133:
36:
2091:
456:
216:
322:
442:
337:
Jazz piano has played a leading role in developing the sound of jazz. Early on, Black jazz musicians created ragtime on the piano. As the genre progressed, the piano was usually featured in the rhythm section of a band, which was typically configured as one or more of piano, guitar, bass, or drums,
264:
era, the rapid tempo and complicated chord progressions made it increasingly harder to play "by ear." Along with other improvisers, such as saxes and guitar players, bebop-era jazz pianists began to improvise over the chord changes using scales (whole tone scale, chromatic scale, etc.) and arpeggios.
341:
Over time, playing piano-accompaniment in ensemble sets, and then bands, changed from primarily time-keeping (consisting of repetitive left-hand figures) to a more flexible role. Ultimately, the skilled pianist was free both to lead and to answer the instrumental soloist, using both short and
247:
The next step is learning to improvise melodic lines using scales and chord tones. This ability is perfected after long experience, including much practice, which internalizes the physical skills of playing and the technical elements of harmony, and it requires a great natural 'ear' for
158:
combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument. By extension the phrase 'jazz piano' can refer to similar techniques on any
243:
player. Jazz pianists also make extensive use of chord "extensions", such as adding the ninth, eleventh or thirteenth scale degree to the chord. In some cases, these extensions may be "altered" i.e. sharpened or flattened, as in the case of a "sharp 11" chord.
348:. Good comping musicians were capable of many and different chord voicings, so to match the various moods the different soloists were aiming for. In the early days, not all leading pianists were concerned to provide comping. Others—notably
363:
Jazz piano moved away from playing lead melody to providing foundation for song sets; soon, skilled jazz pianists were performing as soloists. In the 1940s and 1950s, a number of great piano players emerged. Pianists like
234:
found in
Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so on. A second key skill is learning to play with a
538:(Bedford Hills, New York: Ekay Music, 2005). A method covering all the left-hand techniques used in jazz piano (and also a study of the history of the left hand in jazz piano), with hundreds of musical examples.
297:) the left hand rapidly plays alternate positions between notes in the bass register and chords in the tenor register, while the right hand plays melody and improvises, as performed in
301:'s "Liza". The right hand may play melodic lines, or harmonic content, chordally or in octaves. It may also be played in lockstep with the left hand, using a double melody
360:—earned great esteem among band members as well as other musicians. Ellington comped enthusiastically in support of the soloist and did much to develop the technique.
531:
256:
associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz piano. During the
132:
548:. Covers the problems of jazz improvisational practice with a focus on the piano, but for all instruments. (Also, it is entertaining and humorous.)
1117:
154:
has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the
634:
587:
230:
Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the
273:
Jazz piano (the technique) and the instrument itself offer soloists an exhaustive number of choices. One may play the bass register in an
1420:
1359:
1379:
1344:
618:
2075:
1369:
174:, and other keyboard instruments, the piano is one of the instruments in a jazz combo that can play both single notes and
1339:
100:
260:
era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes. However, during the
72:
2040:
610:
119:
285:
in "Boogie Woogie Stomp". The left hand can also be played as a melodic counterline that emulates the walking of an
1185:
79:
1869:
1165:
202:
was a prominent proponent. The left hand was used to establish rhythm while the right hand improvised melodies.
1112:
750:
685:
647:
474:
236:
57:
1747:
239:
rhythm and "feel". In jazz, the roots are usually omitted from keyboard voicings, as this task is left to the
2130:
1306:
1281:
1206:
1137:
1127:
601:
86:
1301:
1256:
1180:
1175:
1170:
326:
17:
1752:
1142:
1056:
53:
1036:
1321:
1122:
68:
2115:
1399:
1316:
1066:
554:
Dupuis, Robert. "Contemporary
Musicians: Art Tatum." Encyclopedia. N.p., 1997. Web. 15 November 2014
1415:
1354:
1071:
309:, or Shearing voicing—a technique popularized, though not invented, by the pianist and set leader
1389:
1291:
1241:
1147:
1107:
1086:
1076:
1046:
376:
built upon the style of Powell while adding a distinct classical influence to his playing, while
46:
1742:
2125:
1619:
1492:
1374:
1364:
1331:
1091:
1051:
1023:
491:
223:
281:
style, where the left hand repeats a phrase numerous times throughout a song, as performed by
2068:
1459:
1384:
1349:
1081:
1061:
1041:
1031:
728:
642:
469:
249:
1727:
194:
A new style known as "stride" or "Harlem stride" emerged during the 1920s, predominantly in
2019:
1834:
1446:
1221:
1132:
8:
1864:
1464:
1311:
1216:
805:
770:
605:, by Robert Rawlins, Nor Eddine Bahha, Barrett Tagliarino. Hal Leonard Corporation, 2005
160:
1732:
93:
1844:
1634:
1607:
1497:
1276:
880:
733:
678:
581:
551:"Duke Ellington Biography." Duke Ellington Biography. N.p., n.d. Web. 13 November 2014.
