328:
80:. Both albums used the vocal tracks from Bob's early material from the 1960s and added modern backing tracks including vocals from Rita Marley, Bob's son Ziggy and members of the Melody Makers. The response to these modern day remixes was so hostile that the label released the groundbreaking
92:
containing over 240 original tracks over the next six years, including more than a hundred previously unreleased recordings. Despite their best efforts they could not license the tracks that were already under contract to Island (as part of the
99:
box set). However, several years later they managed to license all the tracks and various sets containing some of them were reissued on the now JAD/Universal records in 2004.
29:
60:
365:
33:
394:
211:
117:
52:
to an exclusive long-term contract as recording artists from 1968 to 1972. Other notable artists to sign with the label included
273:
187:
358:
280:
245:
384:
287:
389:
351:
72:
In 1996 JAD released a set of reworked songs from the early years of Bob Marley's career on an album called
155:
180:
252:
238:
266:
173:
8:
63:
339:
125:
95:
159:
335:
85:
378:
129:
45:
21:
36:, whose initials formed its logo. JAD Records was the label which signed
196:
66:
53:
49:
25:
259:
219:
89:
41:
37:
57:
165:
152:
162:
Bob Marley, Jad-Patrick
Yafaoui & The Wailers 1962-1972
327:
118:"Danny Sims, Producer Who Signed Bob Marley, Dies at 75"
334:
This article about a United States record label is a
82:Complete Bob Marley & The Wailers 1967 to 1972
376:
359:
181:
366:
352:
188:
174:
78:Black Progress - The Formative Years Vol 2
74:Soul Almighty - The Formative Years Vol 1
377:
115:
169:
322:
13:
14:
406:
146:
395:United States record label stubs
326:
195:
109:
1:
102:
338:. You can help Knowledge by
7:
10:
411:
321:
116:Kenner, Rob (2012-10-30).
297:
230:
203:
281:(What a) Wonderful World
76:. This was followed by
385:American record labels
267:I Can See Clearly Now
212:I Can See Clearly Now
62:, Neville Willoughby
24:that was co-owned by
390:Reggae record labels
84:series produced by
274:Tears on My Pillow
158:2011-06-28 at the
122:The New York Times
32:, and businessman
347:
346:
313:
312:
402:
368:
361:
354:
330:
323:
190:
183:
176:
167:
166:
140:
139:
137:
136:
113:
96:Songs Of Freedom
410:
409:
405:
404:
403:
401:
400:
399:
375:
374:
373:
372:
319:
316:
314:
309:
293:
239:As Time Goes By
226:
199:
194:
160:Wayback Machine
149:
144:
143:
134:
132:
114:
110:
105:
16:Formed in 1967
12:
11:
5:
408:
398:
397:
392:
387:
371:
370:
363:
356:
348:
345:
344:
331:
311:
310:
308:
307:
301:
299:
298:Related topics
295:
294:
292:
291:
284:
277:
270:
263:
256:
249:
242:
234:
232:
228:
227:
225:
224:
216:
207:
205:
201:
200:
193:
192:
185:
178:
170:
164:
163:
148:
147:External links
145:
142:
141:
107:
106:
104:
101:
86:Roger Steffens
30:Arthur Jenkins
9:
6:
4:
3:
2:
407:
396:
393:
391:
388:
386:
383:
382:
380:
369:
364:
362:
357:
355:
350:
349:
343:
341:
337:
332:
329:
325:
324:
320:
317:
306:
303:
302:
300:
296:
289:
285:
282:
278:
275:
271:
268:
264:
261:
257:
254:
250:
247:
246:Hold Me Tight
243:
240:
236:
235:
233:
229:
222:
221:
217:
214:
213:
209:
208:
206:
204:Studio albums
202:
198:
191:
186:
184:
179:
177:
172:
171:
168:
161:
157:
154:
151:
150:
131:
127:
123:
119:
112:
108:
100:
98:
97:
91:
87:
83:
79:
75:
70:
68:
64:
61:
59:
55:
51:
47:
43:
39:
35:
31:
27:
23:
19:
340:expanding it
333:
318:
315:
304:
288:Rock Me Baby
218:
210:
133:. Retrieved
121:
111:
94:
81:
77:
73:
71:
46:Bunny Wailer
22:record label
17:
15:
305:JAD Records
197:Johnny Nash
153:Soul Rebels
67:Jimmy Cliff
54:Johnny Nash
50:Rita Marley
28:, producer
26:Johnny Nash
18:JAD Records
379:Categories
260:Stir It Up
220:Here Again
135:2020-07-22
103:References
90:Bruno Blum
65:and later
42:Peter Tosh
38:Bob Marley
34:Danny Sims
130:0362-4331
58:Byron Lee
56:himself,
156:Archived
231:Singles
223:(1986)
215:(1972)
128:
20:was a
253:Cupid
336:stub
126:ISSN
88:and
48:and
381::
124:.
120:.
69:.
44:,
40:,
367:e
360:t
353:v
342:.
290:"
286:"
283:"
279:"
276:"
272:"
269:"
265:"
262:"
258:"
255:"
251:"
248:"
244:"
241:"
237:"
189:e
182:t
175:v
138:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.