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They write from
Tunbridge Wells that there is arrived there that famous Italian Lady, Signiora Francesca Margaretta de L'Epine that gives every week entertainments of musick, all compos'd by that great Master Signior Jacomo Greber, perform'd to the content and great satisfaction of all the nobility
258:. The DĂĽsseldorf court orchestra was dissolved in the process, but in 1718, many of its musicians were reinstated in the Innsbruck court orchestra headed by Greber. In 1723, after Charles Philip moved his court to Mannheim, Johann von Wilderer was appointed to serve jointly with Greber as
225:
von Douven who was probably a relative of Johann Franz von Douven, one of
Charles Philip's treasury officials. The couple had at least four children. Greber remained in the service of Charles Philip for the rest of his career, working closely on operas and other court entertainments with
97:, including four arias sung by L'Epine during the interlude. It was during this time that Rowe dubbed L'Epine "Greber's Peg", a name by which she was known for several years. Although L'Epine left Greber in 1703 to live with
101:, she returned to him in 1704, and they took up residence on Suffolk Street in London. He continued composing arias for her and accompanying her in concerts and theatrical interludes at
26:
composer and musician. His first name sometimes appeared in its
Italianized version, Giacomo, especially during the years he spent in London (1702 – 1705). Greber composed solo
262:. Wilderer died in 1724. Greber lived on for another seven years, dying in Mannheim in July 1731. The orchestra he led there later became famous as the orchestra of the
83:
proposes an approximate date of 1673. He is presumed to have studied in Italy and arrived in London from there in 1702, accompanied by his mistress, the opera singer
181:
largely consisting of arias and duets between shepherds and nymphs, proved a dismal failure and was only performed a few times. Shortly after the premiere of
87:. He was to remain in London for the next three years composing incidental music for plays and arias for L'Epine, including that for the 1702 premiere of
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in 1716, he combined his brother's court in DĂĽsseldorf with his own court in
Innsbruck. The new court was moved first to
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151:). It was the first opera sung entirely in Italian by Italian singers to be performed in London.
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626:(Music and Theatre at the Innsbruck Court), p. 316. Ă–sterreich Verlag-Anst
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Music in
Eighteenth-Century England: Essays in Memory of Charles Cudworth
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335:) – opera; first performed 1711, Komödienhaus, Innsbruck; score lost
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405:- two singers (soprano and alto), two violins and basso continuo
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371:, and the overture by Gottfried Finger; first performed 1717,
289:) – pastoral opera in 2 acts; first performed 9 April 1705,
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Greber's date and place of birth are unknown, although the
309:; libretto by Giovanni Domenico Pallavicini, overture by
185:, Greber left London (without Margherita de L'Epine).
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Music and
Musicians on the London Stage: 1695 - 1705
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in London was officially opened with Greber's opera
111:noted their appearance together at the spa town of
367:with acts 1 and 3 by composed by Greber, act 2 by
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463:Steffen, Gerhard (1966) "Greber, Johann Jacob",
411:- soprano singer, two flutes and basso continuo
221:. In 1708 Greber married Katharina Elisabeth,
622:Senn, Walter and Streiter, Lambert (1954).
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315:Elisabeth Christine of Brunswick-WolfenbĂĽttel
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530:Quoted with original spelling preserved in
203:, dated 23 June 1705 describes Greber as a
73:, Greber's mistress during his London years
579:10.1093/gmo/9781561592630.article.O003740
159:also contained an English translation by
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123:
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521:, p. 247 University of California Press
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417:- alto singer, flute and basso continuo
396:- alto singer, flute, two violins, and
105:and other venues. The London newspaper
34:, and stage works, including the opera
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213:, who at the time was the governor of
22:(? – buried 5 July 1731) was a German
642:) in these scores probably refers to
624:Musik und Theater am Hof zu Innsbruck
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555:, p. 117. Courier Dover Publications
534:and Luckett, Richard (eds.) (1983).
500:The A to Z of Women in World History
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155:was one of the singers. The printed
99:Daniel Finch, 2nd Earl of Nottingham
56:Charles III Philip, Elector Palatine
16:German Baroque composer and musician
209:(music director) in the service of
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698:18th-century German male musicians
567:"Lindelheim, Joanna Maria (opera)"
540:, p. 7. Cambridge University Press
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363:) – pastoral opera in three acts;
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709:
613:, pp. 366-367. Ashgate Publishing
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441:for two flutes and basso continuo
351:; first performed 1713, Innsbruck
688:18th-century classical composers
515:Sadie, Julie Anne (ed.) (1998).
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48:, where for many years he was
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693:18th-century German composers
638:The use of the word "flute" (
503:, p. 158. Infobase Publishing
434:for flute and basso continuo
403:Quando lungi e il mio fileno
7:
673:German male opera composers
497:Kuhlman, Erika A. (2002).
409:Filli, tra il gelo e'l foco
381:Anna Maria Luisa de' Medici
199:A baptismal certificate in
10:
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518:Companion to Baroque Music
54:of the court orchestra of
607:Lowerre, Kathryn (2009).
549:Lang, Paul Henry (1966).
663:German Baroque composers
466:Neue Deutsche Biographie
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232:Johann Hugo von Wilderer
80:Neue Deutsche Biographie
175:. The opera itself, a
153:Joanna Maria Lindehleim
131:London, where Greber's
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668:German opera composers
552:George Frideric Handel
473:accessed 19 June 2013
356:Crudelta consuma amore
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40:which opened London's
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565:Dean, Winton (2002).
361:Cruelty Consumes Love
298:L'allegrezza dell'Eno
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161:Peter Anthony Motteux
139:On 9 April 1705, the
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85:Margherita de L'Epine
71:Margherita de L'Epine
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532:Hogwood, Christopher
485:Text published 1703.
446:Notes and references
415:Fuori di sua capanna
287:The Loves of Ergasto
282:Gli amori di Ergasto
183:Gli amori di Ergasto
149:The Loves of Ergasto
145:Gli amori di Ergasto
133:Gli amori di Ergasto
103:Lincoln's Inn Fields
44:in 1705. He died in
37:Gli amori di Ergasto
678:17th-century births
345:The Death of Christ
167:and an epilogue by
20:Johann Jakob Greber
571:Grove Music Online
394:Tu parti idolo mio
340:La morte di Cristo
275:Opera and oratorio
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588:978-1-56159-263-0
469:, Vol. 7, p. 16.
375:to celebrate the
369:Augustin Stricker
322:Enea in Cartagine
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135:premiered in 1705
94:The Fair Penitent
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244:Elector Palatine
236:Gottfried Finger
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173:Anne Bracegirdle
169:William Congreve
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303:The Joy of Eno
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211:Charles Philip
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165:Samuel Garth
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108:The Post Man
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683:1731 deaths
628:(in German)
475:(in German)
120:and gentry.
657:Categories
594:2020-11-29
437:Sonata in
252:Heidelberg
250:, then to
201:DĂĽsseldorf
219:Innsbruck
178:pastorale
644:recorder
388:Cantatas
377:name day
365:pastiche
349:oratorio
332:Carthage
256:Mannheim
157:libretto
91:'s play
46:Mannheim
28:cantatas
439:C minor
432:C major
373:Neuberg
248:Neuburg
32:sonatas
24:Baroque
640:flauto
585:
428:Sonata
328:Aeneas
234:, and
270:Works
242:, as
215:Tyrol
583:ISBN
347:) –
305:) –
62:Life
575:doi
430:in
379:of
330:in
223:née
659::
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508:^
490:^
454:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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