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3281:. pp. 82-83. "Isis's lyrics for example centred such concepts as that of the mosquito swarm on their entire first album 'Mosquito Control', a theme which they would refer to very subtly in future lyrics, visual art, and titles by using words such as 'swarm', 'sting', 'hive' or 'cocoon' and images of mosquito's. Examples are 'Collapse and Crush', 'Swarm Reigns (Down)' and 'Gentle Time' on their album 'Celestial', which also added imagery of signals and signalling communication towers."
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1134:, or story arc, instead focusing on themes rather than stories. As such, releases are defined by some as "pseudo-concept albums". The band see lyrics as important, but at the same time, Turner does not feel it necessary to enunciate every word. Instead, any connections made are mainly conjecture, and the formation of a theme takes into account the album artwork, previous albums, track titles and the use of metaphor just as much as lyricism.
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explaining everything in such a fashion that there's really nothing left for the listener or reader to explore themselves. It's all spelled out," Turner continues. "So it's interesting to leave some of that stuff open-ended so they have to do a little bit of legwork themselves." He was similarly reticent about revealing much which went into
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There is an overt intention of progressing heavy music present in Isis' output; a desire to further the intellectual cause that pushes them forward. This is evident within the clear progression of their sound from release to release, their influence on heavy music, and their acceptance in art circles
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that "we don't want to hand-feed everything to the listener. We just want to have a sense of mystery". There is a definite attitude that art and music are interchangeable and synonymous to the band; he feels that "the songwriting and the artwork come from the same place". This logic relates to visual
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Turner, when asked to define Isis, described their sound as "avant-garde, drone-oriented rock, but that doesn't completely cover the bases". At the same time, he is reticent about settling on one label exclusively, and steers away from the use of specific genre labels – "'heavy, atmospheric, droning,
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blah blah blah.'" When asked how he reacts to being asked to define Isis' sound, he admits "I never know what to say. I'm almost afraid of perpetuating a new tag." Likewise, he also describes their music using a slightly more open-ended tag: as "thinking man's metal"; however, this tag refers to the
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Most of Isis' releases revolve around a theme. While each release has its own unique theme, many of the major releases interconnect. Turner has stated: "we wanted to have albums that weren't just grab-bags of songs but rather a cohesive experience from beginning to end, from the music to the lyrics
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The album's sound continued Isis' legacy of lengthy songwriting, and presents a slight departure from the soft-loud dynamics which characterised previous releases. Critical appraisal was largely positive; it went on to place well on a handful of best-of lists at the close of the year. Commercially,
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of 1997. As Turner stated, "Isis formed as a result of the dissatisfaction with past bands of the founding members. None of us were happy with what we were doing musically at the time, two of us lived together, we had similar tastes and similar record collections." The band began playing out in the
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attest to how Turner has completed his goal, explaining that "Aaron Turner has loosened hardcore from its geographical roots, and in the process created an intimate, yet immeasurable vision all of his own". Turner has complained that "metal in general has long been unjustly maligned as solely the
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quiet. "Through explaining the last two albums time and time again, I just started to become weary of the topic, and I started to feel like I was losing my connection to the music and the lyrics simply from having repeated it so many times I feel there's a lot of emphasis these days placed on
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as influences to Isis' sound, saying "those bands laid the groundwork for us we're part of a recognizable lineage." Early releases were derided as imitative of
Neurosis, and he admits that the comparisons weren't "completely unjustified". However, material since (and including)
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Isis did not write their music for mainstream appeal according to guitarist
Michael Gallagher: "... we've never tried to be on the radio, and we've never tried to please others. We've simply done whatever we've wanted to do, and we've all decided to be happy with the results."
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In Boston, several sessions of experimentation led friends Aaron Turner (guitar/vocals; also the owner of Hydra Head
Records and its subsidiary, HH Noise Industries), Jeff Caxide (bass guitar), Chris Mereschuk (electronics/vocals) and Aaron Harris (drums) to form Isis in the
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Turner has gone on record saying "I like the idea of preserving at least a little shred of mystery and making the band to be more an entity—without hopefully sounding too pretentious – as a work of art ". Turner has also said in an interview in New
Zealand music magazine
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may be the group's most noted album to date, and is widely considered a turning-point in the history of the band. Turner himself describes it as their "quintessential album". It was at the time their most successful release, receiving album-of-the-year accolades from
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bonus track "Way
Through Woven Branches" and the unreleased song "The Pliable Foe", and Hydra Head Records have announced that the entire series of live albums will see digital re-release from May to July 2011. On November 6, 2012, a compilation double album titled
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was already working with Ipecac, so he showed some material to Patton, who, unknown to the band, was already a fan. After discussion, they signed with Ipecac, who went on to issue the band's subsequent studio albums.
