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727:—mostly in the company of her brothers as her sisters had all got married while she was still very young. Chughtai described the influence of her brothers as an important factor which influenced her personality in her formative years. She thought of her second-eldest brother, Mirza Azim Beg Chughtai (also a novelist), as a mentor. The family eventually settled in Agra, after Chughtai's father retired from the Indian Civil Services.
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887:, which she had written on her early twenties was first published in 1941. The book chronicles the love affair between a woman, who works as domestic help in an affluent household and her employer's son. Chughtai later discussed the similarity in themes and style of the novel with the works of the romantic novelist
763:
When I started writing, there was a trend -- writing romantic things or writing like a
Progressive. When I started to write, people were very shocked because I wrote very frankly I didn't write what you'd call "literarily." I wrote and do write as I speak, in a very simple language, not the literary
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in the late 1980s, which limited her work thereafter. She died at her house in Mumbai on 24 October 1991, following the prolonged illness. Chughtai was known to have been averse of getting a burial, the common funeral practice in Islam. Rakhshanda Jalil quotes one of
Chughtai's conversations with
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has been described as a significant production for " a heady time in Indian cinema" and showcasing the "grime behind the glamour" of the film industry. Nutan, who garnered a good response for her performance in the film, herself described it as one of her favorite projects. Also in 1958, Chughtai
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We stood face to face during a dinner. I felt the ground under my feet receding. She cruised through the crowd, leaped at me and took me in her arms I felt like throwing myself into someone’s arms and crying my heart out. She invited me to a fabulous dinner. I felt fully rewarded when I saw her
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With more of her work being made available for reading to a wider audience over the years, criticism centered around the limited scope of
Chughtai's writing has also subsided. In a 1993 retrospective piece, Naqvi also countered the perceived scope of Chughtai's writings, saying that her work was
1016:. Regardless, she detested the media coverage of the whole incident, which in her view weighted heavily upon her subsequent work; " brought me so much notoriety that I got sick of life. It became the proverbial stick to beat me with and whatever I wrote afterwards got crushed under its weight."
1346:, which was first published in 1970, follows the life of an actress and was partially inspired from a real-life incident that had occurred at the time. Chughtai's grandson, filmmaker Aijaz Khan had expressed his interest in a making a feature film based on story in a 2015 interview with the
1418:
in 2019, Khalid
Mohamed echoed the sentiment. He called the book a first of a kind tell-all book about the Hindi film industry, one that was "an eye-opener even for the know-alls of Bollywood". Mohamed also made a detailed note of Chughtai's candid style of writing, saying that she had an
39:
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in the 1972 interview, saying she found inspiration from the small incidents that she would witness around her and even the personal conversations that took place amongst the women in her family, "I write about people I know or have known. What should a writer write about anyway"?
758:, one of the leading female writers involved with the movement, who was later credited for inspiring Chughtai to write "realistic, challenging female characters". Chughtai began writing in private around the same time, but did not seek publication for her work until much later.
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Following the translation of numerous of her works into
English, a renewed interest in the Urdu literature of the twentieth century, and subsequent critical reappraisals, Chughtai's status as a writer rose. Critical reappraisals for her works began with rereadings of
891:, citing her as another early influence. Commentators have praised the novella, both for its "compelling prose" and for providing " into a world where women try to break out of the shackles created by other women, rather than men". Critic and short story writer
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became one of the biggest commercial successes of 1948. It was based on the 1941 eponymous short story; Chughtai had rewritten the narrative in form of a screenplay for the production. She then wrote the dialogue and screenplay for the 1950 romance drama film
1561:
Chughtai's short stories reflected the cultural legacy of the region in which she lived. This was well demonstrated in her story "Sacred Duty", where she dealt with social pressures in India, alluding to specific national, religious and cultural traditions.
1007:
The trial, which took place in 1945, itself drew much media and public attention and brought notoriety to the duo. Chughtai fared better in the public eye, having garnered support from such fellow members of the
Progressive Writers' Movement as
1045:: " felt greatly rewarded when the begum told had changed her life and it is because of her story now she was blessed with a child". Chughtai, who had been apprehensive about the meeting at first, later expressed her delight in a
1170:, who was abused and exploited over the course of her career. The film was well received by audiences and the success translated directly into a rise in Chughtai's popularity, as noted by writer and critic Shams Kanwal.
1398:: ", I go into why girls run after him and producers like him, and the hell they make for these men and for their wives. The novel, which was released in the early 1970s, was praised for its bold nature and candour."
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in
Bollywood and the impact that his extra-marital affair with Zareen Jamal, a fellow actress has on the lives of the people involved. The novel was said to have been based on the affair between frequent co-stars
1070:, a big, thick novel. I was sick then, pregnant with my daughter. But I was always writing that novel". The book chronicles the lives of the Muslim community, women in particular, in the backdrop of the waning
939:, all of which were published during the period. She then moved to Bombay in 1942 and began working as an Inspectress of schools. Later that year, she married Latif, who was now working as a dialogue writer in
2345:
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In the years following their wedding, Latif also introduced
Chughtai to the Hindi film industry. She began writing scripts in the late 1940s and made her debut as a screenwriter for Latif's drama film
1482:. Naqvi highlighted how despite having established herself as a significant voice in Urdu literature by this time, Chughtai still remained keen on probing new themes and expand the scope of her work.
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After completing her
Bachelor's of Education degree, Chughtai successfully applied for the post of headmistress of an Aligarh-based Girls school. There, she met and developed a close friendship with
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and praised its examination of the nationalist and feminist issues of the period. Commentators have also compared
Chughtai's writing style in the novel to that of French writer and intellectual
1041:. The woman told Chughtai that she had since divorced her husband, remarried and was raising a child with her second husband. Chughtai's biographers recall the meeting between the two women in
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1062:) was released in 1943. She was pregnant with her daughter during the time. She recalled the difficult circumstances facing her during her work on the novel, in a 1972 interview with
895:, in a 2015 retrospective review, likened Chughtai's "oracular voice, which didn't comment or explain, but studded the narrative with poetic observations" to that of American author
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to Nusrat Khanam and Mirza Qaseem Baig Chughtai; she was the ninth of ten children—six brothers and four sisters. The family moved frequently as Chughtai's father was a
1440:, "I am very scared of the grave. They bury you beneath a pile of mud. One would suffocate I'd rather be cremated." As per most accounts, Chughtai was cremated at the
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Chughtai's association with film solidified when she and Latif co-founded the production company Filmina. Her first project as a filmmaker was the 1958 drama film
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Chughtai, however, is known to have made her peace with the whole fiasco, having met the woman who had inspired Begum Jan a few years after the publication of
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In Chughtai's formative years, Nazar Sajjad Hyder had established herself an independent feminist voice, and the short stories of two very different women,
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s initial release saying, "There hadn't been a more dramatic and candid account of the tangled emotional lives of Bollywood before this." Writing for the
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Chughtai's continued association with the Progressive Writers' Movement had significant bearings on her writing style; she was particularly intrigued by
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1454:, which in the intervening years has attached a greater significance; it was noted for its portrayal of the insulated life of a neglected wife in the
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1504:. Hussein comparably calls it one of the best novels of Urdu language and notes that Chughtai combines all her literary influences and her own
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in 1939, which was her first published work. Upon publication, readers mistook it as a play by Chughtai's brother Azeem Beg, written using a
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at the time. Chughtai continued to write for various publications during her stay at Aligarh. She found success with such short-stories as
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Chughtai continued writing short-stories during the time despite her commitment to film projects. Her fourth collection of short-stories
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1051:, writing, "flowers can be made to bloom among rocks. The only condition is that one has to water the plant with one's heart's blood".