353:
155:
2052:
1975:
1201:
638:
614:
606:
501:
2046:
1859:
1737:
1614:
1535:
1271:
1261:
959:
813:
199:
2061:
1777:
1757:
1709:
1514:
1251:
1246:
949:
929:
917:
708:
365:
310:
306:
298:
136:
518:. Covers all styles of comping, from basic and fundamental approaches to modern.
2120:
1793:
1590:
991:
979:
511:
478:
413:
401:
377:
349:
344:
2109:
2024:
2007:
1992:
1919:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1694:
1671:
1569:
1557:
1547:
1530:
1157:
1001:
860:
795:
780:
760:
671:
541:
417:
405:
389:
278:
231:
195:
175:
2014:
1934:
1929:
1924:
1678:
1666:
1659:
1649:
1602:
1597:
1564:
1440:
1435:
1425:
1296:
1008:
845:
745:
447:
393:
385:
290:
286:
282:
2095:
1997:
1960:
1654:
1644:
1639:
1624:
1585:
1540:
1454:
1430:
1286:
1266:
1231:
1226:
1211:
996:
984:
969:
902:
785:
765:
740:
713:
461:
427:
422:
409:
397:
357:
330:
302:
257:
240:
167:
1982:
1970:
1814:
1798:
1704:
1629:
1487:
954:
939:
912:
892:
790:
521:
373:
369:
219:
171:
1950:
1699:
1552:
1502:
1394:
1013:
974:
897:
885:
875:
870:
865:
855:
850:
840:
755:
718:
381:
253:
179:
35:
1955:
1854:
1236:
964:
907:
833:
823:
723:
274:
146:
is a collective term for the techniques pianists use when playing
2002:
1987:
1849:
944:
828:
294:
183:
1507:
934:
924:
342:
sustained, chordal and melodic, fragments—a technique known as
574:
Jazz Piano Roots: A Short
History of Early Jazz Piano - Part I
380:
pushed rhythmic variations and was influenced by the style of
2090:
1965:
1839:
818:
658:
455:
261:
215:
151:
602:
Jazzology: The
Encyclopedia of Jazz Theory for All Musicians
694:
321:
147:
477:, a term of praise for playing that has a strong rhythmic
430:
is also an influential player who played with
Coltrane.
663:
437:
60:. Unsourced material may be challenged and removed.
508:. Insights into almost every aspect of jazz piano.
2107:
546:The Jazz Musician's Guide to Creative Practicing
372:helped create and establish the sound of bebop.
248:extemporaneous music-making. When jazz pianists
576:. Katonah, NY. p. 24 – via ProQuest.
408:were also exceptional pianists who played with
338:or other instruments, such as the vibraphone.
679:
650:– Richard Michael's History of the Jazz Piano
516:Stylistic II/V7/I Voicings For Keyboardists
686:
672:
586:: CS1 maint: location missing publisher (
178:rather than only single notes as does the
120:Learn how and when to remove this message
27:Techniques pianists use when playing jazz
320:
214:
131:
1720:
14:
2108:
210:
667:
648:BBC Scotland's History of Jazz Piano
571:
58:adding citations to reliable sources
29:
24:
252:, they use the scales, modes, and
25:
2142:
2041:Album covers of Blue Note Records
628:
498:. A "how to" book on the subject.
2089:
454:
440:
316:
34:
528:. An approach to jazz phrasing.
