Jeff Wayne's Musical Version of The War of the Worlds

467:—a Martian chemical weapon. Nathaniel, driven mad by his horrific experiences of the Martian attacks, blames himself for the invasion and believes the invaders are demons arising from human evil. As Beth attempts to restore his faith in humanity, a Martian cylinder crashes into the cottage; Beth is buried under the rubble and killed. The newly arrived Martians construct a handling machine: a squat, spider-like vehicle used to capture and collect humans. After nine days of hiding in the ruins, the Journalist and Nathaniel see the Martians 'eating'—harvesting human blood and injecting it into their own veins. Nathaniel resolves to confront the 'demons', believing that he has been chosen to destroy them with his prayers and holy cross. The Journalist knocks him unconscious to silence his ravings, but the Martians are already alerted. A mechanical claw explores the cottage and drags Nathaniel away. Eventually, the Martians abandon their camp and the Journalist continues his journey to London. He again encounters the Artilleryman, who is planning a new life underground that would allow humans to evade the Martians and ultimately strike back with reverse-engineered fighting machines. The Journalist, however, realizing the Artilleryman's ambitions far exceed his abilities, soon leaves. Upon reaching London, he finds the city desolate and empty. Driven to suicide by intense despair and loneliness, he surrenders to a fighting machine but realizes it is inert, the Martian inside dead. 915:

album with CBS agreeing to fund an additional £34,500 and cover a part of Burton's fees. Although his contract with CBS did not guarantee a public release, Wayne consulted his wife and parents who encouraged him to continue and finish the album despite the substantial costs involved in its production. When the album was finished, its cost totalled £240,000, half of which was paid by CBS. Wayne was "too chicken" to deliver the finished product to CBS himself, so he had his future wife Geraldine, then an assistant to the label's business affairs director, to hand it in. After reviewing the album for thirty days, CBS praised its strong story, songs, guest artists, and uniqueness, but doubted if people were willing to listen to a double album of continuous material, and believed its chance of success would suffer with Wayne, an American, producing an adaptation of an English novel. However, the label was unaware that Wayne had also produced an alternate version of the album with the songs reduced to three or four minutes and with new introductions and endings, making it easier to get the album on the radio. Wayne agreed to give CBS another month to decide, after which its UK division gave it the

978:, during a 20-week stay in the top ten. It has since been in the UK top 100 albums for 240 weeks, and has sold over 2.7 million copies in the country. In 2018, it was the UK's 32nd best-selling studio album of all time. Elsewhere, it charted in 22 countries and reached number one in 11 of them including Australia, where it was top for seven weeks. In April 1979, the album exceeded platinum status in the Netherlands, New Zealand, and Australia, and gold certification in Canada, Spain, Israel, and Belgium. The album has earned gold and platinum and multi-platinum sales certifications in 17 countries. The album has sold an estimated 15 million copies worldwide. 593:, but he wanted to stay close to the original story and set his version in Victorian England. From the start Wayne saw his adaptation as an opera, with "story, leitmotifs, musical phrases, sounds and compositions that relate to the whole." He wanted the music to have a "big, symphonic" sound when humans were telling the story, and a more aggressive and electric-based sound when the Martians were in action. Wayne started by "organising a cast of characters", while having the book adapted to fit the content of the songs he had outlined for it by Doreen Wayne, his future stepmother who at the time was an established script writer and journalist. Wayne used 743: 854:

minutes at a time. Soon after mixing was complete, the tape operator accidentally slashed through the tape containing side four as he thought it was a reel of unwanted outtakes. Wayne was subsequently offered free studio time to produce another mix. Wayne's initial version of the work was a little over two hours, which had to be refined in order to fit four sides of a vinyl record. The final version runs at 95 minutes. The album's packaging includes a 16-page colour booklet with artwork and a synopsis of the tracks.

686: 654: 1124:, with reviewer Bev Briggs declaring it as "four sides of sheer excellence" and after reading the novel and watching the feature film, the album is "the most easily stomachable of the lot." She praised the music, ideas, script, and voices, all of which complement each other, but thought the continuous, 95-minute structure forces the listener to digest it straight through. A positive review was published by Ben Ostrander in the science-fiction magazine 701: 523: 1059: 669: 1097: 1092: 1087: 1082: 1077: 1054: 1049: 1044: 1039: 431:. They set off for London—the Journalist to ensure his lover Carrie is safe, the Artilleryman to report to headquarters—but are soon caught in a crossfire between soldiers and Martians and are separated. Three days later the Journalist arrives at Carrie's house but finds it empty. He resolves to escape London by boat and later catches sight of Carrie aboard a 626:. Upon learning that the journalist discovers that his fiancée is missing, Wayne reminded himself of the Lego tune and because it received a positive reception as a commercial, Wayne adapted it into a complete song with lyrics. The piece is the only part of the album that derived from pre-existing material. Wayne lived close to 899:, leaving the group "to groove together, and then move onto the next tune." It took one week to record almost an entire side of the album. The string section consisted of violins, violas, cellos, and double basses, totalling 50 players and led by violinist Patrick Halling. It was recorded in the course of two evenings at 2186:. Wayne explained that the idea was to return to the original album and explore the characters in more detail, and develop the love story between Herbert and his fiancée Carrie. The project also gave Wayne the opportunity to reinterpret his compositions with contemporary production techniques. The cast features actor 49: 423:—an advanced weapon of the Martians. The Journalist flees with the crowd. Later, hammering sounds are heard from the pit. A company of soldiers is deployed at the common, and that evening an injured and exhausted Artilleryman wanders into the Journalist's house and tells him his comrades have been killed by 2220:

On 15 October 2018 it was announced on the album's official Facebook page and website that after over a year in work, an audiobook rendition would be available on Audible.com on 29 November 2018. This five hour-long Audible Original Production featured new story and musical content. The cast included

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at the time of writing, which is where the Martians come to their demise in the novel. While walking his dog in the morning he often sat at the top of the hill, which inspired him to envisage what Wells was describing and in turn his score, which was particularly the case for "Dead London". "Epilogue

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Launched in June 2009 to commemorate the 30th anniversary of the original album release and included dates across Europe. The virtual Richard Burton was improved; the whole face was animated (an actor was found with a similar facial structure, all of Burton's narrative parts were mimed, and his face

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heard on the record were created by Wayne's wife Geraldine. Wayne said the one that he is asked about the most is the sound of the cylinder unscrewing when the Martians emerge from their spaceship, which he achieved by turning and scraping two kitchen saucepans together that Young then amplified and

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model built by JWM Electronics after Wayne sought for a fatter, bassy sound. Wayne wanted to create the Martian war-cry of "ooll-la" (which they chant before destroying their foes with their heat-rays) with a synthesiser, but he and Freeman could only create sounds that resemble "ooo" and "ahhh" and

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as the Voice of Humanity, he was "thrilled" that they took part "because they each brought their own sort of magic, their style and performance and singing." Wayne had to convince the guest artists that they were the right performers for their role, and got them keen to carry out their parts. Wayne

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during an American tour with Essex. Initially the deal involved a single album of "thematic pieces" and without any guest artists, but his idea for the album had grown to produce a full-scale musical adaptation of Wells's novel which could not fit on one record, and the idea expanded into a double

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In the first epilogue, the Journalist reports that the Martians were defeated by Earth's bacteria—to which they had no resistance—and that, as humanity recovered from the invasion, he was reunited with Carrie. But, he says, the question remains: is Earth now safe, or are the Martians learning from

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to the original Burton recordings) performed as The Journalist. A model fighting machine featured on stage. A short animated prequel to the story was also presented in the style of the upcoming feature film detailing the Martians' ecological destruction of their own world (originally made for the

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on 1 June 1978, and featured a playback accompanied by a laser show. The event was attended by over 500 people. The album was released on 9 June; four weeks later, Wayne said he was able to repay CBS its share of the album's costs due to strong sales. In September 1978, the album reached its peak

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described as "some repair work". Essex, who was present at the recording session, said that Burton insisted on narrating without hearing the music, which became "a bit of a nuisance" since Wayne and he had recorded their shared vocals in time with the background tracks. "So we had to do it wild."

