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Invasion of the Body Snatchers

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850: 39: 1541:, they end up discovering flowers that they nickname "Zucchini Throw Pillows" which are actually Body Snatcher Aliens in disguise. They end up getting sent to the Satellite of Love along with the titular movie, causing Pearl, Brain Guy, and all the Bots (except Mike and Bobo) to become affected. Per Mike's encouragement, Bobo manages to save everyone by destroying the mother body snatcher alien, killing all the aliens and turning everyone affected back to normal. But because Pearl missed out on the SOL Crew's reactions to the movie, she forces them to watch it again. 431: 1082: 402:. His girlfriend, Becky, has just come back to town after settling a divorce. The couple are called to the home of a friend of the doctor, Jack Belicec, who has found what appears to be a body in his home. It has no features or fingerprints, and starts to change, beginning to take on the features of Belicec. Another body is found in Becky's basement that is her duplicate. Before any further investigation can take place, the bodies disappear. 886:
Mainwaring scripted this framing story and Siegel shot it on September 16, 1955, at the Allied Artists studio. In a later interview, Siegel complained, "The film was nearly ruined by those in charge at Allied Artists who added a preface and ending that I don't like." In his autobiography Siegel added
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Bennell finishes his story. Dr. Hill and the doctor step outside into the hallway. A driver is wheeled into the hall on a gurney after having been injured in an accident. The attendant recounts that the man had to be dug out from under a load of mysterious pods coming from Santa Mira. Dr. Hill alerts
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in theater lobbies and entrances, along with large lifelike black-and-white cutouts of McCarthy and Wynter running away from a crowd. The film earned more than $ 1 million in the first month, and in 1956 alone earned more than $ 2.5 million in the U.S. When the film was released in the UK (with cuts
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The studio scheduled three film previews on the last days of June and the first day of July 1955. According to Wanger's memoranda at the time, the previews were successful. Later reports by Mainwaring and Siegel, however, contradict this, claiming that audiences could not follow the film and laughed
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The couple manage to escape and hide in a mine outside town, however, after a while hiding they hear music, and Bennell leaves Becky briefly to investigate. He sees a farm with hundreds of pods being loaded onto trucks. Bennell returns to tell Becky, but realizes that she fell asleep before he could
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is an example of that. I remember reading a magazine article arguing that the picture was intended as an allegory about the communist infiltration of America. From personal knowledge, neither Walter Wanger nor Don Siegel, who directed it, nor Dan Mainwaring, who wrote the script nor original author
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Despite a general agreement among film critics regarding these political connotations of the film, actor Kevin McCarthy said in an interview included on the 1998 DVD release that he felt no political allegory was intended. The interviewer stated that he had spoken with the author of the novel, Jack
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Bennell and Becky escape from the office. To avoid capture, they mimic the impostors' mannerisms and pretend to be part of the huge crowd of replaced townspeople. However, a panicked Becky screams at a near-traffic accident and her reaction exposes their humanity to the aliens. An alarm is sounded
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Truckloads of the pods arrive downtown. Becky and Bennell listen as chief Nick Grivett directs the others to take them to towns to be planted and used to replace their populations. Kauffman and Belicec arrive at Bennell's office with pods for Becky and Bennell. It is revealed that a race of alien
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Bennell and Jack's wife Teddy find duplicates of themselves emerging from pods in Bennell's greenhouse. They conclude that the townspeople are being replaced while asleep with copies. Bennell tries to make a call to authorities, but the operator claims that all lines are busy and he cannot be put
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Don Siegel spoke more openly of an existing allegorical subtext, but denied a strictly political point of view: " I felt that this was a very important story. I think that the world is populated by pods and I wanted to show them. I think so many people have no feeling about cultural things, no
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has called the movie "one of the most multifaceted horror films ever made," arguing that by "simultaneously exploiting the contemporary fear of infiltration by undesirable elements, as well as a burgeoning concern over homeland totalitarianism in the wake of Senator Joseph McCarthy's notorious
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that begins in the fictional California town of Santa Mira. Alien plant spores have fallen from space and grown into large seed pods, each one capable of producing a visually identical copy of a human. As each pod reaches full development, it assimilates the physical traits, memories, and
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in the wrong places. In response, the studio removed much of the film's humor, "humanity," and "quality," according to Wanger. He scheduled another preview in mid-August that also did not go well. In later interviews, Siegel pointed out studio policy was to not mix humor with horror.
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Both Siegel and Mainwaring were satisfied with the film as shot. The original ending did not include the flashback framing, and ended with Miles screaming as truckloads of pods pass him on the road. The studio, wary of a pessimistic conclusion, insisted on adding a
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wrote that Siegel intended for pods to be seductive; their spokesperson, a psychiatrist, was chosen to provide an authoritative voice that would appeal to the desire to "abdicate from human responsibility in an increasingly complex and confusing modern world."
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feeling of pain, of sorrow. The political reference to Senator McCarthy and totalitarianism was inescapable but I tried not to emphasize it because I feel that motion pictures are primarily to entertain and I did not want to preach." Film scholar
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Jack Finney's novel ends with the extraterrestrials, who have a lifespan of no more than five years, leaving Earth after they realize that humans are offering strong resistance, despite having little reasonable chance against the alien invasion.
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through, so Jack and Teddy drive off to seek help in the next town over. Bennell and Becky realize that all of Santa Mira's inhabitants have been replaced and are devoid of any sort of humanity. They hide at Bennell's office for the night.
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personalities of each sleeping person placed near it until only the replacement is left; these duplicates, however, are devoid of all human emotion. Little by little, a local doctor uncovers this "quiet" invasion and attempts to stop it.
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A psychiatrist is called to the room of a Los Angeles hospital, where a man named Miles Bennell is being held in custody. The man claims to be a doctor, and recounts the events leading up to his arrest and arrival at the hospital.