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1143:. Having again written the screenplay based on one of her short stories, Chughtai co-directed the film with Latif. Upon release, both
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1074:. Chughtai's exploration of the "inner realms of women's lives" was well received by critics who variously described her work in
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degree from the Aligarh Muslim University the following year. It was during this period that Chughtai became associated with the
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in the canon of her work. The novel follows the lives of a varied group of women living in a conservative Muslim household in
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and her masseuse in Aligarh, the story chronicles the sexual awakening of Begum Jan following her unhappy marriage with a
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flower-like boy. I felt he was mine as well. A part of my mind, a living product of my brain. An offspring of my pen.
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gives it highest praise, saying that the novel, its first half in particular, matches up to the highest standards of
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to sustain her family once her father abandons them. Set in the Bombay of 1950s, the novel delves into the themes of
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to defend herself against the charges of "obscenity". Fellow writer and member of the Progressive Writers' Movement
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short-story has been noted for its "pertinent dissection of our society" and contesting the venerated tradition of
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and the couple had three children at the time. While there are several allusions to real-life figures including
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794:. Following that, she started writing for other publications and newspapers. Some of her early works included
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s influence would linger with me forever, and I'd find its thematic and stylistic echoes in my own stories".
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whose daughter, nephew, and niece were married to Hindus. In her own words, Chughtai came from a family of "
1004:) and accompanied Chughtai to Lahore. The charges notwithstanding, both Chughtai and Manto were exonerated.
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2372:"The Fantastic as Frontier: Realism, the Fantastic and Transgression in Mid-Twentiet century Urdu fiction"
1206:. Rafay Mahmood highlighted, in a 2014 editorial, the relevance of the story in the twenty-first century.
877:), two of Chughtai's earliest collections of short stories, were published in 1941 and 1942 respectively.
824:, among others. In response to a story that she wrote for a magazine, Chughtai was told that her work was
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1234:), published in 1962. The film follows the life of a young actress, Nilofar, who is forced to work as
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4022:"Why 'Angaaray' was banned (and what it could teach an Indian author about writing of women and sex)"
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2338:"Born on India's future Independence Day, Ismat Chughtai wrote of the world she saw, not aspired to"
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1600:, the veil worn by women in Muslim societies, should be discouraged for Muslim women because it is
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A 2019 Indian Hindi-language period drama film, Lihaaf: The Quilt is based on the story and stars
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has since been widely anthologised and has become one of Chughtai's most appreciated works.
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could never shed its structure and still read like a screenplay despite Chughtai's efforts.
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Treatment of a Wife's Body in the Fiction of Indian Sub-Continental Muslim Women Writers
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History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy
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Beginning in the 1960s, Chughtai wrote a total of eight novels, the first of which was
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3577:"Remembering Midnight's Magnificent Daughter Ismat Chughtai on Her Birth Anniversary"
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654:(21 August 1915 – 24 October 1991) was an Indian Urdu novelist, short story writer,
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garnered positive response from the audience and performed well at the box-office.
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A Chughtai Quartet: Obsession, The Wild One, Wild Pigeons, The Heart Breaks Free
2514:"The emergence of feminist consciousness among Muslim women the case of Aligarh"
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Eyad N. Al-Samman, "Ismat Chughtai: An Iconoclast Muslim Dame of Urdu Fiction",
1218:, with his daughter Heeba Shah playing the central character in the production.
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Literary Radicalism in India: Gender, Nation and the Transition to Independence
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and became a landmark for its early depiction of sex, still a taboo in modern
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degree in 1940. Despite strong resistance from her family, she completed her
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Later years, critical reappraisals and subsequent acclaim (1990s and beyond)
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impressed me with its boldness, range and its credentials as a major novel,
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1474:: "she had much, much more to offer". She separately cited the example of
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3637:"Ismat Chughtai dared to raise the veil of hypocrisies in Indian society"
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3005:"Ismat Chughtai dared to raise the veil of hypocrisies in Indian society"
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1688:"Ismat Chughtai – Pakistan-India (1915–1991)", World People, 5 May 2006.
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and Christians who all live peacefully". She said she read not only the
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to create a radical text. He likened the novel's framework to that of a
832:. She, nonetheless, continued writing about "things she would hear of".
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1682:"Torchbearer of a literary revolution". The Hindu, Sunday, 21 May 2000.
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1027:—Chughtai on her meeting with the woman who was the inspiration behind
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4194:. (The University of Southern Mississippi, PhD dissertation). p.
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as "probing and pertinent" and "empowering". She herself recalled her
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Kashmir Uzma Urdu weekly, Srinagar, 27 December 2004, 2 January 2005.
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662:. Beginning in the 1930s, she wrote extensively on themes including
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678:, often from a Marxist perspective. With a style characterised by
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2874:"Ismat Chughtai birth anniversary: A look at her memorable work"
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by commentators and various media outlets. Critic and dramatist
1419:"instinctive gift for relating stories frankly and fearlessly".
1288:). Reviewing the novel, observers have placed it second only to
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content offended conservatives (for example, her view that the
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1342:, which she had been a part of for the last couple of decades.
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1265:, which she co-wrote with Latif. Commentators have noted that
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was also charged with similar allegations for his short-story
968:-based literary journal. Inspired by the rumoured affair of a
3398:"Four Novellas By Ismat Chughtai Now Available in Collection"
3370:"Four Novellas By Ismat Chughtai Now Available in Collection"
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is now considered to be one of the most significant works of
1470:"neither confined to nor exhausted" by the themes central to
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682:, Chughtai established herself as a significant voice in the
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3550:"When a book dared to chronicle a doomed Bollywood romance"
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1280:, Chughtai received significant praise for her fifth novel
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Chughtai garnered widespread attention for her short-story
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117:
769:—Chughtai on her early writings, in a 1972 interview with
754:, having attended her first meeting in 1936 where she met
4081:"'Lihaaf' wins international acclaim with an award in US"
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1194:) was released in 1952 to an enthusiastic response. The
4132:"List of winners of Ghalib Award in Urdu, 1976 onwards"
4282:
3303:"Aamer Hussein reviews Ismat Chughtai's Short Stories"
2940:"Ismat Chughtai, thank you for being our Tedhi Lakeer"
1308:, Uttar Pradesh. Comparing the two, Hussein says, "if
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Ismat Chughtai was born on 21 August 1915 in Badayun,
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of the twentieth century, and in 1976 was awarded the
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Once Upon a Time in India: A Century of Indian Cinema
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similarly narrates the life of Dharam Dev, a popular
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3663:"The Beguiling Ismat Chugtai, Through Her Own Words"
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Women Writing in India: The twentieth centvcbvcbvury
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2907:"Ismat Chughtai: The inner worlds of educated women"
3938:"How Ismat Chughtai Stood Up for Freedom of Speech"
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Niche appreciation and transition to film (1942–60)
2267:"Essay: Ismat Chughtai: her life, thought and art"
849:. Other early influences included such writers as
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3996:"Remembering Ismat Chughtai, Urdu's Wicked Woman"
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1679:. Manjulaa Negi, Rupa and Co, 2003.81-29101-53-X.