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run, so Wayne organised to record the narration there to avoid further delays. Burton originally signed on for five days of recording for a maximum of 12 hours for each, but he finished his parts in just one day, except for an additional three-hour session held several months after for what Wayne

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to create a love interest by replacing The Journalist's brother for Carrie, his wife. At the same time, Wayne started to write the score and record demos in the studio, paying particular attention to how Wells originally wrote the story as a series of episodes with multiple cliff hangers to each

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was brought in which was used to re-record various overdubs, including the horns. Freeman was able to create various sound effects from scratch, including a military drum sound on "The Artilleryman and the Fighting Machine". Among the synthesisers used was the Thunderchild SZ3540, a custom made

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reserved on two of the available 48 tracks. Wayne recalled that Maglink malfunctioned often and the lack of expertise to fix problems resulted in delays in recording. When recording finished, 77 reels of multitrack tapes had been used. Mixing was done in sections, as little as 30 seconds or two

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In January 1975, Wayne and his father acquired the rights to adapt the work from Wells's estate, which at the time was overseen by Wells's son Frank. Wayne spent three months locating Frank Wells, and found his ideas were well received because it was the first adaptation that stayed true to the

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The album was recorded at Advision from 18 May 1976 to 30 June 1977. Wayne is credited as the album's sole producer, with Geoff Young as recording engineer with Laurence Diana assisting. The album was one of the first recorded on 48-track, which was achieved by Maglink, a prototype system that

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The Journalist's account begins later that year, with the sighting of several bursts of green gas which, for ten consecutive nights, erupt from the surface of Mars and appear to approach Earth. Ogilvy, an astronomer convinced that no life could exist on Mars, assures the Journalist there is no

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Included dates in the UK and the Netherlands. Featured the addition of Carrie's father as a new character and lyrics to "Life Begins Again". A prologue was performed as a pre-show segment with the characters performing among the audience rather than on stage. Featured actor Callum O'Neill who

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Staged to commemorate the 15th anniversary of the original 2006 tour. Featured an arched bridge running from the lip of the stage out over the audience, panoramic screens showing 2 hours of CGI footage, a new lighting production, pyrotechnics and special effects, including levitation.

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rig and a surround sound monitoring system. Wayne bought a Magilink machine at auction for 50p in order to read the original Magilink timecode, but could not get it to work, so Schurrer used the blips and beeps produced by the timecode on the waveform display in Pro Tools as a guide.

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The album became a commercial success in the UK, peaking at number five on the chart and selling over 2.7 million copies there since its release. In 2018, it was the UK's 32nd best-selling studio album of all time, and has sold an estimated 15 million copies worldwide. It won two

537:, for whom he also worked as producer and musical director. Wayne felt the composing side of his career "had diminished" by this time, and started looking for a story "to get passionate about" and interpret musically, to which his father Jerry suggested the science-fiction novel 482:. The controller sees a green flare erupt from Mars' surface. The controller tries to contact NASA, but all communication seems to have been blocked. This leaves a question mark of what's going to happen and the fate of Earth, with the possibility of a second Martian invasion. 1216:, who had access to Wayne's tape archive and discovered 372 quarter-inch master tapes that were identified, digitised,and pieced back together from the original tracking sheets. The process involved a re-fit of Wayne's home studio, including the installation of a high end 4998: 1207:

set; another in a 7-disc "Collector's Edition" featuring additional remixes, outtakes, the actors reading from the unabridged script, excerpts from the Quinn and Jürgens performances, as well as a seventh disc being a DVD showing the making of the album, produced by

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re-recording the Journalist's narration and other dialogue originally voiced by Essex, Covington, and Lynott. The songs and the background music were not altered. Following its release in November 1978, Wayne had to re-do the album because Quinn's script was in

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Wayne's alternate version of the album with the songs edited for radio airplay was distributed to stations to promote the original concept album. It became a success in its own right, prompting Wayne to prepare a full commercial release. The set, entitled

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The disco influences on "The Eve of the War" was Wayne's intention of wanting the album to be entertaining for people. "The Red Weed" was the most difficult piece for Wayne to compose, and wanted to create "a beautiful melody, and a beautiful dissonance."

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record guitar riffs and hooks to interpret the Martian's heat-ray, but his involvement ended after one day when Santana's manager spotted an issue in the contract and certain requests could not be met. The role of Parson Nathaniel was originally given to

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Because Wayne wanted to keep his adaptation set in Victorian England, this eliminated the possibility of hiring American people in the main cast. In the early stages, he realised the importance of finding the right person to narrate the story, and actor

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Staged to commemorate the 40th anniversary of the original album release, with dates across the UK. Featured a new setup of staging, choreography, costumes, and a new cast of actors, and a reprise of "Forever Autumn" from the 2016 West End production.

463:—the vegetation that gives Mars its color—has taken root on Earth and spread rapidly across the landscape. In a churchyard, he encounters the Parson Nathaniel and his wife Beth. The trio takes refuge in a nearby cottage that is soon surrounded by 376: 985:. This was followed by "The Eve of the War", released in September 1978. Some of the North American and European pressings featured new lead vocals from Thompson. In 1979, a seven-minute disco remix of "The Eve of the War" was released. 828:, and although Wayne thought he delivered "fantastic" vocals, Rodgers was reluctant to take on the speaking part and dropped out. Wayne has these early recordings on his original multitrack tapes, but has no interest in releasing them. 639:

in 1976. It originally featured Wayne sharing the dialogue with his father Jerry, but "the gulf between his performance and mine was too great, so we sacked me!" Effects were applied to Jerry's voice to make it sound more individual.

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beats. The game's artwork was based on the Michael Trim, Geoff Taylor and Peter Goodfellow illustrations from the original album booklet. Some of Richard Burton's dialogue as the journalist is used in the opening and closing scenes.

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The Journalist is an amalgam of two of Wells' characters: a writer of speculative philosophy, who narrates much of the novel, and his younger brother who is a medical student and narrates the flight from London and HMS Thunder Child

346:", with Hayward on lead vocals, reached number five in the UK, followed by the disco-inspired opening track, "The Eve of the War". Wayne's adaptation has spawned multiple versions including video games, DVDs, and live stage shows. 800:

thought Hayward was the right singer for "Forever Autumn" and sent him a demo with the invitation to participate, but Hayward was unconvinced. He changed his mind when a "young lad" and employee of The Moody Blues' record shop in

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in New York City, Wayne delivered a letter with a copy of the album's script to the stage doorman and hoped for him to read it. After two or three days, Burton agreed to take part. Burton had already committed to start work on

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guitar effect" devised and voiced by Jo Partridge, who plays guitar on the album and made the sound "as dramatic as possible." (Partridge is consequently credited on the record as "the Heat Ray".) All but one of the

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A 1995 edition of the album featured additional remixes of some tracks and additional conceptual art. On 23 June 2005, the original album was re-released in two forms: one in a remastered 2-disc hybrid multichannel

5568: 2182: 4377: 992:, including one for Wayne and Osborne for Best Instrumental or Popular Orchestral Work. In 1979, the album was named Best Recording in Science Fiction and Fantasy, in a panel of judges that included 1149:

and best-selling prog soundtrack of all time", concluding "it's still an album that certainly ticks all the boxes of the true definition of 'progressive': groundbreaking, cutting-edge and seminal."

5561: 1160: 547:. The story instantly caught Wayne's imagination, and he finished the book in a single read. He later said that a musical adaptation of other books were possible, and recalled being impressed by 189: 4194: 373: 1291:, the first tour visited the UK, Ireland, Australia, and New Zealand. Wayne conducted the 48-piece ULLAdubULLA Strings and 10-piece Black Smoke Band. A "virtual" Richard Burton (a large 4897: 939:, to produce the artwork for the album. After Dean produced some designs, Wayne felt the work did not quite fit for what he had in mind, and proceeded to look elsewhere. He approached 1192:

as the Journalist, plus radio broadcasts in Dutch and Hebrew. Although plans for versions in Japanese, Russian, French, and Italian were planned, none of them came into fruition.

374: 5444: 2166:, London show was released 6 November 2006 by Universal. Disc 1 contains the live show and Disc 2 contains extras and a documentary of the making of the live show. It is titled 1188:, and released in 1979. Wayne found it amusing as the Spanish division of CBS had recommended him to use Quinn for the role. A German album followed in 1981 featuring 4697: 4381: 5660: 5655: 4602: 2126: 2088: 721:

was at the top of "a very short list" of candidates, and compared his voice to a musical instrument. Upon learning that Burton was in a production of the play

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In 2000, a collection of remixes of tracks from the original album—including several used in the 1998 computer game—were released on a double CD titled

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creature emerges. By now a crowd has gathered on the common, and when a group of inquisitive men approaches the cylinder they are incinerated by the

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was released on 17 April 2006. This single CD release was largely made of tracks from the original remix album, with some additional new remixes by

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and DJ Keltech, and hip-hop versions of two tracks by DJ Zube. Middleton's remixes of "The Eve of the War" were also released on CD and vinyl.

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It was important for Wayne that the different voices on the album sounded "convincing and believable". Having become a good friend of Wayne's,

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few people had even considered the possible existence of extraterrestrial life, yet planet Earth had in fact long been enviously observed by

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chapter. Wayne recalled that he "wanted to have a bit of pressure" applied to the project in January 1976, so he booked studio time at

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During the Journalist's narration, the album's leitmotif plays in the background. The Sung Thoughts of the Journalist is then heard.

