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Jewish Museum Berlin

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restitution and reparation, the relationship to Israel and Russian-speaking immigration from 1990 onwards are the central themes. As a "final chorus," the video installation "Mesubin" (The Gathered) brings the polyphony of contemporary Jewish together. Eight thematic rooms deal with religious aspects of Judaism and its lived practice, with the museum's family collections, and with art and music. What is sacred in Judaism? How is Shabbat celebrated? What is the sound of Judaism? In addition to original objects, the exhibition presents a wide variety of audio-visual media, virtual reality, art and interactive games.
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learned about particular highlights of the collection and were able to delve into larger-scale virtual exhibitions – for example, on the life story of Albert Einstein or on Eastern European immigration between 1880 and 1924. Video interviews offered insights into current Jewish life in Germany. The computer game Sansanvis Park was developed especially for children. The facility was named after the Berlin real estate entrepreneur and patron Rafael Roth (1933–2013).
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Encyclopaedia Judaica, the Jewish hospital in Frankfurt and the sculpture "GroĂźer Kopf" by Otto Freundlich. The shape of the black glass bodies refers to the "voids," the empty spaces made of concrete in Daniel Libeskind's museum architecture. Using infrared headphones, visitors can listen to up to 40 sound recordings with descriptions, explanations and background information, sounds and music for each object presented as they move along the black glass walls.
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the Jewish citizens of Berlin, second, the necessity to integrate physically and spiritually the meaning of the Holocaust into the consciousness and memory of the city of Berlin. Third, that only through the acknowledgement and incorporation of this erasure and void of Jewish life in Berlin, can the history of Berlin and Europe have a human future.
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authority records, personal documents, correspondence, a photo archive as well as numerous testimonies from religious, social, cultural, intellectual, political, and economic life. The collection of more than 1,200 memoirs of German-speaking Jews (also and especially from the post-Nazi era) is unique.
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The exhibition is divided into five historical chapters spanning from the beginnings of Jewish life in Ashkenaz, through the emancipation movement, the Enlightenment, and its failure, to the present. The largest space is dedicated to National Socialism and the chapter After 1945, where topics such as
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In recent years, Libeskind has designed two structural extensions: a covering made of glass and steel for the "Kollegienhaus" courtyard (2007), and the W. Michael Blumenthal Academy of the Jewish Museum in a rectangular, 250 m (2,700 sq ft) 1960s flower market hall on the opposite side
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formed. The first acquisitions were Jewish ceremonial artworks belonging to the MĂĽnster Cantor Zvi Sofer. Soon, fine art, photography and family memorabilia were acquired. The collection is now divided into four areas: ceremonial objects and applied arts, fine arts, photography, and lastly, everyday
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The 'Gallery of the Missing' is a project by the artist Via Lewandowsky. It involves three sound installations under the title 'Order of the Missing' in black mirrored glass showcases (glass bodies) that cannot be seen in the permanent exhibition. They depict destroyed objects of Jewish culture: the
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grows out of reach, atop 49 tall pillars (48 filled with Berlin's earth, one with earth from Jerusalem). The third axis leads from the Museum to the Holocaust Tower, a 24 m (79 ft) tall empty silo. The bare concrete Tower is neither heated nor cooled, and its only light comes from a small
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The Rafael Roth Learning Center was located in the basement of the Jewish Museum Berlin until March 2017. Here, Jewish history was presented in a multimedia and interactive way at 17 computer stations for individual visitors and groups. Under the headings "Things," "Stories," and "Faces," visitors
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The new design, which was created a year before the Berlin Wall came down, was based on three conceptions that formed the museum's foundation: first, the impossibility of understanding the history of Berlin without understanding the enormous intellectual, economic and cultural contribution made by
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With the opening of the academy in 2012, its programs were added to the previous range of activities. Founding director W. Michael Blumenthal, after whom the academy is named, aimed to establish a Jewish museum that not only presented historical, religious, and social topics at exhibitions, but
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at the Jewish Museum. The LBI has its principal office in New York and holds the most comprehensive collection of materials on the history of Jews in Germany, Austria, and other German-speaking areas in Central Europe of the last 300 years – including about one million documents such as local
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The Jewish Museum Berlin Foundation receives an annual grant from the funds of the Federal Government Commissioner for Cultural Affairs and the Media; this covers around three-quarters of its total budget. The remaining funds are raised primarily through donations and ticket sales.