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1322:In the early 1970s, Chughtai wrote two novels,
730:Chughtai received her primary education at the
5089:20th-century Indian dramatists and playwrights
3211:"Ismat Apa Kay Naam: The Shahs take the stage"
2868:
2866:
2836:Paul Kumar, Sukrita; Sadique, Sadique (2000).
1665:. Sukrita Paul Kumar, Katha, New Delhi, 2000.
1488:, which has come to be regarded as Chughtai's
715:; she spent her childhood in cities including
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3034:Sadique, Daktar; Paul Kumar, Sukrita (2000).
2972:Rajadhyaksha, Ashish; Willemen, Paul (2014).
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2608:"How long can a river be held back by a dam?"
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4247:Ismat Chughtai's account of the Lihaaf Trial
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3076:Take-2: 50 Films That Deserve a New Audience
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1438:An Uncivil Woman: Writings on Ismat Chughtai
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923:, who was pursuing a master's degree at the
16:Indian Urdu writer and filmmaker (1915–1991)
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3492:"Ismat Chughtai's grandson turns director"
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1352:: "would like to make one of her stories,
1064:Mahfil: Journal of South Asian Literature
980:attracted criticism for its suggestion of
703:Early life and career beginnings (1915–41)
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4229:Ismat Chughtai (1915–1991), resource page
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1066:: " during the war that I wrote my novel
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2639:Afif Siddiqi, Shams (5 September 2014).
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1338:) that made use of her knowledge of the
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3602:
3600:
3547:
3241:
3208:
3143:
3027:
2904:
2898:
2802:
2796:
2605:
2586:
2555:
2553:
2551:
2549:
2449:
2447:
2445:
2443:
2411:
2324:
2300:"The fine print of the AMU Library row"
947:was the legal witness to the ceremony.
5159:Best Story National Film Award winners
5016:
3807:
3743:
3721:
3682:
3654:
3609:"Ismat Chughtai — her life and ideals"
3541:
3429:
3364:
3362:
3277:"Masooma by Ismat Chughtai - A review"
3268:
3072:
3066:
2937:
2931:
2886:from the original on 23 September 2018
2805:"The feminist voice of Ismat Chughtai"
2507:
2505:
2503:
2501:
2499:
2497:
2495:
2264:
1444:, in accordance with her last wishes.
1436:, a friend and contemporary writer in
1166:in lead roles, it told the story of a
988:, with Chughtai being summoned by the
4429:
4256:
4150:
3839:
3688:
3660:
3511:
3483:
3274:
3256:from the original on 13 February 2016
3223:from the original on 9 September 2015
3199:
3168:
3105:
3003:Hyder, Qurratulain (25 August 2017).
3002:
2996:
2829:
2803:Shamsie, Muneeza (27 November 2016).
2738:
2732:
2705:
2660:
2620:from the original on 4 September 2018
2559:
2453:
2400:
2360:
2298:Bhandare, Namita (11 November 2014).
2251:
2214:
1966:
1710:celebrated her 107th birthday with a
1648:, Shoib Nikash Shah, Namita Lal, and
1611:
1222:Success with writing novels (1961–90)
960:), which appeared in a 1942 issue of
903:was later translated into English as
3888:from the original on 17 January 2008
3764:from the original on 9 December 2017
3749:
3606:
3597:
3489:
3430:Sharma, Aradhika (9 December 2007).
3175:Tharu, Susie J.; Lalita, Ke (1991).
3137:
2739:Mitra, Ipshita (28 September 2012).
2632:
2546:
2511:
2440:
2388:from the original on 4 December 2013
2348:from the original on 16 October 2017
2336:Bahuguna, Urvashi (15 August 2017).
2312:from the original on 12 October 2017
2279:from the original on 6 December 2017
2239:from the original on 23 October 2018
1401:Mumbai-based writer and journalist,
1214:as a part of a commemorative series
1119:. Chughtai expanded her career into
3783:Kumar Das, Sisir (1 January 1995).
3689:Jalil, Rakhshanda (4 August 2015).
3359:
3300:
2741:"The same-sex appeal in literature"
2492:
611:Indian People's Theatre Association
13:
5104:20th-century Urdu-language writers
4168:from the original on 23 April 2018
4134:. Ghalib Institute. Archived from
4046:Rosario, Kennith (28 March 2017).
4019:
3950:from the original on 25 April 2018
3918:from the original on 25 April 2018
3827:from the original on 15 April 2019
3722:Bhagat, Rasheeda (29 March 2012).
3275:Jalil, Rakhshanda (12 June 2012).
3242:Wadehra, Randeep (7 August 2011).
2938:Gautam, Nishtha (22 August 2015).
2919:from the original on 20 April 2018
2905:Zakaria, Rafia (26 October 2013).
2706:Kumar, Kuldeep (20 January 2017).
2574:from the original on 26 April 2018
2480:from the original on 26 April 2018
2428:from the original on 1 August 2019
2369:
2106:Andhra Pradesh Urdu Akademi Award
909:1948 feature film of the same name
14:
5180:
5164:20th-century Indian screenwriters
5084:20th-century Indian women writers
5059:Urdu-language short story writers
4213:
4114:"Ismat Chughtai's 107th Birthday"
3634:
3548:Mohamed, Khalid (21 March 2019).
3490:Iyer, Sanyukta (14 August 2015).
3315:from the original on 24 June 2019
3164:from the original on 12 May 2018.
2669:
1989:
1652:. It was directed by Rahat Kazmi.
5144:Indian women short story writers
5129:Screenwriters from Uttar Pradesh
5114:Women writers from Uttar Pradesh
5094:Aligarh Muslim University alumni
5064:Urdu-language writers from India
5001:
4989:
4977:
4965:
4953:
4020:KK, Satyavrat (8 October 2016).
3661:Naqvi, Tahira (14 August 2015).
3125:from the original on 12 May 2018
3093:from the original on 12 May 2018
3054:from the original on 12 May 2018
3015:from the original on 12 May 2018
2992:from the original on 7 May 2018.
2720:from the original on 14 May 2018
2606:Hussein, Aamer (4 August 2015).
2064:Government of India State Award
1677:Ismat Chughtai, A Fearless Voice
1625:, her character is portrayed by
1576:Many of her writings, including
778:Chughtai wrote a drama entitled
752:Progressive Writers' Association
37:
4106:
4073:
4048:"Playing the literary fireball"
4039:
4013:
3988:
3962:
3930:
3900:
3703:from the original on 7 May 2018
3607:Shah, Noor (15 February 2005).
3459:"Obsessions & Wild Pigeons"
3451:
3244:"Sexploitation, cops and verse"
3209:Mahmood, Rafay (6 March 2014).