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in what many saw as a logical progression. While much of the material on the album retained the band's former "metallic" intensity, this departure saw the band appeal to a far wider audience; as a result,
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was an overtly political release, and arguably the clearest statement made within their music yet. It displayed fears of surveillance and of tacit governmental influence; its namesake, the
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scenes, the band has long since transcended the musical boundaries of those genres". However, their ongoing acceptance within the pantheon of hardcore music is attested to by
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where other metal bands are not so readily embraced. Their stated goal is "not to break away from the scene that came from, but to expand upon it". Publications such as
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spring of 1998, and recorded a demo at Salad Days
Studios shortly thereafter. After an East Coast tour in the summer of 1998 where they were joined by Randy Larsen of
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Top
Independent Albums charts; their first entry into any mainstream charts. Before touring the United States, the band performed a free concert at the
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Extensive touring followed the album's release, taking in headlining shows across the United States, Europe, Japan and
Australia with bands including
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province of knuckle-dragging meatheads That said, there's never been a group of musicians like there is now, who are helping to advance the form."
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has not been so often likened to
Neurosis; in fact, it has become the case that it is Isis who are being imitated in a burgeoning post-metal scene.
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was released as part of a project of Dutch label
Konkurrent in which two artists are given two days' studio time to write and record their work.
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makes an appearance on the track, "Altered Course". Overall, it was a very well received album, being awarded 'album of the year' accolades from
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379:(1999). Jay Randall's time with the band was brief, and Isis recruited guitarist/keyboardist Bryant Clifford Meyer (formerly of
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were recorded by the original lineup, Mereschuk was replaced by Jay Randall in 1999, who joined the group alongside guitarist
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After constantly explaining concepts and story outlines to interviewers and fans, Turner chose to keep the thematic basis of
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and aural aspects as well as overt intellectualisation, through literary references and driving philosophies. Books such as
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In 2011 Jeff Caxide, Aaron Harris and Bryant Clifford Meyer sought out to continue creating music together and formed
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On May 18, 2010, Isis announced their decision to break up following their final tour, with their final show to be in
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The band reunited for a one-off show on October 13, 2018 (under the name "Celestial") at a benefit for the family of
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sound, one which rarely uses vocals and typically is devoid of distorted guitars. Isis, however, have origins in
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The Thematical and Stylistic Evolution of Heavy Metal Lyrics and Imagery From the 70s to Present Day
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named Isis the twelfth-heaviest band of all time in December 2004. On July 23, 2006, they performed
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all cite Isis as an influence. This underground success attracted the attention of the likes of
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on vocals and guitar. The resulting self-titled debut album was released on June 25, 2013.
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2515:"Torche / Boris Split 10" and Melvins / Isis Split 12" In Stores.... Yesterday!!!"
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critic Dan Epstein noted that "though originally lumped in with the hardcore and
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On June 5, 2013, it was announced that a remastered version of their debut album,
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intellectual elements behind the music, as opposed to exclusively aural ones.
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2622:"Deftones/Isis Spinoff Palms Confirm June Release Date for Self-Titled Debut"
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In April 2009, the band won in the category "Best Underground Metal Act" at
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on guitar, Mereschuk left the band. In 1999, Michael Gallagher (formerly of
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after years of working with Matt Bayles had grown "routine" for the band.
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2679:"Fans Of The 'ISIS' Rock Band Say They Won't Wear Their T-Shirts Anymore"
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This article is about the American heavy metal band. For other uses, see
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band formed in Boston, Massachusetts in 1997 by guitarist and vocalist
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2081:"Behind 'Wavering Radiant', an Interview With Aaron Harris of Isis"
1439:"Isis' Aaron Turner: Musical Renaissance Man – Exclusive Interview"
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383:) to replace him. After releasing their full-length debut entitled
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269:. Jay Randall would later be replaced by guitarist and keyboardist
3139:"Tool Opening Act Isis Say They're Ready To Be Booed By Meatheads"
2589:"Deftones Frontman Joins Forces With Former Isis Members In Palms"
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2012:"Covert Concepts: Inside the intellectual mystery metal of Isis"
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have all played a role in shaping the themes of Isis' releases.
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was released in 2004, featuring reinterpretations of songs from
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through their friends in Neurosis to remix the title track from
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3014:"Influential Post-metal Band Isis Mistaken for Terrorist Group"
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Bennet, J. (August 2006). "Isis: Hear No Evil, Speak No Evil".
