456:, comprising a father, a mother, their daughter and the father's mother. The story begins with two lovers, whose relationship is running dry. They decide to have a child, which the woman believes may save their relationship ("Between Love and Fire"). The birth of a baby girl destroys in the mother her hopes for a brilliant professional career and smothers her passion. On the other hand, the newborn child causes in the father a stiffening of his feelings and the refusal to compromise his career for a "spoilt brat" ("Sins of Idealism"). The girl, perceived in the family as an unwanted burden, tries to adapt to the psychological abuse she receives, but she is the object of frequent quarrels and grows sad and depressed ("Beautiful Emptiness"). She searches for quietness and strength in her inner fantasy world, and friendship and love on the internet, becoming ever more detached from the real world and eccentric in the eyes of her schoolmates and parents ("Eccentric", "Digital Deceit", "Through Square Eyes"). The line of pain that connects the child to her parents appears indestructible and the situation gets worse when the father thinks of leaving ("Blind Pain", "Two Sides"). The intervention of the girl's grandmother reveals that the father was himself a neglected child and a victim of his family ("Victim of Choices"). The father's anger is a reaction to his abuse as a child and this realization seems to soften the girl's pain, bringing her out of her defensive shell ("Reflections"). In conclusion, the grown-up daughter, now a mother herself, faces the same dilemmas of her parents and is bound to repeat her parents' mistakes, closing the invisible circle that endures from one generation to another ("Life's Vortex").
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her best and "her performance here is powerful, dramatic and very impressive overall, no matter how she chooses to sing". However, her lyrics were sometimes considered a weak point of the album, despite the fact that the band "placed as much emphasis" on them "as they did on the music". Sam Grant of Sonic
Cathedral Webzine considered them "trite" and "disappointing". In particular, the spoken dialogue by Somerville and Lansford was generally considered badly acted and detrimental to the music which, on the contrary, was generally considered the strong point of the album. The change of musical direction, with the introduction of progressive metal elements, and the many variations of style adopted in the songs were generally praised, to the point that a
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Drescher, who also appeared in the video clip for the song "Digital Diceit". He inserted the photos in a dark urban landscape tinted blue, completing the front cover artwork with the digital overlay of circles in the water to evoke the title of the album. The same circles were extensively used in the CD booklet and in every other artwork related to the album. Together with the dominant blue colour the circles were also present in the live show scenography.
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536:, to arrange the new songs and to record the instrumental tracks, under supervision of producer Hans Pieters and sound engineer Dennis Leidelmeijer. Every member of the band contributed to the music, which is credited for the most part to all six musicians. When the instrumental tracks were ready, the band moved in August 2003 to Gate Studio in
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370:. Moreover, his interest for religious and moral themes had characterized his lyrics for many songs, often collected under a common title (e.g. The Embrace That Smothers and My Pledge of Allegiance). In the next album, Mark Jansen meant to further explore complex interactions between classical instruments, choruses in Latin and
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and the subsequent tour in late 2002. Jansen's activities, as well as the regular jobs and studies of the After
Forever band members, reduced the band's live performances for the rest of 2002 and half of 2003. It was known that the band was working at a new album from the beginning of 2003, but their
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elements, while
Gommans and the others preferred a more direct and aggressive approach to music, retaining some elements that made the sound of the band recognizable, but expanding it in new and different directions. These musical differences led to Mark Jansen leaving the band, in what he felt as an
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was shaped by After
Forever's singer and lyricist Floor Jansen, taking inspiration from Sander Gommans' job as an art teacher. His daily contact with children with social and family problems had given him the desire to make people aware of these problems by incorporating their stories into songs. He
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review, this could be a "slightly overambitious creation". The
Maximum Metal reviewer states that "concept albums are always hard to pull off and not many bands can do it well" and "here is another failed attempt". It was the general opinion of most reviewers that Floor Jansen's lead vocals are at
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from 20 to 24 October 2003, under supervision of Peter Arts. The orchestra and choir parts were arranged there by Cees' Kieboom, who also contributed some additional keyboards to smooth the transition between the different instrumental parts. The final mixing of all the parts was executed by Sascha
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The artwork for the album was created by German designer
Carsten Drescher and his graphics company Media Logistics. Drescher was responsible for the After Forever logo and the cover concepts of every After Forever album and single since then. The girl he photographed is in fact his daughter Aimee
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The photos of the band were taken by Dutch photographer
Angelique van Woerkom in November 2003 and each member dressed in a tight black and blue suit with a lightning motif, the same colors of the CD sleeve. The same suits were used for the video clip of the single "Digital Deceit" and sometimes
476:. This part of the creative process had been shared with Mark Jansen for the previous albums and it would be shared with keyboard player Joost van den Broek for the following ones. Gommans wrote the songs for the new album with the precise idea of pushing the music of the band closer to
480:, reducing the gothic atmospheres of the previous releases to a minimum and adopting as many different musical styles as he felt necessary to the convey the message of the songs. Meanwhile, his fiancée Floor Jansen was writing the lyrics and shaping the plot for the concept album.
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tour started in
February 2004, just before the album release, in Mexico, home of the independent label Raw Metal Records, which distributed After Forever albums for all the American continent. An intensive European tour followed, touching the Netherlands, Germany and France.
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Paeth at The
Pathway Studio in Wolfsburg, Germany in November and December 2003, except the instrumental introduction "Childhood in Minor" mixed by Sander Gommans. The album was mastered at Sound Factory by Peter van 't Riet for a release in early 2004.
