Knowledge

J. Searle Dawley

Source đź“ť

2185:
pretty Bermuda maiden who finds herself unable to choose between two representatives of the British Army until they are on the eve of departure for the South African War. Her choice falls upon one who eventually turns out to be a mean coward. But the other undertakes to bring him back to her and fulfils the self-imposed task although the coward has won a medal for an act which his rival performed. Eventually the truth, becomes known, and the Bermuda beauty rectifies her mistake. It is a pleasing picture and, the local setting lends it a peculiar interest for Bermudians. There was a large attendance of the lovers of good moving pictures at the Town Hall, St. George's on Monday night to see the splendid exhibition given by the Humanophone Company. There are a large number of young boys and girls who regularly attend the Monday night shows and Master Arthur said on Monday night' that Mr. Kaplan might put a real funny one in for their benefit. The Humanphone Co's. pictures are of a very high class, but a little nonsense now and then is relished by the best of men. Miss Silverstone delighted the audience With her performance at the piano and the people of St. George's appreciate her playing more and more as the season advances.
724:(MPDA), which was established in Los Angeles, California that year. Among the professional organization's expressed goals was "'to exert every influence to improve the moral, social and intellectual standing of all persons connected with the motion picture producing business.'" The following year, on November 14, a New York chapter was created for directors on the East Coast, which for a few more years would remain the center of motion picture production until California attained that status. In addition to encouraging responsible professional and personal behavior in the film community, the MPDA also pledged in its founding principles to aid any of its "distressed members" as well as "their wives, widows and orphans." Dawley served as the second president of the New York chapter and remained an active and influential member of the association as the chairman of its board of trustees. 828: 326: 605: 216: 494: 246:. It was at that time when Morrison, the head of the theatrical group, urged the young actor to stop using his nickname "Jay" Dawley as a performer and to choose a better, more distinguished credit for the company's cast listings. Dawley heeded the advice and began emphasizing and consistently using his middle name, which was his mother's maiden name, "Searle". Three years later, now billed as J. Searle Dawley, he was serving as stage manager for Morrison while still performing in several of the company's most popular presentations such as 448: 2166:
Jersey studio (Musser 1995, 49). Serle J. Dawley, director of The Relief, led several of these trips. In the year that he directed The Relief, Dawley shot The Charge of the Light Brigade in Cheyenne, Wyoming, adapting Alfred Lord Tennyson's poem to depict the Battle of Balaclava as a tale of British loyalty and sacrifice. The Relief was shot in Bermuda, which offered the advantages of tropical scenery and the presence of the 2nd Battalion of the "Queen's Own" Regiment, stationed on site
518:. A producer naturally, like any other man, develops a particular aptitude for some certain line of work. Mr. Dawley, for example, has put on some of the biggest and most sumptuous productions the Edison Company has ever produced. As specimens of his work may be mentioned "The Stars and Stripes," "Through the Clouds," "The Red Cross Seal", "Eldora, the Fruit Girl," "An Eventful Evening," "The Black Bordered Letter," "The Doctor" and "The Price of Victory." 649:, the prolific inventor and head of the entire Edison corporation, to allow him to create longer films, to expand beyond the company's production of only one-reel pictures, which generally had maximum running times of just 15 minutes. Edison, however, who apparently had little confidence in the attention span of moviegoers, brushed aside the experienced director's recommendation, and tersely replied, "'Dawley, the public won't sit through two reels.'" 610: 608: 609: 899:. Titled "Sweet Arts Of Sweethearts", Dawley's column entertained and instructed readers with stories and history lessons about courtship, betrothal, and wedding customs in different countries and religions around the world. Some of the installments of his column addressed topics such as "The Love Shirt of Sweden", "The Three Ways of Love", "Love Superstitions of Germany", and "Rough Love in Savageland". 607: 601:
Manufacturing Company and in 1910 began construction on the largest electrical plant west of Chicago, one that would ultimately "generate 100,000 horse power" for customers in and around Long Beach. Despite his travels back and forth to California for his own work there between 1910 and 1912, Dawley still staged and directed most of his remaining films for Edison at its Bronx studio in New York.
444:'s triumph in 1805 over a combined fleet of French and Spanish warships. Both of those productions required Dawley to oversee the creation of large maritime sets inside Edison's Bronx studio, including the construction of upper and lower decks of sailing vessels, as well as fabricating simulated views of sea battles using small-scale models and silhouettes of warships. 322:, a story about a family's troublesome pet cat that repeatedly returned home after different people attempted to abandon or kill it. Dawley's numerous frustrations working with that production's feline star and problems with the film's supporting actress prompted the director to remark later, "'I hardly thought I was going to like the motion picture business.'" 1694:"United States World War I Draft Registration Cards, 1917-1918", New York City, Local Board for Division 158; digital copy of original card with entries, including Dawley's birthdate, personally handwritten and autographed by him, September 12, 1918; subscribed archival database, The Church of Jesus Christ of Latter-Day Saints (TCJCLDS), Salt Lake City, Utah. 720:, as the motion picture industry in the United States continued to expand production and its influence on American culture, some media critics and sectors of the general public began increasingly to accuse the film industry of immoral, destructive behavior both on and off the screen. Dawley in 1915 became one of the 26 founding members of the 229:
located in Denver. According to his physical description recorded on his 1918 military registration card, Dawley as a child permanently lost sight in his right eye, an impairment that no doubt posed additional challenges for him later as a stage performer and as a film director, especially in composing scenes on sets and on location.
956:, who early in his career was an assistant to Dawley, were among those who spoke at the service. Dawley was survived by his wife Grace and his brother Hubert "Bert" Dawley. Later in 1949, Grace Dawley donated a selection of her husband's personal papers, scrapbooks, and several of his Edison production scripts to the 2076:
and windows tucked under the eaves, are all typical early 18th century features. Palmetto House was one of many buildings in Devonshire appropriated by the War Department. Over the years it fell into serious disrepair until 1948 when Hereward Watlington came to the rescue, reinstating the house to its former glory.
477:. The production, loosely based on that "harrowing tale", was also staged and filmed in three days at Edison's Bronx facilities in mid-January 1910. Copies of the film survive and showcase another special effect employed by Dawley in simulating on screen the creation of Frankenstein's monster. The burning of a 907:
The given year when Dawley finally retired from working varies in obituaries and in other news items about his career. Federal census records document that Dawley and his wife Grace were living in New York City in a rented home in Manhattan in 1930 and then in a different rented property in Queens in
695:
Dawley resigned from Famous Players on May 16, 1914. Although he had been with that studio for only a year, the volume and quality of his work there established his reputation in the film industry as "the man who made Famous Players famous". Dawley departed Famous Players to join Frank L. Dyer and J.
481:
human figure molded around a skeletal frame was filmed separately in reverse or "back-cranked" in the hand-driven camera, then that footage was spliced into the master negative for producing the final prints for release and distribution. The reversal of the action on the red-tinted footage produced a
413:
By 1910, Dawley was directing ever-more elaborate productions for Edison, although the company resisted and would continue to resist the growing trend in the film industry to create longer motion pictures in two- and three-reel formats. Among the numerous "one-reelers" he created at that time were an
33: 2165:
CONTEXT: The Relief of Lucknow was produced by the Edison Company for the British market. Around 1911, Edison began to make films on specifically European themes to increase sales in Britain. The company also started sending actors and personnel to shoot films in outdoor locations, away from its New
2075:
his handsome stone house was built around 1700 by William Williams, the third or fourth of that name to own the land on which it sits. It is roughly cruciform in shape and has hipped roofs rather than the more usual gable. The welcoming arms steps, the mounting block below, the double-flue chimneys
281:
in Brooklyn. While working for Spooner, Dawley acted, managed the company's productions, and also demonstrated his considerable talents as a dramatist despite possessing only an eighth-grade formal education. He wrote and produced no less than 15 plays during his five years with that stock company.