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was shot by cinematographer Ellsworth Fredericks in 23 days between March 23 and April 27, 1955. The cast and crew worked a six-day week with Sundays off. The production went over schedule by three days because of the
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to voice the preface and a trailer for the film. He wrote speeches for Welles' opening on June 15, 1955, and worked to persuade Welles to do it, but was unsuccessful. Wanger considered science-fiction author
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suggesting a more optimistic outcome to the story, leading to the flashback framing. In this version, the film begins with Bennell in custody in a hospital emergency ward, telling a consulting psychiatrist
1035:, Brian Neve found a sense of disillusionment rather than straightforward messages, with all three films being "less radical in any positive sense than reflective of the decline of great liberal hopes." 730:, all of which went on to make up the fictional town of "Santa Mira" for the film. In addition to these outdoor locations, much of the film was shot in the Allied Artists studio on the east side of 702:
visited Finney to talk about the film version and to look at Mill Valley. The location proved too expensive, and Siegel with Allied Artist executives, found locations resembling Mill Valley in the
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Wanger wanted to add a variety of speeches and prefaces. He suggested a voice-over introduction for Miles. While the film was being shot, Wanger tried to get permission in England to use a
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saw a trend manifesting itself in science-fiction films, dealing with dehumanization and fear of the loss of individual identity, being historically connected to the end of "the
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called the film one of the "most resonant" and "one of the simplest" of the genre. Mark Steyn described it as “a big film,” despite its limited budget.
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454,864. The studio later asked Wanger to cut the budget significantly. The producer proposed a shooting schedule of 20 days and a budget of $ 350,000.
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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shooting that Siegel wanted. Additional photography took place in September 1955, filming a frame story on which the studio had insisted (see
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return and is now one of them. Becky sounds the alarm as Bennell runs away. Desperate, he screams at the drivers in the highway for help.
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that "Wanger was very much against this, as was I. However, he begged me to shoot it to protect the film, and I reluctantly consented ."
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in 1998 by U.S.-label Republic (an identical re-release by Artisan followed in 2002); it includes the Superscope version plus a 1.375:1
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impostors is responsible for the invasion, and that if they aren't stopped, humanity will lose all emotions and sense of individuality.
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Badmington, Neil (November 2010). "Pod almighty!; or, humanism, posthumanism, and the strange case of Invasion of the Body Snatchers".
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had a small part as Charlie, a meter reader. Peckinpah was a dialogue coach on five Siegel films in the mid-1950s, including this one.
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the police to block the roads in and out of Santa Mira. The film ends with Bennell relieved as Hill calls the Bureau of Investigation.
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pointed out that the studio-mandated addition of the framing story had changed the film's stance from anti-McCarthyite to
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communist witch hunt, it may be the clearest window into the American psyche that horror cinema has ever provided."
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Some reviewers saw in the story a commentary on the dangers facing the United States for turning a blind eye to
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magazine notes that the film was still being shown with the complete footage, including a 2005 screening at the
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ranked it as one of the best films of 1956. The film holds a 98% approval rating and 9.1/10 rating at the film
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on their list of 100 all-time best films, the top 10 1950s Sci-Fi Movies, and Top 25 Horror Films. In 1999,
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states that the film had been revised to its original ending for a re-release in 1979, Steve Biodrowski of
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When the film was released domestically in February 1956, many theaters displayed several pods made of
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was acknowledged as the 9th-best film in the science-fiction genre. The film was also placed on AFI's
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in the 1.85:1 aspect ratio. Superscope was a post-production laboratory process designed to create an
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DVD editions exist on the British market (including a computer-colorized version), German market (as
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and that was assigned in summer 1955. Siegel objected to this title and suggested two alternatives,
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print from nonanamorphic source material that would be projected at an aspect ratio of 2.00:1.
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McGee, Mark Thomas; Robertson, R.J. (2013). "You Won't Believe Your Eyes". Bear Manor Media.
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named it the 29th scariest film ever made. IGN ranked it as the 15th-best sci-fi picture.
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in late 1955. The film was released at the time in France under the mistranslated title
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as being "culturally, historically, or aesthetically significant". In June 2008, the
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Jack Finney, nor myself, saw it as anything other than a thriller, pure and simple."
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writes: "People began to read meanings into pictures that were never intended.
1047: 1021: 1016: 1000: 982: 947: 934:) in late 1956, the film had more than a half-million dollars in ticket sales. 723: 528: 363: 341: 2304: 1777: 4086: 3517: 3497: 3308: 3220: 3188: 2850: 2177: 1686: 1300: 1240: 1031: 695: 675: 648: 632: 631:, and several others for the role of Miles. For Becky, he considered casting 628: 583: 565: 482: 439: 287: 240: 170: 129: 96: 761:
after the Finney serial, but Wanger wanted to avoid confusion with the 1945
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editions by Olive Films in 2012 and German company Al!ve (under the title
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Wanger saw the final cut in December 1955 and protested the use of the
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November 26, 2001; discusses the political themes of the original film
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Keep Watching the Skies: American Science Fiction Films of the Fifties
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Cult Movies: The Classics, the Sleepers, the Weird, and the Wonderful
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for being "culturally, historically, or aesthetically significant."
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listed it as the 53rd best movie of all time. Similarly, the book
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Finney, who professed no specific political allegory in the work.
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This article is about the 1956 film. For the 1978 adaptation, see
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featured a parody titled "Invasion of the Money Snatchers"; the
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Several thematically related works followed Finney's 1955 novel
2305:"Award Wins and Nominations: 'Invasion of the Body Snatchers'," 657:
for Allied Artists. Kiley turned the role down and Wanger cast
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reworking of the Superscope edition that loses visual detail.
2707:. New Brunswick, New Jersey: Rutgers University Press, 1989. 2510:"The 100 Greatest Movies of All Time by Entertainment Weekly" 2221:"Movie Reviews, Pictures: 'Invasion of the Body Snatchers'." 810:
quotation as a preface to the film. The producer sought out
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was originally scheduled for a 24-day shoot and a budget of
2745:. Madison, Wisconsin: University of Wisconsin Press, 2008. 2559:"DVD Savant Blu-ray Review: Invasion of the Body Snatchers" 2022:
Carroll, Noel. " it is the quintessential Fifties image of
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parody this film. In the episode, as Pearl, Brain Guy, and
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was selected in 1994 for preservation in the United States
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In this colorized still from the film, the principal cast (
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At work, Bennell meets a number of patients suffering from
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was selected in 1994 for preservation in the United States
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had previously developed this subject in his 1951 novel
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Comparison of novel to the first three film adaptations
2156:(1983). "Human Artifice and the Science Fiction Film". 1894:"Alternate versions: 'Invasion of the Body Snatchers'." 1132:
is an efficient, chilling blend of sci-fi and horror."