2950:from the original on 6 May 2018
2817:from the original on 7 May 2018
2682:from the original on 6 May 2018
2562:"Ismat Chughtai's fearless pen"
2560:Patel, Aakar (14 August 2015).
2414:"Interview with Ismat Chughtai"
2265:Parekh, Rauf (30 August 2015).
2182:
1724:List of works by Ismat Chughtai
1717:
4242:Ismat Chughtai's Short Stories
3750:Nair, Malini (15 March 2015).
3345:. Women Unlimited. p. 3.
2291:
1906:Also co-director and producer
1728:
1657:Publications on Ismat Chughtai
1104:in his first major film role,
845:, Sahibzada Mahmuduzaffar and
810:), her first short-story, and
802:), an autobiographical piece,
1:
5154:20th-century Indian essayists
4457:Filmfare Award for Best Story
4190:Khan, Hafiza Nilofar (2008).
2975:Encyclopedia of Indian Cinema
2770:Asaduddin, M (1 April 2012).
2170:
1202:, especially its equation of
196:Progressive Writers' Movement
5124:Novelists from Uttar Pradesh
3972:. SAWNET.org. Archived from
3724:"The powerful isms of Ismat"
2195:
1588:in South Asia because their
1530:Influences and writing style
1427:Chughtai was diagnosed with
697:
7:
5099:Urdu-language women writers
5049:20th-century Indian Muslims
4624:Sarat Chandra Chattopadhyay
3040:. Katha Books. p. 92.
2842:. Katha Books. p. 65.
2708:"Remembering a trailblazer"
2379:University of Texas, Austin
2158:
10:
5185:
5169:Recipients of Ghalib Award
5034:Indian women screenwriters
4237:Biography and bibliography
3847:"Shamim Hanfi on Chughtai"
3037:Ismat: Her Life, Her Times
2839:Ismat: Her Life, Her Times
2456:"Ismat Chughtai–A Tribute"
2215:Gopal, Priyamvada (2012).
1721:
1701:
1663:Ismat: Her Life, Her Times
1250:. Her next work, the 1966
1043:Ismat: Her life, Her times
4852:
4705:
4570:
4463:
4294:
3752:"Rediscovering the rebel"
3144:Somaaya, Bhawana (2016).
2978:. Routledge. p. 80.
2076:
2019:
2016:
1995:
1988:
1985:
1982:
1979:
1976:
1973:
1949:
1942:(shared with Kaifi Azmi)
1940:Filmfare Best Story Award
1928:
1913:
1897:
1881:
1866:
1851:
1835:
1820:
1805:
1788:
1771:
1755:
1747:
1744:
1741:
1738:
1210:was adapted for stage by
943:, in a private ceremony.
925:Aligarh Muslim University
736:Aligarh Muslim University
445:Debiprasad Chattopadhyaya
171:
161:
141:
136:Aligarh Muslim University
131:
123:
113:
93:
72:
45:
36:
23:
4302:Balai Chand Mukhopadhyay
3815:"Who was Ismat Chughtai"
3339:Chughtai, Ismat (2015).
2641:"The realm of the heart"
2175:
2125:Soviet Land Nehru Award
2109:Makhdoom Literary Award
786:) for the Urdu magazine
740:Isabella Thoburn College
606:Communist Party of India
5109:Urdu-language novelists
5079:Indian feminist writers
5074:Indian women memoirists
5044:Filmfare Awards winners
5039:20th-century memoirists
4561:Vasant Shankar Kanetkar
4249:Journal of Urdu Studies
2676:School of Open Learning
2471:University of Wisconsin
2412:Coppola, Carlo (1972).
2144:Rajasthan Urdu Akademi
1915:Baharen Phir Bhi Ayengi
1442:Chandanwadi crematorium
1356:always fascinated me."
1115:, starring Kaushal and
308:Ghulam Mustafa Tabassum
166:Works of Ismat Chughtai
5149:Indian women essayists
5139:Indian women novelists
4932:Mrunmayee Lagoo Waikul
4811:Shiv Kumar Subramaniam
3150:. Random House India.
3073:Gahlot, Deepa (2015).
2521:University of Calcutta
2463:Annual of Urdu Studies
2454:Naqvi, Tahira (1993).
2165:List of Indian writers
2084:Indian civilian awards
1617:In the 2018 biopic of
1375:; Dutt was married to
1179:starrer romance drama
1024:
766:
462:Pramod Ranjan Sengupta
403:Salaam Machhalishahari
2772:"Dude, it's not lewd"
2512:Bano, Farhat (2013).
1638:Tannishtha Chatterjee
1518:, based on the duo's
1286:The Heart Breaks Free
1175:produced the Mahmood-
1019:
851:William Sydney Porter
761:
748:Bachelor of Education
600:Related Organisations
538:Ghulam Rasool Santosh
383:Muhammad Ali Siddiqui
4894:V. Vijayendra Prasad
4864:Vikramaditya Motwane
4618:Balaichand Mukherjee
4584:Hrishikesh Mukherjee
4578:Chandrakant Kakodkar
3635:Hyder, Qurratulain.
3522:"A Very Strange Man"
3471:on 25 September 2020
2028:National Film Awards
1405:noted the impact of
1131:of Amar, Maya Daas,
1127:, which featured an
982:female homosexuality
907:and adapted into a
428:Mohiuddin Qadri Zore
5119:People from Jodhpur
4477:Rajinder Singh Bedi
4410:K. Shivaram Karanth
4377: –
4369: –
4361: –
4353: –
4345: –
4337: –
4329: –
4284:National Film Award
4232:Columbia University
4158:"Previous Awardees"
3882:"The Milli Gazette"
3729:Hindu Business Line
3432:"Story of a Genius"
3216:The Express Tribune
2672:"The Short Stories"
1735:
1706:On 21 August 2018,
1429:Alzheimer's disease
1340:Hindi film industry
1240:sexual exploitation
1123:with the 1953 film
855:George Bernard Shaw
738:and graduated from
692:Government of India
288:Shahid Ahmad Dehlvi
238:Razia Sajjad Zaheer
5054:People from Budaun
4821:Vidhu Vinod Chopra
4779:Ashutosh Gowariker
4138:on 20 October 2013
4087:. 31 August 2019.
4085:The Times of India
3855:. 11 February 2016
3823:. 21 August 2018.
3820:The Indian Express
3757:The Times of India
3691:"The Crooked Line"
3183:The Feminist Press
3079:. Hay House, Inc.
2882:. 21 August 2018.
2879:The Indian Express
2746:The Times of India
2225:. pp. 83–84.
1967:Awards and honours
1733:
1619:Saadat Hasan Manto
1612:In popular culture
1516:Simone de Beauvoir
1328:A Very Strange Man
1248:economic injustice
1216:Ismat Apa Kay Naam
994:Sadat Hassan Manto
945:Khwaja Ahmad Abbas
533:Ghulam Nabi Khayal
348:Ahmad Nadeem Qasmi
303:Majrooh Sultanpuri
268:Saadat Hasan Manto
5069:Indian memoirists
4941:
4940:
4713:Rajkumar Santoshi
4590:Basu Bhattacharya
4519:K. P. Kottarakara
4483:Amiya Chakrabarty
4423:
4422:
4120:. 21 August 2018.
