Knowledge

India: Matri Bhumi

Source 📝

182:, which creates a huge artificial lake. Devi has taken a job as a dam builder, and his wife has given birth. Devi's narration expressed the pride he has for being part of the dam's construction, lamenting the 175 deaths amongst the workers to save the lives of untold people who would've been lost to flooding. Finding a tree stump that will soon be swallowed by the forming lake, Devi writes on it about his journey and feelings. Devi and his wife quarrel over his need to travel for work, lreaving her rootless, and they leave their home beside the dam, traveling west through rice farms, ancient Muslim forts, and jungles. 190:
still chained to him as vultures circle above them. Ramu is able to free itself as the vulture swoop in. Ramu finds the way to the city festival, and falls back on its training, dancing for crowds and collecting coins. It tries to rejoin a group of wild monkeys, who reject it. Finally, it is adopted by another owner, who puts Ramu in an acrobatic show.
186:
man has with the local tiger. When iron-mining surveyors come to the village, they disrupt the local people and wildlife, who flee from the noise. Lacking prey, the tiger injures itself trying to predate a porcupine and becomes a man-eater. The old man goes to drive off the tiger before the company-led hunting party can kill it.
185:
Life in the jungle is explored in the third section with a new narrator, an 80-year-old man who has lived in his village his entire life. His narration explores life with his wife and grown sons who live nearby, their daily work routines, their religious rituals, and the uneasy relationship the old
177:
and follows several rivers downstream, referring to both the rivers' source of life-giving water and their spiritual connection with the people. India's history is shown in ancient temples that are slowly eroding into he rivers' waters. The narration references ancient Indian holy books as the film
189:
Finally, the narrator discusses heatwaves in India, where the wildlife escapes to the rivers to cool themselves in the waters. The narrator tells the story of an old man traveling through barren lands to a city festival with his performing monkey Ramu. The heat causes the old man to die; Ramu is
161:
In the first section, the film praises Indian's connection with nature over scenes of men using elephants to clear sections of forest. The elephants are bathed and fed, while the human workers are entertained by a traditional puppet show. We are introduced to a young elephant driver, Devi, a
170:, who becomes the film's narrator. His elephant mates and he, in turn, courts a local woman and is wed to her in a traditional ceremony. When Devi's wife becomes pregnant, he sends her to live with her mother as Devi doesn't have time to tend to her and also work. 158:, voice-over narration remarks on the thousands of bustling people and praises the Indian people for their racial and religious tolerance before moving into more rural parts of the country, which it calls the real India. 564: 46: 556: 154:
In its opening titles, the film declares that its actors are all non-professional performers cast from the locations being depicted. Over scenes of modern
580: 138:
style Rossellini helped develop in his native Italy with poetic voice-over narration. One of the writers for the screenplay was Iranian diplomat
644: 236: 302: 639: 143: 634: 629: 412: 193:
The film ends as it begins, with narration over imagery of the big modern city, with crowds of thousands of people.
540: 295: 624: 210: 420: 649: 500: 288: 476: 404: 364: 332: 244: 596: 572: 396: 516: 492: 348: 8: 619: 452: 388: 312: 280: 135: 131: 32: 444: 380: 275: 139: 42: 508: 468: 460: 127: 548: 356: 340: 324: 613: 436: 428: 532: 179: 167: 269: 524: 174: 211:"Fereydoun Hoveyda, 82; ex-Iranian ambassador to the United Nations" 588: 372: 155: 173:
In the second part, the film switches to the foothills of the
