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JamFactory

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towards a new retail store and increased production capacity at its West End studios, after having increased its turnover by 55% in the previous five years at both locations. They had increased their staff and also been hiring out the studios to independent artists. The planned purchase of a new 450
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The JamFactory's Associate Training Program provides training in ceramics, glass, furniture or metal. It comprises a foundation year, with the option to apply for a second year working semi-independently. The course teaches the relevant technical skills necessary for their craft as well as the
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studio opened in 1979, with Jeff Mincham as creative director (1979-1982), followed by Bronwyn Kemp (1983-1988), Peter Anderson (1989-1990), Stephen Bowers (1990-1999), Neville Assad-Salha (1999-2003), Philip Hart (2006-2008), Robin Best (2008-2010) and Damon Moon (2014-2018).
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Directors To and Aiston describe JamFactory as "an institution is not only iconic but is a unique place where skilled traditional craftspeople mix their expertise within a curated and design focussed environment which can’t be compared to anything else in the country”.
111:. At the same time it shifted its focus slightly, with the closure of the textile and leather workshops, and the expansion of the jewellery workshop into a metal design studio. A space for making furniture was created, and wider commercial opportunities pursued. 160:
Designers Daniel To and Emma Aiston, who had previously run an arts studio known as "Daniel Emma" together since 2008, took over as creative directors of JamFactory at the beginning of 2019. At the same time, a collaboration between JamFactory and the
80:. It was officially opened in November 1974. It was created as a not-for-profit undertaking, and included areas for making glass, jewellery, textiles, and leather work. It also had a gallery and shop. In the early days, ceramicist 238:
The Seppeltsfield studio and shop opened in 2013 as a regional extension, to support local craftspeople and as an tourism offering. It is housed in an historic 1850s stables building, which has been extensively renovated.
486: 227:. There are also independent studio spaces for emerging artists, a shop specialising in high quality craft and design objects. JamFactory also collaborates with other organisations, 763: 688: 60:. It runs training courses and specialises in high quality craft and design objects, including furniture, jewellery, ceramics, glass, and metal ware. 142:
kilograms (990 lb) furnace for the glass studio, would increase its capacity by a third. It was also planning to open a new retail store in the
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Since 2010 and as of September 2023, the CEO is Brian Parkes. Under his tenure, the number of staff has doubled, from around 40 to over 80 people.
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commissioned hand-crafted glass light pendants from a team of 12 artists at the JamFactory, which would be hung from the ceiling of the
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essential business skills required to run a creative practice. Many alumni, such as Clare Belfrage, creative director of the
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displayed the technique and process behind the making of glass art as well as the glass that underpins new technologies.
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From March to March 2011, in collaboration with the Institute for Photonics & Advanced Sensing (IPAS) at the
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on specially commissioned work and projects. It commissions work, functions as a publisher and runs workshops.
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In 1992 JamFactory moved to a purpose-built building in the West End creative precinct of Adelaide city, on
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From April to June 2013, the JamFactory hosted an exhibition featuring the work of its alumni, entitled
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In 2009 the retail area was refurbished to designs by Khai Liew, and a second shop was opened at
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On 26 April 2015 a special event celebrating food, wine and design showcased the products of 12
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from 2009 and 2013, have become internationally-known and influential designer-makers.
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arts organisation which includes training facilities, galleries and shops, located in
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JamFactory (briefly Jam Factory) Contemporary Craft and Design (1997–present)
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Design studios in Adelaide with galleries, shops and training facilities
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at the studios at the back, which used to flood during heavy rain.
