388:. Harmonically, Higdon's music tends to use tonal structures, but eschews traditional harmonic progressions in favor of more open intervals. Avoiding specific key signatures allows for sudden, surprising harmonic shifts and modulations. Open perfect fifths and parallel fifths can be found in most of her compositions. She also often uses scalar passages to add melodic or harmonic context to the music. Her early background in percussion likely influenced her rhythmic style; her music often features complex, intricate rhythmic passages, even when melodies are lyrical. She also makes use of rhythmic ostinati which give motion to many of her works – especially her more rapid compositions. Some of her rhythmic and melodic repetition could be considered
22:
381:, and many other groups, rather than to classical music. As a result, she has described her own compositional process as "intuitive" and "instinctive", where she favors music that makes sense, rather than writing music that adheres to classical forms and structures. Popular and folk music were not the only early influences on her composition; the mountains and wide open spaces of her Tennessee home have influenced her style, and even helped bond her to George Crumb, who encouraged her to use nature as a muse.
1658:
1493:
1767:
1755:
125:, what intervals were, and I had zero keyboard skills. I basically started from the very, very beginning. Most of the people I started school with were far more advanced than I was, and I had an extraordinary amount of catching up to do." Despite these challenges, she established herself as a hard worker and a resilient student, even when she faced discouragement from some professors.
1791:
1779:
507:(Lawdon Press), which premiered February 6, 2009, in Indianapolis. The Pulitzer citation called it "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity". It was commissioned jointly by the Indianapolis Symphony, Toronto Symphony, Baltimore Symphony and the Curtis Institute of Music.
465:, the American Academy of Arts & Letters (two awards), the Pew Fellowship in the Arts, Meet-the-Composer, the National Endowment for the Arts, and ASCAP. In addition she has received grants from the Pennsylvania Council on the Arts. Higdon has been a featured composer at festivals including Grand Teton,
103:
and made efforts to expose his children to different types of art. He took them to various exhibitions of new and experimental art that gave her her earliest exposure to art and helped her to form an idea of what art was. She also developed an interest in photography and writing at an early age.
399:
Structurally, her music reflects the "intuitive" style that she composes by: Her music is decidedly sectional, but tends to have a natural flow – melodies often carry over bar lines, creating some motivic and sectional ambiguity. Many of her works begin with a sparse orchestration, and build in
395:
In her vocal and choral works, Higdon works to emulate speech patterns and applies them to writing both the pitch and the rhythm of her melodies. She tries to reflect the mood of the text, which results in melodies that tend to have a more romantic sound. On the occasions where she has set
104:
Despite her early introduction to art, she received very little exposure to classical music in her home. Instead, her early musical education came from listening to rock and folk music from the 1960s. It was not until high school that she joined concert band, where she began playing
449:. He wrote: "The problem with Higdon's piece ... is that its flamboyant gestures ... function only as surface effects, without creating any real structural momentum." Similarly, though in a more positive review, Raymond Tuttle wrote that "even though the
120:
with Judith
Bentley, who encouraged her to explore composition. Because of her lack of formal training at an early age, Higdon struggled to catch up early in her college career. She said of beginning college, "I didn't know any basic theory, how to spell a
112:
her mother had bought, and she began teaching herself to play using an old flute method book. She played flute in her high school's concert band and percussion in marching band, but heard little classical music before her college years.
132:. Of playing in the university orchestra, she has said: "Because I came to classical music very differently than most people, the newer stuff had more appeal for me than the older." While at Bowling Green, she met
368:
Jennifer Higdon's musical background has influenced her in many unique ways. Her style grew out of her musical upbringing, which was characterized by much greater and earlier exposure to popular music such as
400:
performing forces as a piece continues, creating variety and interest throughout a given piece of music. Higdon does not intentionally compose with a form in mind, but allows the music to unfold naturally.