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Although most reviewers disliked it, George Turner (in
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versions have been released, including two bare-bones
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Originally, producer Wanger and Siegel wanted to film
3005: 2685:. Oakville, Ontario, Canada: Capricorn Books, 1968. 2535:
Four-Star Movies: The 101 Greatest Films of All Time
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Four Star Movies: The 101 Greatest Films of All Time
3495: 1135:In recent years, critics such as Dan Druker of the 1116:was largely ignored by critics on its initial run, 2921:is available for free viewing and download at the 1853: 661:, an Academy Award nominee five years earlier for 2449:, February 12, 2005. Retrieved: January 11, 2015. 1190:, a list of America's most heart-pounding films. 1141:have called the film a "genuine Sci-Fi classic." 4084: 3142: 2758:Film and Politics in America: A Social Tradition 2474:, December 12, 2008; retrieved January 11, 2015. 2499:, October 29, 2007; retrieved January 11, 2015. 2078:, August 31, 2014. Retrieved: January 11, 2015. 1934: 1932: 1574:being replaced by alien clones in their sleep. 1558:episode "Planet of the Jellyfish" (referencing 1307:, and a 1985 archival interview with McCarthy. 1413:, and adapted under contract in the 1994 film 4198:English-language science fiction horror films 3481: 3128: 2991: 2294:"'Review of Invasion of the Body Snatchers'." 2108:"Invasion Of The Body Snatchers movie review" 454:as Becky Driscoll, discover the pods growing. 2743:I Thought We Were Making Movies, Not History 2164:(3). University of California Press: 44–51. 1929: 1815: 1813: 1811: 1809: 1807: 1797: 1795: 1512:sandwiches from outer space and turned into 1044:I Thought We Were Making Movies, Not History 2055:, May 1, 2001. Retrieved: January 11, 2015. 1750: 1748: 1746: 1744: 1742: 1740: 1738: 1344:was reported to be in development in 2017. 902:Academy of Motion Picture Arts and Sciences 844: 4183:United States National Film Registry films 3488: 3474: 3135: 3121: 2998: 2984: 2629:Are You Happy Now?/Planet of the Jellyfish 2139:Interview with Don Siegel in Alan Lovell: 1763: 1710: 1708: 1706: 1704: 1702: 1508:population of Whiteville is taken over by 1452:parody of the film was released, entitled 37: 21:Invasion of the Body Snatchers (1978 film) 2683:An Illustrated History of the Horror Film 2477: 2371:"Bravo's The 100 Scariest Movie Moments." 2009: 2007: 1917:"Review: Invasion of the Body Snatchers." 1804: 1792: 1651:"Complete National Film Registry Listing" 1310: 996:An Illustrated History of the Horror Film 797:L'invasion des profanateurs de sĂ©pultures 2967:"The 34 best political movies ever made" 2728:Leonard Maltin's Movie & Video Guide 2427: 1950: 1948: 1735: 1717: 1619: 1617: 1615: 1613: 1611: 1609: 1607: 1243:version. The latter is not the original 1149:as "influential, and still very scary." 848: 681: 604: 429: 2598: 2452: 2263: 2152: 1699: 1552:The film was also parodied in the 2012 1458:(1992). The adaptation was directed by 1407:was later plagiarized as the 1958 film 595: 16:1956 horror film directed by Don Siegel 4085: 2581: 2407: 2238: 2004: 1938:Turner, George. "A Case of Insomnia". 1851: 1260:La InvasiĂłn de los Ladrones de Cuerpos 344:with the British science-fiction film 4133:American science fiction horror films 3469: 3116: 2979: 2929:Invasion of the Body Snatchers (1956) 2918:Invasion of the Body Snatchers (1956) 2863:Invasion of the Body Snatchers (1956) 2841:Invasion of the Body Snatchers (1956) 2594:from the original on 6 November 2017. 2287: 1963: 1945: 1675:"25 Films Added to National Registry" 1604: 1595: 1072: 918: 513:Kenneth Patterson as Stanley Driscoll 2668:Walter Wanger: Hollywood Independent 2532: 2105: 2033: 1842:, 2004. Retrieved: January 13, 2015. 1442:I Married a Monster from Outer Space 1076: 2790:. London: Faber & Faber, 1993. 2775:. New York: Dell Publishing, 1981. 2270:"'Invasion of the Body Snatchers'." 2246:"'Invasion of the Body Snatchers'." 2041:"'Invasion of the Body Snatchers'." 1989:"'Invasion of the Body Snatchers'." 1482:in the various roles of the story. 1376:(2005 TV series), and a subplot in 1348:was signed to be the screenwriter. 1340:An untitled fourth adaptation from 1007:and the well-publicized reports of 749:). The final budget was $ 382,190. 13: 4113:1950s science fiction horror films 2659: 2386:"Chicago Critics' Scariest Films." 1860:. British Film Institute. p.  1546:Halloween III: Season of the Witch 1357:(2019), which is also inspired by 1052:The Invasion of the Body Snatchers 803:), which remains unchanged today. 