352:, who became famous during the
45:needs additional citations for
1421:Institutions and organizations
594:
565:
475:Swing (jazz performance style)
13:
1:
1118:Cool jazz and West Coast jazz
558:
327:Original Dixieland Jazz Band
205:
189:
7:
433:
10:
2147:
506:Metaphors For The Musician
485:
293:, (similar to the earlier
2085:
2033:
1943:
1827:
1807:
1786:
1770:
1687:
1578:
1523:
1480:
1473:
1447:See Template: Jazz theory
1408:
1330:
1194:
1156:
1100:
1022:
804:
701:
536:Jazz Piano: The Left Hand
268:
693:
653:Nairn, Charlie, (1975):
334:
227:
224:Montreux Jazz Festival
140:
643:National Public Radio
470:List of jazz pianists
324:
305:called "locked-hand"
218:
135:
2131:Occupations in music
1835:Bibliography of jazz
1615:Continental European
277:pattern, popular in
54:improve this article
2076:Straight, No Chaser
1865:Straight-ahead jazz
1322:Winter & Winter
771:French horn in jazz
572:Lees, Gene (2006).
496:The Jazz Piano Book
211:Learning jazz piano
161:keyboard instrument
2020:West African music
1845:British dance band
1635:European free jazz
1608:British dance band
1101:Musicians by genre
881:Free improvisation
655:Earl "Fatha" Hines
354:Harlem Renaissance
335:
228:
222:performing at the
141:
2103:
2102:
1976:New Orleans blues
1823:
1822:
1766:
1765:
1340:Beaches (Toronto)
751:Swing performance
639:Marian McPartland
619:978-0-634-08678-6
532:Riccardo Scivales
502:Randy Halberstadt
420:on his hit album
198:, United States.
130:
129:
122:
104:
16:(Redirected from
2138:
2116:Jazz instruments
2094:
2093:
1860:Continental jazz
1753:Washington, D.C.
1718:
1717:
1620:Czech and Slovak
1478:
1477:
1262:India Navigation
960:Progressive jazz
814:Avant-garde jazz
688:
681:
674:
665:
664:
622:
598:
592:
591:
585:
577:
569:
464:
459:
458:
450:
445:
444:
443:
416:was featured by
200:James P. Johnson
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
2146:
2145:
2141:
2140:
2139:
2137:
2136:
2135:
2106:
2105:
2104:
2099:
2096:Jazz portal
2088:
2081:
2062:The Jazz Singer
2029:
2008:Novelty ragtime
1939:
1819:
1803:
1782:
1762:
1716:
1683:
1574:
1519:
1474:Regional scenes
1469:
1404:
1326:
1252:Groove Merchant
1242:Flying Dutchman
1190:
1152:
1096:
1018:
950:Orchestral jazz
930:Mainstream jazz
918:Afro-Cuban jazz
800:
709:Outline of jazz
697:
692:
631:
626:
625:
599:
595:
579:
578:
570:
566:
561:
488:
460:
453:
446:
441:
439:
436:
366:Thelonious Monk
319:
311:George Shearing
299:George Gershwin
271:
213:
208:
192:
166:Along with the
137:Thelonious Monk
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
2144:
2134:
2133:
2128:
2123:
2118:
2101:
2100:
2086:
2083:
2082:
2080:
2079:
2072:
2069:Round Midnight
2065:
2058:
2050:
2043:
2037:
2035:
2031:
2030:
2028:
2027:
2022:
2017:
2012:
2011:
2010:
2000:
1995:
1990:
1985:
1980:
1979:
1978:
1973:
1963:
1958:
1953:
1947:
1945:
1941:
1940:
1938:
1937:
1932:
1927:
1922:
1917:
1912:
1907:
1902:
1897:
1892:
1887:
1882:
1877:
1872:
1867:
1862:
1857:
1852:
1847:
1842:
1837:
1831:
1829:
1825:
1824:
1821:
1820:
1818:
1817:
1811:
1809:
1805:
1804:
1802:
1801:
1799:Latin American
1796:
1790:
1788:
1787:South American
1784:
1783:
1781:
1780:
1774:
1772:
1768:
1767:
1764:
1763:
1761:
1760:
1755:
1750:
1745:
1740:
1735:
1730:
1728:Baltimore jazz
1724:
1722:
1715:
1714:
1713:
1712:
1705:Latin American