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by a number of influential artists requested by the band. Both
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tells a convoluted tale involving love, incest and suicide by
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for the first time and gaining international chart presence.
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late 2006 North American tour in support of their new album,
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1739:"An Interview with Donny, Rob, Benny, and Augie of Tides..."
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to "Isis the band" in order to avoid any confusion with the
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Golden Gods awards ceremony. The band's fifth studio album,
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The band finished recording their fourth full-length album,
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Birk, Nathan T. (January 2007). "Isis: A Glorious Burden".
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Yates, Catherine (January 2010). "Top 40 Albums of 2009".
1559:"In The Presence Of Truth: DiS meets Aaron Turner of Isis"
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bassist who died in a road accident seven months earlier.
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2649:"ISIS Reissuing 'Celestial' – Remastered and New Artwork"
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it was Isis' most successful release ever, breaching the
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In terms of categorisation, Isis have been described as
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2739:"Isis reuniting as "Celestial" to honor Caleb Scofield"
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with the Melvins in July 2010, featuring the Japanese
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in 2002, In late 2003, Isis relocated to Los Angeles.
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Martin, Jim (October 2004). "Resistance is Fertile".
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The distinctive tone of material since and including
3176:. Retrieved on February 9, 2007. (See specifically:
537:, with whom they have toured on numerous occasions.
484:, significantly aiding in the birth of the genre of
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3257:Pitchon, Avi (October 2004). "The Vision Divine".
2221:"Best Albums of 2009 (No. 30 – No. 21)"
1596:(Press release). Southern Records. Archived from
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1237:Chris Mereschuk – electronics, vocals (1997–1998)
565:, who has supported Isis on tours with his band,
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3106:"Aaron Turner and Michael Gallagher interview"
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679:An Isis stage during the tour of Panopticon
584:2004 saw the release of Isis' third album,
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2183:"Allmusic's Favorite Metal Albums of 2009"
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874:In August 2014 Isis changed their name on
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2541:"Isis says goodbye with five live albums"
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3800:Hardcore punk groups from Massachusetts
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2223:. Delusions of Adequacy. Archived from
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3042:"One thing is true – this album rocks"
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2771:"The alchemy of art-world heavy metal"
2769:Caraminica, Jon (September 20, 2005).
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1797:Bennet, J (November 2004). "Review of
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998:, some fans and critics label Isis as
614:Los Angeles Museum of Contemporary Art
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2442:"L.A.-based band Isis calls it quits"
2329:"Tombs to Join Isis, Pelican on Tour"
2240:Begrand, Adrien (December 11, 2009).
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787:Soundwave (Australian music festival)
542:Oceanic Remixes and Reinterpretations
299:for a one-off show to pay tribute to
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3234:. Combat Music Radio. Archived from
3012:Hartmann, Graham (August 25, 2014).
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2892:...using guitars as facilitators of
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2219:Davenport, Jon (December 22, 2009).
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2010:D'Andrea, Niki (February 22, 2007).
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2364:. September 3, 2009. Archived from
2263:"Top 75 Albums of 2009: Part Three"
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1130:No Isis album contains an explicit
306:Initially releasing their debut EP
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3785:American doom metal musical groups
3775:American post-metal musical groups
3760:Musical groups established in 1997
2840:"The Inevitable Evolution of Isis"
2620:Hudson, Alex (February 11, 2013).
2271:. December 9, 2009. Archived from
2079:Debenedictus, Matt (May 5, 2009).
2048:"REVOLVER'S GOLDEN GODS REVEALED!"
1538:(Press release). Ipecac Recordings
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44:Isis in 2009. From left to right:
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3639:Oceanic Remixes/Reinterpretations
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3137:Harris, Chris (August 26, 2006).
3040:Thompson, Ed (22 November 2006).
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2490:"Isis / Melvins split on the way"
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2327:Summers, Geoff (April 28, 2009).
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1744:. August 31, 2005. Archived from
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322:(2000) under Turner's own label,
295:, reforming only once in 2018 as
131:1997–2010 (one-off reunion: 2018)
3727:
3716:
3715:
3073:Raymer, Miles (August 9, 2007).
2417:. Utopia Records. Archived from
2388:"Bonnaroo 2010: Isis In Concert"
1276:
38:
3284:
3267:
3223:
3157:
2699:
2671:
2641:
2613:
2581:
2555:
2533:
2507:
2481:
2463:
2406:
2348:
2320:
2242:"The Best Metal Albums of 2009"
2040:
1936:Kerr, Dave (October 13, 2006).