3976:on 7 January 2012
3800:978-81-7201-798-9
3614:The Milli Gazette
2370:McLain, Karline.
2232:978-1-134-33253-3
2156:
2155:
1964:
1963:
1960:Cameo appearance
1844:Also co-director
1627:Rajshri Deshpande
1506:lived experiences
1460:Indian literature
1434:Qurratulain Hyder
1232:The Innocent Girl
1010:Majnun Gorakhpuri
990:Lahore High Court
984:and a subsequent
880:Chughtai's first
828:and insulted the
649:
648:
578:Twilight in Delhi
528:Pran Kishore Kaul
323:Majnun Gorakhpuri
181:
180:
5176:
5006:
5005:
5004:
4994:
4993:
4982:
4981:
4980:
4970:
4969:
4968:
4958:
4957:
4956:
4949:
4906:Amit V. Masurkar
4450:
4443:
4436:
4427:
4426:
4415:
4405:
4395:
4381:
4373:
4365:
4357:
4349:
4341:
4333:
4325:
4320:Din Dayal Sharma
4307:
4277:
4270:
4263:
4254:
4253:
4208:
4207:
4187:
4178:
4177:
4175:
4173:
4154:
4148:
4147:
4145:
4143:
4128:
4122:
4121:
4110:
4104:
4103:
4101:
4099:
4077:
4071:
4070:
4068:
4066:
4043:
4037:
4036:
4034:
4032:
4017:
4011:
4010:
4008:
4006:
3992:
3986:
3985:
3983:
3981:
3970:"Ismat Chughtai"
3966:
3960:
3959:
3957:
3955:
3934:
3928:
3927:
3925:
3923:
3908:"Ismat Chughtai"
3904:
3898:
3897:
3895:
3893:
3878:
3869:
3868:
3862:
3860:
3843:
3837:
3836:
3834:
3832:
3811:
3805:
3804:
3780:
3774:
3773:
3771:
3769:
3747:
3741:
3740:
3738:
3736:
3719:
3713:
3712:
3710:
3708:
3696:Kindle Magazine
3686:
3680:
3679:
3677:
3675:
3658:
3652:
3651:
3649:
3647:
3632:
3626:
3625:
3623:
3621:
3604:
3595:
3594:
3592:
3590:
3585:. 15 August 2017
3573:
3567:
3566:
3564:
3562:
3545:
3539:
3538:
3536:
3534:
3518:
3509:
3508:
3506:
3504:
3487:
3481:
3480:
3478:
3476:
3467:. Archived from
3455:
3449:
3448:
3446:
3444:
3427:
3416:
3415:
3413:
3411:
3394:
3388:
3387:
3385:
3383:
3366:
3357:
3356:
3336:
3325:
3324:
3322:
3320:
3301:Hussein, Aamer.
3298:
3292:
3291:
3289:
3287:
3272:
3266:
3265:
3263:
3261:
3239:
3233:
3232:
3230:
3228:
3206:
3197:
3196:
3172:
3166:
3165:
3141:
3135:
3134:
3132:
3130:
3109:
3103:
3102:
3100:
3098:
3070:
3064:
3063:
3061:
3059:
3031:
3025:
3024:
3022:
3020:
3000:
2994:
2993:
2969:
2960:
2959:
2957:
2955:
2935:
2929:
2928:
2926:
2924:
2902:
2896:
2895:
2893:
2891:
2870:
2861:
2860:
2858:
2856:
2833:
2827:
2826:
2824:
2822:
2800:
2794:
2793:
2791:
2789:
2780:. Archived from
2767:
2758:
2757:
2755:
2753:
2736:
2730:
2729:
2727:
2725:
2703:
2692:
2691:
2689:
2687:
2667:
2658:
2657:
2655:
2653:
2636:
2630:
2629:
2627:
2625:
2603:
2584:
2583:
2581:
2579:
2557:
2544:
2543:
2537:
2535:
2529:
2523:. Archived from
2518:
2509:
2490:
2489:
2487:
2485:
2479:
2460:
2451:
2438:
2437:
2435:
2433:
2409:
2398:
2397:
2395:
2393:
2387:
2376:
2367:
2358:
2357:
2355:
2353:
2333:
2322:
2321:
2319:
2317:
2295:
2289:
2288:
2286:
2284:
2262:
2249:
2248:
2246:
2244:
2212:
2189:
2186:
2007:Best Urdu Drama
1991:
1971:
1970:
1957:Miriam Labadoor
1764:Dialogue writer
1736:
1732:
1567:Hijab Imtiaz Ali
1502:world literature
1411:
1318:
1212:Naseeruddin Shah
1080:creative process
1060:The Crooked Line
1033:
976:. Upon release,
889:Hijab Imtiaz Ali
784:The Troublemaker
774:
744:Bachelor of Arts
680:literary realism
664:female sexuality
656:liberal humanist
641:
634:
627:
583:Manto Ke Afsanay
502:Kashmiri writers
398:Shaukat Siddiqui
343:Ale Ahmad Suroor
328:Firaq Gorakhpuri
313:Ali Sardar Jafri
278:Jan Nisar Akhtar
183:
182:
79:
63:United Provinces
55:
53:
41:
21:
20:
5184:
5183:
5179:
5178:
5177:
5175:
5174:
5173:
5014:
5013:
5012:
5002:
5000:
4988:
4978:
4976:
4966:
4964:
4954:
4952:
4944:
4942:
4937:
4876:Juhi Chaturvedi
4848:
4843:Rajkumar Hirani
4833:Abhishek Kapoor
4817:Rajkumar Hirani
4791:Nagesh Kukunoor
4743:Ram Gopal Varma
4701:
4660:S. D. Palwalker
4642:Vijay Tendulkar
4566:
4555:Sachin Bhowmick
4459:
4454:
4424:
4419:
4413:
4403:
4393:
4379:
4371:
4363:
4355:
4347:
4339:
4331:
4323:
4305:
4290:
4281:
4216:
4211:
4188:
4181:
4171:
4169:
4156:
4155:
4151:
4141:
4139:
4130:
4129:
4125:
4112:
4111:
4107:
4097:
4095:
4079:
4078:
4074:
4064:
4062:
4044:
4040:
4030:
4028:
4018:
4014:
4004:
4002:
3994:
3993:
3989:
3979:
3977:
3968:
3967:
3963:
3953:
3951:
3936:
3935:
3931:
3921:
3919:
3906:
3905:
3901:
3891:
3889:
3880:
3879:
3872:
3858:
3856:
3845:
3844:
3840:
3830:
3828:
3813:
3812:
3808:
3801:
3793:. p. 348.
3791:Sahitya Akademi
3781:
3777:
3767:
3765:
3748:
3744:
3734:
3732:
3720:
3716:
3706:
3704:
3687:
3683:
3673:
3671:
3659:
3655:
3645:
3643:
3633:
3629:
3619:
3617:
3605:
3598:
3588:
3586:
3575:
3574:
3570:
3560:
3558:
3546:
3542:
3532:
3530:
3520:
3519:
3512:
3502:
3500:
3488:
3484:
3474:
3472:
3457:
3456:
3452:
3442:
3440:
3428:
3419:
3409:
3407:
3396:
3395:
3391:
3381:
3379:
3368:
3367:
3360:
3353:
3337:
3328:
3318:
3316:
3299:
3295:
3285:
3283:
3273:
3269:
3259:
3257:
3240:
3236:
3226:
3224:
3207:
3200:
3193:
3185:. p. 128.