5401: 5394: 5282: 1209: 586: 424: 606:, London for May of that year. The idea proved to be productive for Wayne, who completed a draft of the entire work in six weeks. 415:, and in the resulting crater Ogilvy discovers a glowing cylinder, the top of which begins to unscrew. When this lid falls off, a 5780: 5643: 2057: 5348: 3857: 3267: 2202:, and peaked at No. 13 in the UK chart. It was supported by an arena tour, followed by a stage show adaptation, running at the 549: 508:

The handling machines are not used for collecting humans in the novel. They are instead used for assembling fighting machines.

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The album spawned two singles. On 2 June 1978, an edited version of "Forever Autumn" was released which went to No. 5 on the

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opened to the public in London. Set across 22,000 sq. ft of space, the 2-hour production combined music from the album,

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In 2011, Wayne held a press conference in London to announce the release of a new version of the original album, titled

1228:. While most of the contributors are relatively unknown, the album includes two versions of a remix of "Dead London" by 895:(1973). Wayne wrote out the various parts of the score for the band, which was performed live in the studio without any 5616: 5600: 5468: 3121: 3053: 5031: 1212:. This release went to No. 7 in the UK. Both contained new stereo and 5.1 surround sound mixes by Gaëtan Schurrer and 5785: 5484: 5420: 5362: 5157: 4778: 4501: 3291: 2728: 2450: 1771: 1761: 796: 775:, who subsequently met Wayne and agreed to voice Beth. Although Wayne had not previously met the other voice actors: 706: 578: 319: 306:

to carry the story and lyrics that express the feelings of the various characters. The album features guest artists

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of the Journalist onto which was projected an image of a young Burton with a super-imposed actor's mouth and jaw

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is destroyed and her crew are lost by the Martian heat-rays, leaving England defenceless against the invasion.

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In addition to English, the album has been released in Spanish and German. The first Spanish edition featured

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as Parson Nathaniel and Jeff Wayne's granddaughter Anna Marie Wayne as Carrie, the wife of the journalist.

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Wayne's original budget estimate for the album was £34,500. Later he secured a £70,000 recording deal with

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film version. Test footage of some Martian machines was released, but the film itself never materialised.

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In the second epilogue, set 80 years later, a NASA mission to Mars flounders when the control center from

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Carrie, The Journalist's fiancée, does not exist in the novel, where the narrator has an unnamed wife.

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captured in stereo. Most of the musicians on the album had also played on Essex's debut studio album

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commented that the album is "superb" and predicted it will become "one of the biggest sellers."

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Australian Chart Book 1970–1992: 23 years of hit singles & albums from the top 100 charts

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for Best Instrumental or Popular Orchestral Work. Two singles from the album were released; "

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is the voice of the artilleryman. He had previously starred in a production of the musical

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is a studio double album by American-born British musician, composer, and record producer

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when it was time to record his parts, so Wayne organised for his vocals recorded there.

5334: 4445: 2083: 1573: 1257: 1181: 970: 900: 885: 757:" (sung from the perspective of the Journalist), which was a hit single from the album. 100: 4560: 5355: 5287: 5171: 5153: 5112: 5098: 4774: 4606: 4497: 4077: 3351: 2999: 2937: 2252: 2097: 2062: 443: 2207: 2203: 1842: 1706: 1292: 1165: 1001: 997: 982: 932: 742: 599: 594: 118: 95: 5087: 5053: 4966: 4876:(PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 298. 4342:"Jeff Wayne – The War Of The Worlds : ULLAdubULLA The Remix Album (2000, CD)" 5369: 5258: 5065:

Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers

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In late 2004 the ULLAdubULLA II production had been commissioned for an animated

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Jeff Wayne's Musical Version of The War of The Worlds (Collector's Edition)

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Jeff Wayne's Musical Version of The War of the Worlds – The New Generation

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over the film rights and with two concert producers, one of which being

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Paul Bond - electric guitar, acoustic guitar, keyboards, backing vocals

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Jeff Wayne's Musical Version of The War of The Worlds – Live on Stage

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Highlights from Jeff Wayne's Musical Version of The War of the Worlds

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Highlights from Jeff Wayne's Musical Version of The War of the Worlds

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The album originated when Wayne was touring with singer-songwriter

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as the Artilleryman. The album was released in November 2012 by

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Beth, Parson Nathaniel's wife, also does not exist in the novel.

354: 5061:"Dutch album certifications – Jeff Wayne – War of the Worlds" 3594:"Jeff Wayne and David Essex: How We Made The War of the Worlds" 2826: 2105: 1261: 846: 499: 4227:"The War of the Worlds: Alive on Stage - Jeff Wayne Interview" 879:

not the "l". The final effect was achieved with a multitrack "

668: 2868:

Charles Dubin – director of "dramatic and narrative sections"

2267:, and David Burnett, joined by a live cast of twelve actors. 2249:

Jeff Wayne's The War of The Worlds: The Immersive Experience

56: 5170:. Jefferson, North Carolina: McFarland & Company, 2016. 4313:"Album of the week - Various Artists: The War of the Worlds" 1300:

1998 computer game) and their preparations to invade Earth.

5064: 4701: 4581: 4133:"Advertisement on page SA-19 from 17 March 1979 edition of 3336: 3098: 2987: 2862:

Jerry Wayne – director of "dramatic and narrative sections"

2021: 1339:

portrayed H.G. Wells in three separate stages of his life.

636: 615: 400: 2701:

Credits adapted from the 1978 LP and 2005 CD liner notes.

485: 5199:

Jeff Wayne's Musical Version of The War of the Worlds

5148:

Flynn, John L. (2005). "Chapter 6:The Jeff Wayne album".

4441:"'War of the Worlds' Shape-Shifts Onto the London Stage" 2058:

Jeff Wayne's Video Game Version of The War of the Worlds

1256:

In September 1978, Wayne had entered negotiations with

4715: 4554: 3974:"Wayne's War: Set to conquer the concept album market" 3858:"Jeff Wayne's Musial Version of The War of the Worlds" 3680:"The Eve of the Final Tour – The Jeff Wayne Interview" 212:

Jeff Wayne's Musical Version of The War of the Worlds

5548:

Jeff Wayne's Musical Version of The War of the Worlds

3710:"The story behind Jeff Wayne's The War of the Worlds" 3459:"The story behind Jeff Wayne's The War Of The Worlds" 3432:

Sales+streaming figures based on certification alone.

2289:

unless specified below, with script by Doreen Wayne.

2259:, holograms, and other techniques. The cast includes 1145:, Alex Burrows described the record as "the ultimate 273:

Jeff Wayne's Musical Version of The War of the Worlds

181:

Jeff Wayne's Musical Version of The War of the Worlds

42:

Jeff Wayne's Musical Version of The War of the Worlds

4398:. Official Website. 18 November 2011. Archived from 4013:"The War of The Worlds - The Producers - Jeff Wayne" 2117:

voiced the human and Martian generals respectively.

839: 471:

their failures and preparing for a second invasion?

4111:"The Top 40 Best-Selling Studio Albums of All Time" 3923:"Interview: Jeff Wayne, War of the Worlds composer" 2077:

Jeff Wayne's Video Version von Der Krieg der Welten

29:

Jeff Wayne's The War of the Worlds (disambiguation)