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produced mixed reviews, ranging from highest praise to complete failure, even in the same publication. The bold move of making a concept album about such a controversial matter was generally appreciated but, as
Eduardo Rivadavia said in his
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took more than a year and required the use of three recording studios in the Netherlands and Germany. A long tour to support the album brought the band to some of the most important European rock festivals and to Central and South America.
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describes the paths of life that someone can follow. Life consists of several circles that you can follow; many times you will come back at the beginning of a circle, although you have tried to get out of that particular circle."
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and attending some rock festivals, which exposed the band to larger audiences and gained them even more favourable press. Further media exposure came from Floor Jansen's collaboration with Dutch multi-instrumentalist and composer
567:" was the only single issued from the album and released on 20 May 2004. A high tech video clip was produced for the song by D'iMages, the same company that had done the video clip for the 2003 single "My Choice", extracted from
344:(2001) had received very positive reviews and their name was well known in the underground scene of the Netherlands. Critics were impressed by the remarkable musicianship of the young members of the band and in particular by
544:. She also contributed, along with Jay Lansford, the recited parts that connect the songs to each other and explain parts of the plot. The solo vocals of Jansen, Gommans and Bas Maas were recorded separately by producers
552:. Female soprano vocals, grunts and clean male vocals represent in the songs different feelings and behaviours of the characters. The final stage of the recording process was executed at Arts Music Recording studio in
444:
had also realized that those children's problems often stemmed from the psychological traumas that their parents had experienced in their past. Gommans described the title and the concept of the album in these terms: "
314:, with a storyline that follows the lives of an abused child and her parents since her conception to adulthood. The album was received with mixed reviews, but entered the charts in the Netherlands and Belgium.
398:. His place was taken by Bas Maas, who had been the guitar technician for After Forever during the tours of 2001 and 2002. August and September 2002 were dedicated to a European tour, supporting Finnish act
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festivals in Belgium and the Netherlands. The Pinkpop Festival performance on 30 May 2004, was televised for a Dutch TV station. The first leg of the tour culminated with the performance at the
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The reviewers noticed some musical changes in the new work, but some of them suspended their judgement, waiting for a full album to express their opinions about the new course of After Forever.
649:, who completed the rest of the tour. Van den Broek had played with Floor Jansen during the Star One tour of 2002, where he also met Gommans. The tour brought the band to play at the important
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was like an introduction to this new full length album and the subjects of the lyrics are already connected to the concept (...) meaning they are also dealing with modern, social problems".
348:'s vocals, both in studio and in live performances. In contrast with these premises for a bright future, the relationships within the band were not so idyllic. Soon after the release of
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It reached position No. 24 in the Netherlands and position No. 74 in Belgium. The single "Digital Deceit" reached position No. 41 in the Single Top 100 chart in the Netherlands.
619:, previously unreleased studio sessions and an interview. Physically, this edition was released on 2 December as a three-disc set and included a similarly expanded edition of
263:. It was released on 25 March 2004, by the small Dutch label Transmission Records. It is After Forever's first full-length album since the dismissal of guitarist and composer
503:
682:, while Borgman received intensive treatment to cure his cancer. Luckily, the cures were successful and Borgman was back behind his drum kit for the final leg of the
668:
New dates of the tour were added at the end of the year, but some shows were cancelled when drummer André Borgman was admitted to a hospital and diagnosed with
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672:
at an initial stage. The official site of the band reported the news of Borgman’s illness and confirmed some shows, with Ayreon, Star One and Gorefest drummer
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Two months after the release of the album, keyboard player Lando van Gils left the band on amicable terms. He played his last gig with the band at The Bosuil,
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and his love for movie soundtracks and classical music had had a strong influence on the musical style of After Forever’s first two albums,
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By the end of 2001, After Forever appeared as rising stars on the dynamic scene of Dutch metal, which included bands like
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645:, on 14 May 2004. He was replaced by keyboard player Joost van der Broek, coming from the Dutch progressive rock band
511:
The combination of classical instruments, operatic voice and heavy metal was a typical feature of After Forever songs.
540:, Germany, where all solo vocal parts were arranged by the band, under supervision of American singer and producer
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standing-in for Borgman. The band spent the first half of 2005 concentrating on the material for the new album
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about the dynamics of quarrelsome families and psychological child abuse. The theme was inspired by guitarist
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After Forever in 2003, wearing the black and blue costumes and with Lando van Gils still a member of the band
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in October 2003, containing an instrumental track, three new songs and two covers. In Jansen’s words "the EP
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with Floor Jansen on vocals". Only a few reviewers remained nostalgic of the gothic and symphonic sound of
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He quickly formed another band called Sahara Dust, which later developed into the symphonic metal band
279:(2001). In this work After Forever choose a new musical direction, mostly revolving around elements of
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and the rest of the band. Mark Jansen had been the main composer of the band together with
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and denounced a "lack of direction" and "too much confusion" in the music of the album.
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352:, After Forever faced a strong creative contrast between founding member and guitarist
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Dockter, Dries; Martien Koolen; Derk van Mourik; Charlie Farrell; Tom De Val (2004).