155:. She continued to demonstrate her fortitude and dedication by persevering despite a few graduate rejection letters. She eventually obtained both a Master of Arts and a PhD in composition from the
319:, a one-movement tone poem which she wrote in memory of her brother, who died of cancer in 1998. Premiered in 2000, it has since been performed by more than 400 orchestras around the world.
408:
The League of
American Orchestras reported Higdon as one of the most performed living American composers, in 2008. "Higdon's music is lithe and expert", wrote Robert Battey of the
1527:
477:
56:
600:
1926:
939:
864:
437:
gave a CD of Higdon's music a minimal one-star rating. He referred to the music as "American contemporary music at its most vacuous, a noisy mishmash".
428:
writes, "it is pure new-age fluff; undemanding, unadventurous tonality dressed up as a quasi-mystical experience by the addition of bells and chimes."
824:
1010:
962:
1911:
1520:
769:
Christina L. Reitz, "Jennifer Higdon", The New Grove
Dictionary of Music and Musicians, second edition, (Oxford: Oxford University Press, 2012).
396:
non-English texts, she tends to use both the text and translation in the piece, allowing the piece to more effectively communicate its message.
1936:
1931:
1866:
1108:
1075:
756:
453:
is not remarkable for its melodic content, there is so much color and brilliance in Higdon's writing ... that few listeners will notice."
1821:
1731:
1032:
590:
1946:
1941:
1906:
1826:
982:
136:, who was teaching a conducting course there and who became one of the champions of Higdon's music in the American orchestral community.
567:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1675:
1513:
1180:
630:
1871:
1861:
1856:
1841:
1256:
462:
1921:
1886:
1496:
1274:
198:
26:
1831:
1594:
799:
732:
1846:
1158:
1130:
1901:
1896:
534:
1851:
696:
170:, where she held the Milton L. Rock Chair in Compositional Studies. She has served as Composer-in-Residence with the
1876:
1836:
21:
1916:
1881:
1307:
936:
228:
861:
128:
During her time at
Bowling Green, she wrote her first composition, a two-minute piece for flute and piano named
1573:
117:
72:
1626:
1451:
1249:
414:. "Jennifer Higdon's vivid, attractive works have made her a hot commodity lately," wrote Steve Smith of the
224:
171:
885:
1669:
1319:
816:
481:
60:
40:
1000:
203:
Higdon has received commissions from major symphony orchestras, including the
Philadelphia Orchestra, the
1552:
1339:
687:
A composer's insight : thoughts, analysis, and commentary on contemporary masterpieces for wind band
216:
959:
1891:
1745:
212:
208:
156:
1165:, The Pulitzer Prizes, accessed November 20, 2013. With short biography and program notes on the work.
657:
A discussion of
Jennifer Higdon's setting of the poetry of Amy Lowell in the chamber work 'Love Sweet'
837:
Jennifer Higdon has been
American composer in residence at the Music Academy of the West this summer.
232:
183:
167:
140:
76:
1098:
1065:
1647:
1536:
1353:
1242:
504:
500:
356:
274:
52:
48:
1359:
1325:
485:
64:
1042:
1816:
1759:
1377:
1365:
1313:
493:
385:
175:
68:
979:
791:
784:
557:
492:, which also won the 2018 Grammy for Best Classical Compendium. The third was in 2020 for her
1621:
1568:
1289:
660:
328:
294:
144:
105:
1213:
1176:
622:
1811:
1037:
378:
236:
725:
Composition in the digital world : conversations with 21st century
American composers
8:
1459:
1222:
410:
332:
220:
204:
179:
1505:
1443:
1371:
750:
685:
562:
416:
374:
307:
303:
248:
96:
1346:
795:
738:
728:
702:
692:
595:
344:
1783:
1427:
1005:
313:
Her works have been recorded on more than four dozen CDs. Her most popular work is
1610:
1584:
1548:
1478:
1411:
1162:
986:
966:
943:
868:
664:
659:(Doctor of Musical Arts thesis). The University of North Carolina at Greensboro.