2130:, was developed by Pixelogic and released for the 2011:Tom Woodstock – guitars, keyboards, backing vocals 1226:The War of the Worlds: ULLAdubULLA—the Remix Album 1195:A 1989 version of "The Eve of the War" remixed by 455:Sides three and four: The Earth Under the Martians 3266: 1969:Chris Spedding – electric guitar, acoustic guitar 302:style with a rock band, orchestra, narrator, and 5727: 5516:The League of Extraordinary Gentlemen, Volume II 2895:Denis "BilBo" Blackham – lacquer cut on side one 447:and two are destroyed. The steamer escapes, but 399:In a prologue, the Journalist notes that in the 4295:Ostrander, C. Ben (July–August 1978). "Books". 3643:"A Life During Wartime: Jeff Wayne Interviewed" 3428:Shipments figures based on certification alone. 2041: 5082:in the drop-down menu saying "Alle jaargangen" 4195:"CBS War of the Worlds Gathers Intl. Momentum" 3483: 3481: 3479: 1312:was superimposed onto the face of the actor). 1152: 5225: 4636: 4344:– via release-page-service.discogs.com. 2859:Jeff Wayne – composer, orchestrator, producer 969:The album premiered at a launch party at the 355:Sides one and two: The Coming of the Martians 4912:"ARIA Charts – Accreditations – 2005 Albums" 4698:"Musical Version Of "The War Of The Worlds"" 4603:"Musical Version Of "The War Of The Worlds"" 4578:"Musical Version Of "The War Of The Worlds"" 4540:"Musical Version Of "The War Of The Worlds"" 4432: 4396:"The War of The Worlds...The New Generation" 4064: 3893:"'War of the Worlds' becomes all-star album" 2285:All lyrics by Jeff Wayne, Paul Vigrass, and 1924: 1918: 1904: 1902:Vera May, Newspaper Girl, Female Understudy 1882: 1854: 1832: 1823: 1074: 1036: 845:allowed the synchronisation of two 24-track 338:, including one for Wayne and main lyricist 4724:. Hung Medien. Retrieved October 25, 2023. 4722:"Irish-charts.com – Discography Jeff Wayne" 4356:"Jeff Wayne's The War of the Worlds (1998)" 4076:. No. 22. United Kingdom. p. 22. 3476: 3424:Sales figures based on certification alone. 2904:Bill Foster – mastering at Tape One, London 2395:"The Artilleryman and the Fighting Machine" 2240: 2141: 1184:. The second edition features narration by 411:danger. Eventually, something crashes onto 5232: 5218: 5150:War of the worlds: from Wells to Spielberg 4189: 4187: 3817: 3815: 3813: 3811: 1199:reached number 3 in the UK singles chart. 47: 4919:Australian Recording Industry Association 4294: 3828:(Liner notes). Columbia Records/Sony BMG. 3809: 3807: 3805: 3803: 3801: 3799: 3797: 3795: 3793: 3791: 3733: 3731: 3729: 3727: 1210:Phoenix Film & Television Productions 517: 4734:"Official Scottish Albums Chart Top 100" 4665:"Official Scottish Albums Chart Top 100" 4305: 4038: 4036: 4034: 3886: 3884: 3882: 3880: 3878: 3767: 3765: 3763: 3761: 3759: 3757: 3737: 3452: 3450: 741: 521: 459:The wandering Journalist discovers that 108:, San Francisco (Richard Burton's voice) 4999:"Gold-/Platin-Datenbank (Diverse; 4867: 4865: 4260: 4258: 4184: 4006: 4004: 4002: 4000: 3998: 3967: 3965: 3963: 3851: 3849: 3847: 3845: 3843: 3841: 3839: 3837: 3835: 3821: 3707: 3640: 3636: 3634: 3587: 3585: 3583: 3581: 3456: 791:singing the Journalist's thoughts, and 486:Character differences from Wells' novel 288:adapted from the science-fiction novel 14: 5728: 4510: 4439:Shea, Christopher D. (20 March 2016). 4264: 3890: 3855: 3788: 3771: 3724: 3703: 3701: 3699: 3697: 3673: 3671: 3669: 3667: 3665: 3663: 3632: 3630: 3628: 3626: 3624: 3622: 3620: 3618: 3616: 3614: 3591: 3579: 3577: 3575: 3573: 3571: 3569: 3567: 3565: 3563: 3561: 3170:Australian Albums (Kent Music Report) 2849:Geraldine "Pest" Wayne – sound effects 2279:, and all tracks feature narration by 1972:Laurie Wisefield – guitars, mandolin, 550:Twenty Thousand Leagues Under the Seas 5213: 5147: 4937: 4935: 4224: 4031: 3971: 3875: 3754: 3677: 3641:Siebert, Valerie (20 December 2013). 3487: 3447: 3405: 2798:– synthesisers, organ, electric piano 2719:– The Sung Thoughts of The Journalist 2683: 2666: 2649: 2632: 2613: 2575: 2556: 2537: 2514: 2497: 2459: 2440: 2410: 2391: 2353: 2336: 2317: 2173: 1017: 635:, which saw two space probes land on 585:story. Wayne was aware of the famous 5791:Works based on The War of the Worlds 5766:Music based on science fiction works 4871: 4862: 4765: 4727: 4658: 4488: 4438: 4414: 4378:"Jeff Wayne's Musical Animated Film" 4255: 4218: 4155: 4010: 3995: 3960: 3943: 3925:. Culture Whisper. 26 September 2014 3915: 3832: 2913: 2901:Laurence Diana – recording assistant 2213: 1496:The Sung Thoughts of the Journalist 861:on synthesisers, who started with a 589:adaptation directed and narrated by 5437:The War of the Worlds: Next Century 5349:Sherlock Holmes's War of the Worlds 4795:"Dutch charts jaaroverzichten 1978" 4743: 4674: 4620: 4482: 4225:Lewis, Richard (20 November 2010). 4046:. Sci-Fi Bulletin. 29 November 2018 4019:. No. Oct 1978. pp. 44–49 3891:Barker, Gerry (10 September 1978). 3708:Burrows, Alex (26 September 2020). 3694: 3678:Wyatt, Malcolm (15 November 2014). 3660: 3611: 3558: 3457:Burrows, Alex (26 September 2020). 2811:Paul Hart – piano on "The Red Weed" 1937: 1118:The album had a positive review in 36:1978 studio album by Jeff Wayne 24: 18:Jeff Wayne's War of the Worlds 5651:Jeff Wayne's The War of the Worlds 5530:H. G. Wells' The War of the Worlds 5469:War of the Worlds 2: The Next Wave 5445:H. G. Wells' The War of the Worlds 5152:. Galactic Books. pp. 75–84. 4932: 4874:Australia's Music Charts 1988–2010 4690: 4595: 4570: 4532: 4288: 3944:Dome, Malcolm (4 September 2017). 3592:Pulver, Andrew (14 January 2014). 3154: 2127:Jeff Wayne's The War of the Worlds 2089:Jeff Wayne's The War of the Worlds 1878:William Rowland, NASA Controller, 1320:Alive on Stage! The New Generation 1287:Produced by Wayne, Ray Jones, and 931:, best known for his work for the 25: 5802: 5182: 5032:"International - Platinum Worlds" 3251: 2340:"Horsell Common and the Heat Ray" 1951:Olivia Jageurs – harp, percussion 1821:Carrie: The Journalist's Fiancée 1076: 1038: 840:Recording and finalising CBS deal 709:(Voice of The Voice of Humanity ) 5701:The Soul Selects Her Own Society 5049:– via World Radio History. 4896:. 1 January 2013. Archived from 4330:– via World Radio History. 4284:– via World Radio History. 4180:– via World Radio History. 3991:– via World Radio History. 3856:Brooks, Greg (18 October 2007). 