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267:, whose musical tastes had strongly influenced the sound of their first work
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2003:
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and the perplexities raised by the new musical direction of the EP
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Sander Gommans started the composition of the basic melodies for
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and symphonic metal of previous albums. The creative process for
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Cees' Kieboom – piano, keyboards, strings and choir arrangements
469:
335:
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94:
38:
572:
2498:"Interview with the Dutch gothic metal band Sahara Dust"
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After the almost unanimous praise received by the album
563:
was released by Transmission Records on 25 March 2004. "
3415:"After Forever - Invisible Circles Round Table review"
3255:. Maximum Metal.com. 9 September 2004. Archived from
3191:"AFTER FOREVER Drummer Winning Battle Against Cancer"
2841:. The Netherlands: Transmission Records TM-045. 2004.
2500:. Tartarean Desire Webzine. July 2002. Archived from
380:
I think my story has a lot in common with the one of
689:
2766:van Mourik, Derk; Tom De Val; Dries Dokter (2003).
472:, working at the same time on new songs for the EP
596:appeared in live shows during the following tour.
306:' work as an art teacher, in direct contact with
3678:
2851:: CS1 maint: others in cite AV media (notes) (
1091:, except where noted; all music is composed by
880:
819:
468:at the beginning of 2003 in his home studio in
3308:"After Forever - Invisible Circles recensione"
718:
3540:
3169:"After Forever Drummer Diagnosed With Cancer"
2768:"After Forever - Exordium round table review"
973:
752:
2983:(in German). Media Logistics. Archived from
939:
384:. I was also basically fired from the band.
273:(2000) and their successful second offering
3464:"After Forever - Invisible Circles (album)"
3216:
3214:
3212:
2579:. Nightwish World.com. 2007. Archived from
2121:
2119:
2117:
2115:
1563:"Interview with André Borgman and Bas Maas"
3547:
3533:
3383:"After Forever - Invisible Circles review"
3334:"After Forever - Invisible Circles review"
3285:"After Forever - Invisible Circles review"
3253:"After Forever - Invisible Circles review"
3247:
3245:
3243:
3144:"After Forever Wacken 2004 concert review"
2948:
2946:
2681:
2400:"Interview After Forever - Sander Gommans"
2156:"After Forever - Invisible Circles review"
1071:chart for eleven weeks and in the Belgian
532:in July 2003, a few weeks after recording
29:
3508:"After Forever - Digital Deceit (nummer)"
3440:. Sonic Cathedral WebZine. Archived from
3327:
3325:
3171:. Metal Underground.com. 11 February 2005
3009:. Studio Brussel.be. 2004. Archived from
2789:
2787:
2785:
2734:
2712:. Sonic Cathedral WebZine. Archived from
2437:. Sonic Cathedral WebZine. Archived from
2285:
1924:"One Day I'll Fly Away" (session version)
1442:"Between Love and Fire" (session version)
3282:
3278:
3276:
3274:
3209:
3163:
3161:
2901:"After Forever — Invisible Circles"
2893:
2867:"Sander Gommans 2007 interview (part 4)"
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2827:
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2823:
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2819:
2817:
2815:
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2761:
2759:
2757:
2606:. Metalflames.iespana.es. Archived from
2547:"Epica interview - Mark Jansen (part 1)"
2461:"Epica interview - Mark Jansen (part 4)"
2394:
2392:
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2388:
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2112:
1907:"The Evil That Men Do" (session version)
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2486:
2361:"After Forever at Piorno Rock Festival"
2340:. Metal-Rules.com Zine. 11 October 2007
2239:
2100:. Epica Official Website. 12 April 2006
1805:"The Evil That Men Do" (single version)
1486:"Through Square Eyes" (session version)
1431:"Beautiful Emptiness" (session version)
528:The band reunited at Excess Studios in
3679:
3385:. RevelationZ Magazine. Archived from
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1997:Hans Pieters – production, engineering
1920:
1903:
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1869:
1852:
1835:
1559:
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1537:
1526:
1515:
1420:"Childhood in Minor" (session version)
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1348:
1337:
1287:
1273:
1259:
686:tour in South America in August 2005.
18:2004 studio album by After Forever
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3220:
3158:
2881:from the original on 17 November 2021
2810:
2754:
2707:
2682:Westerbeke, Tonnie (3 October 2002).
2632:. Nightwish World.com. Archived from
2414:from the original on 17 November 2021
2379:
2265:"After Forever - Decipher recensione"
2262:
2210:
2179:
2057:Martine de Jager – choral alto vocals
2054:Caspar de Jonge – choral tenor vocals
1937:
1818:
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1519:"Victim of Choices" (session version)
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2604:"Nightwish + After Forever + Charon"
2483:
2240:Griffin, Larry (29 September 2008).
2153:
2092:
2090:
2060:Ellen Bakker – choral soprano vocals
2015:Hans van Vuuren – executive producer
1978:Bas Maas – guitar, clean male vocals
1955:
1890:"Glorifying Means" (session version)
1839:"Line of Thoughts" (session version)
1453:"Sins of Idealism" (session version)
1052:reviewer compares After Forever to "
882:
821:
3332:Espiau, Olivier (1 December 2004).
2698:
2659:. Arjenlucassen.com. Archived from
2601:
2523:Elliot, Russell W. (2 March 2004).
2305:
2230:
2199:
2142:
2128:"After Forever with Sander Gommans"
1363:"Sins of Idealism" (single version)
1126:"Childhood in Minor" (instrumental)
720:
310:and teenage problems. It is also a
255:is the third studio album by Dutch
13:
3707:Transmission (record label) albums
3091:"After Forever concert at Pinkpop"
2286:Congrains, Kike (26 August 2003).
1475:"Digital Deceit" (session version)
975:
754:
575:and on local musical TV stations.