244:
488:. That concerto was part of an album dedicated to her music on the Naxos label,
1604:
1435:
1403:
1103:
1070:
779:
352:
348:
340:
315:
259:
1155:
908:
1805:
1637:
1615:
1590:
742:
389:
270:
122:
706:
1795:
1771:
1599:
1579:
1332:
526:
473:
433:
425:
278:
252:
160:
133:
1657:
1632:
1557:
1228:
438:
370:
336:
299:
282:
240:
152:
909:"Comprehensive analysis of selected orchestral works by Jennifer Higdon"
1419:
1177:"Jennifer Higdon's Violin Concerto- the Genesis of a 21st-century Work"
466:
1562:
266:
148:
1384:
263:
256:
100:
88:
36:
1234:
1218:
1206:
92:
881:
166:
From 1994 to 2021, Higdon was a professor of composition at the
862:"The Santa Fe Opera Announces New Works for Forthcoming season"
871:
August 10, 2011, on santafeopera.org. Retrieved April 8, 2014
490:
Higdon: All Things
Majestic, Viola Concerto, and Oboe Concerto
691:(1st ed.). Galesville, MD: Meredith Music Publications.
289:
109:
1766:
817:"Marin Alsop Schmoozes with the Academy Festival Orchestra"
558:"Despite Anxiety and Naysayers, Composer Wins Her Pulitzer"
431:
Among less favorable assessments, Andrew
Clements in the
57:
Grammy Awards for Best Contemporary Classical Composition
1535:
1001:"Philadelphia composer Jennifer Higdon scores a Grammy"
420:. Regarding one of Higdon's most popular compositions,
1743:
786:
Travels in a Gay Nation: Portraits of LGBTQ Americans
235:. Conductors who worked extensively with her include
363:
75:in 2019, she was a professor of composition at the
783:
684:
1174:
591:"Composer Jennifer Higdon pursues friendly music"
1803:
384:Many of Jennifer Higdon's pieces are considered
91:. She spent the first 10 years of her life in
1927:Members of the American Philosophical Society
1521:
1250:
1033:"Alumna wins Grammy for Percussion Concerto"
1131:"2020 GRAMMY Awards: Complete Winners List"
480:three times. The first was in 2010 for her
139:Higdon earned an Artist's Diploma from the
1528:
1514:
1257:
1243:
790:. University of Wisconsin Press. pp.
755:: CS1 maint: location missing publisher (
555:
108:. At about the same time, she picked up a
192:
1156:"The 2010 Pulitzer Prize Winners: Music"
1149:
913:Proquest Dissertations and Theses Global
874:
521:
519:
469:, Vail, Norfolk, Winnipeg and Cabrillo.
174:, the Green Bay Symphony Orchestra, the
35:(born December 31, 1962) is an American
20:
778:
682:
654:
478:Best Contemporary Classical Composition
322:
292:based on Charles Frazier's 1997 novel,
199:List of compositions by Jennifer Higdon
27:Cabrillo Festival of Contemporary Music
1912:LGBTQ people from Georgia (U.S. state)
1804:
998:
722:
588:
1937:21st-century American women composers
1932:20th-century American women composers
1867:Bowling Green State University alumni
1509:
1238:
1225:, with 63 library catalog records
1168:
1111:from the original on January 29, 2018
1078:from the original on January 29, 2018
999:Dunkle, David N. (February 2, 2010).
906:
888:from the original on December 5, 2013
556:Schweitzer, Vivien (April 21, 2010).
516:
1822:People from Sevier County, Tennessee
1096:
1063:
827:from the original on August 23, 2019
814:
718:
716:
678:
676:
674:
650:
648:
570:from the original on January 3, 2013
99:. Her father, Charles Higdon, was a
1264:
1183:from the original on April 15, 2018
1175:M. Brent Williams (March 5, 2010).
633:from the original on March 20, 2020
310:and premiered in Santa Fe in 2015.