3413: 3397: 2918: 2749:Jerry Wayne – The Voices of NASA 2743:– Beth (Parson Nathaniel's wife) 2713:– George Herbert, The Journalist 2270: 2008:Gaetan Schurrer – tar, keyboards 1948:Jeff Wayne – composer, conductor 1893: 1872: 1863: 1807: 1095: 1090: 1085: 1080: 1075: 1057: 1052: 1047: 1042: 1037: 836:was to also make an appearance. 749:, lead singer and guitarist for 734:(1977) in Los Angeles after the 699: 684: 667: 652: 631:(Part 2)" was influenced by the 390:Problems playing this file? See 371: 366:Jeff Wayne The War of the Worlds 5594:The Great Martian War 1913–1917 5429:The Night That Panicked America 5024: 4880: 4837: 4812: 4787: 4759: 4750:"Official Albums Chart Top 100" 4681:"Official Albums Chart Top 100" 4627:"Official Albums Chart Top 100" 4494:Australian Chart Book 1970–1992 4460: 4388: 4370: 4348: 4334: 4241: 4125: 4103: 4058: 3937: 2840:Chris Thompson – backing vocals 1880:Newspaper Boy, Male Understudy 614:" originated as a jingle for a 349: 5781:Science fiction concept albums 5453:H. G. Wells' War of the Worlds 5074:in the "Artiest of titel" box. 5041:. 4 November 1978. p. 100 4756:. Retrieved October 25, 2023. 4740:. Retrieved October 25, 2023. 4687:. Retrieved October 25, 2023. 4671:. Retrieved October 25, 2023. 4655:. Retrieved October 25, 2023. 4633:. Retrieved October 25, 2023. 4529:. Retrieved October 25, 2023. 4206:. 11 November 1978. p. 28 4011:Elen, Richard (October 1978). 3541: 3524: 3507: 2595: 2479: 2373: 2299: 2046: 1916:H.G. Wells age 33, 53, and 79 927:Wayne originally commissioned 13: 1: 5168:Mars in the Movies: A History 5124:British Phonographic Industry 4517:"Top RPM Albums: Issue 4650b" 3488:Jones, Josh (30 March 2017). 3440: 3178:Dutch Albums (Album Top 100) 2831:Billy Lawrie – backing vocals 2210:from February to April 2016. 2030:Kennedy Aitchison – keyboards 1384: 512: 280:, released on 9 June 1978 by 5751:Compositions with a narrator 5588:"The Night America Trembled" 5011:Bundesverband Musikindustrie 4265:Briggs, Bev (10 June 1978). 4065:White, Chris (3 June 1978). 3972:White, Chris (3 June 1978). 3145: 3130: 3115: 3103: 3077: 3062: 3033: 3019: 3004: 2992: 2980: 2968: 2956: 2942: 2874:– art direction, logo design 2696: 2042:Related works in other media 1999:Huw Davies – electric guitar 1943:Current members (until 2022) 1007: 7: 5741:Music about alien invasions 5509:Superman: War of the Worlds 4888:"The Music Australia Loved" 4643:"Jeff Wayne Chart History ( 4567:. Retrieved 22 April 2018. 4527:Library and Archives Canada 3772:Inglis, Sam (August 2005). 2886:– painting, pencil sketches 2783:Barry de Souza – percussion 2746:Jo Partridge – The Heat Ray 1153:Reissues and other versions 694:(Voice of Parson Nathaniel) 677:(Voice of The Artilleryman) 10: 5807: 5448:(2005, Pendragon Pictures) 4954:. 21 April 1979. p. 6 4849:Recorded Music New Zealand 4824:Recorded Music New Zealand 4301:. No. 18. p. 24. 4172:. 21 April 1979. p. 6 3202:New Zealand Albums (RMNZ) 3186:New Zealand Albums (RMNZ) 2670:"Epilogue (Part 2) (NASA)" 2560:"The Artilleryman Returns" 1805:The Voice of the Martians 1164:, was released in 1981 by 964: 922: 643: 257:Released: 29 December 1978 87:18 May 1976 – 30 June 1977 26: 5671: 5627: 5580: 5539: 5495: 5412: 5386: 5342:Edison's Conquest of Mars 5326: 5315: 5299: 5275: 5253: 4322:. 3 June 1978. p. 46 3421: 3410: 3394: 3379: 3364: 3349: 3334: 3319: 3304: 3289: 3274: 3263: 3260: 3233: 3228: 3225: 3217: 3212: 3209: 3201: 3196: 3193: 3185: 3177: 3169: 3164: 3161: 3135: 3120: 3108: 3096: 3067: 3052: 3024: 3009: 2997: 2985: 2973: 2961: 2947: 2935: 2908: 2608: 2605: 2602: 2599: 2594: 2492: 2489: 2486: 2483: 2478: 2386: 2383: 2380: 2377: 2372: 2312: 2309: 2306: 2303: 2298: 1966:Neil Angilley – keyboards 1963:– keyboards, synthesisers 1907: 1896: 1846: 1835: 1826: 1810: 1796: 1783: 1760: 1647: 1562: 1528: 1498: 1487: 1482: 1476: 1471: 1025: 1022: 974:position of No. 5 on the 869:. Later in production, a 793:Manfred Mann's Earth Band 265: 248:Released: 13 October 1978 217: 206: 202: 172: 164: 152: 140: 124: 112: 91: 83: 68: 55: 46: 41: 5786:Science fiction musicals 4565:GfK Entertainment Charts 4267:"A direct hit Mr Wayne!" 3897:Fort Worth Star-Telegram 3234:Australia Albums (ARIA) 3218:Australia Albums (ARIA) 2808:, harpsichord, conductor 2765:Jo Partridge – guitars, 2242:The Immersive Experience 2200:Sony Music Entertainment 2142:Unrealized animated film 2027:Steve Turner – keyboards 1416:The New Generation Album 1281:April 2006–December 2007 1251: 731:Exorcist II: The Heretic 239:Released: 18 August 1978 5746:Columbia Records albums 5620:(2019–2022, Fox/Canal+) 5604:(1988–1990, syndicated) 5377:The Massacre of Mankind 4754:Official Charts Company 4738:Official Charts Company 4685:Official Charts Company 4669:Official Charts Company 4631:Official Charts Company 4422:"The War of The Worlds" 3738:Feenstra, Pete (2007). 2948:Canada Top Albums/CDs ( 2898:Geoff Young – recording 2731:– The Voice of Humanity 2541:"The Red Weed (Part 2)" 2501:"The Red Weed (Part 1)" 2071:. This was released in 1379: 795:guitarist and vocalist 560:The Day of the Triffids 478:loses contact with the 5694:To Mars and Providence 2786:Roy Jones – percussion 2153: 2036:Ian Wherry – keyboards 2033:Colin Good – keyboards 2014:Gordy Marshall – drums 1758:The Voice of Humanity 1371:The Spirit of Man Tour 1359:Life Begins Again Tour 1332:November–December 2014 771:, which also featured 758: 530: 518:Background and writing 5761:Music based on novels 5644:The War of the Worlds 5609:The War of the Worlds 5421:The War of the Worlds 5402:The War of the Worlds 5395:The War of the Worlds 5246:The War of the Worlds 5166:Miller, Thomas Kent. 4943:"Award of the worlds" 4893:Sydney Morning Herald 4426:The War of The Worlds 4163:"Award of the Worlds" 3740:"Feature: Jeff Wayne" 2865:Doreen Wayne – script 2229:as the artilleryman, 1982:ULLAdubULLA Orchestra 1743:Carrie Hope Fletcher 1633:(second half of 2009) 1409:30th Anniversary Tour 1347:40th Anniversary Tour 1308:30th Anniversary Tour 1232:and other remixes by 1139:In 2020, writing for 783:as Parson Nathaniel, 745: 540:The War of the Worlds 525: 498:The character of the 291:The War of the Worlds 230:Released: 2 June 1978 72:9 June 1978 5687:Mars: The Home Front 4872:Ryan, Gavin (2011). 4027:– via Muzines. 2986:New Zealand Albums ( 2321:"The Eve of the War" 2265:Carrie Hope Fletcher 2263:, Anna Marie Wayne, 2190:as the Narrator and 2122:third-person shooter 1734:Carrie Hope Fletcher 1627:(first half of 2009) 1317:December 2012 – 2013 1013:Professional ratings 849:A80 machines with a 811:Initially Wayne had 236:"The Eve of The War" 27:For other uses, see 4900:on 12 January 2014. 