1877:
1652:
799:
2934:"Aaron Turner video interview"
2869:Reynolds, Simon (March 1994).
2655:. June 5, 2013. Archived from
2488:Yancey, Bryne (May 27, 2010).
2440:Barton, Chris (May 19, 2010).
1884:"The 50 Heaviest Bands Ever".
1851:Epstein, Dan (February 2005).
1265:
1127:to the layout of the record."
709:Isis were the opening act for
375:) joined the band, working on
1:
2112:Cole, Matthew (May 6, 2009).
1903:"Literally OMG: Isis to play
1901:Diver, Mike (April 3, 2006).
1822:"Artist Chart History – Isis"
1323:
1240:Randy Larsen – guitars (1998)
1198:– vocals, guitars (1997–2010)
2356:"Isis Announce New UK Dates"
1037:
982:emotional, powerful music."
897:Musical style and influences
779:2010 Bonnaroo Music Festival
620:. Reacting to the impact of
608:and reaching No. 47 on
209:
7:
3197:Locks, Jesse (March 2005).
3075:"Sharp Darts: Liquid Metal"
2564:"Review: Isis – 'Temporal'"
1437:Hill, Mike (May 13, 2011).
1255:
513:had a noticeable impact on
462:was still deeply rooted in
336:, the band would sign with
316:, their debut studio album
10:
3821:
1269:
1179:
389:(2000) and its sister EP,
371:) and Jay Randall (now of
343:
259:. After a demo and the EP
18:
3805:Ipecac Recordings artists
3710:
3669:
3623:
3556:
3503:
3457:
3413:
3184:October 13, 2007, at the
2896:and textures rather than
2415:"Interview: Aaron Turner"
1984:. Punknews. July 10, 2006
1113:
994:Due to the difficulty in
403:scene through tours with
220:
216:
175:
171:
161:
135:
125:
99:
84:
74:
69:
37:
30:
3405:
3180:January/February 2003.)
1890:(31): 58. December 2004.
1372:"Aaron Turner interview"
1095:and the philosophies of
908:, guitarist and vocalist
646:Don't Look Back season.
16:American post-metal band
3512:The Mosquito Control EP
3487:In the Absence of Truth
2801:In the Absence of Truth
2543:. Punknews. May 9, 2011
1657:In the Absence of Truth
1308:In the Absence of Truth
1165:In the Absence of Truth
986:post-epic, post-metal,
777:. The tour took in the
726:and breakup (2009–2010)
686:In the Absence of Truth
669:In the Absence of Truth
273:after the recording of
2178:appeared on included:
1377:Feast of Hate and Fear
1123:
909:
851:with new artwork from
847:would be re-issued by
680:
644:All Tomorrow's Parties
70:Background information
3433:Bryant Clifford Meyer
3230:Kelly, Scott (2006).
3141:. MTV. Archived from
2421:on September 28, 2011
1594:"Isis > Biography"
1500:Martinelli, Roberto.
1220:Bryant Clifford Meyer
1216:– guitars (1999–2010)
1172:, beyond noting that
1122:Bryant Clifford Meyer
1121:
904:
678:
642:in London as part of
569:, which is signed to
373:Agoraphobic Nosebleed
314:Escape Artist Records
271:Bryant Clifford Meyer
204:Bryant Clifford Meyer
58:Bryant Clifford Meyer
21:Isis (disambiguation)
3721:Category:Isis (band)
3697:House of Low Culture
3632:Isis / Pig Destroyer
3238:on 30 September 2007
3169:Isis: Biography 2004
2719:on February 26, 2022
2368:on November 14, 2009
2028:on February 27, 2007
1982:"Tours: Isis / Tool"
1748:on November 12, 2006
1347:on February 15, 2001
470:, 2002's follow-up,
326:, and its sister EP
239:(sometimes stylized
3733:Commons:Isis (band)
3646:Shades of the Swarm
3294:(1787). "Preface".
3211:on October 13, 2007
3118:on October 13, 2007
2938:wenn's rockt! WebTV
2659:on November 1, 2013
2195:on February 8, 2010
2022:Village Voice Media
1719:on November 5, 2006
1705:Bonazelli, Andrew.
1619:Grow, Kory (2004).
1210:– drums (1997–2010)
1065:Conceptual elements
438:, so their label –
418:EP, they contacted
243:) was an American
64:in the background).