1702:
1697:
1691:
1689:
1688:North American
1685:
1684:
1682:
1681:
1676:
1675:
1674:
1664:
1663:
1662:
1652:
1647:
1642:
1637:
1632:
1627:
1622:
1617:
1612:
1611:
1610:
1600:
1595:
1594:
1593:
1582:
1580:
1576:
1575:
1573:
1572:
1567:
1562:
1561:
1560:
1555:
1545:
1544:
1543:
1533:
1527:
1525:
1521:
1520:
1518:
1517:
1512:
1511:
1510:
1505:
1495:
1490:
1484:
1482:
1475:
1471:
1470:
1468:
1467:
1462:
1457:
1452:
1451:
1450:
1438:
1433:
1428:
1423:
1418:
1412:
1410:
1406:
1405:
1403:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1347:
1342:
1336:
1334:
1328:
1327:
1325:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1279:
1274:
1269:
1264:
1259:
1254:
1249:
1244:
1239:
1234:
1229:
1224:
1219:
1214:
1209:
1204:
1198:
1196:
1192:
1191:
1189:
1188:
1183:
1178:
1173:
1168:
1162:
1160:
1154:
1153:
1151:
1150:
1145:
1140:
1135:
1130:
1125:
1120:
1115:
1110:
1104:
1102:
1098:
1097:
1095:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1057:Percussionists
1054:
1049:
1044:
1039:
1034:
1028:
1026:
1020:
1019:
1017:
1016:
1011:
1006:
1005:
1004:
994:
989:
988:
987:
980:Spiritual jazz
977:
972:
967:
962:
957:
952:
947:
942:
937:
932:
927:
922:
921:
920:
910:
905:
900:
895:
890:
889:
888:
883:
878:
868:
863:
858:
853:
848:
843:
838:
837:
836:
831:
826:
816:
810:
808:
802:
801:
799:
798:
793:
788:
783:
778:
773:
768:
763:
758:
753:
748:
743:
738:
737:
736:
726:
721:
716:
711:
705:
703:
702:General topics
699:
698:
691:
690:
683:
676:
668:
662:
661:
651:
645:
641:'s program on
630:
629:External links
627:
624:
623:
593:
563:
562:
560:
557:
556:
555:
552:
549:
539:
529:
526:Forward Motion
519:
512:Luke Gillespie
509:
499:
487:
484:
483:
482:
472:
466:
465:
451:
435:
432:
414:Tommy Flanagan
402:Herbie Hancock
378:Oscar Peterson
350:Duke Ellington
318:
315:
270:
267:
212:
209:
207:
204:
191:
188:
128:
127:
42:
40:
33:
26:
9:
6:
4:
3:
2:
2143:
2132:
2129:
2127:
2126:Accompaniment
2124:
2122:
2119:
2117:
2114:
2113:
2111:
2098:
2097:
2092:
2084:
2078:
2077:
2073:
2071:
2070:
2066:
2064:
2063:
2059:
2057:
2055:
2051:
2049:
2048:
2044:
2042:
2039:
2038:
2036:
2032:
2026:
2025:Western swing
2023:
2021:
2018:
2016:
2013:
2009:
2006:
2005:
2004:
2001:
1999:
1996:
1994:
1991:
1989:
1986:
1984:
1981:
1977:
1974:
1972:
1969:
1968:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1948:
1946:
1942:
1936:
1933:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1886:
1883:
1881:
1878:
1876:
1873:
1871:
1868:
1866:
1863:
1861:
1858:
1856:
1853:
1851:
1848:
1846:
1843:
1841:
1838:
1836:
1833:
1832:
1830:
1826:
1816:
1813:
1812:
1810:
1806:
1800:
1797:
1795:
1792:
1791:
1789:
1785:
1779:
1776:
1775:
1773:
1769:
1759:
1756:
1754:
1751:
1749:
1748:New York City
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1725:
1723:
1719:
1711:
1708:
1707:
1706:
1703:
1701:
1698:
1696:
1693:
1692:
1690:
1686:
1680:
1677:
1673:
1672:Flamenco jazz
1670:
1669:
1668:
1665:
1661:
1658:
1657:
1656:
1653:
1651:
1648:
1646:
1643:
1641:
1638:
1636:
1633:
1631:
1628:
1626:
1623:
1621:
1618:
1616:
1613:
1609:
1606:
1605:
1604:
1601:
1599:
1596:
1592:
1589:
1588:
1587:
1584:
1583:
1581:
1577:
1571:
1568:
1566:
1563:
1559:
1556:
1554:
1551:
1550:
1549:
1546:
1542:
1539:
1538:
1537:
1534:
1532:
1529:
1528:
1526:
1522:
1516:
1513:
1509:
1506:
1504:
1501:
1500:
1499:
1498:South African
1496:
1494:
1491:
1489:
1486:
1485:
1483:
1479:
1476:
1472:
1466:
1463:
1461:
1458:
1456:
1453:
1449:
1448:
1444:
1443:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1413:
1411:
1407:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1337:
1335:
1333:
1329:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1253:
1250:
1248:
1245:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1205:
1203:
1200:
1199:
1197:
1195:Discographies
1193:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1163:
1161:
1159:
1155:
1149:
1146:
1144:
1141:
1139:
1136:
1134:
1131:
1129:
1126:
1124:
1121:
1119:
1116:
1114:
1111:
1109:
1106:
1105:
1103:
1099:
1093:
1090:
1088:
1085:
1083:
1082:Vibraphonists
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1053:
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1033:
1030:
1029:
1027:
1025:
1021:
1015:
1012:
1010:
1007:
1003:
1002:Swing revival
1000:
999:
998:
995:
993:
990:
986:
983:
982:
981:
978:
976:
973:
971:
968:
966:
963:
961:
958:
956:
953:
951:
948:
946:
943:
941:
938:
936:
933:
931:
928:
926:
923:
919:
916:
915:
914:
911:
909:
906:
904:
901:
899:
896:
894:
891:
887:
884:
882:
879:
877:
874:
873:
872:
869:
867:
864:
862:
861:Flamenco jazz
859:
857:
854:
852:
849:
847:
844:
842:
839:
835:
832:
830:
827:
825:
822:
821:
820:
817:
815:
812:
811:
809:
807:
803:
797:
796:Women in jazz
794:
792:
789:
787:
784:
782:
781:Jazz trombone
779:
777:
774:
772:
769:
767:
764:
762:
761:Jazz drumming
759:
757:
754:
752:
749:
747:
744:
742:
739:
735:
732:
731:
730:
729:Improvisation
727:
725:
722:
720:
717:
715:
712:
710:
707:
706:
704:
700:
696:
689:
684:
682:
677:
675:
670:
669:
666:
659:
656:
652:
649:
646:
644:
640:
636:
633:
632:
620:
616:
612:
611:0-634-08678-2
608:
604:
603:
597:
589:
583:
575:
568:
564:
553:
550:
547:
543:
542:David Berkman
540:
537:
533:
530:
527:
523:
520:
517:
513:
510:
507:
503:
500:
497:
493:
490:
489:
480:
476:
473:
471:
468:
467:
463:
457:
452:
449:
438:
431:
429:
425:
424:
419:
418:John Coltrane
415:
411:
407:
406:Keith Jarrett
403:
399:
395:
391:
390:Nat King Cole
387:
383:
379:
375:
371:
367:
361:
359:
355:
351:
347:
346:
339:
332:
328:
323:
317:Ensemble role
314:
312:
308:
304:
300:
296:
292:
288:
284:
280:
279:boogie-woogie
276:
266:
263:
259:
255:
251:
245:
242:
238:
233:
225:
221:
217:
203:
201:
197:
187:
185:
181:
177:
173:
169:
164:
162:
157:
153:
149:
145:
138:
134:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
2087:
2074:
2067:
2060:
2056:(miniseries)
2053:
2045:
2015:Sophisti-pop
1445:
1436:Jazz royalty
1426:Jazz funeral
1222:Contemporary
1113:Chamber jazz
1067:Saxophonists
1037:Clarinetists
1009:Third stream
846:Chamber jazz
775:
746:Scat singing
654:
600:
596:
573:
567:
545:
535:
525:
515:
505:
495:
448:Music portal
421:
394:Wynton Kelly
386:Teddy Wilson
362:
343:
340:
336:
291:stride piano
287:upright bass
283:Rob Agerbeek
272:
246:
229:
193:
165:
156:instrument's
143:
142:
116:
107:
97:
90:
83:
76:
69:"Jazz piano"
64:
52:Please help
47:verification
44:
18:Jazz pianist
1998:Quiet storm
1961:Contradanza
1743:New Orleans
1738:Kansas City
1541:Jazz mugham
1536:Azerbaijani
1460:Second line
1455:Rare groove
1441:Jazz theory
1431:Jazz poetry
1416:Contrafacts
1400:Saint Lucia
1380:New Orleans
1312:Strata-East