2184:
This evening the Humanophone Company offer as the central attraction of their moving picture exhibition at the Colonial Opera House the Edison, Bermuda film "For Valour," made while Mr. Dawley and his company were at work last year at the Villa Montecello, Flatts. The story concerns the loves of a
888:
After his work ended as a director, Dawley tried "various businesses" during the late 1920s and 1930s that related to radio broadcasting, newspaper writing, and the development of sound-film technologies. In a seemingly odd job for a highly accomplished film director, Dawley between late July and
337:
After experiencing some initial frustrations in his new position at Edison, Dawley quickly established himself as a reliable and prolific director for the studio. He demonstrated an ability to administer efficiently a wide range of releases for the company, often completing two or more films in a
839:
After two years with Famous Players, Dawley left the studio once again, a departure that coincided with his getting married in June 1918 and then taking several months off work for an extended honeymoon to Alaska and other locations. Once he and new wife Grace returned home to New York, he began
228:
Born in Colorado in May 1877, Dawley was the youngest of three sons of Angela (née Searle) and James Andres Dawley. Young "Jay" obtained his elementary education in Denver, continued his public schooling there through the eighth grade, and later attended the Scott Saxton College of Oratory, also
600:
and develop plans for possible new facilities. His initial "film-plant" activities for Edison in that location should not be confused with a "huge" $ 10,000,000 project being built the same year in Long Beach by Edison Power Company. That company, like Edison Studios, was a subsidiary of Edison
2471:"Colorado Statewide Marriage Index, 1853-2006", digital image of original typewritten card, "Marriage Record Report", Dawley to Givens, no. 69575, June 14, 1918, Division of Vital Statistics, State of Colorado; archives of The Church of Jesus Christ of Latter-day Saints, Salt Lake City, Utah. 1632:
In the early silent era in the United States, the terms "producer" and "director" were not positions that were as clearly defined from one another as in subsequent decades. Often the terms were used synonymously and applied interchangeably in film reviews and news items about motion-picture
665:. Dawley's departure from Edison was at least partially motivated by his desire to make longer, more complex motion pictures. Working out of that Famous Players' facilities on West 26th Street in New York, he directed the first 13 releases of the new company, with his debut project being 908:
1940. At both locations, perhaps indicative of the couple's need for additional income, the Dawleys sublet rooms in their residence to as many as five "lodgers". Nevertheless, in the 1930 census Dawley still identified himself professionally as "Director/Motion Pictures".
606: 923:, report that he retired in 1944. Data in the federal census of 1940 also indicates that Dawley was not yet fully retired by then, that he remained actively working, at least as a writer. In that census he identifies himself as a self-employed "Author/Private". 1646:
According to the cited source by Karin, a full 1000-foot reel of film in the silent era had a maximum running time of 15 minutes. Silent films were usually projected at a "standard" speed of 16 frames per second, much slower than the 24 frames of later sound
868:
judges Dawley's direction as being "particularly good", adding that he "certainly made fine use of material and provided entertainment". Months later, Dawley made his final directorial works, two experimental sound shorts he did in collaboration with
595:
In 1910 Dawley traveled to California to establish a presence for Edison Studios on the West Coast and to assess Edison's potential for expanding its operations there like other film companies. Dawley made arrangements to rent production space in
931:
On June 14, 1918, in Denver, Colorado, Dawley married Grace Owens Givens, a native of Illinois. The couple remained together over 30 years, until Dawley's death in 1949. On March 29 that year, at age 71, Dawley died of undisclosed causes at the
509:
The producers of the Edison Company, by which is meant the stage directors who superintend and are responsible for the action of the picture as well as the development of the plot used, are four in number—Messrs. J. Searle Dawley,
200:'s 1818 novel. While film direction and screenwriting comprised the bulk of Dawley's career, he also had earlier working experience in theater, performing on stage for more than a decade and managing every aspect of 1551:
The cause of Dawley's blindness in his right eye is not specified in available records. A closer inspection of Dawley's portrait (c. 1919) featured on this page shows that his eyes are noticeably set in different
645:, when he and his company of players and crew traveled from New York to California, meandering their way across the country on an "extensive picture making tour". It was at this time when Dawley tried to convince 1616:
Papier-mâché was an inexpensive, popular medium used at Edison and at other studios for fabricating all types of large and small props for film sets. Refer to Knowledge's page about Edison's 1911 production
2429:"Fifteenth Census of the United States: 1930", residence of "Dawley, J. Searle", Borough of Manhattan, New York City, April 5, 1930; digital image of original handwritten census page, archives of TCJCLDS. 2441:"Sixteenth Census of the United States: 1940", residence of "Dawley, James S.", Borough of Queens, New York City, April 7, 1940; digital image of original handwritten census page, archives of TCJCLDS. 310:, the head of production for Edison Studios, hired him that day, agreeing to pay him $ 60 a week ($ 1,962 today) to serve as a director at the company's main film facilities, which were located in 314:
at the corner of Decatur Avenue and Oliver Place. Dawley's considerable stage experience proved to be very useful in managing his early screen productions. His first directorial project was the
2357: 1033: 1542:
In both the United States Census of 1930 and 1940, which are referenced in this article, Dawley stated that the highest level of education he attained was the eighth grade.
1569:
is advertised in 1907 trade publications as being 955 feet in length, a near-maximum capacity of a standard silent-film reel, equivalent to a running time of 14.5 minutes.
282:
By 1907 he left Spooner to begin working in the rapidly expanding motion-picture industry. Despite his career move to film, he continued to write plays, including three
2155:. CREDITS FOR THIS VIDEO: The Arts and Humanities Research Council, British Film Institute, The Imperial War Museum and the British Empire and Commonwealth Museum. (UK) 933: 2134:
To Bermudians this picture has peculiar interest; for it was at Flatts while Mr. Dawley and his company were there that they produced this most remarkable picture.
338:
single week. Ultimately, he would direct over 200 one-reelers for Edison. A few of his more notable releases during the remainder of 1907 and through 1909 include
1882:, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, California. Online Archive of California (OAC). Retrieved July 28, 2020. 1980: 700:, the name of which was formed by combining the first two letters in each man's surname. Their independent company in the fall of 1914 made arrangements with 2417:(Phoenix), all 1930 issues: July 20, p. 35; August 3, p. 38; August 17, p. 36; September 21, p. 40; October 19, p. 44; and October 26, p. 45. ProQuest. 2136:
The Highlanders, Sepoys, Artillery-men &c. who appear in the scene are men of The Queen's Regiment whose services were secured for the occasion.
2876: 1603:(1910). Quarterdeck and lower deck sets, including cannon, rigging, and other ship's furnishings were modified and recycled for the production of 270:
Dawley's stage career continued into the opening decade of the twentieth century. He left the Morrison Company after five years to perform on the
940:
in Los Angeles, California. A memorial service was held for him three days later in Los Angeles, followed by the "inurnment" of his ashes in the
2310: 985: 394:
is only a seven-minute film, but it is noteworthy for its special effects by Richard Murphy and for featuring an early screen performance by
1671:
Dawley's 1918 military registration card documents that at that time he and his wife Grace were residing at 215 51st Street in Manhattan.