3687:Hydra Head Records
3540:In the Fishtank 14
3145:on August 24, 2006
2990:on August 12, 2019
2776:The New York Times
2599:Roadrunner Records
2519:Hydra Head Records
2227:on August 31, 2011
2060:on January 6, 2010
1865:on January 1, 2008
1600:on January 9, 2007
1571:on January 3, 2007
1481:. Rovi Corporation
1413:. Rovi Corporation
1204:– bass (1997–2010)
1124:
910:
681:
661:In the Fishtank 14
571:Hydra Head Records
324:Hydra Head Records
3742:
3741:
3682:Ipecac Recordings
3549:
3423:Michael Gallagher
3204:Thrasher Magazine
3164:Ipecac Recordings
3104:Porosky, Pamela.
2871:"Bark Psychosis:
2450:Los Angeles Times
2275:on April 18, 2010
2017:Phoenix New Times
1516:on March 20, 2005
1252:
1251:
1214:Michael Gallagher
1024:progressive metal
869:Ipecac Recordings
849:Ipecac Recordings
821:Ipecac Recordings
785:, as well as the
596:Justin Chancellor
515:avant-garde metal
338:Ipecac Recordings
334:Neurot Recordings
267:Michael Gallagher
234:
233:
199:Michael Gallagher
117:progressive metal
46:Michael Gallagher
3812:
3731:
3730:
3719:
3718:
3670:Related articles
3593:Clearing the Eye
3543:
3494:Wavering Radiant
3400:
3393:
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3377:
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3322:
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3218:
3216:
3207:. Archived from
3194:
3188:
3161:
3155:
3154:
3152:
3150:
3134:
3128:
3127:
3125:
3123:
3114:. Archived from
3101:
3092:
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3089:
3087:
3070:
3064:
3063:
3061:
3059:
3050:. Archived from
3037:
3031:
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3028:
3026:
3009:
3000:
2999:
2997:
2995:
2986:. Archived from
2983:Drowned In Sound
2974:
2965:
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2956:
2950:
2949:
2947:
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2924:
2923:
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2857:
2855:
2846:. Archived from
2838:Berrett, Chuck.
2835:
2824:
2823:
2821:
2819:
2813:Rovi Corporation
2794:
2788:
2787:
2785:
2783:
2766:
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2718:
2713:. Archived from
2703:
2697:
2696:
2694:
2692:
2687:. August 9, 2015
2684:Business Insider
2675:
2669:
2668:
2666:
2664:
2645:
2639:
2638:
2636:
2634:
2617:
2611:
2610:
2608:
2606:
2601:. April 25, 2012
2594:Blabbermouth.net
2585:
2579:
2578:
2576:
2574:
2562:Robinson, Iann.
2559:
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2413:Edney, Cameron.
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2299:Wavering Radiant
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2256:
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2176:Wavering Radiant
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2147:Wavering Radiant
2141:
2135:
2134:
2132:
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2116:Wavering Radiant
2109:
2103:
2102:
2100:
2098:
2093:on June 18, 2009
2089:. Archived from
2076:
2070:
2069:
2067:
2065:
2056:. Archived from
2044:
2038:
2037:
2035:
2033:
2024:. Archived from
2007:
1994:
1993:
1991:
1989:
1978:
1972:
1971:
1961:
1955:
1954:
1952:
1950:
1933:
1927:
1926:
1924:
1922:
1917:on July 11, 2010
1913:. Archived from
1911:Drowned in Sound
1898:
1892:
1891:
1881:
1875:
1874:
1872:
1870:
1861:. Archived from
1853:"The Art of War"
1848:
1839:
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1834:
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1715:. Archived from
1702:
1681:
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1678:
1676:
1667:. Archived from
1650:
1639:
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1634:
1616:
1610:
1609:
1607:
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1590:
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1567:. Archived from
1564:Drowned in Sound
1554:
1548:
1547:
1545:
1543:
1532:
1526:
1525:
1523:
1521:
1512:. Archived from
1497:
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1488:
1486:
1466:
1460:
1459:
1457:
1455:
1434:
1423:
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1405:Downey, Ryan J.