485:
14:
3718:
3554:
3417:. The Dutch Progressive Rock Page
3305:
3146:. The Dutch Progressive Rock Page
2798:. The Dutch Progressive Rock Page
2770:. The Dutch Progressive Rock Page
2432:
2363:. ProgVisions.net. Archived from
2316:"After Forever - Decipher review"
2288:"After Forever - Decipher review"
2242:"After Forever - Decipher review"
2087:
2000:Dennis Leidelmeijer – engineering
1618:"Line of Thoughts" (instrumental)
1541:"Life's Vortex" (session version)
1374:"Blind Pain" (aggressive version)
1341:"Digital Deceit" (single version)
941:
690:Critical and commercial reception
3381:Kolman, Tajs (8 November 2004).
3283:Turnbull, Bruce (30 June 2007).
2926:"After Forever - Digital Deceit"
2735:Congrains, Kike (7 April 2004).
2318:. Sputnikmusic. 23 November 2005
1352:"Eccentric" (orchestral version)
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615:version of the album along with
519:Problems playing this file? See
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2126:Vermeere, Ralph (21 May 2007).
2051:Hans Cassa – choral bass vocals
1530:"Reflections" (session version)
1398:Invisible Circles: The Sessions
571:. The video was aired on Dutch
3486:"Ultratop 50 chart 17/04/2004"
3310:(in Italian). Metal Italia.com
3093:. Setlist.fm. 12 February 2010
2954:"After Forever Digital Deceit"
2710:"After Forever interview 2003"
2279:
2267:(in Italian). Metal Italia.com
2256:
2173:
1822:"My Choice" (acoustic version)
1596:
1497:"Blind Pain" (session version)
1404:
1325:
1107:
1:
3358:Elliot, R.W. (13 June 2004).
2794:Koolen, Martien (July 2004).
2359:Villen, GermĂ n (April 2002).
2338:"Floor Jansen interview 2007"
2081:
2069:Jay Lansford – reciting voice
2066:– reciting voice, vocal coach
2048:Sartje van Camp – violoncello
2045:Carla Schrijner – violoncello
2018:Peter van 't Riet – mastering
2012:– vocal producer, engineering
1984:Luuk van Gerven – bass guitar
1873:"My Choice" (session version)
1508:"Two Sides" (session version)
1464:"Eccentric" (session version)
1063:The album sold enough in the
459:
317:
2708:Grant, Sam (23 April 2003).
1950:
1788:"My Choice" (single version)
1552:"Two Sides" (single version)
1318:Invisible Circles: The Album
665:festival, on 7 August 2004.
578:
7:
3436:Grant, Sam (15 June 2004).
2981:"Media Logistics Impressum"
2684:"Star One featuring Ayreon"
2525:"Epica / The Phantom Agony"
1856:"Beneath" (session version)
1585:2016 reissue – disc three:
452:The plot revolves around a
10:
3723:
3438:"Invisible Circles review"
3360:"Invisible Circles review"
3223:"Invisible Circles review"
2956:. D'iMages. Archived from
2039:Herman van Haaren – violin
1981:Lando van Gils – keyboards
1590:: The Album – The Sessions
1087:All lyrics are written by
3654:
3608:
3562:
3362:. Musical Discoveries.com
2796:"After Forever interview"
2737:"After Forever interview"
2630:"Nightwish World fanzine"
2182:"After Forever Biography"
2042:Yvonne van de Pol – viola
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1396:2016 reissue – disc two:
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1316:2016 reissue – disc one:
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37:
28:
23:
2006:– vocal producer, mixing
550:Michael "Miro" Rodenberg
2686:(in Dutch). Metalfan.nl
2036:Jeanne Biessen – violin
1156:"Between Love and Fire"
1067:to remain in the Dutch
628:
407:, for the recording of
54:25 March 2004
3061:"Dynamo Open Air 2004"
3036:"Pinkpop Affiche 2004"
3007:"Graspop Affiche 2004"
2930:Encyclopaedia Metallum
2905:Encyclopaedia Metallum
2435:"Epica Interview 2006"
1075:Albums chart for two.
588:
490:
405:Arjen Anthony Lucassen
386:
308:dysfunctional families
117:symphonic gothic metal
93:Arts Music Recording,
3287:. The Metal Crypt.com
2577:"Nightwish biography"
2527:. Musical Discoveries
2244:. The Metal Crypt.com
2154:Ivor (30 June 2004).
2098:"Mark Jansen profile"
1987:André Borgman – drums
1743:One Day I'll Fly Away
1221:"Through Square Eyes"
1142:"Beautiful Emptiness"
599:On 11 November 2016,
586:
489:
435:Concept and storyline
378:
338:. Their second album
236:Released: 20 May 2004
3697:2000s concept albums
3692:After Forever albums
3221:Rivadavia, Eduardo.
3142:De Val, Tom (2004).
2263:Macinanti, Lorenzo.
2211:Rivadavia, Eduardo.
2180:Rivadavia, Eduardo.
2028:Additional musicians
1688:The Evil That Men Do
1095:, except where noted
970:RevelationZ Magazine
695:Professional ratings
454:dysfunctional family
3585:Joost van den Broek
3389:on 14 November 2004
3123:on 31 December 2015
2987:on 26 December 2010
2979:Drescher, Carsten.
