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As to the two instruments which M. Halary designs under the names of 'quinti-clave' and 'ophicleide', they bear a great resemblance to those submitted to the
Academy in the sitting of the 11th of March 1811 by M. Dumas, which he designed under the names of 'basse et contrebasse guerrières.' ... The
214:"La commission pense enfin que M. Halary a rendu un véritable service à l'art musical et que l'Académie, en lui donnant une marque de satisfaction spécialment pour sa trompette à clef, fera un acte de justice".
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The commission went on to add that it considered Halary had rendered a real service to the art of music and the academy therefore considered he deserves its mark of approval for his
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opinion of our commission on the quinti-clave and ophicleide is that M. Halary can only claim the merit of an improvement and not that of an entire invention.
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35:, was a French professor of music and instrument-maker. Among the other instruments he patented, he is best known for inventing the
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Halary or Halari workshop, which made brass and woodwind instruments for most of the 19th century.
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Description des machines et procédés spécifiés dans les brevets d'invention, publ. par C.P. Molard
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From the
Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740-1860
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Although it was invented in 1817, his patent wasn't awarded until 1821. The report of the
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The Halari workshop was acquired by Comte et Cie. in 1873 or 1875, a company directed by
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The Cornet
Compendium: The History and Development of the Nineteenth-Century Cornet
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Full range of ophicleides (the second from the left is an alto in E flat by Halari)
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203:. Vol. 20 (11th ed.). Cambridge University Press. p. 127 fn. 5.
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Procès-verbaux de l'Académie des beaux-arts, Volume 2; Volumes 1816-1820
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Born in Agen, he moved to Paris in 1796, where, in 1804, he founded the
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Mémorial universel de l'Industrie française, des sciences et des arts
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later awarded Halary a medal for his first three instruments.
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of which, it has been claimed, only five originals remain.
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Mahillon, Victor
Charles; Schlesinger, Kathleen (1911).
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Musical instrument manufacturing companies of France
223:Leniaud, Jean-Michel and Catherine Giraudon (2002)
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271:At Google Books. Retrieved 12 August 2013.
269:, p. 159. Bibliothèque nationale de France
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233:Google Books. Retrieved 28 September 2013.
159:Google Books. Retrieved 28 September 2013.
143:Google Books. Retrieved 28 September 2013.
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242:French ministry of commerce (1831)
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139:Le basson en France au XIXe siècle
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168:Bureau du Mémorial (1821)
285:, p. 268. Scarecrow Press
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261:Reynaud, Cécile (2003)
200:Encyclopædia Britannica
152:Rice, Albert R. (2009)
51:Académie des Beaux-Arts
80:Jean-François Le Sueur
72:François-Joseph Gossec
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84:Henri Montan Berton
76:Charles Simon Catel
190:"Ophicleide"
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25:Jean Hilaire Asté
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