1287:MPS Records
1217:Cobblestone
1138:Smooth jazz
1128:Jazz fusion
1072:Trombonists
985:Sacred jazz
970:Smooth jazz
903:Jazz fusion
786:Jazz violin
766:Jazz guitar
741:Jam session
714:Jazz (word)
660:documentary
492:Mark Levine
462:Jazz portal
428:McCoy Tyner
423:Giant Steps
410:Miles Davis
398:Red Garland
358:Cotton Club
331:Henry Ragas
303:block chord
241:double bass
2110:Categories
1983:Brass band
1971:Jump blues
1815:Ethno jazz
1778:Australian
1758:West Coast
1515:Zimbabwean
1355:Copenhagen
1277:Mainstream
1087:Violinists
1077:Trumpeters
1047:Guitarists
955:Organ trio
940:Modal jazz
913:Latin jazz
893:Gypsy jazz
791:Vocal jazz
776:Jazz piano
635:Piano Jazz
621:. Page 141
559:References
522:Hal Galper
374:Bill Evans
370:Bud Powell
220:Bill Evans
172:vibraphone
144:Jazz piano
110:April 2012
80:newspapers
1951:Acid jazz
1808:Worldwide
1794:Brazilian
1591:Bulgarian
1553:Indo jazz
1503:Cape jazz
1390:North Sea
1345:Cape Town
1332:Festivals
1307:Riverside
1282:Milestone
1207:Blue Note
1202:Bethlehem
1186:post-1950
1158:Standards
1143:Soul jazz
1092:Vocalists
1052:Organists
1024:Musicians
1014:Trad jazz
975:Soul jazz
898:Jazz-funk
886:Punk jazz
876:Free funk
871:Free jazz
866:Folk jazz
856:Dixieland
851:Cool jazz
841:Cape jazz
756:Jazz bass
719:Jazz band
582:cite book
382:Art Tatum
254:arpeggios
250:improvise
206:Technique
190:Beginning
180:saxophone
1956:Afrobeat
1870:Pre-1920
1855:Jazz Age
1771:Oceanian
1721:American
1695:Canadian
1579:European
1570:Japanese
1531:Armenian
1493:Malawian
1488:Ethiopia
1375:Montreux
1370:Montreal
1365:Monterey
1302:Prestige
1272:Landmark
1257:Impulse!
1237:ESP-Disk
1166:Pre-1920
1123:Hard bop
1062:Pianists
1042:Drummers
1032:Bassists
965:Ska jazz
908:Jazz rap
834:Post-bop
824:Hard bop
724:Big band
481:or drive
479:"groove"
434:See also
333:on piano
275:ostinato
196:New York
2003:Ragtime
1988:Exotica
1944:Related
1850:Ragtime
1828:History
1733:Chicago
1700:Haitian
1679:Swedish
1667:Spanish
1650:Italian
1603:British
1598:Belgian
1565:Iranian
1481:African
1409:Culture
1385:Newport
1360:Jakarta
1350:Chicago
1247:Freedom
945:Nu jazz
829:Neo-bop
486:Sources
356:at the
345:comping
329:, with
307:voicing
295:ragtime
226:in 1978
184:trumpet
139:in 1947
94:scholar
1655:Polish
1645:German
1640:French
1625:Danish
1586:Balkan
1548:Indian
1508:Marabi
1465:Venues
992:Stride
935:Marabi
925:M-Base
806:Genres
617:
609:
404:, and
269:Styles
232:chords
176:chords
168:guitar
150:. The
96:
89:
82:
75:
67:
2121:Piano
2034:Media
1993:Plugg
1966:Blues
1920:2010s
1915:2000s
1910:1990s
1905:1980s
1900:1970s
1895:1960s
1890:1950s
1885:1940s
1880:1930s
1875:1920s
1840:Blues
1710:Cuban
1630:Dutch
1558:Sitar
1524:Asian
1317:Verve
1181:1940s
1176:1930s
1171:1920s
1148:Swing
1108:Bebop
997:Swing
819:Bebop
289:. In
262:bebop
258:swing
237:swing
152:piano
101:JSTOR
87:books
2054:Jazz
2047:Bird
1935:2022
1930:2021
1925:2020
1660:Yass
1395:Pori
1297:Muse
1133:Scat
734:Jazz
695:Jazz
615:ISBN
607:ISBN
588:link
388:and
368:and
325:The
148:jazz
73:news
1292:MPS
1267:JMT
1232:ECM
1227:CTI
1212:BYG
412:.
182:or
56:by
2112::
657::
637:–
613:,
584:}}
580:{{
544::
534::
524::
514::
504::
494::
426:.
400:,
396:,
392:.
384:,
313:.
186:.
170:,
163:.
687:e
680:t
673:v
590:)
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