1185: 961: 566: 505:
in its February 11 issue that year introduces the four men to its readers and highlights Dawley's speciality among his fellow directors:
2571: 827: 641:. For the latter film, which he did direct and complete in California, he incorporated scenic footage he took while passing through 2649: 1239: 667: 2896: 474: 740:
in a series of pictures that brought her fame in the film world second only to Mary Pickford. Dawley's films with Clark include
561:(an historic home built in 1652 that is currently the location of the Tom Moore's Tavern restaurant), and the walled streets of 388:, a story Dawley had already performed many times on stage as a member of the Lewis Morrison Company. The 1908 action adventure 2881: 1764: 549:
Garrison Golf Links clubhouse (originally a private home built around 1700, and now a Bermuda National Trust property named
325: 2886: 2866: 2825: 2515: 1509: 721: 915:
states that the former director retired in 1938, although notices of his death in other newspapers at the time, including
2871: 2769: 1619: 1439: 1177: 482:"creation" scene in which the monster, with its wired arms flailing, appears to form slowly and then rise from within "a 441: 436: 402:, the future legendary director portrays a woodsman who rescues his child after the infant is carried away by an eagle. 2320: 79: 2833: 1737: 1520: 534: 2761: 1415: 1013: 820: 354: 2891: 2593: 1005: 501:
By 1911, Dawley was one of four full-time directors under contract with Edison. The New York-based trade journal
390: 344: 1798: 671:, which was released in September 1913. There he worked with array of established and future stars. He directed 2564: 1407: 814: 2713: 2609: 1303: 1049: 945: 416: 233: 2259:
Historical Newspapers; subscription access through The University of North Carolina at Chapel Hill Library.
1599:, there is a reference to the construction of the ship's deck at Edison's Bronx studio for the battle film 629:
Dawley by 1912 increasingly spent more time writing screenplays and adapting scenarios for Edison, such as
459:
Among Dawley's most notable directorial works and screenplays in this period is his 14-minute 1910 horror "
232:
On September 9, 1895, at the age of 17, Dawley performed professionally on stage for the first time at the
2116:
it was created by the Edison artistes who made their headquarters last spring at Villa Monticello, Flatts.
1844: 682: 2729: 2657: 1879: 1319: 1247: 937: 697: 662: 147: 1900: 1820: 2544: 2009: 1916: 1786: 526: 215: 143: 2373: 2705: 2557: 1263: 1215: 965: 274:
circuit between 1899 and 1902. He then returned to the "legitimate" theatre in New York, joining the
1891:"J. Searle Dawley", American Film Institute (AFI), Los Angeles, California. Retrieved July 27, 2020. 2601: 2392: 1703: 1041: 957: 742: 562: 511: 465: 192: 2289: 1782: 2361: 2273: 2038: 580: 542: 2458:, March 30, 1949, p. 25; "J. Searle Dawley" (obituary stating Dawley retired "five years ago"), 1948: 2753: 2617: 2413: 2342: 1932: 1359: 1207: 891: 778: 772: 597: 575: 546: 2268: 2209: 1993: 2641: 1851:. New York: Moffat, Yard and Company, 1920, p. 40. Internet Archive. Retrieved July 30, 2020. 1754: 1391: 1223: 802: 493: 2861: 2856: 2801: 2745: 2697: 1485: 1351: 1295: 1827:. Metuchen, New Jersey and London: 1978, p. 40. Internet Archive. Retrieved July 29, 2020. 8: 2721: 2681: 2673: 1968: 1803: 1728:
Katz, Ephraim; revised edition by Fred Klein and Ronald Dean Nolan. "Dawley, J. Searle."
1658: 1311: 1279: 1271: 677: 271: 60: 1807:(New York, N.Y.), October 21, 1916, pp. 108. Internet Archive. Retrieved August 4, 2020. 1582:
was actually his third appearance on screen, although his previous film work was as an
1367: 784: 766: 754: 733: 701: 430: 2296:(New York, N.Y.), October 24, 1914, p. 27. Internet Archive. Retrieved August 6, 2020. 490:, an advertisement for Dawley's film describes the effect as a "photographic marvel". 2793: 2633: 2549: 2535: 2511: 2316: 2149:"RELIEF OF LUCKNOW (Indian Mutiny) - A mute film from The Tornos Studio's Collection" 1760: 1733: 1469: 1335: 1199: 857: 831:
Dawley (right) pours water over actress Marguerite Clark, preparing her for scene in
748: 685: 642: 523: 478: 384: 379: 278: 205: 163: 2277:(New York, N.Y.), June 13, 1914, p. 73. Internet Archive. Retrieved August 11, 2020. 2777: 2689: 2625: 2380:(New York, N.Y.), August 14, 1918, p. 1. Internet Archive. Retrieved July 30, 2020. 1711: 1461: 1447: 1383: 1287: 1231: 896: 796: 760: 737: 570: 283: 275: 242: 209: 175: 2540: 1923:(New York, N.Y.), July 18, 1910, p. 3. Internet Archive. Retrieved July 29, 2020. 1431: 1423: 1399: 1343: 808: 584: 554: 425: 1637:
article, the writer even attempts to clarify the responsibilities of a director.
447: 2817: 2809: 1501: 1493: 1375: 853: 790: 705: 672: 515: 395: 237: 183: 139: 2148: 2055: 2850: 2737: 2029:. Philadelphia, Pennsylvania: J.B. Lippincott Company, 1975, pp. 4, 8-11, 30. 1327: 949: 874: 870: 689: 646: 219:
The Grand Opera House in Manhattan, where Dawley made his stage debut in 1895
167: 127: 657:
In 1913 Edwin Porter hired Dawley again, but this time to work with him for
2785: 2665: 2472: 2454:, obituary, March 30, 1949, p. 22; “J. Searle Dawley, Movie Pioneer, 71", 1477: 1255: 845: 844:
as a director for several years before joining Fox Films in 1921. The last
658: 470: 307: 197: 179: 159: 131: 1789:(IBDB), The Broadway League, Manhattan, New York. Retrieved July 23, 2020. 306:
On May 13, 1907, Dawley began his motion-picture career in New York City.
953: 941: 717: 460: 371: 171: 2128:"HUMANOPHONE COMPANY. Famous Historic Picture Shown-Relief of Lucknow". 675:
in the celebrated stage actor's first feature film, the romantic comedy
2531: 2045:, February 11, 1911, p. 157. Internet Archive. Retrieved July 30, 2020. 1964: 1939:, September 9, 1911, p. 695. Internet Archive. Retrieved July 26, 2020. 1583: 889:
November 1930 wrote a syndicated human-interest and romance column for
841: 621:(1912) directed by Dawley; a German period copy under different title, 545:, with filming locations scattered about the archipelago including the 399: 201: 187: 155: 135: 2399:, December 30, 1923, p. 9. Internet Archive. Retrieved July 28, 2020. 2238:"Movies Were Better Than Ever to Film Pioneer's Wife: GRACE DAWLEY", 1562: 1514: 315: 311: 32: 1955:, January 7, 1911, p. 14. Internet Archive. Retrieved July 30, 2020. 190:
for many of his productions, including one for his 1910 horror film
2256: 2016:, March 12, 1910, p. 10. Internet Archive. Retrieved July 25, 2020. 483: 151: 569:
provided extras. The Imperial fortress colony of Bermuda and its
530: 2216:(New York, N.Y.), July 27, 1912 p. 342. Retrieved July 27, 2020. 2182:. City of Hamilton, Pembroke, Bermuda. May 15, 1913. p. 2. 2072:
Location: 74 North Shore Road, Devonshire NOT OPEN TO THE PUBLIC
1907:, Silent Era Company, Washington State. Retrieved July 28, 2020. 2348:(London edition), June 8, 1927, p. 2. Retrieved August 6, 2020. 522:
In 1911 and 1912, Searle relocated with a crew to the British
91:
Film director, producer, screenwriter, stage actor, playwright
2178:"HUMANOPHONE COMPANY. "FOR VALOUR". Beautiful Bermuda Film". 1753:
Picart, Caroline Joan; Smoot, Frank; Blodgett, Jayne (2001).