13:
1947:21st-century American LGBTQ people
1942:20th-century American LGBTQ people
1907:LGBTQ people from New York (state)
1827:American women classical composers
1214:Composing Thoughts Radio Interview
1041:. February 1, 2010. Archived from
655:Leontis, Evangelia Sophia (2017).
14:
1958:
1198:
1097:Chow, Andrew (January 28, 2018).
1064:Chow, Andrew (January 28, 2018).
1013:from the original on May 18, 2015
713:
671:
645:
603:from the original on May 18, 2015
537:from the original on June 3, 2018
484:. The second was in 2018 for her
364:Compositional style and influence
116:She studied flute performance at
71:in 2020. Elected a Member of the
1872:Curtis Institute of Music alumni
1862:21st-century classical composers
1857:20th-century classical composers
1842:Pulitzer Prize for Music winners
1789:
1777:
1765:
1753:
1656:
1492:
1491:
1099:"Grammy 2018 Winners: Full List"
1066:"Grammy 2018 Winners: Full List"
815:Kepl, Daniel (August 16, 2019).
589:Berger, Kevin (March 25, 2012).
461:Higdon received awards from the
1922:20th-century American composers
1887:21st-century American composers
1123:
1090:
1057:
1025:
992:
972:
949:
926:
900:
855:
842:
808:
151:and taught the future virtuoso
1574:On the Transmigration of Souls
1229:Interview with Jennifer Higdon
937:Higdon: Concerto for Orchestra
772:
763:
683:Salzman, Timothy, ed. (2003).
615:
582:
549:
189:Higdon lives in Philadelphia.
118:Bowling Green State University
73:American Philosophical Society
1:
1627:The Little Match Girl Passion
1595:Second Concerto for Orchestra
1452:On the Death of the Righteous
510:
172:Pittsburgh Symphony Orchestra
16:American composer (born 1962)
1832:American classical composers
1179:. Florida State University.
823:. Santa Barbara. p. 9.
403:
302:. It was co-commissioned by
251:. She has written works for
82:
41:contemporary classical music
25:Higdon speaking at the 2014
7:
907:Reitz, Christina L (2007).
44:
10:
1963:
1847:American lesbian musicians
867:February 18, 2019, at the
196:
157:University of Pennsylvania
1902:LGBTQ classical musicians
1897:LGBTQ classical composers
1665:
1654:
1544:
1489:
1470:
1395:
1300:
1281:
1272:
456:
445:also criticized Higdon's
184:Music Academy of the West
168:Curtis Institute of Music
143:, where she studied with
141:Curtis Institute of Music
77:Curtis Institute of Music
1852:American LGBTQ composers
1537:Pulitzer Prize for Music
989:, accessed June 21, 2010
969:, accessed June 21, 2010
946:, accessed June 21, 2010
501:Pulitzer Prize for Music
275:Nadja Salerno-Sonnenberg
49:Pulitzer Prize for Music
1877:Musicians from Brooklyn
1837:Pew Fellows in the Arts
1161:April 15, 2010, at the
985:April 15, 2010, at the
965:March 13, 2017, at the
942:March 13, 2017, at the
723:Raines, Robert (2015).
527:"About Jennifer Higdon"
1917:Pulitzer Prize winners
1882:Musicians from Atlanta
1308:Concerto for Orchestra
499:Higdon won the annual
451:Concerto for Orchestra
447:Concerto For Orchestra
193:Works and performances
176:Philadelphia Orchestra
159:under the tutelage of
33:Jennifer Elaine Higdon
29:
884:. November 11, 2013.
463:Guggenheim Foundation
379:Simon & Garfunkel
229:Indianapolis Symphony
47:, including the 2010
24:
1275:List of compositions
1038:Pennsylvania Gazette
323:Selected discography
288:She wrote her first
237:Christoph Eschenbach
1460:All Things Majestic
1320:Percussion Concerto
1231:, February 14, 2004
1223:Library of Congress
1137:. November 20, 2019
482:Percussion Concerto
333:Miguel Harth-Bedoya
298:with a libretto by
225:Pittsburgh Symphony
221:Minnesota Orchestra
205:Cleveland Orchestra
180:Fort Worth Symphony
87:Higdon was born in
79:from 1994 to 2021.