163: 310: 611: 237:"1st Moscow International Film Festival (1959)" 296: 303: 289: 229: 612: 144:1st Moscow International Film Festival 284: 645:Films directed by Roberto Rossellini 178:shows the construction of the giant 13: 14: 661: 440:(segment: "Ingrid Bergman", 1953) 263: 130:-fiction hybrid film directed by 541:The Taking of Power by Louis XIV 416:(segment: "Envie, L'Envy", 1952) 536:(segment: "Illibatezza", 1963) 448:(segment: "Napoli 1943", 1954) 421:The Machine to Kill Bad People 203: 1: 640:Documentary films about India 196: 635:1950s Italian-language films 7: 10: 666: 573:L'età di Cosimo de' Medici 405:The Flowers of St. Francis 142:. It was entered into the 630:Italian documentary films 319: 111: 103: 93: 70: 62: 54: 38: 28: 23: 134:. The film combines the 477:Giovanna d'Arco al rogo 149: 625:1959 documentary films 79:27 June 1959 47:Sonali Senroy DasGupta 413:The Seven Deadly Sins 493:General Della Rovere 349:The Man with a Cross 650:1950s Italian films 485:India: Matri Bhumi 389:Germany, Year Zero 313:Roberto Rossellini 311:Films directed by 271:India: Matri Bhumi 247:on 16 January 2013 132:Roberto Rossellini 126:is a 1959 Italian 123:India: Matri Bhumi 50:Roberto Rossellini 33:Roberto Rossellini 24:India: Matri Bhumi 607: 606: 565:Agostino d'Ippona 453:Where Is Freedom? 445:Mid-Century Loves 217:. 7 November 2006 215:Los Angeles Times 140:Fereydoun Hoveyda 119: 118: 43:Fereydoun Hoveyda 657: 461:Journey to Italy 305: 298: 291: 282: 281: 257: 256: 254: 252: 243:. Archived from 233: 227: 226: 224: 222: 207: 128:documentary film 86: 84: 66:Philippe Arthuys 21: 20: 665: 664: 660: 659: 658: 656: 655: 654: 610: 609: 608: 603: 501:Escape by Night 357:Rome, Open City 341:A Pilot Returns 325:La Vispa Teresa 315: 309: 266: 261: 260: 250: 248: 235: 234: 230: 220: 218: 209: 208: 204: 199: 152: 96: 89: 82: 80: 73: 49: 45: 17: 12: 11: 5: 663: 653: 652: 647: 642: 637: 632: 627: 622: 605: 604: 602: 601: 593: 585: 577: 569: 561: 553: 545: 537: 529: 521: 513: 505: 497: 489: 481: 473: 465: 457: 449: 441: 433: 425: 417: 409: 401: 393: 385: 377: 369: 361: 353: 345: 337: 333:The White Ship 329: 320: 317: 316: 308: 307: 300: 293: 285: 279: 278: 265: 264:External links 262: 259: 258: 228: 201: 200: 198: 195: 151: 148: 117: 116: 113: 109: 108: 105: 101: 100: 97: 94: 91: 90: 88: 87: 76: 74: 71: 68: 67: 64: 60: 59: 56: 55:Cinematography 52: 51: 40: 36: 35: 30: 26: 25: 15: 9: 6: 4: 3: 2: 662: 651: 648: 646: 643: 641: 638: 636: 633: 631: 628: 626: 623: 621: 618: 617: 615: 599: 598: 594: 591: 590: 586: 583: 582: 578: 575: 574: 570: 567: 566: 562: 559: 558: 557:Blaise Pascal 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 517:Vanina Vanini 514: 511: 510: 506: 503: 502: 498: 495: 494: 490: 487: 486: 482: 479: 478: 474: 471: 470: 466: 463: 462: 458: 455: 454: 450: 447: 446: 442: 439: 438: 437:We, the Women 434: 431: 430: 426: 423: 422: 418: 415: 414: 410: 407: 406: 402: 399: 398: 394: 391: 390: 386: 383: 382: 378: 375: 374: 370: 367: 366: 362: 359: 358: 354: 351: 350: 346: 343: 342: 338: 335: 334: 330: 327: 326: 322: 321: 318: 314: 306: 301: 299: 294: 292: 287: 286: 283: 277: 273: 272: 268: 267: 246: 242: 238: 232: 216: 212: 206: 202: 194: 191: 187: 183: 181: 176: 171: 169: 166:refugee from 165: 159: 157: 147: 145: 141: 137: 133: 129: 125: 124: 114: 110: 106: 102: 98: 92: 78: 77: 75: 69: 65: 61: 57: 53: 48: 44: 41: 37: 34: 31: 27: 22: 19: 595: 587: 579: 571: 563: 555: 547: 539: 531: 523: 515: 507: 499: 491: 484: 483: 475: 467: 459: 451: 443: 435: 427: 419: 411: 403: 395: 387: 379: 371: 363: 355: 347: 339: 331: 323: 270: 249:. Retrieved 245:the original 240: 231: 219:. Retrieved 214: 205: 192: 188: 184: 172: 160: 153: 122: 121: 120: 95:Running time 72:Release date 18: 597:The Messiah 533:Ro.Go.Pa.G. 180:Hirakud Dam 168:East Bengal 29:Directed by 620:1959 films 614:Categories 525:Anima nera 429:Europe '51 251:28 October 197:References 136:Neorealist 99:90 minutes 83:1959-06-27 58:Aldo Tonti 39:Written by 581:Cartesius 509:Garibaldi 397:Stromboli 175:Himalayas 16:1959 film 589:Anno uno 549:Socrates 221:9 August 112:Language 63:Music by 381:L'Amore 115:Italian 104:Country 81: ( 600:(1975) 592:(1974) 584:(1973) 576:(1973) 568:(1972) 560:(1971) 552:(1971) 544:(1966) 528:(1962) 520:(1961) 512:(1961) 504:(1960) 496:(1959) 488:(1959) 480:(1954) 472:(1954) 464:(1954) 456:(1954) 432:(1952) 424:(1952) 408:(1950) 400:(1950) 392:(1948) 384:(1948) 376:(1946) 373:Paisan 368:(1946) 365:Desire 360:(1945) 352:(1943) 344:(1942) 336:(1941) 328:(1939) 156:Bombay 164:Hindu 107:Italy 469:Fear 276:IMDb 253:2012 241:MIFF 223:2013 150:Plot 274:at 616:: 239:. 213:. 146:. 304:e 297:t 290:v 255:. 225:. 85:)

Index

Roberto Rossellini
Fereydoun Hoveyda
Sonali Senroy DasGupta
documentary film
Roberto Rossellini
Neorealist
Fereydoun Hoveyda
1st Moscow International Film Festival
Bombay
Hindu
East Bengal
Himalayas
Hirakud Dam
"Fereydoun Hoveyda, 82; ex-Iranian ambassador to the United Nations"
"1st Moscow International Film Festival (1959)"
the original
India: Matri Bhumi
IMDb
v
t
e
Roberto Rossellini
La Vispa Teresa
The White Ship
A Pilot Returns
The Man with a Cross
Rome, Open City
Desire
Paisan
L'Amore

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.