711: 405: 497:
Dawley (second from left) with fellow Edison directors, 1911
162:, which include many of the early releases of stars such as 2312:
The New Historical Dictionary of the American Film Industry
1656:
One of the films in which Dawley directed Mary Pickford is
2315:. London and New York: Routledge, 2013. pp. 131–132. 2229:. New York: Macmillan Publishing Company, 1987, pp. 46-47. 1732:. New York: HarperCollins Publishers, Inc., 2001, p. 340. 2364:(AFI), Los Angeles, California. Retrieved August 6, 2020. 652: 579:, in which two army officers vie for the affections of a 126:(October 4, 1877 – March 30, 1949) was an American 2132:. City of Hamilton, Pembroke, Bermuda. August 17, 1912. 2114:. City of Hamilton, Pembroke, Bermuda. August 13, 1912. 2088: 1607:, which was produced at the same site later in the year. 420:(1910) and presentations of two historic naval battles: 1849:
The First One Hundred Noted Men and Women of the Screen
573:
was also used as the location for another Edison film,
2579: 736:) in 1916, and among many other projects, he directed 1714:, San Francisco, California. Retrieved July 28, 2020. 704:
to distribute Dyreda releases and later merged with
2196:"Edison Company to Erect Huge Plant at Long Beach", 329:
Screenshot of D. W. Griffith in Dawley's production
286:
productions, which were presented in 1907 and 1908:
138:. Between 1907 and the mid-1920s, while working for 1752: 469:, which is the earliest known screen adaptation of 1971:(LOC), Washington, D.C. Retrieved August 29, 2020. 696:Parker Read, Jr. in establishing the film company 1748: 1746: 1633:productions. In the quoted extract from the 1911 1623:for references to the use of papier-mâchĂ© on set. 2848: 2411:Dawley, J. Searle. "Sweet Arts Of Sweethearts". 1994:"Inside Thomas Edison’s FRANKENSTEIN Adaptation" 993:A Little Girl Who Did Not Believe in Santa Claus 625:("The Traveler's Homecoming"); runtime 00:08:52. 537:, released in 1912. The production was based at 486:of blazing chemicals". In a March 1910 issue of 451:The "monster" depicted in Edison's promotion of 2200:, January 4, 1910, section III, p. 1. ProQuest. 154:, and other studios, he directed more than 300 2508:Tome of Terror: Horror Films of the Silent Era 1825:Aspects of American Film History Prior to 1920 1759:. Greenwood Publishing Group. pp. 86–87. 1743: 223: 2565: 2437: 2435: 2425: 2423: 2304: 2302: 204:. Dawley wrote at least 18 plays as well for 2506:Workman, Christopher; Howarth, Troy (2016). 1595:In the article in January 11, 1911 issue of 553:due to the still-extant ornamental stand of 2232: 986:The Trainer's Daughter; or, A Race for Love 962:Academy of Motion Picture Arts and Sciences 692:in some of their early screen appearances. 2572: 2558: 2432: 2420: 2299: 2285: 2283: 1863:Slide, "Forgotten Early Directors", p. 41. 1859: 1857: 926: 712:Motion Picture Directors Association, 1915 236:in New York City, cast as François in the 196:, the earliest known screen adaptation of 1894: 1839: 1837: 1835: 1833: 732:Dawley returned to Famous Players (later 2500: 2407: 2405: 2110:"RELIEF OF LUCKNOW: Dinna Ye Hear It?". 1815: 1813: 1690: 1688: 826: 603: 590: 567:The Queen's (Royal West Surrey) Regiment 533:, 640 miles off North Carolina, to film 492: 446: 324: 214: 2877:People from Rio Grande County, Colorado 2343:"Foreign news: 'Tough for Has'-beens'." 2280: 2251:"J. Searle Dawley, Movie Pioneer, 71", 1854: 1710:(New York, N.Y.), June 7, 1925, p. 71. 2849: 2388: 2386: 2091:. Walsingham, Hamilton Parish, Bermuda 1875: 1873: 1871: 1869: 1830: 1792: 1778: 1776: 1724: 1722: 1720: 971: 653:Famous Players Film Company and Dyreda 2553: 2402: 2308: 2242:, February 18, 1966, p. C1. ProQuest. 1926: 1901:"Rescued from an Eagle's Nest" (1907) 1810: 1685: 860:. In its December 30, 1923 review of 557:visible in front of it in the film), 2309:Slide, Anthony (February 25, 2014). 722:Motion Picture Directors Association 2383: 1866: 1773: 1717: 1524:(1924) short film made in Phonofilm 13: 2488:, March 30, 1949, p. 27. ProQuest. 2462:, March 30, 1949, p. 27. ProQuest. 1933:"THE BATTLE OF TRAFALGAR (Edison)" 14: 2908: 2525: 2510:. Midnight Marquee Press. p. 209. 1799:"Motion Picture Studio Directory" 911:In its 1949 obituary for Dawley, 382:'s early nineteenth-century play 2039:"Producers of Edison Photoplays" 1756:The Frankenstein Film Sourcebook 948:. Silent film star and producer 661:'s recently established studio, 31: 2491: 2478: 2465: 2444: 2367: 2351: 2336: 2262: 2245: 2219: 2203: 2190: 2171: 2141: 2121: 2103: 2081: 2048: 2032: 2019: 2003: 1986: 1983:. AFI. Retrieved July 29, 2020. 