4402:on 21 December 2011 4017:Sound International 3742:. Get Ready to Rock 3257: 3097:Australian Albums ( 2936:Australian Albums ( 2653:"Epilogue (Part 1)" 2620:Jeff Wayne, Osborne 2591: 2521:Jeff Wayne, Osborne 2518:"The Spirit of Man" 2475: 2447:Jeff Wayne, Osborne 2369: 2295: 2225:as the journalist, 1423:The New Generation: 1014: 990:Ivor Novello Awards 886:foley sound effects 857:The album features 618:commercial sung by 480:uncrewed spacecraft 336:Ivor Novello Awards 5569:The New Generation 5456:(2005, The Asylum) 5432:(1975, television) 5335:Fighters from Mars 5206:(list of releases) 5072:War of the Worlds 4470:. Flashbang Studio 4446:The New York Times 3256: 3087:Chart (2005-2006) 3043:Chart (1995-1997) 2976:Offizielle Top 100 2926:Chart (1978-1990) 2796:Ken "Prof" Freeman 2737:– Parson Nathaniel 2725:– The Artilleryman 2589: 2473: 2367: 2293: 2175:The New Generation 2098:personal computers 2084:real-time strategy 1954:Accy Yeats – drums 1794:The Voice of NASA 1574:Daniel Bedingfield 1325:The New Generation 1258:Paramount Pictures 1182:Peninsular Spanish 1012: 988:The album won two 971:London Planetarium 901:Abbey Road Studios 759: 753:, sings the song " 579:1953 film adaption 531: 103:, London (strings) 5756:Jeff Wayne albums 5736:1978 debut albums 5723: 5722: 5719: 5718: 5680:Global Dispatches 5636:War of the Worlds 5617:War of the Worlds 5601:War of the Worlds 5464:(2005, Paramount) 5461:War of the Worlds 5356:The Space Machine 5176:978-0-7864-9914-4 5099:Recorded Music NZ 5003:War of the Worlds 4607:Sverigetopplistan 4249:"Allmusic review" 3983:. pp. 22, 46 3899:. pp. 65, 68 3438: 3437: 3433: 3429: 3425: 3248: 3247: 3241: 3240: 3150: 3149: 3082: 3081: 3038: 3037: 3000:Sverigetopplistan 2938:Kent Music Report 2693: 2692: 2617:"Brave New World" 2585: 2584: 2469: 2468: 2363: 2362: 2253:immersive theatre 2215:The Musical Drama 2092:, was created by 2005:– acoustic guitar 1935: 1934: 1931: 1897:Jonathan Vickers 1891:Jonathan Vickers 1870: 1861: 1847:Anna-Marie Wayne 1839: 1836:Anna-Marie Wayne 1830: 1827:Anna-Marie Wayne 1816: 1800: 1720: 1712: 1703: 1695: 1694:(2007, Australia) 1687: 1640: 1634: 1628: 1619: 1611: 1597:Parson Nathaniel 1560: 1552: 1537:The Artilleryman 1491: 1480: 1464: 1460:The Spirit of Man 1457: 1453:Life Begins Again 1450: 1443: 1436: 1429: 1420: 1413: 1406: 1399: 1377: 1376: 1356:March 2021 – 2022 1323:A tour promoting 1116: 1115: 425:fighting machines 401:late 19th century 377: 330:as the narrator. 269: 268: 245:"Brave New World" 198: 197: 16:(Redirected from 5798: 5324: 5323: 5283:Fighting machine 5257:Related texts: " 5234: 5227: 5220: 5211: 5210: 5194: 5193: 5191:Official website 5163: 5135: 5134: 5132: 5130: 5116: 5110: 5109: 5107: 5105: 5091: 5085: 5068: 5057: 5051: 5050: 5048: 5046: 5036: 5028: 5022: 5021: 5019: 5017: 5006: 5002: 4995: 4989: 4988: 4986: 4984: 4970: 4964: 4963: 4961: 4959: 4947: 4939: 4930: 4929: 4927: 4925: 4916: 4908: 4902: 4901: 4884: 4878: 4877: 4869: 4860: 4859: 4857: 4855: 4841: 4835: 4834: 4832: 4830: 4816: 4810: 4809: 4807: 4805: 4791: 4785: 4784: 4763: 4757: 4747: 4741: 4731: 4725: 4719: 4713: 4712: 4710: 4708: 4694: 4688: 4678: 4672: 4662: 4656: 4640: 4634: 4624: 4618: 4617: 4615: 4613: 4599: 4593: 4592: 4590: 4588: 4574: 4568: 4558: 4552: 4551: 4549: 4547: 4536: 4530: 4514: 4508: 4507: 4486: 4480: 4479: 4477: 4475: 4464: 4458: 4457: 4455: 4453: 4436: 4430: 4429: 4418: 4412: 4411: 4409: 4407: 4392: 4386: 4385: 4384:on 1 March 2013. 4380:. Archived from 4374: 4368: 4367: 4365: 4363: 4352: 4346: 4345: 4338: 4332: 4331: 4329: 4327: 4317: 4309: 4303: 4302: 4292: 4286: 4285: 4283: 4281: 4271: 4262: 4253: 4252: 4245: 4239: 4238: 4236: 4234: 4222: 4216: 4215: 4213: 4211: 4199: 4191: 4182: 4181: 4179: 4177: 4167: 4159: 4153: 4152: 4150: 4148: 4129: 4123: 4122: 4120: 4118: 4107: 4101: 4100: 4098: 4096: 4090: 4084:. Archived from 4071: 4062: 4056: 4055: 4053: 4051: 4040: 4029: 4028: 4026: 4024: 4008: 3993: 3992: 3990: 3988: 3978: 3969: 3958: 3957: 3955: 3953: 3941: 3935: 3934: 3932: 3930: 3919: 3913: 3912: 3906: 3904: 3888: 3873: 3872: 3870: 3868: 3862:Record Collector 3853: 3830: 3829: 3822:Various (2005). 3819: 3786: 3785: 3783: 3781: 3776:. Sound on Sound 3769: 3752: 3751: 3749: 3747: 3735: 3722: 3721: 3719: 3717: 3705: 3692: 3691: 3689: 3687: 3675: 3658: 3657: 3655: 3653: 3638: 3609: 3608: 3606: 3604: 3589: 3556: 3555: 3553: 3545: 3539: 3538: 3536: 3528: 3522: 3521: 3519: 3511: 3505: 3504: 3502: 3500: 3485: 3474: 3473: 3471: 3469: 3454: 3431: 3427: 3423: 3380:United Kingdom ( 3258: 3255: 3159: 3158: 3084: 3083: 3040: 3039: 2998:Swedish Albums ( 2923: 2922: 2914: 2890:Peter Goodfellow 2846:– backing vocals 2837:– backing vocals 2686: 2597: 2592: 2588: 2578: 2481: 2476: 2472: 2462: 2375: 2370: 2366: 2356: 2301: 2296: 2292: 2204:Dominion Theatre 2136:vehicular combat 2132:Sony PlayStation 2124:, also entitled 1957:Pete Hunt – bass 1938:Black Smoke Band 1929: 1868: 1859: 1852:Carrie's Father 1843:Madalena Alberto 1837: 1828: 1814: 1798: 1718: 1710: 1707:Jennifer Ellison 1701: 1693: 1685: 1638: 1632: 1626: 1617: 1609: 1558: 1550: 1489: 1478: 1462: 1455: 1448: 1446:40th Anniversary 1441: 1434: 1427: 1418: 1411: 1404: 1397: 1389: 1388: 1368:March–April 2025 1335:Final Arena Tour 1267: 1266: 1186:Teófilo Martínez 1166:Columbia Records 1100: 1099: 1098: 1094: 1093: 1089: 1088: 1084: 1083: 1079: 1078: 1062: 1061: 1060: 1056: 1055: 1051: 1050: 1046: 1045: 1041: 1040: 1015: 1011: 1002:Alfred Hitchcock 998:Steven Spielberg 983:UK Singles Chart 953:Peter Goodfellow 933:progressive rock 703: 688: 671: 656: 600:Advision Studios 595:artistic license 587:1938 radio drama 379: 378: 258: 255: 249: 246: 240: 237: 231: 228: 174: 173: 136: 135: 131: 119:Progressive rock 79: 77: 51: 39: 38: 21: 5806: 5805: 5801: 5800: 5799: 5797: 5796: 5795: 5726: 5725: 5724: 5715: 5667: 5661:1999 video game 5656:1998 video game 5623: 5576: 5535: 5491: 5408: 5382: 5370:The Martian War 5318: 5311: 5295: 5271: 5259:The Crystal Egg 5249: 5238: 5189: 5188: 5185: 5160: 5139: 5138: 5128: 5126: 5118: 5117: 5113: 5103: 5101: 5093: 5092: 5088: 5059: 5058: 5054: 5044: 5042: 5034: 5030: 5029: 5025: 5015: 5013: 5004: 5000: 4997: 4996: 4992: 4982: 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4049: 4047: 4042: 4041: 4032: 4022: 4020: 4009: 3996: 3986: 3984: 3976: 3970: 3961: 3951: 3949: 3942: 3938: 3928: 3926: 3921: 3920: 3916: 3902: 3900: 3889: 3876: 3866: 3864: 