2847:cite AV media notes
2610:on 18 December 2009
1592:
1400:
1321:
1263:"Victim of Choices"
1103:
936:Musical Discoveries
696:
3510:. Gfk Dutch Charts
3466:. Gfk Dutch Charts
1669:"Glorifying Means"
1584:
1395:
1315:
1170:"Sins of Idealism"
1098:
1069:Mega Album Top 100
694:
589:
491:
375:actual dismissal.
222:Invisible Circles
3672:
3671:
3631:Invisible Circles
2835:Invisible Circles
2655:Lucassen, Arjen.
2583:on 7 October 2008
2213:"Decipher review"
2078:
2077:
2064:Amanda Somerville
1947:
1946:
1580:
1579:
1391:
1390:
1311:
1310:
1100:Invisible Circles
1040:Invisible Circles
1028:
1027:
684:Invisible Circles
635:Invisible Circles
601:Invisible Circles
561:Invisible Circles
542:Amanda Somerville
506:
478:progressive metal
466:Invisible Circles
446:Invisible Circles
441:Invisible Circles
328:Within Temptation
296:Invisible Circles
289:Invisible Circles
281:progressive metal
252:Invisible Circles
248:
247:
208:
207:
191:Invisible Circles
112:Progressive metal
69:July–October 2003
24:Invisible Circles
3714:
3617:Prison of Desire
3549:
3542:
3535:
3526:
3525:
3520:
3519:
3517:
3515:
3504:
3498:
3497:
3495:
3493:
3482:
3476:
3475:
3473:
3471:
3460:
3454:
3453:
3451:
3449:
3433:
3427:
3426:
3424:
3422:
3410:
3399:
3398:
3396:
3394:
3378:
3372:
3371:
3369:
3367:
3355:
3349:
3348:
3346:
3344:
3329:
3320:
3319:
3317:
3315:
3306:Dileo, Gennaro.
3303:
3297:
3296:
3294:
3292:
3280:
3269:
3268:
3266:
3264:
3249:
3238:
3237:
3235:
3233:
3218:
3207:
3206:
3204:
3202:
3195:Blabbermouth.net
3187:
3181:
3180:
3178:
3176:
3165:
3156:
3155:
3153:
3151:
3139:
3133:
3132:
3130:
3128:
3119:. Archived from
3109:
3103:
3102:
3100:
3098:
3087:
3081:
3080:
3078:
3076:
3067:. Archived from
3057:
3051:
3050:
3048:
3046:
3040:
3032:
3026:
3025:
3023:
3021:
3015:
3003:
2997:
2996:
2994:
2992:
2976:
2970:
2969:
2967:
2965:
2950:
2941:
2940:
2938:
2936:
2922:
2916:
2915:
2913:
2911:
2897:
2891:
2890:
2888:
2886:
2877:. 16 June 2007.
2863:
2857:
2856:
2850:
2842:
2831:
2808:
2807:
2805:
2803:
2791:
2780:
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2670:
2668:
2652:
2646:
2645:
2643:
2641:
2626:
2620:
2619:
2617:
2615:
2602:Jiménez, Jorge.
2599:
2593:
2592:
2590:
2588:
2573:
2567:
2566:
2564:
2562:
2543:
2537:
2536:
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2223:
2208:
2197:
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2192:
2177:
2171:
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2168:
2166:
2151:
2140:
2139:
2137:
2135:
2123:
2110:
2109:
2107:
2105:
2094:
1975:– guitar, grunts
1956:
1940:
1598:
1593:
1583:
1573:
1406:
1401:
1394:
1384:
1327:
1322:
1314:
1304:
1207:"Digital Deceit"
1109:
1104:
1097:
1024:
1023:
1022:
1018:
1017:
1013:
1012:
1008:
1007:
1003:
1002:
998:
997:
993:
992:
988:
987:
983:
982:
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977:
965:
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949:
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929:
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919:
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870:
869:
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834:
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829:
828:
824:
823:
803:
802:
801:
797:
796:
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787:
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777:
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766:
762:
761:
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743:
742:
738:
737:
733:
732:
728:
727:
723:
722:
697:
693:
508:
507:
497:"Digital Deceit"
488:
390:
363:Prison of Desire
270:Prison of Desire
237:
234:
233:"Digital Deceit"
177:
176:
136:
135:
131:
61:
59:
33:
21:
20:
3722:
3721:
3717:
3716:
3715:
3713:
3712:
3711:
3677:
3676:
3673:
3668:
3650:
3604:
3579:Luuk van Gerven
3558:
3553:
3523:
3513:
3511:
3506:
3505:
3501:
3491:
3489:
3484:
3483:
3479:
3469:
3467:
3462:
3461:
3457:
3447:
3445:
3444:on 23 July 2011
3434:
3430:
3420:
3418:
3411:
3402:
3392:
3390:
3379:
3375:
3365:
3363:
3356:
3352:
3342:
3340:
3330:
3323:
3313:
3311:
3304:
3300:
3290:
3288:
3281:
3272:
3262:
3260:
3259:on 17 July 2011
3251:
3250:
3241:
3231:
3229:
3219:
3210:
3200:
3198:
3189:
3188:
3184:
3174:
3172:
3167:
3166:
3159:
3149:
3147:
3140:
3136:
3126:
3124:
3117:Wacken Open Air
3111:
3110:
3106:
3096:
3094:
3089:
3088:
3084:
3074:
3072:
3071:on 5 April 2005
3065:Dynamo Open Air
3059:
3058:
3054:
3044:
3042:
3041:. VPro.nl. 2004
3038:
3034:
3033:
3029:
3019:
3017:
3016:on 29 June 2016
3013:
3005:
3004:
3000:
2990:
2988:
2977:
2973:
2963:
2961:
2960:on 20 July 2011
2952:
2951:
2944:
2934:
2932:
2924:
2923:
2919:
2909:
2907:
2899:
2898:
2894:
2884:
2882:
2865:
2864:
2860:
2844:
2843:
2833:
2832:
2811:
2801:
2799:
2792:
2783:
2773:
2771:
2764:
2755:
2745:
2743:
2733:
2729:
2719:
2717:
2706:
2699:
2689:
2687:
2680:
2676:
2666:
2664:
2663:on 23 July 2011
2653:
2649:
2639:
2637:
2628:
2627:
2623:
2613:
2611:
2600:
2596:
2586:
2584:
2575:
2574:
2570:
2560:
2558:
2545:
2544:
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2530:
2528:
2521:
2517:
2507:
2505:
2496:
2495:
2484:
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2472:
2459:
2458:
2454:
2444:
2442:
2431:
2427:
2417:
2415:
2398:
2397:
2380:
2370:
2368:
2367:on 24 July 2011
2357:
2353:
2343:
2341:
2336:
2335:
2331:
2321:
2319:
2314:
2313:
2306:
2296:
2294:
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2270:
2268:
2261:
2257:
2247:
2245:
2238:
2231:
2221:
2219:
2209:
2200:
2190:
2188:
2178:
2174:
2164:
2162:
2152:
2143:
2133:
2131:
2130:. Rockezine.com
2124:
2113:
2103:
2101:
2096:
2095:
2088:
2084:
2079:
2022:
1969:– female vocals
1953:
1948:
1938:
1777:
1765:
1730:
1715:
1701:Bruce Dickinson
1581:
1571:
1392:
1382:
1312:
1302:
1291:"Life's Vortex"
1196:
1084:
1020:
1015:
1010:
1005:
1000:
995:
990:
985:
980:
961:
956:
951:
946:
927:
922:
917:
912:
907:
902:
897:
892:
887:
866:
861:
856:
851:
846:
841:
836:
831:
826:
808:The Metal Crypt
799:
794:
789:
784:
779:
774:
769:
764:
759:
740:
735:
730:
725:
692:
663:Wacken Open Air
631:
625:on disc three.
611:, containing a
581:
526:
525:
517:
515:
514:
513:
512:
509:
502:
499:
492:
486:
462:
439:The concept of
437:
392:
388:
320:
283:instead of the
257:symphonic metal
240:
235:
232:
231:
203:
194:
185:
133:
129:
128:
57:
55:
46:
19:
12:
11:
5:
3720:
3710:
3709:
3704:
3699:
3694:
3689:
3670:
3669:
3667:
3666:
3658:
3656:
3652:
3651:
3649:
3648:
3641:
3634:
3627:
3620:
3612:
3610:
3606:
3605:
3603:
3602:
3601:Lando van Gils
3599:
3594:
3591:
3586:
3583:
3580:
3577:
3574:
3572:Sander Gommans
3569:
3563:
3560:
3559:
3552:
3551:
3544:
3537:
3529:
3522:
3521:
3499:
3477:
3455:
3428:
3400:
3373:
3350:
3321:
3298:
3270:
3239:
3208:
3182:
3157:
3134:
3104:
3082:
3052:
3027:
2998:
2971:
2942:
2917:
2892:
2858:
2809:
2781:
2753:
2727:
2716:on 9 June 2009
2697:
2674:
2647:
2621:
2594:
2568:
2538:
2515:
2504:on 6 June 2011
2482:
2452:
2441:on 29 May 2009
2425:
2378:
2351:
2329:
2304:
2278:
2255:
2229:
2198:
2172:
2141:
2111:
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2040:
2037:
2034:
2024:
2020:
2019:
2016:
2013:
2007:
2001:
1998:
1989:
1988:
1985:
1982:
1979:
1976:
1973:Sander Gommans
1970:
1954:
1952:
1949:
1945:
1944:
1941:
1935:
1934:
1931:
1928:
1925:
1922:
1918:
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1781:
1778:
1776:
1775:
1772:
1768:
1766:
1764:
1763:
1758:
1752:
1750:
1747:Randy Crawford
1739:
1735:
1734:
1731:
1729:
1728:
1725:
1722:
1718:
1716:
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1713:
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1531:
1528:
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1517:
1513:
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1502:
1501:
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1436:
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1418:
1414:
1413:
1410:
1407:
1393:
1389:
1388:
1385:
1379:
1378:
1375:
1372:
1368:
1367:
1364:
1361:
1357:
1356:
1353:
1350:
1346:
1345:
1342:
1339:
1335:
1334:
1331:
1328:
1320:(bonus tracks)
1313:
1309:
1308:
1305:
1299:
1298:
1295:
1292:
1289:
1285:
1284:
1281:
1278:
1275:
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1219:
1215:
1214:
1211:
1208:
1205:
1201:
1200:
1197:
1195:
1194:
1191:
1190:Lando van Gils
1187:
1185:
1182:
1178:
1177:
1174:
1171:
1168:
1164:
1163:
1160:
1157:
1154:
1150:
1149:
1146:
1143:
1140:
1136:
1135:
1132:
1130:Sander Gommans
1127:
1124:
1120:
1119:
1116:
1113:
1110:
1085:
1083:
1080:
1026:
1025:
971:
967:
966:
937:
933:
932:
878:
872:
871:
817:
813:
812:
809:
805:
804:
750:
746:
745:
716:
710:
709:
706:
702:
701:
691:
688:
630:
627:
580:
577:
565:Digital Deceit
516:
510:
500:
495:
494:
493:
484:
483:
482:
461:
458:
436:
433:
377:
358:Sander Gommans
319:
316:
304:Sander Gommans
246:
245:
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241:
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238:
228:
225:
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214:
213:
210:
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205:
196:
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126:
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107:
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84:
75:
71:
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63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
3719:
3708:
3705:
3703:
3700:
3698:
3695:
3693:
3690:
3688:
3685:
3684:
3682:
3675:
3665:
3664:
3660:
3659:
3657:
3653:
3647:
3646:
3645:After Forever
3642:
3640:
3639:
3635:
3633:
3632:
3628:
3626:
3625:
3621:
3619:
3618:
3614:
3613:
3611:
3609:Studio albums
3607:
3600:
3598:
3597:Jack Driessen
3595:
3592:
3590:
3587:
3584:
3582:André Borgman
3581:
3578:
3575:
3573:
3570:
3568:
3565:
3564:
3561:
3557:
3556:After Forever
3550:
3545:
3543:
3538:
3536:
3531:
3530:
3527:
3509:
3503:
3488:. Ultratop.be
3487:
3481:
3465:
3459:
3443:
3439:
3432:
3416:
3409:
3407:
3405:
3388:
3384:
3377:
3361:
3354:
3339:
3335:
3328:
3326:
3309:
3302:
3286:
3279:
3277:
3275:
3258:
3254:
3248:
3246:
3244:
3228:
3224:
3217:
3215:
3213:
3197:. 21 May 2005
3196:
3192:
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2839:After Forever
2837:(CD sleeve).
2836:
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2636:on 5 May 2010
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1961:After Forever