1402:
1389:
1388:
1386:
1384:
1368:
1357:
1356:
1354:
1352:
1343:. Archived from
1337:
1316:Wavering Radiant
1272:Isis discography
1185:
1170:Wavering Radiant
819:was released on
810:Wavering Radiant
740:Wavering Radiant
724:Wavering Radiant
651:Clearing the Eye
563:Justin Broadrick
424:Justin Broadrick
309:Mosquito Control
262:Mosquito Control
230:
227:
178:
128:
80:Celestial (2018)
77:
42:
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3665:
3619:
3552:
3499:
3453:
3447:Chris Mereschuk
3409:
3404:
3351:discography at
3337:discography at
3331:
3326:
3325:
3312:
3308:
3292:Bentham, Jeremy
3289:
3285:
3272:
3268:
3255:
3251:
3241:
3239:
3228:
3224:
3214:
3212:
3195:
3191:
3186:Wayback Machine
3162:
3158:
3148:
3146:
3135:
3131:
3121:
3119:
3102:
3095:
3085:
3083:
3071:
3067:
3057:
3055:
3054:on 13 July 2011
3038:
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2993:
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2885:
2883:
2867:
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2853:
2851:
2850:on May 16, 2006
2836:
2827:
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2795:
2791:
2781:
2779:
2767:
2758:
2748:
2746:
2745:. June 12, 2018
2737:
2736:
2732:
2722:
2720:
2707:"Isis the band"
2705:
2704:
2700:
2690:
2688:
2677:
2676:
2672:
2662:
2660:
2653:Nefarious Realm
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2534:
2524:
2522:
2521:. July 14, 2010
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2482:
2475:Isistheband.com
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2468:
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2397:
2395:
2394:. June 12, 2010
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2077:
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1732:
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1684:
1674:
1672:
1671:on May 21, 2011
1664:Stylus Magazine
1651:
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1086:House of Leaves
1067:
1044:Gibson Les Paul
1040:
899:
802:
781:in Manchester,
728:
704:Top Heatseekers
673:
582:
555:Oceanic Remixes
531:Russian Circles
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3664:
3663:
3656:
3653:Melvins / Isis
3649:
3642:
3635:
3627:
3625:
3624:Other releases
3621:
3620:
3618:
3617:
3610:
3603:
3596:
3589:
3582:
3575:
3568:
3560:
3558:
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3550:
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3507:
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3504:Extended plays
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3329:External links
3327:
3324:
3323:
3306:
3283:
3273:Buts, Jeroen.
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3249:
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3129:
3093:
3080:Chicago Reader
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2446:Pop & Hiss
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2301:Chart History"
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1778:. earpollution
1774:Young, Craig.
1759:
1742:StonerRock.com
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1510:Maelstrom Zine
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1097:Jeremy Bentham
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789:in Australia.
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3174:Press release
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2471:"Good Night!"
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3444:Randy Larson
3438:Aaron Turner
3428:Aaron Harris
3406:
3320:(56): 68–73.
3315:
3309:
3297:
3286:
3278:
3269:
3263:(124): 20–2.
3258:
3252:
3240:. Retrieved
3236:the original
3225:
3215:December 23,
3213:. Retrieved
3209:the original
3202:
3192:
3177:
3167:
3159:
3147:. Retrieved
3143:the original
3132:
3122:September 6,
3120:. Retrieved
3116:the original
3109:
3084:. Retrieved
3078:
3068:
3056:. Retrieved
3052:the original
3045:
3035:
3023:. Retrieved
3017:
2992:. Retrieved
2988:the original
2981:
2960:
2954:
2942:. Retrieved
2937:
2928:
2917:
2911:
2902:power chords
2891:
2884:. Retrieved
2878:
2872:
2864:
2852:. Retrieved
2848:the original
2843:
2816:. Retrieved
2806:
2800:
2792:
2780:. Retrieved
2774:
2747:. Retrieved
2733:
2721:. Retrieved
2716:the original
2711:Facebook.com
2710:
2701:
2689:. Retrieved
2682:
2673:
2661:. Retrieved
2657:the original
2643:
2631:. Retrieved
2625:
2615:
2603:. Retrieved
2592:
2583:
2571:. Retrieved
2568:Crave Online
2567:
2557:
2545:. Retrieved
2535:
2523:. Retrieved
2509:
2497:. Retrieved
2494:Punknews.org
2493:
2483:
2474:
2465:
2455:February 19,
2453:. Retrieved
2445:
2435:
2423:. Retrieved
2419:the original
2408:
2396:. Retrieved
2382:
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2366:the original
2359:
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2332:
2322:
2312:February 18,
2310:. Retrieved
2304:
2298:
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2273:the original
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2058:the original
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2042:
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2026:the original
2015:
1986:. Retrieved
1976:
1965:
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1947:. Retrieved
1941:
1931:
1919:. Retrieved
1915:the original
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1863:the original
1856:
1833:February 19,
1831:. Retrieved
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1802:
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1782:November 23,
1780:. Retrieved
1750:. Retrieved
1746:the original
1741:
1733:
1721:. Retrieved
1717:the original
1710:
1675:November 26,
1673:. Retrieved
1669:the original
1662:
1656:
1653:Lee, Cosmo.
