407:) without prior introduction and requested that he be allowed into the school immediately. He was accepted, and from that time began life as a live-in apprentice. Other than a brief trip to Kanazawa in December of the following year, Kyōka spent all of his time in the Ozaki household, proving his value to Kōyō through correcting his manuscripts and household tasks. Kyōka greatly adored his teacher, thinking of him as a teacher of more than literature, a benefactor who nourished his early career before he gained a name for himself. He felt deeply a personal indebtedness to Kōyō, and continued to admire the author throughout his life.
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Originally intending only to spend a summer there, he rented the house for four years. During this time he ate mainly rice gruel and sweet potatoes. In spite of illness that often left him in a dream-like state and a house that leaked when it rained, he managed to compose several stories there, including "One Day in Spring"
376:, a literary figure of this time. From 1891-1894 Kyōka lived with Ozaki Kōyō and performed houseboy duties for him in return for his expertise opinions on his work. Kyōka was deeply impressed by Ozaki Kōyō's "Amorous Confessions of Two Nuns" and decided to pursue a career in literature. That June he took a trip to
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In May 1896, Kyōka paid his grandmother, now in her mid-seventies, a visit in
Kanazawa, and the next year he decided to get his own house in Koishikawa and bring her to live with him. In spite of the beriberi that had not completely healed over the years, he was prolific at this time, though his work
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In
October of that same year, Kyōka's mentor, Ozaki Kōyō, died. Even on his deathbed, Kōyō continued to worry over Kyōka's future, and he continued to correct Kyōka's manuscripts. Then, in 1906, Kyōka lost his grandmother at the age of 87. His stomach troubles worsened and he returned to Zushi.
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January 9 of 1894, his father died and he once again returned to
Kanazawa. Facing an uncertain future, Kyōka worried about his means of obtaining a livelihood for himself and his relatives, a grandmother and younger brother; however, with his grandmother's encouragement he returned to his work in
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and his works would later show the influence of this early contact with such visual forms of story-telling. In April 1883, at nine years old, Kyōka lost his mother, who was 29 at the time. It was a great blow to his young mind, and he would attempt to recreate memories of her in works throughout
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Eccentric and superstitious, Kyōka developed a reputation for writing about the grotesque and the fantastic. However, he did not use fantasy to escape from what was happening in the real world, but for criticizing it. Kyōka saw human through the lens "of evolutionary regression, whether man into
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are still performed regularly. This was not always the case, however, as few of his plays were performed while he was alive. They saw a revival in the 1950s, but some scholars attribute his lasting impacts to dramatizations and adaptations of his prose fictions, usually done by other authors.
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newspaper. Apparently it was very unpopular and the editor requested the story be dropped immediately; however, due to Kōyō's pleadings on the part of his young student, Kyōka was allowed to print the entire story. The next year the story was resold to the
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Kyōka's writing differed greatly from that of the naturalist writers who dominated the literary scene at the time. Many of Kyōka's works are surrealist critiques of society. He is best known for a characteristic brand of
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He is also considered one of the supreme stylists in modern
Japanese literature, and the difficulty and richness of his prose has been frequently noted by fellow authors and critics. Like
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in Tokyo to follow work on an encyclopedia. On his departure, Kōyō treated Kyōka to a
Western style dinner where he taught his student to use a knife and fork.
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Poulton, Cody M., and
Gabrielle H. Cody. "Izumi Kyōka (1873 - 1939)." The Columbia Encyclopedia of Modern Drama. Vol. 1. N.p.: Columbia UP, 2007. 723. Print.
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Izumi Kyoka (2010). "Sea
Daemons" trans. Ginny Tapley Takemori, Kaiki: Uncanny Tales from Japan Volume 2: Country Delights, Kurodahan Press
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Poulton, Cody. "Drama and
Fiction in the Meiji Era: The Case of Izumi Kyōka." Asian Theatre Journal Vol 12, No. 2. (1995). 280-306. Web.
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Even before he entered grade school, young Kyōtarō's mother introduced him to literature in picture-books interspersed with text called
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He kept a number of journals of his travels, and he continued to write short stories and plays. In 1937, his last great project,
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is a literary award established by the city of
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He continued to have problems with beriberi, and in the summer of 1916, he spent a good portion of three months inside.
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before returning to Tokyo. He would later use the record he kept of his travels as a basis for his "Another Man's Wife"
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671:," considered by many to be his most representative work and one of his most frequently read, was published in 1900.
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and other
Japanese authors with pen names, Kyōka is usually known by his pen name rather than his real given name.
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praised "Samisen Canal." At the same time, the first five volumes of Kyōka's collected works were published.
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The Similitude of Blossoms: A Critical Biography of Izumi Kyoka (1873–1939), Japanese Novelist and Playwright
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1350:"Izumi Kyōka." Encyclopædia Britannica Online. Encyclopædia Britannica, Inc. 1 Dec 2014. Web. 20 April 2015.
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Finally his ill-health took its toll, and, on 7 September 1939, at 2:45 in the morning, Izumi Kyōka died of
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Poulton, Mark C. "Metamorphosis: Fantasy and Animism in Izumi Kyōka." Japan Review. (1995): 71-92. Print.