752: 14: 4209: 4148:Films about extraterrestrial life 2833: 2720:Leonard Maltin's Movie Guide 2009 2408:Fowler, Matt (January 22, 2020). 2349:"AFI's 100 Years... 100 Thrills." 801:Invasion of the defilers of tombs 757:The project was originally named 359:The film's storyline concerns an 3092:The Guy Who Didn't Like Musicals 1492:The Guy Who Didn't Like Musicals 1389: 1315:Three subsequent adaptations of 1205:Chicago Film Critics Association 1080: 586:as Charlie, the Gas Meter Reader 4163:Films produced by Walter Wanger 3076:Invasion of the Bunny Snatchers 2788:A Siegel Film. An Autobiography 2698:Invasion of the body snatchers. 2620: 2575: 2551: 2526: 2502: 2401: 2379: 2364: 2342: 2320: 2298: 2214: 2192: 2133: 2124: 2099: 2090: 2081: 2058: 2016: 1982: 1957: 1909: 1887: 1878: 1845: 1822: 1757: 1455:Invasion of the Bunny Snatchers 1188:AFI's 100 Years ... 100 Thrills 525:Eileen Stevens as Anne Grimaldi 4128:American black-and-white films 4046:Invasion of the Body Snatchers 3926:Smash-Up, the Story of a Woman 3694:The Trail of the Lonesome Pine 3253:Invasion of the Body Snatchers 3036:Invasion of the Body Snatchers 3028:Invasion of the Body Snatchers 2941:Invasion of the Body Snatchers 2901:Invasion of the Body Snatchers 2886:Invasion of the Body Snatchers 2874:Invasion of the Body Snatchers 2852:Invasion of the Body Snatchers 2705:Invasion of the Body Snatchers 2398:. Retrieved: January 11, 2015. 2376:. Retrieved: January 11, 2015. 2361:. Retrieved: January 11, 2015. 2339:. Retrieved: January 11, 2015. 2317:. Retrieved: January 11, 2015. 2284:. Retrieved: January 11, 2015. 2260:. Retrieved: January 11, 2015. 2235:. Retrieved: February 9, 2016. 2211:. Retrieved: January 11, 2015. 2001:. Retrieved: January 11, 2015. 1926:. Retrieved: January 11, 2015. 1906:. Retrieved: January 11, 2015. 1840:The American WideScreen Museum 1726: 1667: 1643: 1626: 1584:List of American films of 1956 1322:Invasion of the Body Snatchers 1215:Invasion of the Body Snatchers 1184:Invasion of the Body Snatchers 1164:Invasion of the Body Snatchers 1147:Invasion of the Body Snatchers 1130:Invasion of the Body Snatchers 1114:Invasion of the Body Snatchers 1013:Invasion of the Body Snatchers 904:honoring director Don Siegel. 858:Invasion of the Body Snatchers 835:Invasion of the Body Snatchers 793:Invasion of the Body Snatchers 738:Invasion of the Body Snatchers 688:Invasion of the Body Snatchers 610:Invasion of the Body Snatchers 414:and the couple flees on foot. 376:Invasion of the Body Snatchers 276:Invasion of the Body Snatchers 32:Invasion of the Body Snatchers 25:Invasion of the Body Snatchas! 1: 4168:Films scored by Carmen Dragon 3574:The Bitter Tea of General Yen 2820:New York: Grove Press, 1994. 2760:. Oxon, UK: Routledge, 1992. 2700:New York: Palgrave Macmillan. 2582:McNary, Dave (19 July 2017). 2199:"The Greatest Films of 1956." 1589: 1572:characters from Bikini Bottom 1230: 619:Initially, Wanger considered 590: 516:Guy Way as Officer Sam Janzek 23:. For the computer game, see 4188:1950s English-language films 4158:Films directed by Don Siegel 4038:The Adventures of Hajji Baba 3566:Gabriel Over the White House 2880:AFI Catalog of Feature Films 2617:at the Grand Comics Database 2112:Feo Amante's Horror Thriller 1522:Mystery Science Theater 3000 1279:L'Invasione degli Ultracorpi 1067: 856:advertisement from 1956 for 773:They Come from Another World 510:as Police Chief Nick Grivett 7: 4118:Films about alien invasions 4108:1950s science fiction films 2410:"The 25 Best Sci Fi Movies" 2141:Don Siegel. American Cinema 1856:Don Siegel: American Cinema 1577: 1489:created the musical parody 746: 543:(uncredited) as Dr. Bassett 485:as Theodora "Teddy" Belicec 336:. The film was released by 10: 4214: 3670:The Case Against Mrs. Ames 3084:Invasion of the Pod People 2953:McCarthyism and the Movies 2818:If They Move ... Kill 'Em! 2696:Grant, Barry Keith. 2010. 1289:The Night America Trembled 1258:), and Spanish market (as 1200:100 Scariest Movie Moments 954:-era subtext, or of bland 651:, who had just starred in 350:(and in some markets with 211:February 5, 1956 18: 3558:Washington Merry-Go-Round 3504: 3381:Two Mules for Sister Sara 3151: 3062: 3019: 2972:Jan. 23, 2020, ranked #17 1924:Cinefantastiqueonline.com 1778:10.1080/09502360010013848 1732:Weddle 1994, pp. 116–119. 1723:LaValley 1989, pp. 25-26. 1528:The Giant Spider Invasion 1519:The Host segments of the 1485:In 2018, theater company 1235:The film was released on 1227:placed the movie at #60. 