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1761:Will Jennings
1759:
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1572:Total length:
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1383:Total length:
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1362:
1358:
1354:
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1303:Total length:
1300:
1296:
1293:
1290:
1286:
1282:
1279:
1277:"Reflections"
1276:
1272:
1268:
1265:
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1234:
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1105:
1102:track listing
1101:
1096:
1094:
1093:After Forever
1090:
1082:Track listing
1079:
1076:
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751:
749:Maximum Metal
748:
747:
717:
715:
712:
711:
703:
700:Review scores
698:
687:
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382:Morten Veland
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329:
325:
324:The Gathering
315:
313:
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301:
300:concept album
297:
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271:
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261:After Forever
258:
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169:After Forever
166:
161:After Forever
160:
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96:
92:
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83:, Netherlands
82:
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68:
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45:
44:After Forever
40:
36:
32:
27:
22:
16:
3674:
3661:
3643:
3636:
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3629:
3622:
3615:
3593:Joep Beckers
3567:Floor Jansen
3512:. Retrieved
3502:
3490:. Retrieved
3480:
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3458:
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3442:the original
3431:
3419:. Retrieved
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3387:the original
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3137:
3125:. Retrieved
3121:the original
3113:"W:O:A 2004"
3107:
3095:. Retrieved
3085:
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3069:the original
3055:
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2800:. Retrieved
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2714:the original
2688:. Retrieved
2677:
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2661:the original
2650:
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2634:the original
2624:
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2608:the original
2597:
2585:. Retrieved
2581:the original
2571:
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2550:
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2529:. Retrieved
2518:
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2502:the original
2473:. Retrieved
2464:
2455:
2443:. Retrieved
2439:the original
2433:Grant, Sam.
2428:
2416:. Retrieved
2403:
2369:. Retrieved
2365:the original
2354:
2342:. Retrieved
2332:
2320:. Retrieved
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2281:
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2258:
2246:. Retrieved
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2189:. Retrieved
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2132:. Retrieved
2102:. Retrieved
2072:
2027:
2026:
2021:
2004:Sascha Paeth
1991:
1990:
1967:Floor Jansen
1960:
1959:
1711:Adrian Smith
1706:Steve Harris
1586:
1397:
1317:
1235:"Blind Pain"
1099:
1089:Floor Jansen
1086:
1077:
1062:
1057:
1039:
1035:
1031:
1029:
816:Metal Italia
683:
677:
667:
640:
634:
632:
620:
617:single edits
600:
598:
594:
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568:
560:
559:
546:Sascha Paeth
533:
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389:–Mark Jansen
387:
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367:
361:
349:
346:Floor Jansen
339:
321:
295:
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190:
189:
180:
158:Hans Pieters
146:Transmission
39:Studio album
15:
3702:Rock operas
3687:2004 albums
3589:Mark Jansen
3338:Metal Storm
2871:FaceCulture
2741:Metal Storm
2551:FaceCulture
2465:FaceCulture
2404:FaceCulture
2292:Metal Storm
2160:Metal Storm
1692:Iron Maiden
1652:"My Choice"
1249:"Two Sides"
1184:"Eccentric"
1073:Ultratop 50
1050:Metal Storm
876:Metal Storm
670:lung cancer
605:re-released
414:Space Metal
372:death metal
366:(2000) and
354:Mark Jansen
312:metal opera
265:Mark Jansen
3681:Categories
2657:"Star One"
2082:References
1992:Production
1756:Joe Sample
1054:Symphony X
613:remastered
521:media help
460:Production
318:Background
171:chronology
58:2004-03-25
1951:Personnel
1721:Dickinson
1635:"Beneath"
647:Sun Caged
609:streaming
579:Packaging
538:Wolfsburg
530:Rotterdam
411:'s album
400:Nightwish
90:, Germany
88:Wolfsburg
81:Rotterdam
3663:Exordium
3638:Remagine
3624:Decipher
3576:Bas Maas
3514:17 April
3470:17 April
3448:17 April
3421:17 April
3393:17 April
3366:17 April
3343:17 April
3314:17 April
3291:17 April
3263:17 April
3232:17 April
3227:AllMusic
2910:11 April
2879:Archived
2802:16 April
2412:Archived
2410:. 2005.