3854: 3833: 3820: 3789: 3779: 3777: 3770: 3755: 3745: 3743: 3736: 3725: 3715: 3713: 3706: 3695: 3685: 3683: 3676: 3661: 3651: 3649: 3639: 3612: 3602: 3600: 3590: 3559: 3551: 3547: 3546: 3542: 3534: 3530: 3529: 3525: 3517: 3513: 3512: 3508: 3498: 3496: 3486: 3477: 3467: 3465: 3455: 3448: 3443: 3430: 3426: 3268:Certified units 3254: 3249: 3157: 3155:Year-end charts 3122:Scottish Albums 3091: 3054:Scottish Albums 3047: 2974:German Albums ( 2930: 2921: 2911: 2741:Julie Covington 2699: 2694: 2684: 2586: 2576: 2525:Julie Covington 2470: 2460: 2444:"Thunder Child" 2364: 2354: 2284: 2273: 2257:virtual reality 2245: 2218: 2178: 2156: 2144: 2111:Nigel Hawthorne 2049: 2044: 2039: 1940: 1928:Callum O'Neill 1922:Callum O'Neill 1911:Stephanie Aves 1879: 1747:Claire Richards 1717: 1713: 1709: 1700: 1696: 1692: 1688: 1684: 1677:Julie Covington 1637: 1636:Rhydian Roberts 1635: 1631: 1630:Damien Edwards 1629: 1625: 1616: 1612: 1608: 1576: 1557: 1553: 1549: 1529:Justin Hayward 1525:Newton Faulkner 1477:Richard Burton 1469:The Journalist 1461: 1454: 1447: 1440: 1433: 1432:The Final Arena 1426: 1424: 1417: 1410: 1403: 1396: 1387: 1382: 1254: 1178:Mexican Spanish 1155: 1127:The Space Gamer 1096: 1091: 1086: 1081: 1058: 1053: 1048: 1043: 1010: 976:UK Albums Chart 967: 925: 842: 773:Julie Covington 751:the Moody Blues 714: 713: 712: 711: 710: 704: 696: 695: 689: 680: 679: 678: 672: 664: 663: 657: 646: 570:Brave New World 520: 515: 488: 457: 405:advanced beings 397: 396: 388: 386: 385: 384: 383: 380: 372: 369: 357: 352: 324:Julie Covington 261: 256: 253: 252: 247: 244: 243: 238: 235: 234: 229: 222: 221: 193: 184: 133: 129: 128: 104: 99: 75: 73: 64: 37: 32: 23: 22: 15: 12: 11: 5: 5804: 5794: 5793: 5788: 5783: 5778: 5773: 5768: 5763: 5758: 5753: 5748: 5743: 5738: 5721: 5720: 5717: 5716: 5714: 5713: 5706: 5705: 5704: 5697: 5690: 5675: 5673: 5669: 5668: 5666: 5665: 5664: 5663: 5658: 5648: 5640: 5631: 5629: 5625: 5624: 5622: 5621: 5613: 5605: 5597: 5590: 5584: 5582: 5578: 5577: 5575: 5574: 5573: 5572: 5565: 5558: 5555:Forever Autumn 5543: 5541: 5537: 5536: 5534: 5533: 5526: 5523:Scarlet Traces 5519: 5512: 5505: 5499: 5497: 5493: 5492: 5490: 5489: 5485:The True Story 5481: 5473: 5465: 5457: 5449: 5441: 5433: 5425: 5416: 5414: 5410: 5409: 5407: 5406: 5398: 5390: 5388: 5384: 5383: 5381: 5380: 5373: 5366: 5363:New Millennium 5359: 5352: 5345: 5338: 5330: 5328: 5321: 5313: 5312: 5310: 5309: 5303: 5301: 5297: 5296: 5294: 5293: 5285: 5279: 5277: 5273: 5272: 5270: 5269: 5262: 5254: 5251: 5250: 5237: 5236: 5229: 5222: 5214: 5208: 5207: 5195: 5184: 5183:External links 5181: 5180: 5179: 5164: 5158: 5137: 5136: 5111: 5086: 5052: 5023: 4990: 4965: 4931: 4903: 4879: 4861: 4836: 4811: 4786: 4779: 4758: 4742: 4726: 4714: 4689: 4673: 4657: 4635: 4619: 4594: 4569: 4553: 4542:. Dutch Charts 4531: 4509: 4502: 4481: 4459: 4431: 4413: 4387: 4369: 4347: 4333: 4304: 4287: 4254: 4240: 4217: 4183: 4154: 4124: 4102: 4057: 4030: 3994: 3959: 3936: 3914: 3909:Newspapers.com 3874: 3831: 3787: 3753: 3723: 3693: 3682:. WriteWyattUK 3659: 3610: 3557: 3540: 3523: 3506: 3475: 3445: 3444: 3442: 3439: 3436: 3435: 3419: 3418: 3415: 3412: 3408: 3407: 3403: 3402: 3399: 3396: 3395:United States 3392: 3391: 3388: 3385: 3377: 3376: 3373: 3370: 3362: 3361: 3358: 3355: 3347: 3346: 3343: 3340: 3332: 3331: 3328: 3325: 3317: 3316: 3313: 3310: 3302: 3301: 3298: 3295: 3287: 3286: 3283: 3280: 3272: 3271: 3265: 3262: 3253: 3252:Certifications 3250: 3246: 3245: 3239: 3238: 3235: 3231: 3230: 3227: 3223: 3222: 3219: 3215: 3214: 3211: 3207: 3206: 3203: 3199: 3198: 3195: 3191: 3190: 3187: 3183: 3182: 3179: 3175: 3174: 3171: 3167: 3166: 3163: 3156: 3153: 3151: 3148: 3147: 3144: 3133: 3132: 3129: 3118: 3117: 3114: 3109:Irish Albums ( 3106: 3105: 3102: 3094: 3093: 3088: 3080: 3079: 3076: 3065: 3064: 3061: 3050: 3049: 3044: 3036: 3035: 3032: 3022: 3021: 3018: 3007: 3006: 3003: 2995: 2994: 2991: 2983: 2982: 2979: 2971: 2970: 2967: 2962:Dutch Albums ( 2959: 2958: 2955: 2945: 2944: 2941: 2933: 2932: 2927: 2920: 2917: 2912: 2910: 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2357: 2351: 2350: 2347: 2344: 2341: 2338: 2334: 2333: 2330: 2328:Justin Hayward 2325: 2322: 2319: 2315: 2314: 2311: 2308: 2305: 2302: 2291: 2281:Richard Burton 2272: 2269: 2244: 2239: 2217: 2212: 2177: 2172: 2155: 2152: 2143: 2140: 2048: 2045: 2043: 2040: 2038: 2037: 2034: 2031: 2028: 2025: 2020:– percussion, 2018:Julia Thornton 2015: 2012: 2009: 2006: 2000: 1997: 1994:Herbie Flowers 1990: 1984: 1983: 1980: 1977: 1970: 1967: 1964: 1958: 1955: 1952: 1949: 1939: 1936: 1933: 1932: 1930:(pre-recorded) 1926: 1923: 1920: 1917: 1913: 1912: 1909: 1906: 1903: 1899: 1898: 1895: 1892: 1889: 1887:Michael Falzon 1884: 1881: 1875: 1874: 1871: 1869:(pre-recorded) 1865: 1862: 1860:(pre-recorded) 1856: 1853: 1849: 1848: 1845: 1840: 1838:(pre-recorded) 1834: 1831: 1829:(pre-recorded) 1825: 1822: 1818: 1817: 1815:(pre-recorded) 1809: 1806: 1802: 1801: 1799:(pre-recorded) 1795: 1791: 1790: 1787: 1782: 1779: 1774: 1772:Will Stapleton 1769: 1764: 1762:Chris Thompson 1759: 1755: 1754: 1749: 1744: 1741: 1736: 1731: 1726: 1721: 1704: 1679: 1674: 1670: 1669: 1664: 1659: 1658:Jason Donovan 1656: 1651: 1646: 1644:Maverick Sabre 1641: 1620: 1606:Russell Watson 1603: 1598: 1594: 1593: 1588: 1583: 1578: 1577:Simon Shorten 1571: 1566: 1561: 1546: 1543: 1538: 1534: 1533: 1530: 1527: 1522: 1517: 1515:Brian McFadden 1512: 1507: 1502: 1500:Justin Hayward 1497: 1493: 1492: 1490:(pre-recorded) 1486: 1481: 1479:(pre-recorded) 1475: 1473:Richard Burton 1470: 1466: 1465: 1458: 1451: 1444: 1437: 1430: 1425:Alive on Stage 1421: 1414: 1407: 1400: 1393: 1386: 1383: 1381: 1378: 1375: 1374: 1372: 1369: 1365: 1364: 1360: 1357: 1353: 1352: 1348: 1345: 1341: 1340: 1336: 1333: 1329: 1328: 1321: 1318: 1314: 1313: 1309: 1306: 1302: 1301: 1289:Damian Collier 1285: 1282: 1278: 1277: 1274: 1271: 1253: 1250: 1242:ULLAdubULLA II 1205:Super Audio CD 1154: 1151: 1114: 1113: 1110: 1102: 1101: 1072: 1064: 1063: 1034: 1028: 1027: 1024: 1020: 1019: 1009: 1006: 966: 963: 924: 921: 851:SMPTE timecode 841: 838: 813:Carlos Santana 797:Chris Thompson 789:Justin Hayward 755:Forever Autumn 747:Justin Hayward 719:Richard Burton 707:Chris Thompson 705: 698: 697: 690: 683: 682: 681: 673: 666: 665: 660:Richard Burton 658: 651: 650: 649: 648: 647: 645: 642: 633:Viking program 612:Forever Autumn 519: 516: 514: 511: 510: 509: 506: 503: 496: 493: 487: 484: 456: 453: 413:Horsell Common 387: 381: 370: 362: 361: 360: 359: 358: 356: 