61:Percussion Concerto
43:. She has received
1372:Low Brass Concerto
1340:Saxophone Concerto
563:The New York Times
531:jenniferhigdon.com
375:the Rolling Stones
359:PTC 5186583 (2016)
353:The Santa Fe Opera
331:(world premiere).
308:Opera Philadelphia
304:The Santa Fe Opera
249:Giancarlo Guerrero
97:Seymour, Tennessee
89:Brooklyn, New York
30:
1892:Lesbian composers
1741:
1740:
1503:
1502:
1347:The Singing Rooms
882:"Jennifer Higdon"
801:978-0-299-23684-7
734:978-0-19-935703-1
623:"Jennifer Higdon"
596:Los Angeles Times
345:Jay Hunter Morris
217:National Symphony
95:before moving to
1954:
1794:
1793:
1792:
1782:
1781:
1780:
1770:
1769:
1758:
1757:
1756:
1749:
1660:
1530:
1523:
1516:
1507:
1506:
1495:
1494:
1396:Other orchestral
1259:
1252:
1245:
1236:
1235:
1210:
1209:
1207:Official website
1193:
1192:
1190:
1188:
1172:
1166:
1153:
1147:
1146:
1144:
1142:
1127:
1121:
1120:
1118:
1116:
1094:
1088:
1087:
1085:
1083:
1061:
1055:
1054:
1052:
1050:
1029:
1023:
1022:
1020:
1018:
1006:The Patriot-News
996:
990:
976:
970:
953:
947:
930:
924:
923:
921:
919:
904:
898:
897:
895:
893:
878:
872:
859:
853:
846:
840:
839:
834:
832:
812:
806:
805:
789:
776:
770:
767:
761:
760:
754:
746:
727:. New York, NY.
720:
711:
710:
690:
680:
669:
668:
652:
643:
642:
640:
638:
619:
613:
612:
610:
608:
586:
580:
579:
577:
575:
553:
547:
546:
544:
542:
523:
472:She has won the
424:Rowena Smith of
213:Atlanta Symphony
209:Chicago Symphony
93:Atlanta, Georgia
1962:
1961:
1957:
1956:
1955:
1953:
1952:
1951:
1802:
1801:
1800:
1790:
1788:
1778:
1776:
1764:
1760:Classical music
1754:
1752:
1744:
1742:
1737:
1661:
1652:
1648:Violin Concerto
1644:Jennifer Higdon
1611:Ornette Coleman
1585:Tempest Fantasy
1549:John Corigliano
1540:
1534:
1504:
1499:
1485:
1479:Light Refracted
1466:
1412:Fanfare Ritmico
1391:
1354:Violin Concerto
1296:
1277:
1268:
1266:Jennifer Higdon
1263:
1219:Jennifer Higdon
1205:
1204:
1201:
1196:
1186:
1184:
1173:
1169:
1163:Wayback Machine
1154:
1150:
1140:
1138:
1129:
1128:
1124:
1114:
1112:
1095:
1091:
1081:
1079:
1062:
1058:
1048:
1046:
1045:on May 18, 2015
1031:
1030:
1026:
1016:
1014:
997:
993:
987:Wayback Machine
978:Classical Net:
977:
973:
967:Wayback Machine
960:"BBCSO/Slatkin"
954:
950:
944:Wayback Machine
931:
927:
917:
915:
905:
901:
891:
889:
880:
879:
875:
869:Wayback Machine
860:
856:
847:
843:
830:
828:
813:
809:
802:
780:Gambone, Philip
777:
773:
768:
764:
748:
747:
735:
721:
714:
699:
681:
672:
653:
646:
636:
634:
621:
620:
616:
606:
604:
587:
583:
573:
571:
554:
550:
540:
538:
525:
524:
517:
513:
505:Violin Concerto
459:
422:Blue Cathedral,