1193:The film was included on 1158: 937: 845:Original intended ending 694:, the town just north of 436:clockwise from top center 264: 256: 246: 236: 226: 202: 192: 186:Walter Wanger Productions 176: 166: 158: 148: 102: 92: 68: 58: 48: 43:Theatrical release poster 36: 31: 3902:Salome, Where She Danced 3838:The House Across the Bay 3734:History Is Made At Night 3197:The Duel at Silver Creek 2943:: A Tale for Our Times," 2130:Mirisch 2008, pp. 39–40. 1940:American Cinematographer 909:American Cinematographer 747:Original intended ending 667:, and relative newcomer 537:(uncredited) as Dr. Hill 306:film was shot in 2.00:1 4178:Monogram Pictures films 4173:Films set in California 4153:Films about McCarthyism 3870:We've Never Been Licked 1601:Bernstein 2000, p. 446. 1176:American Film Institute 1011:techniques." Comparing 892:Internet Movie Database 783:, while Wanger offered 692:Mill Valley, California 425: 389: 338:Allied Artists Pictures 197:Allied Artists Pictures 3958:Secret Beyond the Door 3606:The President Vanishes 2945:by John W. Whitehead, 2894:National Film Registry 2648:: CS1 maint: others ( 2460:"1950s Sci-Fi Movies." 2435:"All-Time 100 Movies." 2013:Maltin's 2009, p. 685. 1968:. Delta. p. 158. 1922:2017-08-22 at Wikiwix 1819:LaValley 1989, p. 126. 1801:LaValley 1989, p. 125. 1561:Planet of the Vampires 1498:The May 1981 issue of 1366:The film inspired the 1311:Subsequent adaptations 1168:National Film Registry 1042:In his autobiography, 911:) and Danny Peary (in 866: 522:as Nurse Sally Withers 455: 446:as Dr. Miles Bennell, 380:National Film Registry 370:The slang expression " 4030:Riot in Cell Block 11 3998:Lady in the Iron Mask 3814:Foreign Correspondent 3373:Death of a Gunfighter 3229:Riot in Cell Block 11 2484:"Top 25 Horror Films" 1964:Peary, Danny (1981). 1852:Lovell, Alan (1975). 1754:LaValley 1989, p. 26. 1714:LaValley 1989, p. 25. 1555:SpongeBob SquarePants 852: 682:Principal photography 654:The Phenix City Story 605:Budgeting and casting 450:as Jack Belicec, and 433: 4193:1950s American films 4143:Body Snatchers films 4123:Allied Artists films 4103:1950s monster movies 3990:Aladdin and His Lamp 3822:The Long Voyage Home 3646:Mary Burns, Fugitive 3630:Every Night at Eight 3437:Escape from Alcatraz 3261:Crime in the Streets 2666:Bernstein, Matthew. 2106:McMullen, E. C. Jr. 2030:, December 21, 1978. 1351:It briefly inspired 1346:David Leslie Johnson 1220:Entertainment Weekly 970:systems in general. 596:Novel and screenplay 467:as Dr. Miles Bennell 219: (United States) 153:Ellsworth Fredericks 3966:The Reckless Moment 3782:I Met My Love Again 3654:The Moon's Our Home 3349:Stranger on the Run 3205:No Time for Flowers 2970:The Washington Post 2533:Kinn, Gail (2003). 2433:Schickel, Richard. 2281:Time Out (magazine) 2076:TheMissingSlate.com 1915:Biodrowski, Steve. 1655:Library of Congress 1403:, written in 1950. 1172:Library of Congress 664:Death of a Salesman 531:as Grandma Grimaldi 498:as Dr. Dan Kauffman 384:Library of Congress 279:is a 1956 American 3830:Slightly Honorable 3718:You Only Live Once 3662:Her Master's Voice 3496:Films produced by 3413:The Black Windmill 3325:Hell Is for Heroes 3143:Films directed by 3008:The Body Snatchers 2857:TCM Movie Database 2613:2017-10-13 at the 2489:2009-04-14 at the 2465:2009-03-30 at the 2458:Corliss, Richard. 2440:2011-08-16 at the 2391:2015-06-04 at the 2354:2011-07-16 at the 2332:2012-03-12 at the 2327:"AFI's 10 Top 10." 2310:2011-05-15 at the 2275:2009-02-02 at the 2251:2013-05-20 at the 2226:2010-09-16 at the 2204:2010-11-13 at the 2071:2014-10-11 at the 2046:2009-01-29 at the 1994:2012-08-29 at the 1899:2010-09-17 at the 1835:2011-06-29 at the 1679:The New York Times 1567:Planet of the Apes 1424:The Body Snatchers 1416:The Puppet Masters 1405:The Puppet Masters 1400:The Puppet Masters 1395:Robert A. Heinlein 1386:(2019 TV series). 1363:of the same name. 1360:The Body Snatchers 1317:The Body Snatchers 1287:episode entitled " 1213:magazine included 1092:. You can help by 1073:Critical reception 985:. Michael Dodd of 919:Theatrical release 867: 759:The Body Snatchers 562:as Uncle Ira Lentz 502:Virginia Christine 456: 353:Indestructible Man 333:The Body Snatchers 74:The Body Snatchers 4138:Apocalyptic films 4098:1956 horror films 4080: 4079: 3910:Night in Paradise 3886:Ladies Courageous 3463: 3462: 3245:The Blue and Gold 3157:Star in the Night 3110: 3109: 2796:978-0-57117-831-5 2781:978-0-385-28185-0 2766:978-0-41502-620-8 2741:Mirisch, Walter. 2736:978-0-451-22468-2 2718:Maltin, Leonard. 2713:978-0-81351-461-1 2691:978-0-39950-111-1 2681:Clarens, Carlos. 2676:978-0-52008-127-7 2537:. Running Press. 