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The next year in February, in order to continue to support his family in Kanazawa, Kyōka moved into the
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Poulton, Cody. "A Beggar's Art: Scripting Modernity in Japanese Drama." Project Muse. (2010): 69. Web.
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March 15, 2018. Volume 16, Issue 6 Number 1. Awarded the 2017 Kyoko Selden Memorial Translation Award.
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beast or adult into child," indicative of his critique on modern society.The Holy Man of Mount Kōya
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Kyōka was born Izumi Kyōtarō on November 4, 1873 in the Shitashinmachi section of
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preferring tales of the supernatural heavily influenced by works of the earlier
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and, after recovery, visited Shuzenji hot-spring resort in the mountains in
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newspapers. He was inducted the same year into the Imperial Arts Society.
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In April 1895, Kyōka's first, real critical success, “The Night Watchman”
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The city of Kanazawa's page on its Izumi Kyoka Memorial Hall and Museum
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storytelling, and also uses dramatic dialogues similar to that used in
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or Tokyo, which is why he is often compared with his contemporaries
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In 1902, suffering from gastrointestinal problems, Kyōka retired to
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by extending his efforts into the theater. In 1913, he composed
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In 1890, Kyōka went to Tokyo in order to follow the footsteps of
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opening pages; thus began Kyōka's entry into literary circles.
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Another female Izumi Kyōka is featured in a chapter of the
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His plays are particularly popular in Japan: such works as
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A female character named Izumi Kyōka appears in the manga
1452:. New York: Columbia University Press. pp. 202–219.
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Izumi Kyoka (2017). "Tale of the Enchanted Sword" (妖剣記聞,
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500:. In August he returned to Kanazawa to get treatment for
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With growing popularity supporting him, Kyōka began the
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and took the opportunity to travel around Kyoto and the
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Dawn to the West: Japanese Literature of the Modern Era
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Izumi Kyoka (1956). "A Tale of Three Who Were Blind".
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In Light Of Shadows: More Gothic Tales By Izumi Kyoka
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Mark Cody Poulton. Japan Review No.6(1995), pp71–92.
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received mixed reviews. "The Holy Man of Mount Kōya
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to convalesce. While there, a woman named Ito Suzu
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1251:Spirits of Another Sort: The Plays of Izumi Kyoka
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1161:Izumi Kyoka (1996). Charles Shiro Inouye (ed.).
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987:Tanizaki Jun'ichirō
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1080:Meiji Restoration
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181:(1939-09-07)
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110:October 2022
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52:Please help
47:verification
44:
1574:1939 deaths
1569:1873 births
954:Kōya Hijiri
916:lung cancer
857:Lake Towada
847:Final years
664:Kōya Hijiri
625:Reiun Taoka
335:Nakata Suzu
317:Izumi Seiji
268:Romanticism
245:Izumi Kyōka
233:Izumi Kyōka
136:Izumi Kyōka
18:Izumi Kyoka
1563:Categories
1329:References
1267:Demon Pond
1210:Demon Lake
1116:spin-off,
1063:In fiction
994:Demon Pond
983:Nagai Kafū
922:in Tokyo.
829:Nihonbashi
791:Demon Pond
772:Kafū Nagai
707:Kagurazaka
639:Gekashitsu
598:Koishikawa
469:Iki-ningyō
374:Ozaki Kōyō
272:Edo period
193:Occupation
159:1873-11-04
80:newspapers
1084:Showa Era
975:hanamachi
896:Usu Kōbai
865:pneumonia
765:Uta Andon
731:Kōjimachi
702:hanamachi
614:Yakōjunsa
388:kusazōshi
364:kusazōshi
354:theater,
1505:LibriVox
1082:and the
963:The Ruby
694:Itō Suzu
502:beriberi
489:Kindokei
445:Hi no De
405:Shinjuku
252:Japanese
250:, was a
230:pen name
1527:Portals
1494:at the
718:春昼・春昼後刻
705:called
539:Yobihei
383:yomihon
343:tsuzumi
280:letters
188:, Japan
94:scholar
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196:Writer
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1553:Japan
688:伊藤 すず
681:Zushi
441:Kyoto
428:冠弥左衛門
217:泉 鏡太郎
201:Genre
186:Tokyo
170:Japan
101:JSTOR
87:books
1454:ISBN
1435:ISBN
1311:天守物語
1292:海神別荘
1273:夜叉ヶ池
1255:ISBN
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1186:ISBN
1167:ISBN
1148:ISBN
1055:The
1038:天守物語
1019:海神別荘
1000:夜叉ヶ池
985:and
907:and
859:and
816:海神別荘
808:and
797:夜叉ヶ池
741:三味線堀
608:夜行巡査
578:滝の白糸
551:義血侠血
513:他人の妻
386:and
329:中田 鈴
311:泉 清次
293:Life
278:and
239:泉 鏡花
176:Died
151:Born
73:news
1503:at
1479:at
979:Edo
948:高野聖
890:薄紅梅
869:Izu
835:日本橋
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658:高野聖
632:外科室
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463:活人形
443:'s
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