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JamFactory was established as a craft training workshop by the
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Alumni and artists who have worked at the JamFactory include:
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Between 1993 and 2018, JamFactory's funding was managed by
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From October to December 2018, in collaboration with the
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Designing Craft/Crafting Design: 40 Years of JamFactory
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food and wine businesses, in collaboration with the
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Jam Factory Craft and Design Centre (1991/1992–1997)
801:"Art meets science in JamFactory glass exhibition" 309: 828:"Food Secrets of Glynde shared at the JamFactory" 904: 565:AICSA - Arts Industry Council of South Australia 173:JamFactory has been known by a series of names: 540:South Australia. Dept of Innovation and Skills 590:"JamFactory appoints new creative directors" 583: 581: 484: 72:government, housed in an old jam factory on 44:, north of Adelaide. It is supported by the 356:which included exhibits by design students. 137:In July 2017 it received public funding of 426: 424: 422: 420: 418: 416: 414: 412: 410: 408: 621:National Gallery of Victoria Design Store 578: 134:, weighs about 5 kilograms (11 lb). 130:plus SKYroom. Each pendant, worth nearly 339:City of Norwood Payneham & St Peters 321:A Fine Line - Glass Meets Art Exhibition 180:Jam Factory Workshops (1986/7–1991/1992) 879: 852:Crane, Nathan James (2 November 2018). 514:"JamFactory has designs on a new store" 485:Changarathil, Valerina (6 April 2014). 405: 382: 380: 378: 905: 683: 681: 679: 677: 675: 673: 671: 669: 667: 177:Jam Factory Craft Centre (1973–1986/7) 851: 825: 587: 511: 430: 375: 880:Freezer, Rebecca (30 August 2023). 709:, issue 76: The 'Out of Town' issue 664: 363:GOLD: 50 Years 50 JamFactory Alumni 348:, JamFactory put on the exhibition 207:. Four studios provide programs in 13: 458: 168: 14: 944: 34:the West End precinct of Adelaide 923:Jewellery retailers of Australia 913:1973 establishments in Australia 431:Keen, Suzie (1 September 2023). 933:20th-century Australian artists 845: 819: 793: 768: 739: 714: 689:"Forty years at the JamFactory" 634: 588:Marsh, Walter (22 March 2019). 310:Selected exhibitions and events 854:"JamFactory's Adelaide Modern" 609: 553: 528: 505: 478: 452: 352:, a three-part exploration of 190: 1: 722:"JamFactory at Seppeltsfield" 368: 346:University of South Australia 50:University of South Australia 826:Algie, Kellie (4 May 2015). 764:Jamfactory Associate Program 512:Keen, Suzie (11 July 2017). 163:National Gallery of Victoria 7: 246: 195:The city location is at 19 46:South Australian Government 10: 949: 103:in close proximity to the 63: 645:(library catalogue entry) 259: 56:factory in the suburb of 705:originally published in 617:"Daniel Emma collection" 86:This woman is not a car 805:University of Adelaide 317:University of Adelaide 536:"Creative Industries" 151:Arts South Australia 116:Seppeltsfield winery 38:Seppeltsfield Estate 747:"Associate Program" 298:Christopher Headley 254:Canberra Glassworks 199:, next door to the 155:Marshall government 146:cultural precinct. 84:created her series 76:, in the suburb of 940: 918:Crafts educators 897: 896: 894: 892: 877: 871: 870: 868: 866: 849: 843: 842: 840: 838: 823: 817: 816: 814: 812: 797: 791: 790: 788: 786: 772: 766: 762: 760: 758: 753:. 25 August 2022 743: 737: 736: 734: 732: 718: 712: 711: 702: 700: 695:on 4 August 2019 685: 662: 661: 659: 657: 646: 638: 632: 631: 629: 627: 613: 607: 606: 604: 602: 585: 576: 575: 573: 571: 557: 551: 550: 548: 546: 532: 526: 525: 523: 521: 509: 503: 502: 500: 498: 493:. The Advertiser 482: 476: 475: 473: 471: 459:Pearce, Judith. 