1871:978-0-85170-047-2 1638:978-1-59393-273-2 1203:. Similarly, the 1122:review aggregator 1110: 1109: 987:The Missing Slate 860:with co-feature, 808:Winston Churchill 785:Evil in the Night 768:The Body Snatcher 728:Beachwood Canyons 700:Daniel Mainwaring 556:as Jimmy Grimaldi 473:as Becky Driscoll 316:Daniel Mainwaring 272: 271: 63:Daniel Mainwaring 4205: 3590:Another Language 3542:Roadhouse Nights 3490: 3483: 3476: 3467: 3466: 3301:Edge of Eternity 3277:Baby Face Nelson 3181:Night Unto Night 3137: 3130: 3123: 3114: 3113: 3000: 2993: 2986: 2977: 2976: 2923:Internet Archive 2911:, pages 512-513 2654: 2653: 2647: 2639: 2638: 2637: 2624: 2618: 2606:National Lampoon 2602: 2596: 2595: 2579: 2573: 2572: 2570: 2569: 2555: 2549: 2548: 2530: 2524: 2523: 2521: 2520: 2514:www.filmsite.org 2506: 2500: 2481: 2475: 2456: 2450: 2431: 2425: 2424: 2422: 2420: 2405: 2399: 2396:AltFilmGuide.com 2383: 2377: 2368: 2362: 2346: 2340: 2324: 2318: 2302: 2296: 2291: 2285: 2267: 2261: 2242: 2236: 2218: 2212: 2209:AMC Filmsite.org 2196: 2190: 2189: 2150: 2144: 2137: 2131: 2128: 2122: 2121: 2119: 2118: 2103: 2097: 2094: 2088: 2085: 2079: 2062: 2056: 2037: 2031: 2020: 2014: 2011: 2002: 1986: 1980: 1979: 1961: 1955: 1952: 1943: 1936: 1927: 1913: 1907: 1891: 1885: 1882: 1876: 1875: 1859: 1849: 1843: 1826: 1820: 1817: 1802: 1799: 1790: 1789: 1766:Textual Practice 1761: 1755: 1752: 1733: 1730: 1724: 1721: 1715: 1712: 1697: 1696: 1694: 1693: 1671: 1665: 1664: 1662: 1661: 1647: 1641: 1630: 1624: 1621: 1602: 1599: 1501:National Lampoon 1410:The Brain Eaters 1319:have been made: 1105: 1102: 1084: 1077: 706:area, including 674:Future director 568:as Dr. Ed Pursey 400:Capgras delusion 361:extraterrestrial 218: 216: 78:1954 stories in 41: 29: 28: 4213: 4212: 4208: 4207: 4206: 4204: 4203: 4202: 4083: 4082: 4081: 4076: 4062:I Want to Live! 3974:Reign of Terror 3934:The Lost Moment 3806:Eternally Yours 3798:Winter Carnival 3598:Queen Christina 3582:Going Hollywood 3500: 3494: 3464: 3459: 3405:Charley Varrick 3293:The Gun Runners 3237:Private Hell 36 3213:Count the Hours 3147: 3141: 3111: 3106: 3058: 3015: 3004: 2934:Rotten Tomatoes 2836: 2831: 2816:Weddle, David. 2662: 2660:Further reading 2657: 2641: 2640: 2635: 2633: 2626: 2625: 2621: 2615:Wayback Machine 2603: 2599: 2580: 2576: 2567: 2565: 2563:www.dvdtalk.com 2557: 2556: 2552: 2545: 2531: 2527: 2518: 2516: 2508: 2507: 2503: 2491:Wayback Machine 2482: 2478: 2467:Wayback Machine 2457: 2453: 2442:Wayback Machine 2432: 2428: 2418: 2416: 2406: 2402: 2393:Wayback Machine 2384: 2380: 2369: 2365: 2356:Wayback Machine 2347: 2343: 2334:Wayback Machine 2325: 2321: 2312:Wayback Machine 2303: 2299: 2292: 2288: 2277:Wayback Machine 2268: 2264: 2253:Wayback Machine 2243: 2239: 2232:Rotten Tomatoes 2228:Wayback Machine 2219: 2215: 2206:Wayback Machine 2197: 2193: 2170:10.2307/3697349 2151: 2147: 2138: 2134: 2129: 2125: 2116: 2114: 2104: 2100: 2095: 2091: 2086: 2082: 2073:Wayback Machine 2063: 2059: 2048:Wayback Machine 2038: 2034: 2021: 2017: 2012: 2005: 1996:Wayback Machine 1987: 1983: 1976: 1962: 1958: 1953: 1946: 1937: 1930: 1914: 1910: 1901:Wayback Machine 1892: 1888: 1883: 1879: 1872: 1850: 1846: 1837:Wayback Machine 1827: 1823: 1818: 1805: 1800: 1793: 1762: 1758: 1753: 1736: 1731: 1727: 1722: 1718: 1713: 1700: 1691: 1689: 1673: 1672: 1668: 1659: 1657: 1649: 1648: 1644: 1631: 1627: 1622: 1605: 1600: 1596: 1592: 1580: 1392: 1313: 1275:Die Dämonischen 1256:Die Dämonischen 1233: 1161: 1126:Rotten Tomatoes 1106: 1100: 1097: 1090:needs expansion 1075: 1070: 940: 932:British censors 930:imposed by the 921: 897:Cinefantastique 847: 789:World in Danger 777:Better Off Dead 755: 753:Post-production 743:night-for-night 690:on location in 684: 607: 598: 593: 479:as Jack Belicec 428: 392: 328:science-fiction 304:black-and-white 294:, and starring 281:science-fiction 229: 222: 214: 212: 205: 188: 181: 179: 162:Robert S. Eisen 144: 84: 77: 44: 27: 17: 12: 11: 5: 4211: 4201: 4200: 4195: 4190: 4185: 4180: 4175: 4170: 4165: 4160: 4155: 4150: 4145: 4140: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4100: 4095: 4078: 4077: 4075: 4074: 4066: 4058: 4050: 4042: 4034: 4026: 4022:Kansas Pacific 4018: 4014:Fort Vengeance 4010: 4002: 3994: 3986: 3978: 3970: 3962: 3954: 3946: 3938: 3930: 3922: 3918:Canyon Passage 3914: 3906: 3898: 3894:Scarlet Street 3890: 3882: 3874: 3866: 3862:Arabian Nights 3858: 3854:Eagle Squadron 3850: 3842: 3834: 3826: 3818: 3810: 3802: 3794: 3786: 3778: 3770: 3762: 3754: 3746: 3738: 3730: 3726:Vogues of 1938 3722: 3714: 3706: 3702:Big Brown Eyes 3698: 3690: 3682: 3674: 3666: 3658: 3650: 3642: 3634: 3626: 3618: 3614:Private Worlds 3610: 