3173:
3169:
3158:
3142:
3138:
3128:
3126:
3113:"Forever Nutan"
3111:
3110:
3106:
3096:
3094:
3087:
3071:
3067:
3057:
3055:
3048:
3032:
3028:
3018:
3016:
3001:
2997:
2986:
2970:
2963:
2953:
2951:
2936:
2932:
2922:
2920:
2903:
2899:
2889:
2887:
2872:
2871:
2864:
2854:
2852:
2850:
2834:
2830:
2820:
2818:
2801:
2797:
2787:
2785:
2768:
2761:
2751:
2749:
2737:
2733:
2723:
2721:
2704:
2695:
2685:
2683:
2668:
2661:
2651:
2649:
2637:
2633:
2623:
2621:
2613:Kindle Magazine
2604:
2587:
2577:
2575:
2558:
2547:
2533:
2531:
2527:
2516:
2510:
2493:
2483:
2481:
2477:
2458:
2452:
2441:
2431:
2429:
2410:
2401:
2391:
2389:
2385:
2374:
2368:
2361:
2351:
2349:
2334:
2325:
2315:
2313:
2296:
2292:
2282:
2280:
2263:
2252:
2242:
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2223:Routledge Press
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2178:
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1969:
1883:Sone Ki Chidiya
1731:
1726:
1720:
1704:
1696:, 13 April 2009
1659:
1650:Virendra Saxena
1614:
1558:with openness.
1550:, but also the
1534:Chughtai was a
1532:
1494:Urdu literature
1476:Jangli Kabootar
1425:
1409:
1388:Lata Mangeshkar
1377:playback singer
1354:Jangli Kabootar
1344:Jangli Kabootar
1332:Jangli Kabootar
1316:
1224:
1172:Sone Ki Chidiya
1156:Sone Ki Chidiya
1035:
1026:
1014:Krishan Chander
917:
776:
768:
732:Women's College
705:
700:
684:Urdu literature
674:gentility, and
645:
616:
615:
601:
593:
592:
563:
555:
554:
544:Marathi writers
473:Punjabi writers
451:Bengali writers
434:English writers
378:Khatir Ghaznavi
373:Krishan Chander
298:Sahir Ludhianvi
293:Josh Malihabadi
248:Faiz Ahmad Faiz
205:
176:
157:
132:Alma mater
109:
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77:
76:24 October 1991
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5011:
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4922:Gaurav Solanki
4915:
4909:
4903:
4897:
4891:
4885:
4882:Subhash Kapoor
4879:
4873:
4870:Sanjay Chauhan
4867:
4860:Anurag Kashyap
4856:
4854:
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4776:
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4758:
4752:
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4740:
4734:
4728:
4725:no award given
4722:
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4709:
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4606:Ismat Chughtai
4599:
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4574:
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4564:
4558:
4552:
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4528:
4522:
4516:
4510:
4504:
4498:
4495:Mukhram Sharma
4492:
4486:
4480:
4474:
4471:Mukhram Sharma
4467:
4465:
4461:
4460:
4453:
4452:
4445:
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4418:
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4407:
4397:
4386:Ismat Chughtai
4383:
4375:
4367:
4359:
4351:
4343:
4335:
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4309:
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4292:
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4280:
4279:
4272:
4265:
4257:
4251:
4250:
4244:
4239:
4234:
4226:
4220:Ismat Chughtai
4215:
4214:External links
4212:
4210:
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3527:Speaking Tiger
3510:
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3464:Speaking Tiger
3450:
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3406:. 27 June 2014
3389:
3378:. 27 June 2014
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2670:Gupta, Neeta.
2659:
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2530:on 14 May 2018
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2045:Filmfare Award
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2018:
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1536:liberal Muslim
1531:
1528:
1526:affiliations.
1520:existentialist
1456:feudal society
1424:
1421:
1373:Waheeda Rehman
1223:
1220:
1094:Kamini Kaushal
1018:
916:
913:
760:
704:
701:
699:
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676:class conflict
652:Ismat Chughtai
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515:
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440:Mulk Raj Anand
431:
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388:Sulaiman Areeb
385:
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368:Salma Siddiqui
365:
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318:Akhtar ul Iman
315:
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56:21 August 1915
47:
43:
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34:
33:
28:
25:Ismat Chughtai
24:
15:
9:
6:
4:
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2:
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5019:
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4992:
4987:
4985:
4975:
4973:
4963:
4961:
4951:
4950:
4947:
4933:
4929:
4928:Anubhav Sinha
4926:
4923:
4919:
4918:Anubhav Sinha
4916:
4913:
4912:Anubhav Sinha
4910:
4907:
4904:
4901:
4898:
4895:
4892:
4889:
4886:
4883:
4880:
4877:
4874:
4871:
4868:
4865:
4861:
4858:
4857:
4855:
4851:
4844:
4840:
4839:Abhijat Joshi
4837:
4834:
4831:
4828:
4825:
4822:
4818:
4815:
4812:
4808:
4804:
4803:Sudhir Mishra
4801:
4798:
4797:Aditya Chopra
4795:
4792:
4789:
4786:
4785:Jaideep Sahni
4783:
4780:
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4771:
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4708:
4704:
4697:
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4682:
4679:
4676:
4673:
4672:Aleem Masroor
4670:
4667:
4664:
4661:
4658:
4655:
4654:Samaresh Basu
4652:
4649:
4646:
4643:
4640:
4637:
4636:Shanker Shesh
4634:
4631:
4630:Dinesh Thakur
4628:
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4619:
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4613:
4610:
4607:
4603:
4600:
4597:
4594:
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4579:
4576:
4575:
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4544:
4543:R. K. Narayan
4541:
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4513:C. V. Sridhar
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4408:
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4400:Ritwik Ghatak
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3584:
3583:
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3572:
3557:
3556:
3555:Khaleej Times
3551:
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3528:
3523:
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3515:
3499:
3498:
3497:Mumbai Mirror
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3352:9789385606045
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3333:
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3194:
3192:9781558610293
3188:
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3159:
3157:9789385990403
3153:
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3108:
3092:
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3086:9789384544850
3082:
3078:
3077:
3069:
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3049:
3047:9788185586977
3043:
3039:
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3030:
3014:
3010:
3006:
2999:
2991:
2987:
2985:9781135943189
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2849:9788185586977
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2806:
2799:
2784:on 7 May 2018
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2777:The Telegraph
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2152:
2149:
2147:Iqbal Samman
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2039:
2036:
2034:
2031:
2029:
2026:
2024:
2023:
2015:
2012:
2009:
2006:
2004:Ghalib Award
2003:
2001:
1998:
1994:
1972:
1959:
1956:
1954:
1953:
1946:
1945:
1941:
1938:
1935:
1933:
1932:
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1712:Google Doodle
1709:
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1671:81-85586-97-7
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1511:bildungsroman
1507:
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1415:Khaleej Times
1408:
1404:
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1397:
1393:
1392:Mohammed Rafi
1389:
1385:
1381:
1378:
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1350:
1349:Mumbai Mirror
1345:
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1315:
1314:Dil ki Duniya
1311:
1307:
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935:and the play
934:
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912:
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905:Wild at Heart
902:
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897:Toni Morrison
894:
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4888:Rajat Kapoor
4853:2011–present
4807:Ruchi Narain
4767:Vinay Shukla
4761:Mahesh Bhatt
4755:Kamal Haasan
4731:Sutanu Gupta
4724:
4696:K. Viswanath
4690:Subodh Ghosh
4683:
4677:
4666:Mahesh Bhatt
4648:Chetan Anand
4605:
4537:Akhtar Mirza
4501:Subodh Ghosh
4489:Akhtar Mirza
4385:
4191:
4170:. Retrieved
4162:Padma Awards
4152:
4140:. Retrieved
4136:the original
4126:
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3999:
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3974:the original
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3892:27 September
3890:. Retrieved
3863:– via
3859:17 September
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3469:the original
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2910:
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2890:17 September
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2877:
2855:18 September
2853:. Retrieved
2838:
2831:
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2808:
2798:
2786:. Retrieved
2782:the original
2775:
2750:. Retrieved
2744:
2734:
2722:. Retrieved
2711:
2684:. Retrieved
2652:19 September
2650:. Retrieved
2644:
2634:
2624:17 September
2622:. Retrieved
2611:
2576:. Retrieved
2565:
2538:– via
2532:. Retrieved
2525:the original
2482:. Retrieved
2466:
2462:
2432:16 September
2430:. Retrieved
2424:(2–3): 169.