353: 351: 348: 344:Forever Autumn 328:Richard Burton 320:Chris Thompson 312:Justin Hayward 267: 266: 263: 262: 260: 259: 254:"Thunderchild" 250: 241: 232: 225:Forever Autumn 218: 215: 214: 204: 203: 200: 199: 196: 195: 186: 177: 170: 169: 162: 161: 156: 150: 149: 144: 138: 137: 126: 122: 121: 116: 110: 109: 93: 89: 88: 85: 81: 80: 70: 66: 65: 60: 53: 52: 44: 43: 35: 9: 6: 4: 3: 2: 5803: 5792: 5789: 5787: 5784: 5782: 5779: 5777: 5774: 5772: 5771:Rock musicals 5769: 5767: 5764: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5744: 5742: 5739: 5737: 5734: 5733: 5731: 5712: 5711: 5707: 5702: 5698: 5695: 5691: 5688: 5684: 5683: 5682: 5681: 5677: 5676: 5674: 5672:Short fiction 5670: 5662: 5659: 5657: 5654: 5653: 5652: 5649: 5646: 5645: 5641: 5638: 5637: 5633: 5632: 5630: 5626: 5619: 5618: 5614: 5611: 5610: 5606: 5603: 5602: 5598: 5596: 5595: 5591: 5589: 5586: 5585: 5583: 5579: 5571: 5570: 5566: 5564: 5563: 5559: 5556: 5552: 5551: 5550: 5549: 5545: 5544: 5542: 5538: 5532: 5531: 5527: 5525: 5524: 5520: 5518: 5517: 5513: 5511: 5510: 5506: 5504: 5501: 5500: 5498: 5494: 5487: 5486: 5482: 5479: 5478: 5474: 5471: 5470: 5466: 5463: 5462: 5458: 5455: 5454: 5450: 5447: 5446: 5442: 5439: 5438: 5434: 5431: 5430: 5426: 5423: 5422: 5418: 5417: 5415: 5411: 5404: 5403: 5399: 5396: 5392: 5391: 5389: 5385: 5379: 5378: 5374: 5372: 5371: 5367: 5365: 5364: 5360: 5358: 5357: 5353: 5351: 5350: 5346: 5344: 5343: 5339: 5337: 5336: 5332: 5331: 5329: 5325: 5322: 5320: 5314: 5308: 5305: 5304: 5302: 5298: 5292: 5291: 5290:Thunder Child 5286: 5284: 5281: 5280: 5278: 5274: 5268: 5267: 5266:Star Begotten 5263: 5260: 5256: 5255: 5252: 5248: 5247: 5242: 5235: 5230: 5228: 5223: 5221: 5216: 5215: 5212: 5205: 5201: 5200: 5196: 5192: 5187: 5186: 5177: 5173: 5169: 5165: 5161: 5159:0-9769400-0-0 5155: 5151: 5146: 5145: 5144: 5143: 5125: 5121: 5115: 5100: 5096: 5090: 5083: 5079: 5075: 5071: 5066: 5062: 5056: 5040: 5033: 5027: 5012: 5009:(in German). 5008: 4994: 4979: 4975: 4969: 4953: 4952: 4944: 4938: 4936: 4920: 4913: 4907: 4899: 4895: 4894: 4889: 4883: 4875: 4868: 4866: 4850: 4846: 4840: 4825: 4821: 4815: 4800: 4796: 4790: 4782: 4780:0-646-11917-6 4776: 4772: 4768: 4762: 4755: 4751: 4746: 4739: 4735: 4730: 4723: 4718: 4703: 4699: 4693: 4686: 4682: 4677: 4670: 4666: 4661: 4654: 4653: 4648: 4646: 4639: 4632: 4628: 4623: 4608: 4604: 4598: 4583: 4579: 4573: 4566: 4563:(in German). 4562: 4557: 4541: 4535: 4528: 4524: 4523: 4518: 4513: 4505: 4503:0-646-11917-6 4499: 4495: 4491: 4485: 4469: 4463: 4448: 4447: 4442: 4435: 4427: 4423: 4417: 4401: 4397: 4391: 4383: 4379: 4373: 4357: 4351: 4343: 4337: 4321: 4314: 4308: 4300: 4299: 4291: 4275: 4274:Record Mirror 4268: 4261: 4259: 4250: 4244: 4228: 4221: 4205: 4204: 4196: 4190: 4188: 4171: 4164: 4158: 4142: 4138: 4136: 4128: 4112: 4106: 4087: 4083: 4079: 4075: 4068: 4061: 4045: 4039: 4037: 4035: 4018: 4014: 4007: 4005: 4003: 4001: 3999: 3982: 3975: 3968: 3966: 3964: 3948:. Loudersound 3947: 3940: 3924: 3918: 3910: 3898: 3894: 3887: 3885: 3883: 3881: 3879: 3863: 3859: 3852: 3850: 3848: 3846: 3844: 3842: 3840: 3838: 3836: 3827: 3826: 3818: 3816: 3814: 3812: 3810: 3808: 3806: 3804: 3802: 3800: 3798: 3796: 3794: 3792: 3775: 3768: 3766: 3764: 3762: 3760: 3758: 3741: 3734: 3732: 3730: 3728: 3712:. Loudersound 3711: 3704: 3702: 3700: 3698: 3681: 3674: 3672: 3670: 3668: 3666: 3664: 3648: 3644: 3637: 3635: 3633: 3631: 3629: 3627: 3625: 3623: 3621: 3619: 3617: 3615: 3599: 3595: 3588: 3586: 3584: 3582: 3580: 3578: 3576: 3574: 3572: 3570: 3568: 3566: 3564: 3562: 3554:. p. 43. 3550: 3544: 3537:. p. 70. 3533: 3527: 3520:. p. 39. 3516: 3510: 3495: 3491: 3484: 3482: 3480: 3464: 3460: 3453: 3451: 3446: 3434: 3420: 3416: 3409: 3404: 3400: 3393: 3389: 3386: 3383: 3378: 3374: 3371: 3368: 3363: 3359: 3357:13× Platinum 3356: 3353: 3350:New Zealand ( 3348: 3344: 3341: 3338: 3335:Netherlands ( 3333: 3329: 3326: 3323: 3318: 3314: 3311: 3308: 3303: 3299: 3296: 3293: 3288: 3284: 3282:10× Platinum 3281: 3278: 3273: 3269: 3264:Certification 3259: 3244: 3236: 3232: 3226:Chart (1996) 3224: 3220: 3216: 3210:Chart (1991) 3208: 3204: 3200: 3194:Chart (1979) 3192: 3188: 3184: 3180: 3176: 3172: 3168: 3162:Chart (1978) 3160: 3152: 3142: 3138: 3134: 3127: 3123: 3119: 3112: 3107: 3100: 3095: 3089: 3086: 3085: 3074: 3070: 3066: 3059: 3055: 3051: 3045: 3042: 3041: 3031: 3029: 3023: 3016: 3012: 3008: 3001: 2996: 2989: 2984: 2977: 2972: 2965: 2964:Album Top 100 2960: 2953: 2952: 2946: 2939: 2934: 2928: 2925: 2924: 2919:Weekly charts 2916: 2915: 2903: 2900: 2897: 2894: 2891: 2888: 2885: 2882: 2879: 2876: 2873: 2870: 2867: 2864: 2861: 2858: 2857: 2856: 2855: 2848: 2845: 2842: 2839: 2836: 2833: 2830: 2828: 2824: 2820: 2816: 2815:George Fenton 2813: 2810: 2807: 2803: 2800: 2797: 2794: 2791: 2788: 2785: 2782: 2779: 2776: 2774:– bass guitar 2773: 2770: 2768: 2764: 2761: 2758: 2757: 2756: 2755: 2754:The Musicians 2748: 2745: 2742: 2739: 2736: 2733: 2730: 2727: 2724: 2721: 2718: 2715: 2712: 2709: 2708: 2707: 2706: 2702: 2688: 2685:Total length: 2682: 2678: 2675: 2672: 2669: 2665: 2661: 2658: 2655: 2652: 2648: 2644: 2641: 2638: 2636:"Dead London" 2635: 2631: 2627: 2625: 2622: 2619: 2616: 2612: 2593: 2580: 2577:Total length: 2574: 2570: 2568: 2565: 2562: 2559: 2555: 2551: 2549: 2546: 2543: 2540: 2536: 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1996:– bass guitar 1995: 1992: 1991: 1989: 1988: 1981: 1978: 1975: 1971: 1968: 1965: 1962: 1961:Thomas Gandey 1959: 1956: 1953: 1950: 1947: 1946: 1945: 1944: 1927: 1921: 1915: 1914: 1910: 1908:Lily Osborne 1901: 1900: 1890: 1888: 1885: 1877: 1876: 1867:Nigel Barber 1866: 1858:Nigel Barber 1857: 1851: 1850: 1844: 1841: 1820: 1819: 1813: 1812:Lewis MacLeod 1804: 1803: 1793: 1792: 1788: 1786: 1780: 1778: 1777:Joseph Whelan 1775: 1773: 1770: 1768: 1765: 1763: 1757: 1756: 1753: 1750: 1748: 1745: 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1716: 1715:Liz McClarnon 1708: 1705: 1699: 1691: 1683: 1680: 1678: 1675: 1672: 1671: 1668: 1665: 1663: 1660: 1657: 1655: 1652: 1650: 1649:Jason Donovan 1645: 1642: 1624: 1621: 1615: 1607: 1604: 1602: 1599: 1596: 1595: 1592: 1589: 1587: 1586:Kevin Clifton 1584: 1582: 1579: 1575: 1572: 1570: 1567: 1565: 1556: 1555:Jason Donovan 1548:Alexis James 1547: 1545:Alexis James 1544: 1542: 1539: 1536: 1535: 1531: 1526: 1523: 1521: 1520:Michael Praed 1518: 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Jeff Wayne's Musical Version of The War of the Worlds

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