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The previous permanent exhibition "Two Millennia of German Jewish History" was on display from September 2001 to December 2017. It presented Germany through the eyes of the Jewish minority. The exhibition began with displays of medieval settlements along the Rhine, in particular in
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closely followed and discussed political and social developments from a Jewish angle. The academy programs focus not only on the relationship between the majority population and individual minorities, but also on the interactions and ties between these minorities.
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building by Libeskind. The two buildings have no visible connection above ground. The Libeskind building, consisting of about 15,000 m (160,000 sq ft), is a twisted zig-zag and is accessible only via an underground passage from the old building.
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Academy of the Jewish Museum Berlin was built – also after a design by Libeskind – in 2011/2012 in the former flower market hall. The archives, library, museum education department, a lecture hall and the Diaspora Garden can all be found in the academy.
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The new core exhibition entitled "Jewish Life in Germany: Past and Present" opened on 23 August 2020. Covering more than 3,500 square meters, it tells the story of Jews in Germany from their beginnings to the present day from a Jewish perspective.
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stood at the beginning of the twentieth century. One focus of the exhibition was Berlin and its development into a European metropolis. The Jews living here as merchants and entrepreneurs, scientists and artists, were pioneers of the
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A line of "Voids", empty spaces about 66 feet (20 m) tall, slices linearly through the entire building. Such voids represent "That which can never be exhibited when it comes to Jewish Berlin history: Humanity reduced to ashes."
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in Düsseldorf (1975–1981). The exhibition tour concluded with an audio installation of people who grew up in Germany reporting on their childhood and youth after 1945. A new chapter of Jewish life in Germany began with them.
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culture. The museum archive safeguards over 1,500 family bequests, in particular from the eras of the Empire, the First World War, and Nazism. The library comprises 100 000 media on Jewish life in Germany and abroad.
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for the possibility to emigrate. At the same time, small Jewish communities in West and East were forming. Towards the end of the exhibition, two major Nazi trials of the post-war period were examined – the Frankfurt
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in the nineteenth century was presented as a time of optimism, achievement and prosperity, though setbacks and disappointments were displayed as well. German-Jewish soldiers fighting for their country in
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In the course of planning a new permanent exhibition, the Jewish Museum decided not to continue operating the Learning Center with its technical equipment after more than 15 successful years.
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movement. In February 2019, the German government indicated that it would take steps to prevent the museum becoming a platform for BDS. In May 2019 the German Bundestag passed a resolution
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in Europe. On 3,500 square metres (38,000 square feet) of floor space, the museum presents the history of Jews in Germany from the Middle Ages to the present day, with new focuses and new
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Since 2002, the Jewish Museum Berlin and the Friends and Patrons of the Jewish Museum Berlin have presented the annual Prize for Understanding and Tolerance. Past recipients included:
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In 2016, a jury appointed by the Jewish Museum Berlin awarded the first prize in an architectural competition for a new €3.44 million children's museum for 3 to 12 year-olds to
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Brenner, M. (1999). Jewish Culture in Contemporary America and Weimar Germany: Parallels and Differences. Central European University Jewish Studies Yearbook, 2(2).
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In the basement, visitors first encounter three intersecting, slanting corridors named the "Axes." Here a similarity to Libeskind's first building – the
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From its opening in 2001 to December 2017, the museum had over eleven million visitors and is one of the most visited museums in Germany.
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in 1937. To reflect this focus on living history, the entrance hall of the museum both contained busts of prominent German Jews, such as
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The first Jewish Museum in Berlin was founded on 24 January 1933, under the leadership of Karl Schwartz, six days before the Nazis
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The Kollegienhaus building is the U-shaped building in the foreground; Libeskind's building is the adjacent zig-zag structure.