2421:
2417:
2390:. Retrieved
2350:. Retrieved
2341:
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2303:
2293:
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2270:
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2217:
2184:
2020:
2000:Terhi Lakeer
1999:
1950:
1929:
1914:
1898:
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1836:
1821:
1806:
1789:
1772:
1756:
1718:Bibliography
1705:
1693:
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1662:
1646:Sonal Sehgal
1581:
1577:
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1571:Rashid Jehan
1564:
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1498:Shamim Hanfi
1486:Tedhi Lakeer
1485:
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1384:Meena Kumari
1359:
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1347:
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1336:Wild Pigeons
1335:
1331:
1327:
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1313:
1310:Tedhi Lakeer
1309:
1302:Tedhi Lakeer
1301:
1300:, much like
1297:
1290:Tedhi Lakeer
1289:
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1254:
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1227:
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1192:Touch-me-not
1191:
1187:
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1148:
1144:
1141:Zohra Sehgal
1137:Lalita Pawar
1124:
1110:
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1087:
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1076:Tedhi Lakeer
1075:
1068:Terhi Lakeer
1067:
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1056:Tedhi Lakeer
1055:
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962:Adab-i-Latif
961:
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817:
811:
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770:
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762:
756:Rashid Jahan
729:
706:
672:middle-class
651:
650:
543:
542:
501:
500:
489:
488:
472:
471:
457:Somen Chanda
450:
449:
433:
432:
413:Khawar Rizvi
363:Habib Tanvir
358:Fikr Taunsvi
333:Sibte Hassan
262:
233:Rashid Jahan
228:Hajrah Begum
223:M. D. Taseer
208:Urdu writers
207:
175:Seema Sawhny
78:(1991-10-24)
18:
5029:1991 deaths
5024:1915 births
4827:Amole Gupte
4773:Honey Irani
4737:K. K. Singh
4719:Honey Irani
4612:Salim–Javed
4596:Salim–Javed
4549:Manoj Kumar
3437:The Tribune
3249:The Tribune
1729:Filmography
1694:Yemem Times
1634:Anushka Sen
1490:magnum opus
1407:Ajeeb Aadmi
1403:Jerry Pinto
1396:Ajeeb Aadmi
1364:leading man
1360:Ajeeb Aadmi
1324:Ajeeb Aadmi
1168:child actor
1117:Dilip Kumar
1092:. Starring
1072:British Raj
933:Khidmatgaar
826:blasphemous
573:Atish Paray
513:Rehman Rahi
423:K. A. Abbas
338:Habib Jalib
258:Ahmad Faraz
243:Abdul Aleem
124:Nationality
87:Maharashtra
5018:Categories
4984:Literature
4602:Kaifi Azmi
4525:Jarasandha
4390:Kaifi Azmi
4316:B. K. Dutt
4288:Best Story
3980:11 January
3281:The Biblio
3118:Rediff.com
2540:Shodhganga
2392:11 January
2171:References
2089:Padma Shri
2050:Best Story
2033:Best Story
2022:Garam Hawa
1931:Garam Hawa
1642:Mir Sarwar
1602:oppressive
1480:infidelity
1380:Geeta Dutt
1200:motherhood
764:language.
688:Padma Shri
668:femininity
523:Amin Kamil
484:Ahmad Rahi
467:Bishnu Dey
408:Aziz Qaisi
273:Kaifi Azmi
94:Occupation
52:1915-08-21
4996:Languages
4960:Biography
4706:1991–2010
4571:1971–1990
4531:Ban Bhatt
4464:1955–1970
4295:1964–1975
4204:420600128
4093:0971-8257
4060:0971-751X
4052:The Hindu
4026:Scroll.in
3912:Goodreads
3852:Sahapedia
3410:6 October
3308:Asymptote
2713:The Hindu
2342:Scroll.in
2196:Citations
1983:Category
1899:Lala Rukh
1590:reformist
1369:Guru Dutt
1259:Obsession
1236:call girl
1204:womanhood
1196:eponymous
1181:Lala Rukh
1121:directing
1102:Dev Anand
958:The Quilt
941:Bollywood
847:Ahmed Ali
822:soliloquy
800:Childhood
792:pseudonym
698:Biography
660:filmmaker
496:Premchand
218:Ahmed Ali
103:filmmaker
5008:Feminism
4684:no award
4678:no award
4507:Ruby Sen
4172:23 April
4166:Archived
4000:The Wire
3954:24 April
3948:Archived
3943:The Wire
3922:24 March
3916:Archived
3886:Archived
3825:Archived
3762:Archived
3701:Archived
3668:The Wire
3582:The Wire
3313:Archived
3254:Archived
3221:Archived
3162:Archived
3123:Archived
3091:Archived
3052:Archived
3013:Archived
2990:Archived
2948:Archived
2917:Archived
2884:Archived
2815:Archived
2718:Archived
2686:27 April
2680:Archived
2618:Archived
2578:25 April
2572:Archived
2567:Livemint
2484:25 April
2475:Archived
2426:Archived
2383:Archived
2352:25 April
2346:Archived
2316:24 April
2310:Archived
2283:24 April
2277:Archived
2243:26 April
2237:Archived
2188:Sources.