1631:. Retrieved
1624:
1614:
1604:November 11,
1602:. Retrieved
1598:the original
1573:. Retrieved
1569:the original
1562:
1552:
1542:November 11,
1540:. Retrieved
1530:
1520:November 11,
1518:. Retrieved
1514:the original
1509:
1503:
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1485:November 25,
1483:. Retrieved
1478:
1472:
1464:
1452:. Retrieved
1442:
1415:. Retrieved
1410:
1381:. Retrieved
1375:
1349:. Retrieved
1345:the original
1314:
1306:
1299:
1291:
1283:
1246:
1232:Past members
1225:
1208:Aaron Harris
1196:Aaron Turner
1190:Final lineup
1169:
1164:
1162:
1149:
1148:
1143:
1135:
1129:
1125:
1104:
1101:
1090:
1084:
1078:
1071:
1068:
1041:
1032:
1020:sludge metal
1015:
1008:Cult of Luna
996:pigeonholing
993:
984:
979:
976:Jacob Bannon
961:
939:
934:
911:
906:Aaron Turner
884:
873:
863:
857:
853:Aaron Turner
842:
840:
832:Chino Moreno
825:
814:
809:
803:
800:Post-breakup
791:
767:Big Business
760:
753:
749:
738:
731:
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519:Cult of Luna
510:
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415:
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385:
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356:
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327:
318:
308:
305:
296:
275:
261:
257:Aaron Harris
249:Aaron Turner
240:
236:
235:
194:Aaron Turner
189:Aaron Harris
177:Past members
127:Years active
112:sludge metal
62:Aaron Harris
54:Aaron Turner
25:
3755:Isis (band)
3692:Matt Bayles
3677:Discography
3557:Live albums
3546:Aereogramme
3519:The Red Sea
3450:Jay Randall
3418:Jeff Caxide
3353:MusicBrainz
3149:January 17,
2940:(in German)
2818:February 8,
2782:October 20,
2573:November 9,
2334:Noise Creep
1970:(87): 32–4.
1723:November 9,
1655:"Review of
1502:"Review of
1471:"Review of
1417:December 3,
1266:Discography
1202:Jeff Caxide
1080:Don Quixote
1048:Mesa Boogie
1026:, and even
745:Joe Barresi
716:10,000 Days
671:(2006–2008)
656:Aereogramme
638:in full at
610:Billboard's
580:(2004–2006)
464:heavy metal
454:(2002–2004)
440:Mike Patton
349:Formation,
253:Jeff Caxide
226:isistheband
184:Jeff Caxide
50:Jeff Caxide
3749:Categories
3480:Panopticon
3260:Terrorizer
3242:24 January
3232:"The Show"
3178:Terrorizer
3086:August 12,
3025:August 12,
2994:August 12,
2944:August 26,
2922:(124): 10.
2919:Terrorizer
2854:October 8,
2361:Rock Sound
2268:Rock Sound
2247:PopMatters
2154:Metacritic
2086:Noisecreep
1967:Rock Sound
1943:The Skinny
1921:January 2,
1907:in London"
1804:Rock Sound
1799:Panopticon
1575:January 2,
1444:Noisecreep
1341:"ISIS bio"
1324:References
1300:Panopticon
1154:panopticon
1150:Panopticon
1144:Panopticon
1106:Terrorizer
1092:Labyrinths
1000:post-metal
968:doom-metal
858:Panopticon
830:featuring
806:a split EP
695:Panopticon
626:Panopticon
605:Rock Sound
587:Panopticon
578:Panopticon
503:Terrorizer
497:Rock Sound
486:post-metal
381:The Gersch
289:a split EP
251:, bassist
245:post-metal
212:for others
148:Hydra Head
107:Post-metal
3466:Celestial
2633:March 25,
2605:March 25,
2398:April 19,
2372:April 11,
2340:April 11,
2306:Billboard
2279:April 12,
2253:April 12,
2231:March 31,
2214:(63): 62.