411:Washington Post
406:
366:
325:
245:Leonard Slatkin
233:Dallas Symphony
201:
195:
130:Night Creatures
85:
53:Violin Concerto
17:
12:
11:
5:
1960:
1950:
1949:
1944:
1939:
1934:
1929:
1924:
1919:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1799:
1798:
1786:
1774:
1762:
1739:
1738:
1736:
1735:
1728:
1721:
1714:
1707:
1700:
1693:
1686:
1679:
1672:
1666:
1663:
1662:
1655:
1653:
1651:
1650:
1641:
1630:
1619:
1608:
1605:Chiavi in Mano
1597:
1588:
1577:
1566:
1555:
1553:Symphony No. 2
1545:
1542:
1541:
1533:
1532:
1525:
1518:
1510:
1501:
1500:
1490:
1487:
1486:
1484:
1483:
1474:
1472:
1468:
1467:
1465:
1464:
1456:
1448:
1440:
1436:Dooryard Bloom
1432:
1424:
1416:
1408:
1404:blue cathedral
1399:
1397:
1393:
1392:
1390:
1389:
1381:
1375:
1369:
1363:
1360:Viola Concerto
1357:
1351:
1343:
1337:
1329:
1326:Piano Concerto
1323:
1317:
1311:
1304:
1302:
1298:
1297:
1295:
1294:
1285:
1283:
1279:
1278:
1273:
1270:
1269:
1262:
1261:
1254:
1247:
1239:
1233:
1232:
1226:
1216:
1211:
1200:
1199:External links
1197:
1195:
1194:
1167:
1148:
1122:
1104:New York Times
1089:
1071:New York Times
1056:
1024:
991:
971:
948:
925:
899:
873:
854:
841:
807:
800:
771:
762:
733:
712:
697:
670:
644:
627:www.curtis.edu
614:
581:
548:
514:
512:
509:
486:Viola Concerto
458:
455:
441:, also in the
417:New York Times
405:
402:
365:
362:
361:
360:
349:Robert Pomakov
347:, Emily Fons,
341:Isabel Leonard
324:
321:
316:blue cathedral
260:Thomas Hampson
194:
191:
84:
81:
65:Viola Concerto
15:
9:
6:
4:
3:
2:
1959:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1817:Living people
1815:
1813:
1810:
1809:
1807:
1797:
1787:
1785:
1775:
1773:
1768:
1763:
1761:
1751:
1750:
1747:
1733:
1729:
1726:
1722:
1719:
1715:
1712:
1708:
1705:
1701:
1698:
1694:
1691:
1687:
1684:
1680:
1677:
1673:
1671:
1670:Complete list
1668:
1667:
1664:
1659:
1649:
1645:
1642:
1640:
1639:
1638:Double Sextet
1634:
1631:
1629:
1628:
1623:
1620:
1618:
1617:
1616:Sound Grammar
1612:
1609:
1607:
1606:
1601:
1598:
1596:
1592:
1591:Steven Stucky
1589:
1587:
1586:
1581:
1578:
1576:
1575:
1570:
1567:
1565:
1564:
1559:
1556:
1554:
1550:
1547:
1546:
1543:
1538:
1531:
1526:
1524:
1519:
1517:
1512:
1511:
1508:
1498:
1488:
1481:
1480:
1476:
1475:
1473:
1469:
1462:
1461:
1457:
1454:
1453:
1449:
1446:
1445:
1441:
1438:
1437:
1433:
1430:
1429:
1425:
1422:
1421:
1417:
1414:
1413:
1409:
1406:
1405:
1401:
1400:
1398:
1394:
1387:
1386:
1382:
1379:
1378:Harp Concerto
1376:
1373:
1370:
1367:
1366:Tuba Concerto
1364:
1361:
1358:
1355:
1352:
1349:
1348:
1344:
1341:
1338:
1335:
1334:
1330:
1327:
1324:
1321:
1318:
1315:
1314:Oboe Concerto