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Rosenfield, Karissa (17 November 2012). "Daniel Libeskind's Academy of the Jewish Museum Berlin Opens Today". ArchDaily.
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is documented in the collections, the library and the archive, and is reflected in the museum's program of events.
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By 2019, the museum was dubbed the "Anti-Jewish Museum" due to hosting a series of speakers favorable to the
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The second axis connects the Museum proper to the Garden of Exile, whose foundation is tilted. The Garden's
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Das Berliner Jüdische Museum in der Oranienburger Strasse: Geschichte einer zerstörten Kulturstätte
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Das Berliner Jüdische Museum in der Oranienburger Strasse: Geschichte einer zerstörten Kulturstätte
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Changing exhibitions present a broad range of themes, eras and genres. Notable exhibitions are:
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slit in its roof. The Jewish Museum Berlin was Libeskind's first major international success.
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Mitteilung des Stiftungsrats: Hetty Berg wird neue Direktorin des JĂĽdischen Museums
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Looting and Restitution: Jewish-Owned Cultural Artifacts from 1933 to the Present
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and, in addition to curating Jewish history, also featured collections of modern
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Since September 2001, there has been a branch of the archive of the New York
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In 1991, Berlin's government temporarily canceled the project to finance its
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and one of the last exhibitions to be held was a retrospective of the German
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for Virtual Library Museums by Susannah Reid, University of Newcastle
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The Jewish Museum's collections date back to the 1970s, when the
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The Whole Truth … everything you always wanted to know about Jews
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Stories of an exhibition: two millennia of German Jewish history
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On 10 November 1938, during the 'November Pogroms', known as
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by Elke Dorner. Berlin: Gebr. Mann Verlag, 3. Auflage 2006;
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Breslau, Karen (3 February 1992). "The New Face of Berlin".
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Contemporary Museums – Architecture, History, Collections
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Home and Exile: Jewish Emigration from Germany since 1933
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The diaspora garden at the W. Michael Blumenthal Academy
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In 1988, the Berlin government announced an anonymous
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Buildings and structures in Friedrichshain-Kreuzberg
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for the new museum's design, with a jury chaired by
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Central European University Jewish Studies Yearbook
