139:, the vernacular language of the Jews during most of the Biblical era. The opera opens with an introductory recitation in Czech, followed by one of several long instrumental crescendos built from slow trumpet calls and cymbal crashes, reaching a climax before a long decaying low-pitched rumble: an allusion to the trumpets used by Joshua during the seven-day siege of Jericho. The opera relies mostly on vocals with occasional electroacoustic interjections in the form of processed acoustic instruments like viola, tam-tam or full orchestra, transformed through studio treatment and montage. Vocal deliveries are diverse, ranging from singing to
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66:. He is the artistic leader and performer in the folklore group Chorea Bohemica (founded 1967), for which he has composed and adapted a number of songs and dances. Musica Bohemica, a chamber ensemble specialising in Czech (Bohemian) Christmas songs, was created in 1975 by Krček as an offspring of Chorea Bohemica. Some of Krček's music is inspired by early
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music. Also interested in folk music of the 18th and 19th centuries, Krček has arranged several hundred folksongs and folk dances. He has done extensive and systematic individual, creative work in the realisation of folklore and anonymous musical works. Krček has recorded more than fifty albums of
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Joshua son of Nun sent two spies out from
Shittim secretly and instructed them: “Find out what you can about the land, especially Jericho. They stopped at the house of a prostitute named Rahab and spent the night
143:, from the plaintive to the exalted, from emphatic to hushed voices. The cast included core members of the Chorea Bohemica ensemble, from which the Musica Bohemica ensemble was derived, founded by Krček in 1975.
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in 1970–71. It is described as an electronic opera. It was banned by the communist regime in 1972, and it was never staged in
Czechoslovakia until the
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131:. Rahab helps the two spies and hides them from the King of Jericho's guards, thus helping the Israelites conquer Jericho. The libretto is by
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Symphony Nº2 for Chorus & Chamber
Orchestra, 1983. Chamber music version, 1985
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Testamenti – Vocal and
Instrumental Suite to Words of Ancient Phrases, 1984
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in
English, Rachav in Hebrew) is based on the account of the Fall of
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is one of Krček's most renowned compositions. It was created in the
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Dialogues With Time, a concert for 2 voices and magnetic tape, 1979
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Plaché příběhy (1982).... 2. Vražedný útok,3. Modrá chryzantéma
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Musique concrete: Sonaty Slavičkove (Nightingale
Sonatas), 1971
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Vocal and chamber compositions: Variations For
Orchestra, 1967
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320:"Jaroslav Krcek's work can be heard on the NPM recordings"
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Four
Renaissance Miniatures commissioned by Trio Spektrum
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LP liner notes, Recommended
Records, Great Britain, 1985
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LP liner notes, Recommended
Records, Great Britain, 1985
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Jaroslav Krček was born in Čtyři Dvory, today a part of
369:(in Czech). Třeboňská nokturna Festival. Archived from
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Musica per Musica Bohemica, for chamber ensemble, 1990
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Opera: Nevěstka Raab, 1971 ; Bread out of Stones
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Radio and the music editor for the recording company
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Concerto For Oboe, harp and Chamber Orchestra, 1981
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448:Jaroslav Krček at Czech Music Information Centre
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293:"Jaroslav Krček – Czech contemporary composer"
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152:Janáček Academy of Music and Performing Arts
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458:Interview with Jaroslav Krček at muzikus.cz
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203:Orchestral suite: Ad Radices, 1982
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227:Symphony No 5 'Renaissance', 2010
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453:Jaroslav Krček at ClassicsOnline
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556:21st-century conductors (music)
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443:Official site of Jaroslav Krček
516:Czech male classical composers
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20:Jaroslav Krček, late 1970s
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249:Moře začíná za vsí (1987)
94:(aka Raab The Harlot) or
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521:Czech conductors (music)
418:"Jaroslav Krček 'Raab'"
397:www.ceskafilharmonie.cz
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154:(JAMU) in
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64:Supraphon
31:Biography
72:medieval
137:Aramaic
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80:baroque
478:, 2000
160:Jičín
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