3602: 3594: 3586: 3578: 3570: 3562: 3554: 3550:Tarnished Lady 3546: 3538: 3530: 3522: 3514: 3505: 3502: 3501: 3493: 3492: 3485: 3478: 3470: 3461: 3460: 3458: 3457: 3449: 3441: 3433: 3425: 3417: 3409: 3401: 3393: 3385: 3377: 3369: 3365:Coogan's Bluff 3361: 3353: 3345: 3341:The Hanged Man 3337: 3329: 3321: 3313: 3305: 3297: 3289: 3281: 3273: 3269:Spanish Affair 3265: 3257: 3249: 3241: 3233: 3225: 3217: 3209: 3201: 3193: 3185: 3177: 3169: 3161: 3152: 3149: 3148: 3140: 3139: 3132: 3125: 3117: 3108: 3107: 3105: 3104: 3096: 3088: 3080: 3072: 3066: 3064: 3060: 3059: 3057: 3056: 3048: 3044:Body Snatchers 3040: 3032: 3023: 3021: 3017: 3016: 3003: 3002: 2995: 2988: 2980: 2974: 2973: 2960: 2955: 2950: 2947:Gadfly Online, 2936: 2925: 2914: 2898: 2883: 2882: 2870: 2859: 2848: 2835: 2834:External links 2832: 2830: 2829: 2814: 2801:Warren, Bill. 2799: 2784: 2771:Peary, Danny. 2769: 2754: 2739: 2716: 2703:LaValley, Al. 2701: 2694: 2679: 2663: 2661: 2658: 2656: 2655: 2619: 2597: 2574: 2550: 2543: 2525: 2501: 2476: 2451: 2426: 2400: 2378: 2363: 2341: 2319: 2297: 2286: 2262: 2257:Chicago Reader 2237: 2213: 2191: 2158:Film Quarterly 2154:Telotte, J. P. 2145: 2143:, London 1975. 2132: 2123: 2098: 2089: 2080: 2064:Dodd,Michael. 2057: 2032: 2015: 2003: 1981: 1974: 1956: 1944: 1928: 1908: 1886: 1877: 1870: 1844: 1828:Hart, Martin. 1821: 1803: 1791: 1756: 1734: 1725: 1716: 1698: 1681:. 1994-11-15. 1666: 1642: 1625: 1603: 1593: 1591: 1588: 1587: 1586: 1579: 1576: 1534:Professor Bobo 1391: 1388: 1328:Body Snatchers 1312: 1309: 1247:edition but a 1232: 1229: 1178:revealed its " 1160: 1157: 1143:Leonard Maltin 1138:Chicago Reader 1108: 1107: 1087: 1085: 1074: 1071: 1069: 1066: 1048:Walter Mirisch 1022:Kiss Me Deadly 1017:Robert Aldrich 1001:Carlos Clarens 983:anti-communist 948:Leonard Maltin 939: 936: 920: 917: 863:The Atomic Man 846: 843: 754: 751: 683: 680: 659:Kevin McCarthy 606: 603: 597: 594: 592: 589: 588: 587: 581: 580:as Baggage Man 575: 569: 563: 557: 550: 549: 545: 544: 541:Richard Deacon 538: 532: 529:Beatrice Maude 526: 523: 517: 514: 511: 505: 504:as Wilma Lentz 499: 492: 491: 487: 486: 480: 474: 468: 465:Kevin McCarthy 461: 460: 444:Kevin McCarthy 427: 424: 391: 388: 347:The Atomic Man 342:double feature 296:Kevin McCarthy 290:, directed by 270: 269: 266: 262: 261: 258: 254: 253: 248: 244: 243: 238: 234: 233: 230: 227: 224: 223: 221: 220: 208: 206: 203: 200: 199: 194: 193:Distributed by 190: 189: 184: 182: 177: 174: 173: 168: 164: 163: 160: 156: 155: 150: 149:Cinematography 146: 145: 143: 142: 137: 132: 127: 122: 117: 112: 110:Kevin McCarthy 106: 104: 100: 99: 94: 90: 89: 70: 66: 65: 60: 56: 55: 50: 46: 45: 42: 34: 33: 15: 9: 6: 4: 3: 2: 4210: 4199: 4196: 4194: 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4101: 4099: 4096: 4094: 4091: 4090: 4088: 4072: 4071: 4067: 4064: 4063: 4059: 4056: 4055: 4051: 4048: 4047: 4043: 4040: 4039: 4035: 4032: 4031: 4027: 4024: 4023: 4019: 4016: 4015: 4011: 4008: 4007: 4003: 4000: 3999: 3995: 3992: 3991: 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3124: 3119: 3118: 3115: 3102: 3101: 3097: 3094: 3093: 3089: 3086: 3085: 3081: 3078: 3077: 3073: 3071: 3068: 3067: 3065: 3061: 3054: 3053: 3049: 3046: 3045: 3041: 3038: 3037: 3033: 3030: 3029: 3025: 3024: 3022: 3018: 3014: 3010: 3009: 3001: 2996: 2994: 2989: 2987: 2982: 2981: 2978: 2971: 2968: 2964: 2961: 2959: 2956: 2954: 2951: 2948: 2944: 2942: 2937: 2935: 2931: 2930: 2926: 2924: 2920: 2919: 2915: 2913: 2910: 2906: 2902: 2899: 2897: 2895: 2891: 2887: 2884: 2881: 2878: 2876: 2875: 2871: 2869: 2865: 2864: 2860: 2858: 2854: 2853: 2849: 2847: 2843: 2842: 2838: 2837: 2827: 2826:0-8021-3776-8 2823: 2819: 2815: 2812: 2811:0-89950-032-3 2808: 2804: 2800: 2797: 2793: 2789: 2786:Siegel, Don. 2785: 2782: 2778: 2774: 2770: 2767: 2763: 2759: 2756:Neve, Brian. 2755: 2752: 2751:0-299-22640-9 2748: 2744: 2740: 2737: 2733: 2729: 2725: 2721: 2717: 2714: 2710: 2706: 2702: 2699: 2695: 2692: 2688: 2684: 2680: 2677: 2673: 2669: 2665: 2664: 2651: 2645: 2631: 2630: 2623: 2616: 2612: 2609: 2607: 2601: 2593: 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1830:"Superscope." 