archived
252:Archived
218:and the
41:realist
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216:Dublin
192:Ghosts
89:Ghosts
70:Ghosts
324:ISBN
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19:The
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