1974: 1958: 1942: 1910: 1885: 1665: 1650: 1640: 1626: 1610: 1589: 1572: 1555: 1186:The Charge of the Light Brigade 1123:The Song That Reached His Heart 440:(1911), a portrayal of British 414:adaptation of Charles Dickens' 2897:American silent film directors 2484:"J. Searle Dawley", obituary, 1949:"Edison Photoplays and Player" 1697: 1545: 1536: 852:(1923), which was produced by 378:, as well as an adaptation of 301: 1: 2010:"EDISON FILMS/. Frankenstein" 1678: 946:Chapel of the Pines Crematory 902: 854:Murray W. Garsson Productions 727: 409:and other releases, 1910-1912 2882:Film directors from Colorado 2594:Rescued from an Eagle's Nest 2290:"The World Film Corporation" 1905:Progressive Silent Film List 1880:"James Searle Dawley Papers" 1580:Rescued from an Eagle's Nest 1578:D. W. Griffith's casting in 1159:The Three Musketeers: Part 2 1153:The Three Musketeers: Part 1 1105:The Princess and the Peasant 1006:Rescued from an Eagle's Nest 391:Rescued from an Eagle's Nest 345:Rescued from an Eagle's Nest 331:Rescued from an Eagle's Nest 265: 7: 2887:Screenwriters from Colorado 2867:American male screenwriters 1821:"Forgotten Early Directors" 934:Motion Picture Country Home 663:Famous Players Film Company 639:Charge of the Light Brigade 224:Early life and stage career 10: 2913: 2872:American male stage actors 2545:Internet Broadway Database 2000:. Retrieved July 29, 2020. 1967:, Film, Video Collection, 1787:Internet Broadway Database 1513:(1923) short film made in 1081:A Central American Romance 848:he directed was the drama 681:. He also directed future 623:Die Heimkehr des Reisenden 292:The Girl and the Detective 144:Rex Motion Picture Company 2706:The Daughter of the Hills 2650:Tess of the d'Urbervilles 2588: 2255:, March 30, 1949, p. 25. 1917:"Fourth of July Pictures" 1567:The Nine Lives of the Cat 1264:The Daughter of the Hills 1240:Tess of the d'Urbervilles 1216:The Daughter of the Hills 1141:The Black Bordered Letter 966:Beverly Hills, California 668:Tess of the D’Urbervilles 364:The Prince and the Pauper 320:The Nine Lives of the Cat 113: 103: 95: 87: 68: 42: 30: 23: 2658:In the Bishop's Carriage 2332:– via GoogleBooks. 2214:The Moving Picture World 2210:"Edison Players Go West" 1992:Obrapta, Clement Tyler. 1937:The Moving Picture World 1529: 1248:In the Bishop's Carriage 958:Margaret Herrick Library 296:A Daughter of the People 2362:American Film Institute 2274:The Motion Picture News 2062:. Paget Parish, Bermuda 1801:, "DAWLEY, J. Searle", 1620:The Battle of Trafalgar 1605:The Battle of Trafalgar 1178:The Battle of Trafalgar 1093:A Daughter of the Mines 979:The Nine Lives of a Cat 927:Personal life and death 565:. The 2nd Battalion of 437:The Battle of Trafalgar 424:(1910), which depicted 288:The Dancer and the King 2892:Fantasy film directors 2414:The Arizona Republican 2060:Bermuda National Trust 2027:Vintage Monster Movies 1099:Eldora, the Fruit Girl 1087:The Cowpuncher's Glove 892:The Arizona Republican 836: 773:Miss George Washington 716:In the years prior to 702:World Film Corporation 626: 520: 514:, C. Jay Williams and 498: 456: 334: 238:Lewis Morrison Company 220: 109:(1918–1949; his death) 2826:Love's Old Sweet Song 2642:On the Broad Stairway 2056:"Protected Buildings" 1996:, November 20, 2019, 1981:"Frankenstein (1910)" 1730:The Film Encyclopedia 1510:Love's Old Sweet Song 1455:The Phantom Honeymoon 1224:On The Broad Stairway 1057:The Stars and Stripes 883:Love's Old Sweet Song 830: 613: 591:Travels to California 535:The Relief of Lucknow 507: 496: 450: 422:The Stars and Stripes 328: 218: 80:Hollywood, California 2770:Everybody's Business 2746:The Rainbow Princess 2730:The Pride of Jennico 2450:"J. Searle Dawley", 2153:Youtube: tornosindia 2089:"Tom Moore's Tavern" 1440:Everybody's Business 1352:The Rainbow Princess 1320:The Pride of Jennico 1193:Lord and the Peasant 1171:The Price of Victory 1111:Riders of the Plains 1014:The Boston Tea Party 619:Lord and the Peasant 541:, an estate near to 355:The Boston Tea Party 256:Master of Ceremonies 2802:Who Are My Parents? 2722:An American Citizen 2674:An Hour Before Dawn 2618:The Old Monk's Tale 1969:Library of Congress 1804:Motion Picture News 1486:Who Are My Parents? 1312:An American Citizen 1272:An Hour Before Dawn 1208:The Old Monk's Tale 1135:An Eventful Evening 972:Partial filmography 856:and distributed by 678:An American Citizen 442:Admiral Lord Nelson 428:' victory over HMS 370:, an adaptation of 260:Frederick the Great 206:repertory companies 134:, stage actor, and 124:James Searle Dawley 61:Del Norte, Colorado 47:James Searle Dawley 2580:Films directed by 2456:The New York Times 2374:"Back from Alaska" 2358:"Marguerite Clark" 2269:"J. Searle Dawley" 2253:The New York Times 1845:"J. Searle Dawley" 1783:"J. Searle Dawley" 1706:, career profile, 1704:"J. Searle Dawley" 1408:Rich Man, Poor Man 1392:Bab's Matinee Idol 1368:The Valentine Girl 1117:The Ship's Husband 1069:The Red Cross Seal 1063:Through the Clouds 1021:Comedy and Tragedy 917:The New York Times 864:, the trade paper 837: 833:Rich Man, Poor Man 815:Rich Man, Poor Man 803:Bab's Matinee Idol 785:The Valentine Girl 767:Little Lady Eileen 755:Molly Make-Believe 734:Paramount Pictures 627: 559:"Walsingham House" 539:"Villa Monticello" 499: 457: 350:Comedy and Tragedy 335: 221: 2844: 2843: 2794:A Virgin Paradise 2762:Uncle Tom's Cabin 2714:A Lady of Quality 2634:The Diamond Crown 2610:A Christmas Carol 2486:Los Angeles Times 2460:Los Angeles Times 2292:, advertisement, 2240:Los Angeles Times 2198:Los Angeles Times 2180:The Royal Gazette 2130:The Royal Gazette 2112:The Royal Gazette 2025:Marrero, Robert. 1843:Lowery, Carolyn. 