1825: 1816: 1814: 1812: 1810: 1808: 1798: 1796: 1787: 1783: 1779: 1775: 1771: 1767: 1760: 1751: 1749: 1747: 1745: 1743: 1741: 1739: 1729: 1720: 1711: 1709: 1707: 1705: 1703: 1688: 1684: 1680: 1676: 1670: 1656: 1652: 1646: 1639: 1635: 1629: 1620: 1618: 1616: 1614: 1612: 1610: 1608: 1598: 1594: 1585: 1582: 1581: 1575: 1573: 1569: 1568: 1563: 1562: 1557: 1556: 1550: 1548: 1547: 1542: 1540: 1536: 1535: 1530: 1529: 1524: 1523: 1517: 1515: 1511: 1507: 1503: 1502: 1496: 1494: 1493: 1488: 1483: 1481: 1477: 1473: 1469: 1465: 1461: 1457: 1456: 1451: 1446: 1444: 1443: 1439: 1438:Gene Fowler's 1435: 1434: 1429: 1425: 1420: 1418: 1417: 1412: 1411: 1406: 1402: 1401: 1396: 1390:Related works 1387: 1385: 1384: 1379: 1375: 1374: 1369: 1364: 1362: 1361: 1356: 1355: 1349: 1347: 1343: 1338: 1336: 1335: 1330: 1329: 1324: 1323: 1318: 1308: 1306: 1302: 1301:Warren Beatty 1298: 1294: 1290: 1286: 1285: 1280: 1276: 1272: 1268: 1263: 1261: 1257: 1252: 1250: 1246: 1242: 1241:Academy ratio 1238: 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Page 254 1590:References 1472:Elmer Fudd 1468:Daffy Duck 1464:Bugs Bunny 1370:TV series 1354:Assimilate 1284:Studio One 1245:full frame 1231:Home media 1145:described 1068:Reception 1005:Korean War 960:Eisenhower 956:conformity 890:While the 839:anamorphic 828:Superscope 763:Val Lewton 712:Chatsworth 645:Vera Miles 641:Kim Hunter 637:Donna Reed 591:Production 560:Tom Fadden 442:as Teddy, 372:pod people 320:screenplay 308:Superscope 292:Don Siegel 265:Box office 232:80 minutes 215:1956-02-05 178:Production 53:Don Siegel 4070:Cleopatra 4054:Navy Wife 3942:Tap Roots 3510:The Sheik 3445:Rough Cut 2888:essay by 2724:TV Movies 2374:Bravo.com 2178:0015-1386 2028:Soho News 2024:socialism 1786:170827979 1687:0362-4331 1480:Porky Pig 1460:Greg Ford 1428:Val Guest 1305:Joe Dante 968:communist 732:Hollywood 720:Los Feliz 621:Gig Young 490:Featuring 312:film noir 260:$ 416,911 159:Edited by 81:Collier's 3878:Gung Ho! 3766:Blockade 3742:Stand-In 3638:Shanghai 3534:Applause 2868:AllMovie 2644:citation 2611:Archived 2592:Archived 2487:Archived 2463:Archived 2438:Archived 2389:Archived 2352:Archived 2330:Archived 2308:Archived 2273:Archived 2249:Archived 2224:Archived 2202:Archived 2069:Archived 2044:Archived 1992:Archived 1920:Archived 1897:Archived 1833:Archived 1578:See also 1537:are out 1525:episode 1510:pastrami 1373:Invasion 1337:(2007). 1325:(1978), 1293:Ed Asner 1265:Several 1152:Time Out 1124:website 973:For the 952:McCarthy 876:epilogue 872:prologue 854:Drive-in 716:Glendale 459:Starring 364:invasion 326:'s 1954 247:Language 167:Music by 103:Starring 69:Based on 3846:Sundown 3774:Algiers 3453:Jinxed! 3429:Telefon 3357:Madigan 2877:at the 2855:at the 2726:, then 2337:AFI.com 2186:3697349 1539:camping 1506:gentile 1378:Netflix 1170:by the 1112:Though 938:Themes 724:Bronson 382:by the 314:style. 251:English 237:Country 213: ( 180:company 4073:(1963) 4065:(1958) 4057:(1956) 4049:(1956) 4041:(1954) 4033:(1954) 4025:(1953) 4017:(1953) 4009:(1952) 4001:(1952) 3993:(1952) 3985:(1949) 3977:(1949) 3969:(1949) 3961:(1948) 3953:(1948) 3945:(1948) 3937:(1947) 3929:(1947) 3921:(1946) 3913:(1946) 3905:(1945) 3897:(1945) 3889:(1944) 3881:(1943) 3873:(1943) 3865:(1942) 3857:(1942) 3849:(1941) 3841:(1940) 3833:(1940) 3825:(1940) 3817:(1940) 3809:(1939) 3801:(1939) 3793:(1939) 3785:(1938) 3777:(1938) 3769:(1938) 3761:(1938) 3753:(1937) 3745:(1937) 3737:(1937) 3729:(1937) 3721:(1937) 3713:(1936) 3705:(1936) 3697:(1936) 3689:(1936) 3681:(1936) 3673:(1936) 3665:(1936) 3657:(1936) 3649:(1935) 3641:(1935) 3633:(1935) 3625:(1935) 3617:(1935) 3609:(1934) 3601:(1933) 3593:(1933) 3585:(1933) 3577:(1933) 3569:(1933) 3561:(1932) 3553:(1931) 3545:(1930) 3537:(1929) 3529:(1929) 3521:(1929) 3513:(1921) 3456:(1982) 3448:(1980) 3440:(1979) 3432:(1977) 3424:(1976) 3416:(1974) 3408:(1973) 3400:(1971) 3392:(1971) 3384:(1970) 3376:(1969) 3368:(1968) 3360:(1968) 3352:(1967) 3344:(1964) 3336:(1964) 3328:(1962) 3320:(1960) 3312:(1959) 3304:(1959) 3296:(1958) 3288:(1958) 3280:(1957) 3272:(1957) 3264:(1956) 3256:(1956) 3248:(1955) 3240:(1954) 3232:(1954) 3224:(1953) 3216:(1953) 3208:(1952) 3200:(1952) 3192:(1949) 3184:(1949) 3176:(1946) 3168:(1945) 3160:(1945) 3103:(2019) 3095:(2018) 3087:(2007) 3079:(1992) 3055:(2007) 3047:(1993) 3039:(1978) 3031:(1956) 2907:  2824:  2809:  2794:  2779:  2764:  2749:  2734:  2711:  2689:  2674:  2541:  2184:  2176:  1972:  1868:  1784:  1685:  1636:  1478:, and 1299:, and 1159:Legacy 726:, and 330:novel 302:. 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Index

Invasion of the Body Snatchers (1978 film)
Invasion of the Body Snatchas!

Don Siegel
Daniel Mainwaring
The Body Snatchers
Collier's
Jack Finney
Walter Wanger
Kevin McCarthy
Dana Wynter
Larry Gates
King Donovan
Carolyn Jones
Jean Willes
Ralph Dumke
Ellsworth Fredericks
Carmen Dragon
Walter Wanger Productions
Allied Artists Pictures
United States
English
science-fiction
horror film
Walter Wanger
Don Siegel
Kevin McCarthy
Dana Wynter
black-and-white
Superscope

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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