1312:
1309:
1306:
1305:
1303:
1299:
1292:
1291:
1290:Cold Mountain
1287:
1286:
1284:
1280:
1276:
1271:
1267:
1260:
1255:
1253:
1248:
1246:
1241:
1240:
1237:
1230:
1227:
1224:
1220:
1217:
1215:
1212:
1208:
1203:
1202:
1182:
1178:
1171:
1164:
1160:
1157:
1152:
1136:
1132:
1126:
1110:
1106:
1105:
1100:
1093:
1077:
1073:
1072:
1067:
1060:
1044:
1040:
1039:
1034:
1028:
1012:
1008:
1007:
1002:
995:
988:
984:
981:
975:
968:
964:
961:
957:
952:
945:
941:
938:
934:
929:
914:
910:
903:
887:
883:
877:
870:
866:
863:
858:
851:
845:
838:
826:
822:
818:
811:
803:
797:
793:
788:
787:
781:
775:
766:
758:
752:
744:
740:
736:
730:
726:
719:
717:
708:
704:
700:
698:0-634-05827-4
694:
689:
688:
679:
677:
675:
666:
662:
658:
651:
649:
632:
628:
624:
618:
602:
598:
597:
592:
585:
569:
565:
564:
559:
552:
536:
532:
528:
522:
520:
515:
508:
506:
502:
497:
495:
494:Harp Concerto
491:
487:
483:
479:
475:
470:
468:
464:
454:
452:
448:
444:
440:
436:
435:
429:
427:
423:
419:
418:
413:
412:
401:
397:
393:
391:
387:
382:
380:
376:
372:
358:
354:
350:
346:
342:
338:
334:
330:
329:Cold Mountain
327:
326:
320:
318:
317:
311:
309:
305:
301:
297:
296:
295:Cold Mountain
291:
286:
284:
280:
276:
273:, violinists
272:
271:Gary Graffman
268:
265:
261:
258:
254:
250:
246:
242:
238:
234:
230:
226:
222:
218:
214:
210:
206:
200:
190:
187:
185:
181:
177:
173:
169:
164:
162:
158:
154:
150:
146:
142:
137:
135:
131:
126:
124:
119:
114:
111:
107:
102:
98:
94:
90:
80:
78:
74:
70:
69:Harp Concerto
67:in 2018, and
66:
62:
58:
54:
50:
46:
42:
38:
34:
28:
23:
19:
1643:
1636:
1625:
1614:
1603:
1600:Yehudi Wyner
1583:
1580:Paul Moravec
1572:
1561:
1477:
1458:
1450:
1442:
1434:
1426:
1418:
1410:
1402:
1383:
1345:
1333:Concerto 4-3
1331:
1288:
1265:
1185:. Retrieved
1170:
1151:
1139:. Retrieved
1134:
1125:
1113:. Retrieved
1102:
1092:
1080:. Retrieved
1069:
1059:
1047:. Retrieved
1043:the original
1036:
1027:
1015:. Retrieved
1004:
994:
974:
955:
951:
932:
928:
918:September 3,
916:. Retrieved
912:
902:
890:. Retrieved
876:
857:
849:
844:
836:
829:. Retrieved
820:
810:
785:
774:
765:
724:
686:
656:
635:. Retrieved
626:
617:
605:. Retrieved
594:
584:
572:. Retrieved
561:
551:
539:. Retrieved
530:
498:
489:
474:Grammy Award
471:
460:
450:
446:
442:
432:
430:
426:The Guardian
421:
415:
409:
407:
398:
394:
383:
367:
314:
312:
293:
287:
279:Jennifer Koh
202:
188:
165:
161:George Crumb
138:
134:Robert Spano
129:
127:
115:
86:
32:
31:
18:
1812:1962 births
1633:Steve Reich
1558:Henry Brant
1539:(2001–2010)
1141:January 26,
1115:January 29,
1082:January 29,
831:January 27,
439:Tom Service
392:in nature.