456: 450: 449: 447: 445: 428: 403: 402: 400: 398: 384: 361:September 2023: 354:furniture design 225:furniture-making 213:jewellery-making 205:Lion Arts Centre 153:, but under the 140: 133: 129: 105:Lion Arts Centre 24:(formerly spelt 948: 947: 943: 942: 941: 939: 938: 937: 903: 902: 901: 900: 890: 888: 878: 874: 864: 862: 859:Adelaide Review 850: 846: 836: 834: 824: 820: 810: 808: 807:. 22 March 2011 799: 798: 794: 784: 782: 774: 773: 769: 756: 754: 745: 744: 740: 730: 728: 720: 719: 715: 698: 696: 687: 686: 665: 655: 653: 644: 640: 639: 635: 625: 623: 615: 614: 610: 600: 598: 595:Adelaide Review 586: 579: 569: 567: 559: 558: 554: 544: 542: 534: 533: 529: 519: 517: 510: 506: 496: 494: 483: 479: 469: 467: 457: 453: 443: 441: 429: 406: 396: 394: 386: 385: 376: 371: 350:Adelaide Modern 312: 307: 292:Peter Andersson 262: 249: 197:Morphett Street 193: 171: 169:Changes of name 138: 131: 127: 124:Adelaide Casino 101:Morphett Street 66: 17: 12: 11: 5: 946: 936: 935: 930: 928:Barossa Valley 925: 920: 915: 899: 898: 872: 844: 818: 792: 780:Clare Belfrage 767: 738: 713: 663: 633: 608: 577: 552: 527: 504: 477: 451: 404: 373: 372: 370: 367: 366: 365: 358: 357: 342: 331: 324: 311: 308: 306: 305: 304:Nicola Purcell 302: 299: 296: 293: 290: 287: 286:Kirsten Coelho 284: 281: 280:Clare Belfrage 278: 275: 269: 261: 258: 248: 245: 217:fine metalwork 201:Mercury Cinema 192: 189: 188: 187: 184: 181: 178: 170: 167: 120:Barossa Valley 109:Mercury Cinema 65: 62: 42:Barossa Valley 30:not-for-profit 15: 9: 6: 4: 3: 2: 945: 934: 931: 929: 926: 924: 921: 919: 916: 914: 911: 910: 908: 887: 883: 876: 861: 860: 855: 848: 833: 829: 822: 806: 802: 796: 781: 777: 771: 765: 752: 748: 742: 727: 726:Seppeltsfield 723: 717: 710: 708: 694: 690: 684: 682: 680: 678: 676: 674: 672: 670: 668: 652: 651: 643: 637: 622: 618: 612: 597: 596: 591: 584: 582: 566: 562: 556: 541: 537: 531: 515: 508: 492: 488: 481: 466: 462: 461:"Jam Factory" 455: 440: 439: 434: 427: 425: 423: 421: 419: 417: 415: 413: 411: 409: 393: 389: 383: 381: 379: 374: 364: 360: 359: 355: 351: 347: 343: 340: 336: 332: 329: 325: 322: 318: 314: 313: 303: 300: 297: 294: 291: 288: 285: 283:Honor Freeman 282: 279: 276: 274: 273:Margaret Dodd 271: 270: 268: 265: 257: 255: 244: 240: 236: 234: 230: 226: 222: 218: 214: 210: 206: 202: 198: 185: 182: 179: 176: 175: 174: 166: 164: 158: 156: 152: 147: 145: 144:North Terrace 135: 125: 121: 117: 112: 110: 106: 102: 97: 94: 89: 87: 83: 82:Margaret Dodd 79: 75: 74:Payneham Road 71: 61: 59: 55: 51: 47: 43: 39: 35: 31: 27: 23: 19: 891:18 September 889:. 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InDaily 289:Khai Liew 233:designers 78:St Peters 58:St Peters 865:3 August 837:3 August 811:3 August 785:3 August 731:26 April 699:3 August 626:3 August 601:3 August 520:3 August 497:3 August 470:3 August 438:InReview 397:26 April 341:council. 247:Training 209:ceramics 132:A$ 2,000 93:ceramics 776:"About" 545:27 July 388:"About" 118:in the 70:Dunstan 64:History 40:in the 28:) is a 707:Inside 465:Flickr 335:Glynde 319:, the 260:People 650:Trove 893:2023 867:2019 839:2019 813:2019 787:2019 759:2023 733:2019 701:2019 658:2023 628:2019 603:2019 572:2018 547:2019 522:2019 499:2019 472:2019 446:2023 399:2019 231:and 223:and 215:and 203:and 107:and 91:The 54:jam 909:: 884:. 856:. 830:. 803:. 778:. 749:. 724:. 703:. 666:^ 647:. 619:. 592:. 580:^ 563:. 538:. 489:. 463:. 435:. 407:^ 390:. 377:^ 219:, 211:, 48:, 895:. 869:. 841:. 815:. 789:. 761:. 735:. 660:. 630:. 605:. 574:. 549:. 524:. 501:. 474:. 448:. 401:. 330:.

Index

not-for-profit
the West End precinct of Adelaide
Seppeltsfield Estate
Barossa Valley
South Australian Government
University of South Australia
jam
St Peters
Dunstan
Payneham Road
St Peters
Margaret Dodd
ceramics
Morphett Street
Lion Arts Centre
Mercury Cinema
Seppeltsfield winery
Barossa Valley
Adelaide Casino
North Terrace
Arts South Australia
Marshall government
National Gallery of Victoria
Morphett Street
Mercury Cinema
Lion Arts Centre
ceramics
jewellery-making
fine metalwork
glass-making

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