2159:See also
2017:1974–75
1757:Shikayat
1621:titled,
1594:feminist
1554:and the
1524:humanist
1306:Bahraich
1208:Chui Mui
1188:Chui Mui
937:Intikhab
818:Stubborn
188:a series
186:Part of
172:Children
114:Language
106:essayist
4946:Portals
4813:(2006 )
4715:(1991 )
4312:Motilal
4031:26 June
4005:26 June
3865:YouTube
3403:Outlook
3375:Outlook
1986:Result
1868:Society
1853:Darwaza
1822:Sheesha
1702:Tribute
1584:, were
1578:Angarey
1544:Muslims
1274:Masooma
1252:novella
1228:Masooma
882:novella
838:Angarey
808:Infidel
796:Bachpan
742:with a
734:at the
725:Aligarh
717:Jodhpur
690:by the
568:Angarey
508:Mahjoor
204:Members
89:, India
4934:(2021)
4930:&
4924:(2020)
4920:&
4914:(2019)
4908:(2018)
4902:(2017)
4896:(2016)
4890:(2015)
4884:(2014)
4878:(2013)
4872:(2012)
4866:(2011)
4862:&
4845:(2010)
4841:&
4835:(2009)
4829:(2008)
4823:(2007)
4819:&
4809:&
4799:(2005)
4793:(2004)
4787:(2003)
4781:(2002)
4775:(2001)
4769:(2000)
4763:(1999)
4757:(1998)
4751:(1997)
4749:Gulzar
4745:(1996)
4739:(1995)
4733:(1994)
4727:(1993)
4721:(1992)
4698:(1990)
4692:(1989)
4686:(1988)
4680:(1987)
4674:(1986)
4668:(1985)
4662:(1984)
4656:(1983)
4650:(1982)
4644:(1981)
4638:(1980)
4632:(1979)
4626:(1978)
4620:(1977)
4614:(1976)
4608:(1975)
4598:(1974)
4592:(1973)
4586:(1972)
4580:(1971)
4563:(1970)
4557:(1969)
4551:(1968)
4545:(1967)
4539:(1966)
4533:(1965)
4527:(1964)
4521:(1963)
4515:(1962)
4509:(1961)
4503:(1960)
4497:(1959)
4491:(1958)
4485:(1957)
4479:(1956)
4473:(1955)
4414:(1975)
4404:(1974)
4394:(1973)
4380:(1972)
4372:(1971)
4364:(1970)
4356:(1969)
4348:(1968)
4340:(1967)
4332:(1966)
4324:(1965)
4306:(1964)
4202:
4142:15 May
4118:Google
4098:8 July
4091:
4065:26 May
4058:
3797:
3641:DailyO
3561:30 May
3533:30 May
3503:29 May
3475:29 May
3443:30 May
3349:
3227:14 May
3189:
3154:
3129:11 May
3097:11 May
3083:
3058:11 May
3044:
3019:11 May
3009:DailyO
2982:
2944:DailyO
2846:
2534:13 May
2418:Mahfil
2229:
1980:Award
1952:Junoon
1807:Buzdil
1748:Notes
1742:Title
1708:Google
1669:
1606:feudal
1586:banned
1582:Lihaaf
1548:Qur’an
1540:Hindus
1472:Lihaaf
1464:Lihaaf
1451:Lihaaf
1390:, and
1330:) and
1278:Saudai
1267:Saudai
1263:Buzdil
1255:Saudai
1244:social
1177:Shyama
1139:, and
1100:, and
1048:memoir
1039:Lihaaf
1030:Lihaaf
978:Lihaaf
966:Lahore
953:Lihaaf
929:Gainda
875:Wounds
869:) and
863:Kalyān
857:, and
780:Fasādī
771:Mahfil
723:, and
127:Indian
100:Writer
83:Mumbai
59:Budaun
4972:India
3707:8 May
2954:5 May
2923:5 May
2821:7 May
2788:7 May
2752:7 May
2724:8 May
2528:(PDF)
2517:(PDF)
2478:(PDF)
2459:(PDF)
2386:(PDF)
2375:(PDF)
2176:Notes
2138:1990
2119:1982
2100:1979
2077:1976
1996:1974
1977:Work
1974:Year
1947:1978
1926:1973
1911:1966
1895:1958
1879:1958
1864:1955
1849:1954
1837:Fareb
1833:1953
1818:1952
1803:1951
1791:Arzoo
1786:1950
1774:Ziddi
1769:1948
1753:1948
1745:Role
1739:Year
1734:Film
1623:Manto
1598:Niqab
1556:Bible
1410:'
1317:'
1160:Nutan
1149:Fareb
1145:Arzoo
1125:Fareb
1112:Arzoo
1106:Ziddi
1089:Ziddi
1002:Odour
986:trial
974:nawab
970:begum
901:Ziddi
885:Ziddi
871:Cōtēn
830:Quran
813:Dheet
804:Kafir
588:Dhuan
253:Majaz
154:plays
151:novel
142:Genre
4388:and
4318:and
4286:for
4224:IMDb
4200:OCLC
4174:2018
4144:2018
4100:2024
4089:ISSN
4067:2024
4056:ISSN
4033:2022
4007:2022
3982:2012
3956:2018
3924:2018
3894:2007
3861:2019
3833:2019
3795:ISBN
3770:2019
3737:2019
3709:2018
3676:2019
3648:2019
3622:2019
3591:2019
3563:2020
3535:2020
3505:2020
3477:2020
3445:2020
3412:2019
3384:2019
3347:ISBN
3321:2019
3288:2019
3262:2019
3229:2018
3187:ISBN
3152:ISBN
3131:2018
3099:2018
3081:ISBN
3060:2018
3042:ISBN
3021:2018
2980:ISBN
2956:2018
2925:2018
2912:Dawn
2892:2019
2857:2019
2844:ISBN
2823:2018
2810:Dawn
2790:2018
2754:2018
2726:2018
2688:2018
2654:2019
2626:2019
2580:2018
2536:2018
2486:2018
2434:2019
2394:2012
2354:2017
2318:2018
2305:Mint
2285:2018
2272:Dawn
2245:2018
2227:ISBN
2150:Won
2131:Won
2112:Won
2093:Won
2070:Won
2054:Won
2037:Won
2010:Won
1990:Ref.
1667:ISBN
1604:and
1592:and
1580:and
1569:and
1552:Gita
1522:and
1371:and
1276:and
1246:and
1242:and
1162:and
1147:and
1098:Pran
1012:and
964:, a
931:and
867:Buds
788:Saqi
721:Agra
666:and
658:and
118:Urdu
73:Died
46:Born
4222:at
1608:).
5020::
4805:,
4604:,
4314:,
4198:.
4196:11
4182:^
4164:.
4160:.
4116:.
4083:.
4054:.
4050:.
4024:.
3998:.
3946:.
3940:.
3914:.
3910:.
3884:.
3873:^
3849:.
3817:.
3789:.
3760:.
3754:.
3726:.
3699:.
3693:.
3665:.
3639:.
3611:.
3599:^
3579:.
3552:.
3524:.
3513:^
3494:.
3461:.
3434:.
3420:^
3400:.
3372:.
3361:^
3329:^
3311:.
3305:.
3279:.
3252:.
3246:.
3219:.
3213:.
3201:^
3181:.
3160:.
3121:.
3115:.
3089:.
3050:.
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