1766:978-0-313-31350-9 1601:Stars and Stripes 1470:A Virgin Paradise 1416:Uncle Tom's Cabin 1336:Always in the Way 1304:A Lady of Quality 1200:The Diamond Crown 1147:Between Two Fires 1075:An Unselfish Love 1050:A Christmas Carol 1034:Hansel and Gretel 921:Los Angeles Times 858:Lewis J. Selznick 821:Uncle Tom's Cabin 749:Out of the Drifts 686:Douglas Fairbanks 643:Cheyenne, Wyoming 635:Partners for Life 611: 583:woman during the 563:St. George's town 524:Imperial fortress 417:A Christmas Carol 380:Johann von Goethe 368:Hansel and Gretel 318:14-minute comedy 240:'s production of 234:Grand Opera House 164:Douglas Fairbanks 121: 120: 107:Grace Owen Givens 96:Years active 16:American director 2904: 2778:The Harvest Moon 2690:The Port of Doom 2626:Hulda of Holland 2582:J. Searle Dawley 2574: 2567: 2560: 2551: 2550: 2541:J. Searle Dawley 2532:J. Searle Dawley 2519: 2516:978-1936168-68-2 2504: 2498: 2495: 2489: 2482: 2476: 2469: 2463: 2452:The Boston Globe 2448: 2442: 2439: 2430: 2427: 2418: 2409: 2400: 2393:"Broadway Broke" 2390: 2381: 2371: 2365: 2355: 2349: 2340: 2334: 2333: 2331: 2329: 2306: 2297: 2287: 2278: 2266: 2260: 2249: 2243: 2236: 2230: 2225:Karin, Bruce F. 2223: 2217: 2207: 2201: 2194: 2188: 2187: 2175: 2169: 2168: 2162: 2160: 2145: 2139: 2138: 2125: 2119: 2118: 2107: 2101: 2100: 2098: 2096: 2085: 2079: 2078: 2069: 2067: 2052: 2046: 2036: 2030: 2023: 2017: 2007: 2001: 1990: 1984: 1978: 1972: 1962: 1956: 1946: 1940: 1930: 1924: 1914: 1908: 1898: 1892: 1889: 1883: 1877: 1864: 1861: 1852: 1841: 1828: 1819:Slide, Anthony. 1817: 1808: 1796: 1790: 1780: 1771: 1770: 1750: 1741: 1726: 1715: 1712:Internet Archive 1701: 1695: 1692: 1672: 1669: 1663: 1654: 1648: 1644: 1638: 1630: 1624: 1614: 1608: 1593: 1587: 1576: 1570: 1559: 1553: 1549: 1543: 1540: 1462:The Harvest Moon 1448:Married in Haste 1288:The Port of Doom 1232:Hulda of Holland 1129:The Stolen Claim 913:The Boston Globe 761:Silks and Satins 738:Marguerite Clark 612: 551:"Palmetto House" 376:Michael Strogoff 276:Edna May Spooner 208:and for several 186:. He also wrote 176:Marguerite Clark 75: 56: 54: 35: 25:J. Searle Dawley 21: 20: 2912: 2911: 2907: 2906: 2905: 2903: 2902: 2901: 2847: 2846: 2845: 2840: 2834:Abraham Lincoln 2584: 2578: 2528: 2523: 2522: 2505: 2501: 2496: 2492: 2483: 2479: 2470: 2466: 2449: 2445: 2440: 2433: 2428: 2421: 2410: 2403: 2391: 2384: 2372: 2368: 2356: 2352: 2341: 2337: 2327: 2325: 2323: 2307: 2300: 2288: 2281: 2267: 2263: 2250: 2246: 2237: 2233: 2227:How Movies Work 2224: 2220: 2208: 2204: 2195: 2191: 2177: 2176: 2172: 2158: 2156: 2147: 2146: 2142: 2135: 2127: 2126: 2122: 2109: 2108: 2104: 2094: 2092: 2087: 2086: 2082: 2074: 2073: 2065: 2063: 2054: 2053: 2049: 2043:The Nickelodeon 2037: 2033: 2024: 2020: 2008: 2004: 1991: 1987: 1979: 1975: 1963: 1959: 1953:The Nickelodeon 1947: 1943: 1931: 1927: 1915: 1911: 1899: 1895: 1890: 1886: 1878: 1867: 1862: 1855: 1842: 1831: 1818: 1811: 1797: 1793: 1781: 1774: 1767: 1751: 1744: 1727: 1718: 1702: 1698: 1693: 1686: 1681: 1676: 1675: 1670: 1666: 1655: 1651: 1645: 1641: 1631: 1627: 1615: 1611: 1597:The Nickelodeon 1594: 1590: 1577: 1573: 1560: 1556: 1550: 1546: 1541: 1537: 1532: 1527: 1521:Abraham Lincoln 1432:When Men Desire 1424:The Death Dance 1400:The Seven Swans 1344:Susie Snowflake 974: 929: 905: 879:Abraham Lincoln 809:The Seven Swans 730: 714: 655: 604: 593: 585:Second Boer War 503:The Nickelodeon 426:John Paul Jones 411: 304: 268: 226: 108: 83: 77: 73: 64: 58: 57:October 4, 1877 52: 50: 49: 48: 38: 37:Dawley, c. 1919 26: 17: 12: 11: 5: 2910: 2900: 2899: 2894: 2889: 2884: 2879: 2874: 2869: 2864: 2859: 2842: 2841: 2839: 2838: 2830: 2822: 2818:Broadway Broke 2814: 2810:As a Man Lives 2806: 2798: 2790: 2782: 2774: 2766: 2758: 2750: 2742: 2734: 2726: 2718: 2710: 2702: 2694: 2686: 2678: 2670: 2662: 2654: 2646: 2638: 2630: 2622: 2614: 2606: 2598: 2589: 2586: 2585: 2577: 2576: 2569: 2562: 2554: 2548: 2547: 2538: 2527: 2526:External links 2524: 2521: 2520: 2499: 2490: 2477: 2464: 2443: 2431: 2419: 2401: 2397:The Film Daily 2382: 2366: 2350: 2335: 2322:978-1135925543 2321: 2298: 2279: 2261: 2244: 2231: 2218: 2202: 2189: 2170: 2140: 2120: 2102: 2080: 2047: 2031: 2018: 2014:The Film Index 2002: 1985: 1973: 1965:"Frankenstein" 1957: 1941: 1925: 1921:The Film Index 1909: 1893: 1884: 1865: 1853: 1829: 1809: 1791: 1772: 1765: 1742: 1716: 1708:The Film Daily 1696: 1683: 1682: 1680: 1677: 1674: 1673: 1664: 1649: 1639: 1625: 1609: 1588: 1571: 1554: 1544: 1534: 1533: 1531: 1528: 1526: 1525: 1517: 1506: 1502:As a Man Lives 1498: 1494:Broadway Broke 1490: 1482: 1474: 1466: 1458: 1452: 1444: 1436: 1428: 1420: 1412: 1404: 1396: 1388: 1380: 1372: 1364: 1356: 1348: 1340: 1332: 1324: 1316: 1308: 1300: 1292: 1284: 1276: 1268: 1260: 1252: 1244: 1236: 1228: 1220: 1212: 1204: 1196: 1190: 1182: 1174: 1168: 1162: 1156: 1150: 1144: 1138: 1132: 1126: 1120: 1114: 1108: 1102: 1096: 1090: 1084: 1078: 1072: 1066: 1060: 1054: 1046: 1038: 1030: 1024: 1018: 1010: 1002: 999:Cupid's Pranks 996: 990: 982: 975: 973: 970: 938:Woodland Hills 928: 925: 904: 901: 866:The Film Daily 862:Broadway Broke 850:Broadway Broke 729: 726: 713: 710: 706:Metro Pictures 673:John Barrymore 654: 651: 592: 589: 543:Flatts Village 516:Oscar C. Apfel 488:The Film Index 410: 404: 396:D. W. Griffith 340:Cupid's Pranks 303: 300: 267: 264: 225: 222: 184:John Barrymore 148:Famous Players 119: 118: 115: 111: 110: 105: 101: 100: 97: 93: 92: 89: 85: 84: 78: 76:(aged 71) 72:March 20, 1949 70: 66: 65: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 2909: 2898: 