2217:AllMusic
2186:AllMusic
2165:11 April
2134:11 April
1774:Jennings
1588:Exordium
1058:Decipher
1045:AllMusic
1036:Exordium
1032:Decipher
714:AllMusic
679:Remagine
674:Ed Warby
622:Exordium
569:Exordium
534:Exordium
474:Exordium
426:Exordium
421:Exordium
409:Star One
368:Decipher
350:Decipher
341:Decipher
332:Gorefest
276:Decipher
200:Remagine
182:Exordium
152:Producer
79:Excess,
66:Recorded
51:Released
41: by
3201:15 June
3045:16 June
3020:16 June
2885:15 June
2875:YouTube
2561:15 June
2555:YouTube
2508:1 April
2475:15 June
2469:YouTube
2418:15 June
2408:YouTube
1624:Gommans
1065:Benelux
655:Pinkpop
651:Graspop
218:Singles
204:(2005)
195:(2004)
186:(2003)
56: (
3492:23 May
3175:16 May
3150:16 May
3127:16 May
3097:16 May
3075:16 May
2991:16 May
2935:22 May
2746:16 May
2557:. 2007
2471:. 2007
2445:22 May
2371:22 May
2344:23 May
2191:22 May
2073:
1930:
1927:
1913:
1910:
1896:
1893:
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1825:
1811:
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1791:
1771:Sample
1749:cover)
1724:Harris
1694:cover)
1675:
1672:
1658:
1655:
1641:
1638:
1621:
1610:Length
1604:Lyrics
1412:Length
1333:Length
1294:
1280:
1266:
1252:
1238:
1224:
1210:
1193:Jansen
1173:
1159:
1145:
1118:Length
708:Rating
705:Source
659:Dynamo
470:Reuver
336:Ayreon
285:gothic
125:Length
86:Gate,
74:Studio
3039:(JPG)
3014:(JPG)
2964:9 May
2774:7 May
2720:9 May
2690:9 May
2667:9 May
2640:9 May
2614:9 May
2587:8 May
2531:9 May
2322:7 May
2297:7 May
2271:7 May
2248:7 May
2222:7 May
2104:9 May
1943:64:26
1727:Smith
1607:Music
1601:Title
1576:72:20
1409:Title
1387:76:08
1330:Title
1307:59:03
1115:Music
1112:Title
811:2.7/5
643:Weert
554:Rhoon
396:Epica
298:is a
259:band
220:from
142:Label
105:Genre
95:Rhoon
3516:2010
3494:2010
3472:2010
3450:2010
3423:2010
3395:2010
3368:2010
3345:2010
3316:2010
3293:2010
3265:2010
3234:2010
3203:2016
3177:2010
3152:2010
3129:2010
3099:2010
3077:2010
3047:2016
3022:2016
2993:2010
2966:2010
2937:2010
2912:2010
2887:2016
2853:link
2804:2010
2776:2010
2748:2010
2722:2010
2692:2010
2669:2010
2642:2010
2616:2010
2589:2010
2563:2016
2533:2010
2510:2010
2477:2016
2447:2010
2420:2016
2373:2010
2346:2010
2324:2010
2299:2010
2273:2010
2250:2010
2224:2010
2193:2010
2167:2010
2136:2010
2106:2010
2010:Miro
1933:4:44
1916:4:50
1899:5:00
1882:4:52
1865:4:53
1848:2:18
1831:4:00
1814:3:18
1797:4:00
1780:4:43
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1678:4:59
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1644:4:52
1627:2:15
1566:9:50
1555:3:17
1544:5:53
1533:5:12
1522:3:21
1511:4:34
1500:6:19
1489:6:23
1478:5:38
1467:4:08
1456:5:19
1445:4:57
1434:5:25
1423:2:04
1377:4:16
1366:4:11
1355:4:35
1344:4:07
1297:5:53
1283:5:11
1269:3:22
1255:4:34
1241:6:47
1227:6:23
1213:5:38
1199:4:11
1176:5:21
1162:4:57
1148:5:25
1134:1:21
657:and
633:The
629:Tour
603:was
548:and
334:and
3655:EPs
1921:15.
1904:14.
1887:13.
1870:12.
1853:11.
1836:10.
1745:" (
1690:" (
1597:No.
1560:14.
1549:13.
1538:12.
1527:11.
1516:10.
1405:No.
1371:16.
1360:15.
1349:14.
1338:13.
1326:No.
1288:12.
1274:11.
1260:10.
1108:No.
607:on
573:MTV
3683::
3403:^
3336:.
3324:^
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3225:.
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3193:.
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3115:.
3063:.
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2873:.
2869:.
2849:}}
2845:{{
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1738:6.
1683:5.
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1123:1.
653:,
330:,
326:,
134:03
130:59
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1741:"
1686:"
523:.
132::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