2199:April 12,
2160:April 11,
2129:April 11,
2097:March 21,
2064:April 29,
1988:April 27,
1949:April 19,
1869:April 25,
1827:Billboard
1629:(129): 10
1351:April 21,
1284:Celestial
1174:Carl Jung
1073:Rip It Up
1059:power amp
1038:Equipment
1028:metalcore
988:shoegazer
942:post-rock
844:Celestial
783:Tennessee
754:Billboard
700:Billboard
658:entitled
525:, Tides,
478:post-rock
460:Celestial
428:Celestial
386:Celestial
351:Celestial
319:Celestial
297:Celestial
291:with the
3660:Temporal
3614:Live VII
3579:Live III
3526:Sawblade
3371:bandcamp
3362:AllMusic
3182:Archived
3019:Loudwire
2808:allmusic
2749:June 12,
2723:June 12,
2663:June 13,
2627:Exclaim!
2525:July 30,
2188:Allmusic
2053:Revolver
1887:Revolver
1858:Revolver
1479:allmusic
1454:June 29,
1411:allmusic
1383:June 29,
1256:Timeline
1140:drowning
1132:diegesis
1012:Callisto
972:Converge
963:Revolver
930:Neurosis
926:Godflesh
876:Facebook
836:Deftones
816:Temporal
794:Montreal
763:Baroness
733:Revolver
631:Revolver
468:hardcore
458:Whereas
420:Godflesh
414:For the
409:Neurosis
401:hardcore
285:Godflesh
281:Neurosis
162:Spinoffs
3607:Live VI
3586:Live IV
3572:Live II
3533:SGNL›05
3473:Oceanic
3339:Discogs
3317:Decibel
3058:30 June
2963:: 8–11.
2886:July 8,
2844:Slugmag
2691:June 4,
2547:May 10,
2499:May 27,
2211:Decibel
2149:(2009)"
2145:"Isis:
2114:"Isis:
2032:May 12,
1905:Oceanic
1712:Decibel
1633:July 2,
1504:Oceanic
1473:Oceanic
1292:Oceanic
1180:Members
1136:Oceanic
1050:V-Twin
1016:Oceanic
1004:Pelican
946:halcyon
935:Oceanic
918:Melvins
891:Cave In
864:Oceanic
775:Melvins
771:Cave In
706:chart.
691:Oceanic
636:Oceanic
622:Oceanic
618:Oceanic
592:Oceanic
551:Oceanic
547:Oceanic
527:Rosetta
523:Pelican
511:Oceanic
491:Oceanic
473:Oceanic
452:Oceanic
436:Melvins
432:SGNL›05
422:member
416:SGNL›05
405:Cave In
392:SGNL›05
377:Red Sea
344:History
329:SGNL›05
293:Melvins
276:Red Sea
221:Website
3600:Live V
3565:Live I
3544:(with
3300:
3199:"Isis"
2978:"Isis"
2894:timbre
2425:May 2,
2174:Lists
1776:"Isis"
1707:"Isis"
1621:"Isis"
1536:"Isis"
1407:"Isis"
1319:(2009)
1311:(2006)
1303:(2004)
1295:(2002)
1287:(2000)
1247:
1156:, was
1114:Themes
1056:Mackie
1054:and a
1052:preamp
928:, and
889:, the
711:Tool's
535:Mogwai
529:, and
360:autumn
152:Neurot
140:Ipecac
136:Labels
100:Genres
95:, U.S.
89:Boston
85:Origin
60:(with
3702:Palms
3275:"5.1"
2898:riffs
2123:Slant
1807:(66).
958:drone
954:metal
914:Swans
828:Palms
397:metal
365:Cable
166:Palms
3407:Isis
3367:ISIS
3358:Isis
3349:Isis
3335:Isis
3244:2008
3217:2006
3151:2007
3124:2006
3088:2019
3060:2011
3027:2019
2996:2019
2946:2006
2900:and
2888:2008
2880:Mojo
2856:2006
2820:2007
2784:2006
2751:2018
2725:2018
2693:2015
2665:2013
2635:2013
2607:2013
2575:2012
2549:2011
2527:2010
2501:2010
2457:2011
2427:2011
2400:2011
2374:2011
2342:2011
2314:2011
2281:2011
2255:2011
2233:2011
2201:2011
2162:2011
2131:2011
2099:2011
2066:2009
2034:2007
1990:2011
1951:2011
1923:2007
1871:2011
1835:2011
1784:2006
1754:2006
1725:2006
1677:2006
1635:2011
1606:2006
1577:2007
1544:2006
1522:2006
1487:2006
1456:2011
1419:2006
1385:2011
1353:2024
1010:and
952:and
922:Tool
773:and
693:and
640:KOKO
624:and
600:Tool
567:Jesu
553:and
500:and
480:and
466:and
407:and
283:and
241:ISIS
237:Isis
228:.com
208:See
56:and
32:Isis
3369:at
3360:at
3047:IGN
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