2895: 2893: 2890: 2888: 2885: 2883: 2880: 2878: 2875: 2873: 2870: 2868: 2865: 2863: 2860: 2858: 2855: 2854: 2852: 2836: 2835: 2831: 2828: 2827: 2823: 2820: 2819: 2815: 2812: 2811: 2807: 2804: 2803: 2799: 2796: 2795: 2791: 2788: 2787: 2783: 2780: 2779: 2775: 2772: 2771: 2767: 2764: 2763: 2759: 2756: 2755: 2751: 2748: 2747: 2743: 2740: 2739: 2738:Four Feathers 2735: 2732: 2731: 2727: 2724: 2723: 2719: 2716: 2715: 2711: 2708: 2707: 2703: 2700: 2699: 2698:Leah Kleschna 2695: 2692: 2691: 2687: 2684: 2683: 2679: 2676: 2675: 2671: 2668: 2667: 2663: 2660: 2659: 2655: 2652: 2651: 2647: 2644: 2643: 2639: 2636: 2635: 2631: 2628: 2627: 2623: 2620: 2619: 2615: 2612: 2611: 2607: 2604: 2603: 2599: 2596: 2595: 2591: 2590: 2587: 2583: 2575: 2570: 2568: 2563: 2561: 2556: 2555: 2552: 2546: 2542: 2539: 2537: 2533: 2530: 2529: 2517: 2513: 2509: 2503: 2497:Slide, p. 50. 2494: 2487: 2481: 2474: 2468: 2461: 2457: 2453: 2447: 2438: 2436: 2426: 2424: 2416: 2415: 2408: 2406: 2398: 2394: 2389: 2387: 2379: 2375: 2370: 2363: 2359: 2354: 2347: 2344: 2339: 2324: 2318: 2314: 2313: 2305: 2303: 2295: 2291: 2286: 2284: 2276: 2275: 2270: 2265: 2258: 2254: 2248: 2241: 2235: 2228: 2222: 2215: 2211: 2206: 2199: 2193: 2186: 2181: 2174: 2167: 2154: 2150: 2144: 2137: 2131: 2124: 2117: 2113: 2106: 2090: 2084: 2077: 2061: 2057: 2051: 2044: 2040: 2035: 2028: 2022: 2015: 2011: 2006: 1999: 1995: 1989: 1982: 1977: 1970: 1966: 1961: 1954: 1950: 1945: 1938: 1934: 1929: 1922: 1918: 1913: 1906: 1902: 1897: 1888: 1881: 1876: 1874: 1872: 1870: 1860: 1858: 1850: 1846: 1840: 1838: 1836: 1834: 1826: 1822: 1816: 1814: 1806: 1805: 1800: 1795: 1788: 1784: 1779: 1777: 1768: 1762: 1758: 1757: 1749: 1747: 1739: 1738:0-06-273755-4 1735: 1731: 1725: 1723: 1721: 1713: 1709: 1705: 1700: 1691: 1689: 1684: 1668: 1661: 1660: 1653: 1643: 1636: 1629: 1622: 1621: 1613: 1606: 1602: 1598: 1592: 1585: 1581: 1575: 1568: 1564: 1558: 1548: 1539: 1535: 1523: 1522: 1518: 1516: 1512: 1511: 1507: 1504: 1503: 1499: 1496: 1495: 1491: 1488: 1487: 1483: 1480: 1479: 1475: 1472: 1471: 1467: 1464: 1463: 1459: 1456: 1453: 1450: 1449: 1445: 1442: 1441: 1437: 1434: 1433: 1429: 1426: 1425: 1421: 1418: 1417: 1413: 1410: 1409: 1405: 1402: 1401: 1397: 1394: 1393: 1389: 1386: 1385: 1384:Bab's Burglar 1381: 1378: 1377: 1373: 1370: 1369: 1365: 1362: 1361: 1357: 1354: 1353: 1349: 1346: 1345: 1341: 1338: 1337: 1333: 1330: 1329: 1328:Four Feathers 1325: 1322: 1321: 1317: 1314: 1313: 1309: 1306: 1305: 1301: 1298: 1297: 1296:Leah Kleschna 1293: 1290: 1289: 1285: 1282: 1281: 1277: 1274: 1273: 1269: 1266: 1265: 1261: 1258: 1257: 1253: 1250: 1249: 1245: 1242: 1241: 1237: 1234: 1233: 1229: 1226: 1225: 1221: 1218: 1217: 1213: 1210: 1209: 1205: 1202: 1201: 1197: 1194: 1191: 1188: 1187: 1183: 1180: 1179: 1175: 1172: 1169: 1166: 1163: 1160: 1157: 1154: 1151: 1148: 1145: 1142: 1139: 1136: 1133: 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1097: 1094: 1091: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1067: 1064: 1061: 1058: 1055: 1052: 1051: 1047: 1044: 1043: 1039: 1036: 1035: 1031: 1028: 1025: 1022: 1019: 1016: 1015: 1011: 1008: 1007: 1003: 1000: 997: 994: 991: 988: 987: 983: 980: 977: 976: 969: 967: 963: 959: 955: 952:and director 951: 950:Mary Pickford 947: 943: 939: 935: 924: 922: 918: 914: 909: 900: 898: 895:newspaper in 894: 893: 886: 884: 880: 876: 875:Lee de Forest 872: 867: 863: 859: 855: 851: 847: 843: 834: 829: 825: 823: 822: 817: 816: 811: 810: 805: 804: 799: 798: 797:Bab's Burglar 793: 792: 787: 786: 781: 780: 775: 774: 769: 768: 763: 762: 757: 756: 751: 750: 745: 744: 739: 735: 725: 723: 719: 709: 707: 703: 699: 693: 691: 690:Mary Pickford 687: 684: 680: 679: 674: 670: 669: 664: 660: 650: 648: 647:Thomas Edison 644: 640: 636: 632: 624: 620: 617:Edison drama 616: 602: 599: 588: 586: 582: 578: 577: 572: 568: 564: 560: 556: 552: 548: 547:Prospect Camp 544: 540: 536: 532: 528: 525: 519: 517: 513: 512:Ashley Miller 506: 504: 495: 491: 489: 485: 480: 476: 472: 468: 467: 462: 454: 449: 445: 443: 439: 438: 434:in 1779, and 433: 432: 427: 423: 419: 418: 408: 403: 401: 397: 393: 392: 387: 386: 381: 377: 373: 369: 365: 361: 357: 356: 351: 347: 346: 341: 332: 327: 323: 321: 317: 313: 309: 299: 297: 293: 289: 285: 280: 279:Stock Company 277: 273: 263: 261: 257: 253: 252:Yorick's Love 249: 245: 244: 239: 235: 230: 217: 213: 212:productions. 211: 207: 203: 199: 195: 194: 189: 185: 181: 177: 173: 169: 168:Mary Pickford 165: 161: 157: 153: 149: 145: 141: 137: 133: 129: 128:film director 125: 116: 112: 106: 102: 98: 94: 90: 88:Occupation(s) 86: 81: 71: 67: 62: 45: 41: 34: 29: 22: 19: 2832: 2824: 2816: 2808: 2800: 2792: 2786:Beyond Price 2784: 2776: 2768: 2760: 2752: 2744: 2736: 2728: 2720: 2712: 2704: 2696: 2688: 2680: 2672: 2666:Chelsea 7750 2664: 2656: 2648: 2640: 2632: 2624: 2616: 2608: 2602:Frankenstein 2600: 2592: 2581: 2507: 2502: 2493: 2485: 2480: 2473:FamilySearch 2467: 2459: 2455: 2451: 2446: 2412: 2396: 2377: 2369: 2353: 2345: 2338: 2326:. Retrieved 2311: 2293: 2272: 2264: 2252: 2247: 2239: 2234: 2226: 2221: 2213: 2205: 2197: 2192: 2183: 2179: 2173: 2164: 2157:. Retrieved 2152: 2143: 2133: 2129: 2123: 2115: 2111: 2105: 2093:. Retrieved 2083: 2071: 2064:. Retrieved 2059: 2050: 2042: 2034: 2026: 2021: 2013: 2005: 1998:Film Inquiry 1997: 1988: 1976: 1960: 