386:neoromantic
371:the Beatles
337:Nathan Gunn
300:Gene Scheer
283:Hilary Hahn
241:Marin Alsop
153:Hilary Hahn
45:many awards
1806:Categories
1622:David Lang
1569:John Adams
1420:City Scape
1135:GRAMMY.com
665:1927626883
511:References
467:Tanglewood
390:minimalist
255:including
231:, and the
197:See also:
145:David Loeb
106:percussion
55:and three
1784:Biography
1732:Citations
1725:2011–2020
1718:2001–2010
1711:1991–2000
1704:1981–1990
1697:1971–1980
1690:1961–1970
1683:1951–1960
1676:1943–1950
1563:Ice Field
1187:April 15,
892:April 14,
848:Gambone,
751:cite book
743:880689841
637:March 20,
404:Reception
357:PENTATONE
267:Yuja Wang
149:Ned Rorem
83:Biography
63:in 2010,
1497:Category
1385:Duo Duel
1301:Concerto
1181:Archived
1159:Archived
1109:Archived
1076:Archived
1011:Archived
983:Archived
963:Archived
956:Guardian
940:Archived
933:Guardian
886:Archived
865:Archived
825:Archived
782:(2010).
707:52827655
661:ProQuest
631:Archived
601:Archived
568:Archived
535:Archived
503:for her
443:Guardian
434:Guardian
264:pianists
257:baritone
253:soloists
182:and the
59:for her
51:for her
37:composer
1746:Portals
1646:('10):
1635:('09):
1624:('08):
1613:('07):
1602:('06):
1593:('05):
1582:('04):
1571:('03):
1560:('02):
1551:('01):
1471:Chamber
1428:Machine
852:, 163–5
850:Travels
792:164–165
541:June 2,
101:painter
1482:(2002)
1463:(2011)
1455:(2009)
1447:(2004)
1439:(2004)
1431:(2003)
1423:(2002)
1415:(1999)
1407:(1999)
1388:(2020)
1380:(2018)
1374:(2017)
1368:(2017)
1362:(2015)
1356:(2008)
1350:(2007)
1342:(2007)
1336:(2007)
1328:(2006)
1322:(2005)
1316:(2005)
1310:(2002)
1293:(2015)
1049:May 9,
1017:May 9,
980:Review
798:
741:
731:
705:
695:
663:
607:May 9,
574:May 9,
457:Awards
247:, and
227:, the
223:, the
219:, the
215:, the
211:, the
207:, the
178:, the
1796:Music
1772:Opera
1282:Opera
821:Voice
290:opera
123:chord
110:flute
1444:Loco
1189:2018
1143:2020
1117:2018
1084:2018
1051:2015
1019:2015
920:2018
894:2018
833:2020
796:ISBN
757:link
739:OCLC
729:ISBN
703:OCLC
693:ISBN
639:2020
609:2015
576:2015
543:2018
476:for
306:and
281:and
269:and
147:and
1221:at
39:of
1808::
1133:.
1107:.
1101:.
1074:.
1068:.
1035:.
1009:.
1003:.
958::
935::
911:.
835:.
819:.
794:.
753:}}
749:{{
737:.
715:^
701:.
673:^
647:^
629:.
625:.
599:.
593:.
566:.
560:.
533:.
529:.
518:^
496:.
377:,
373:,
355:.
351:,
343:,
339:,
335:,
285:.
277:,
262:,
243:,
239:,
186:.
163:.
1748::
1734:)
1730:(
1727:)
1723:(
1720:)
1716:(
1713:)
1709:(
1706:)
1702:(
1699:)
1695:(
1692:)
1688:(
1685:)
1681:(
1678:)
1674:(
1529:e
1522:t
1515:v
1258:e
1251:t
1244:v
1191:.
1145:.
1119:.
1086:.
1053:.
1021:.
922:.
896:.
804:.
759:)
745:.
709:.
667:.
641:.
611:.
578:.
545:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
