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99:. She married a Conservatoire prize-winner named Dereims, described as an 'intelligent singer' who sang widely in France and outside, and toured with him to Lisbon in 1878. Appearing as Jeanne Devriès-Dereims in Brussels, she sang in
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were operatic singers over three generations, of Dutch descent. They were mainly active in France, Belgium and the USA in the second half of the 19th and the early 20th centuries.
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he made his debut at the Paris Opera in 1878, and had become a leading bass in the chorus of the Opéra, where his family renown may have led to an engagement at the
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235:. Back at the Opéra, after touring to Monte-Carlo, Madrid, Lisbon and the Netherlands, she created the role of Chimène in the premiere of
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A soprano, born in New
Orleans before 1850, died in 1924, Jeanne Devriès made her debut at the age of 17 at the Paris
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Born in New York in 1858, died in
Chicago 1949, Hermann was a baritone, sometimes termed a bass. After studying with
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in New
Orleans, as well as Canada and Italy. She was the mother of Jeanne, Fidès, Maurice and Hermann.
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Fidès was born in New
Orleans on 22 April 1852, and died in 1941, and was a soprano who studied under
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he had a distinguished career centred on the Paris Opéra-Comique. He left several recordings.
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73:(in French), when she was praised by one critic, who nonetheless felt that she was not a new
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on 30 November 1885. Her final major appearance was as Elsa in the French premiere of
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She interrupted her career from April 1874 to 1883, after which she appeared at the
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in 1884. His career also extended to Italy and the USA, where he appeared for the
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in 1880 for his debut in the first of 50 performances there as
Lothario in
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111:(Marguerite) in 1872-1873; in the 1879-80 season the Queen of the Night in
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from 1895-98 both in New York and on tour; his repertoire there included
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77:. She took over the title role of Catherine Glover for the premiere of
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at the Théâtre
Lyrique in October 1868. After a couple of seasons at
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In
February 1873 Devriès took the solo soprano part in Beethoven’s
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Histoire de l'opéra comique — La seconde salle Favart 1840–1887.
117:(Nuitter/Beaumont). The rest of her career was spent in France.
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Born New York in 1854, died
Chicago in 1919, Maurice was a
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363:. For the Metropolitan Opera he sang from 1898 to 1900 in
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Second Empire Opera: The Théâtre
Lyrique Paris 1851–1870.
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on 3 May 1887, before retiring from the stage in 1889.
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Fidès Devriès, c. 1885 (lithograph by
Ernesto Fontana)
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in 1871, where her repertoire included Marguerite in
51:), who made her debut in The Hague, and sang at the
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259:. He made his debut in Liege in 1874 as Nevers in
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83:at the same theatre (originally intended for
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580:, year 51-nr.4, 28.12.1884, pages 27 and 30.
492:John Calder (Publishers Ltd), London, 1981.
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558:http://hector.ucdavis.edu/SdC/default.html
519:"The digital opera archives of La Monnaie"
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458:The New Grove Dictionary of Opera.
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470:Biography of Osa de Vries-van Os
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87:) later in 1867, and also sang
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419:was one of the leading French
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147:in Brussels, she joined the
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595:Accessed 21 November 2011.
593:Metropolitan Opera archive
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67:in June 1867 as Amina in
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80:La jolie fille de Perth
316:Les Pêcheurs de Perles
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96:The Barber of Seville
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35:Rosa de Vries-van Os
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567:. Accessed 2.12.11.
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563:2011-09-16 at the
273:Metropolitan Opera
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114:La flûte enchantée
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365:Roméo et Juliette
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85:Christina Nilsson
53:Théâtre d'Orléans
47:- 30 March 1889,
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400:Le Prophète
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176:L’Africaine
149:Paris Opera
735:Categories
524:2011-11-21
487:Walsh T J.
431:References
145:La Monnaie
650:Casadesus
405:Rigoletto
339:Lohengrin
298:Pagliacci
244:Lohengrin
232:Hérodiade
204:with the
45:The Hague
722:Category
670:Kerzelli
655:Couperin
561:Archived
257:baritone
194:La Juive
182:Don Juan
75:Malibran
660:Devriès
304:Fidelio
41:soprano
690:Wagner
685:Vecoli
680:Mozart
638:Europe
421:tenors
383:Carmen
360:Mignon
283:Carmen
268:Sigurd
238:Le Cid
158:Hamlet
135:Duprez
90:Martha
665:Düben
375:Faust
351:Faure
328:Manon
287:Faust
153:Faust
108:Faust
706:Lupo
645:Bach
576:Cf.
403:and
337:and
229:and
49:Rome
27:The
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39:A
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