1952: 1944: 1936: 1928: 1920: 1912: 1904: 1896: 1887: 1848: 1824: 1802: 1794: 1755: 1729: 1707: 1699: 1667: 1657: 1652: 1642: 1634: 1628: 1618: 1612: 1604: 1600: 1596: 1591: 1579: 1574: 1566: 1557: 1547: 1538: 1519: 1508: 1500: 1492: 1484: 1478:Beyond Price 1476: 1468: 1460: 1454: 1446: 1438: 1430: 1422: 1414: 1406: 1398: 1390: 1382: 1374: 1366: 1358: 1350: 1342: 1334: 1326: 1318: 1310: 1302: 1294: 1286: 1278: 1270: 1262: 1256:Chelsea 7750 1254: 1246: 1238: 1230: 1222: 1214: 1206: 1198: 1192: 1184: 1176: 1170: 1164: 1158: 1152: 1146: 1140: 1134: 1128: 1122: 1116: 1110: 1104: 1098: 1092: 1086: 1080: 1074: 1068: 1062: 1056: 1048: 1042:Frankenstein 1040: 1032: 1026: 1020: 1012: 1004: 998: 992: 984: 978: 930: 920: 916: 912: 910: 906: 890: 887: 882: 878: 865: 861: 849: 846:feature film 838: 832: 819: 818:(1918), and 813: 807: 801: 795: 789: 783: 777: 771: 765: 759: 753: 747: 743:Mice and Men 741: 731: 715: 694: 676: 666: 659:Adolph Zukor 656: 638: 634: 630: 628: 622: 618: 614: 594: 574: 558: 550: 538: 521: 508: 502: 500: 487: 479:papier-mâchĂ© 471:Mary Shelley 466:Frankenstein 464: 458: 453:Frankenstein 452: 435: 429: 421: 415: 412: 407:Frankenstein 406: 389: 383: 375: 367: 363: 359: 353: 349: 343: 339: 336: 330: 319: 308:Edwin Porter 305: 295: 291: 287: 269: 259: 255: 251: 247: 241: 231: 227: 198:Mary Shelley 193:Frankenstein 191: 180:Harold Lloyd 132:screenwriter 130:, producer, 123: 122: 74:(1949-03-20) 18: 2862:1949 deaths 2857:1877 births 2378:Wid's Daily 2360:, catalog, 1635:Nickelodeon 1376:Bab's Diary 954:Walter Lang 942:columbarium 881:(1924) and 842:freelancing 791:Bab's Diary 718:World War I 631:Mary Stuart 372:Jules Verne 302:Film career 172:Pearl White 156:short films 2851:Categories 2754:Snow White 2095:October 1, 2066:October 1, 1679:References 1552:positions. 1360:Snow White 1165:The Doctor 903:Retirement 779:Snow White 728:1916-1930s 598:Long Beach 576:For Valour 475:1818 novel 455:in England 272:vaudeville 202:stagecraft 136:playwright 53:1877-10-04 2328:March 12, 1515:Phonofilm 873:inventor 683:megastars 581:Bermudian 555:palmettos 461:photoplay 398:. In the 374:'s novel 360:Bluebeard 312:the Bronx 266:1899-1907 243:Richelieu 188:scenarios 104:Spouse(s) 99:1894–1938 2257:ProQuest 885:(1924). 871:American 824:(1918). 812:(1917), 806:(1917), 800:(1917), 794:(1917), 788:(1917), 782:(1916), 776:(1916), 770:(1916), 764:(1916), 758:(1916), 752:(1916), 746:(1916), 571:garrison 484:cauldron 316:now-lost 284:Broadway 210:Broadway 160:features 114:Children 2682:Caprice 2543:at the 2346:Variety 2294:Variety 1662:(1913). 1659:Caprice 1565:comedy 1280:Caprice 960:at the 944:at the 897:Phoenix 531:Bermuda 431:Serapis 158:and 56 2837:(1924) 2829:(1923) 2821:(1923) 2813:(1923) 2805:(1922) 2797:(1921) 2789:(1921) 2781:(1920) 2773:(1919) 2765:(1918) 2757:(1916) 2749:(1916) 2741:(1915) 2733:(1914) 2725:(1914) 2717:(1913) 2709:(1913) 2701:(1913) 2693:(1913) 2685:(1913) 2677:(1913) 2669:(1913) 2661:(1913) 2653:(1913) 2645:(1913) 2637:(1913) 2629:(1913) 2621:(1913) 2613:(1910) 2605:(1910) 2597:(1908) 2514:  2319:  2159:May 1, 1763:  1736:  1647:films. 1505:(1923) 1497:(1923) 1489:(1922) 1481:(1921) 1473:(1921) 1465:(1920) 1457:(1919) 1451:(1919) 1443:(1919) 1435:(1919) 1427:(1918) 1419:(1918) 1411:(1918) 1403:(1917) 1395:(1917) 1387:(1917) 1379:(1917) 1371:(1917) 1363:(1916) 1355:(1916) 1347:(1916) 1339:(1915) 1331:(1915) 1323:(1914) 1315:(1914) 1307:(1913) 1299:(1913) 1291:(1913) 1283:(1913) 1275:(1913) 1267:(1913) 1259:(1913) 1251:(1913) 1243:(1913) 1235:(1913) 1227:(1913) 1219:(1913) 1211:(1913) 1203:(1913) 1195:(1912) 1189:(1912) 1181:(1911) 1173:(1911) 1167:(1911) 1161:(1911) 1155:(1911) 1149:(1911) 1143:(1911) 1137:(1911) 1131:(1910) 1125:(1910) 1119:(1910) 1113:(1910) 1107:(1910) 1101:(1910) 1095:(1910) 1089:(1910) 1083:(1910) 1077:(1910) 1071:(1910) 1065:(1910) 1059:(1910) 1053:(1910) 1045:(1910) 1037:(1909) 1029:(1909) 1023:(1909) 1017:(1908) 1009:(1908) 1001:(1908) 995:(1907) 989:(1907) 981:(1907) 835:(1918) 698:Dyreda 637:, and 527:colony 333:(1908) 294:, and 258:, and 182:, and 140:Edison 1584:extra 1530:Notes 1027:Faust 400:short 385:Faust 248:Faust 82:, USA 63:, USA 2536:IMDb 2512:ISBN 2330:2019 2317:ISBN 2161:2022 2097:2022 2068:2022 1761:ISBN 1734:ISBN 1563:lost 1561:The 919:and 688:and 615:PLAY 117:None 69:Died 43:Born 2534:at 1903:", 1823:, 964:in 936:in 529:of 473:'s 152:Fox 2853:: 2434:^ 2422:^ 2404:^ 2395:, 2385:^ 2376:, 2301:^ 2282:^ 2271:, 2212:, 2163:. 2151:. 2070:. 2058:. 2041:, 2012:, 1951:, 1935:, 1919:, 1868:^ 1856:^ 1847:, 1832:^ 1812:^ 1785:, 1775:^ 1745:^ 1719:^ 1687:^ 968:. 877:: 708:. 633:, 587:. 463:" 366:, 362:, 358:, 352:, 348:, 342:, 298:. 290:, 262:. 254:, 250:, 178:, 174:, 170:, 166:, 150:, 146:, 142:, 2573:e 2566:t 2559:v 2518:. 2475:. 2099:. 1769:. 1740:. 1586:. 55:) 51:(

Index


Del Norte, Colorado
Hollywood, California
film director
screenwriter
playwright
Edison
Rex Motion Picture Company
Famous Players
Fox
short films
features
Douglas Fairbanks
Mary Pickford
Pearl White
Marguerite Clark
Harold Lloyd
John Barrymore
scenarios
Frankenstein
Mary Shelley
stagecraft
repertory companies
Broadway

Grand Opera House
Lewis Morrison Company
Richelieu
vaudeville
Edna May Spooner

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