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Rituals Against Forgetting 2637: 1563: 693: 358:The Jewish Museum Berlin is located in what was 1579: 1326: 1063: 681: 582:Chrismukkah: Stories of Christmas and Hanukkah 2023: 1473: 1467: 1396: 1394: 1392: 1390: 1388: 1386: 1273: 1271: 1269: 1267: 1094: 562:How German is it? 30 Artists' Notion of Home 1559: 1557: 1555: 1553: 1551: 1401:Daniel Libeskind – JĂĽdisches Museum Berlin, 642: 633: 2030: 2016: 1953: 1383: 1172: 1058: 595: 45: 1264: 1977:A Short Photographic Essay on the Museum 1786: 1758: 1707:"Prize for Under-standing and Tolerance" 1592:Highlights from the Jewish Museum Berlin 1548: 1366:"Daniel Libeskind, Jewish Museum Part 2" 1279:"Daniel Libeskind, Jewish Museum Berlin" 1201: 1199: 1197: 654: 599: 421: 401: 349: 189:) was opened in 2001 and is the largest 2191:Memorial to the Murdered Jews of Europe 1986:United States Holocaust Memorial Museum 1233: 1074: 574:Typical!: ClichĂ©s about Jews and Others 546:Snip it! 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The museum was built next to the 24: 1991:Website of Studio Daniel Libeskind 1919: 1759:Wienthal, Benjamin (9 June 2019). 1590:Stiftung JĂĽdisches Museum Berlin. 1537:, Proprietas-Verlag, Berlin 2001; 1533:Stiftung JĂĽdisches Museum Berlin. 978:Central Council of Jews in Germany 316:, the museum was shut down by the 25: 2692: 1940: 966:Boycott, Divestment and Sanctions 456:The previous permanent exhibition 2575:Sachsenhausen concentration camp 2473:Berlin-Hohenschönhausen Memorial 2303: 340:bid for the 2000 Summer Olympics 244: 228: 54: 29:Jewish museum in Berlin, Germany 1982:Interview with Daniel Libeskind 1895: 1863: 1836: 1808: 1780: 1752: 1699: 1674: 1652: 1627: 1605: 1594:, Nicolai-Verlag, Berlin 2010; 1493: 1442: 1417: 1358: 1296: 952:2023 – Corinne Michaela Flick, 664:The Leo Baeck Institute archive 2676:2001 establishments in Germany 2382:Kaiser Wilhelm Memorial Church 1242: 1227: 1206:Riding, Alan (17 March 1998). 1166: 1144: 1052: 959: 510:, 250 000 survivors waited in 437: 13: 1: 2196:Monument to Freedom and Unity 2127:Deutsches Historisches Museum 1964:detailed November 2001 review 1045: 702: 694:W. 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Hentrich & Hentrich. 996:, Braun Publishing, 2010; 983: 707: 219: 2646:Jewish museums in Germany 2588: 2545: 2465: 2312: 2301: 2046: 1969:29 September 2010 at the 1075:Brenner, Michael (1999). 620:Shalekhet – Fallen leaves 618:created the installation 512:"Displaced Persons" camps 345: 235:The original building on 161: 151: 141: 131: 92: 81: 73: 69: 53: 44: 37: 2357:Freie Universität Berlin 2342:Berlin Zoological Garden 2246:Vorderasiatisches Museum 1821:The Canadian Jewish News 1686:28 November 2019 at the 1635:"About the Organisation" 893:Renate Lasker-Harpprecht 643:Collections and archives 634:Another art installation 38: 2038:Visitor attractions in 1926:The Last Jews in Berlin 1101:Simon, Hermann (2000). 1030:Jewish Museum Frankfurt 596:Permanent installations 432:Olson Kundig Architects 362:before the fall of the 263:officially gained power 187:JĂĽdisches Museum Berlin 39:JĂĽdisches Museum Berlin 2417:Schloss Charlottenburg 2402:Natural History Museum 2280:St. Hedwig's Cathedral 1662:. 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Retrieved 1876:Israel Hayom 1874: 1865: 1853:. Retrieved 1849:Sun-Sentinel 1847: 1838: 1826:. Retrieved 1819: 1810: 1798:. Retrieved 1792: 1782: 1770:. Retrieved 1764: 1754: 1742:. Retrieved 1735: 1726: 1714:. Retrieved 1710: 1701: 1691: 1676: 1664:. Retrieved 1654: 1642:. Retrieved 1638: 1629: 1617:. Retrieved 1607: 1591: 1569:. Retrieved 1534: 1508:. Retrieved 1504: 1495: 1483:. Retrieved 1479: 1469: 1457:. Retrieved 1453: 1444: 1432:. Retrieved 1428: 1419: 1400: 1373:. Retrieved 1369: 1360: 1348:. Retrieved 1344: 1316:. Retrieved 1312:the original 1307: 1298: 1286:. Retrieved 1282: 1258:the original 1253: 1244: 1235: 1229: 1217:. Retrieved 1213: 1184:. 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Index

Jewish Museum, Berlin
JĂĽdisches Museum Berlin
Kollegienhaus and Libeskind-Bau
Libeskind
Kreuzberg
Coordinates
52°30′07″N 13°23′42″E / 52.502°N 13.395°E / 52.502; 13.395
Jewish museum
Hetty Berg
Daniel Libeskind
www.jmberlin.de/en
Jewish museum
scenography
Daniel Libeskind
German-Jewish history
W. Michael Blumenthal

Oranienburger StraĂźe

Arnold Zadikow
officially gained power
Neue Synagoge
Oranienburger StraĂźe
Jewish art
German art history
impressionist
Ernst Oppler
Moses Mendelssohn
Abraham Geiger
Arnold Zadikow

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