193:"I had a difficult time realizing I was categorized by my personal expressions. The categorization of Native Art was attached to my work and others' works by non-Native curators. Even though I had written the same exams in University and fulfilled all the requirements of a degree...when I got out of school my content which was largely about myself, who I was, my responses to the world etc. was labelled as Native Art and then political art - they seemed to go together. Later when Native Curators came on the scene, and called the work Native art - that was different. We were declaring who we were, not being told by others".
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the
Indigenous representation she saw in galleries, she decided to start creating things that 'have a metaphorical jump' where the viewer can understand Indigenous issues in terms they can relate to within their own culture. Her installation work Preservation of the Species, directly critiqued the Museums power and authority and the way those institutions handle Indigenous artifacts and systematically control their message.
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colonialism and the destruction of the environment throughout her work which at times reflects a 'collective Indian experience' while at other times producing work which is also informed by trends in
Western avant-garde and contemporary art. When asked about her experience as an Indigenous artist she writes:
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Her various pursuits as an activist, curator, and writer helped to expose truths about
Indigenous history, culture and contemporary issues. In particular her installation and painting practice is known for its insightful ability to elicit Indigenous experience while examining the unwelcomed burden of
242:
The Kainai and their political, cultural, and economic allies the Peigan and
Siksika make up the Blackfoot Confederacy. and are considered to be the oldest residents of the western prairie region The Bloods have created and maintained an attitude of independence and pride in their identity as Kainai
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Throughout her artistic practice she has focused on the discursive and physical divide between museum artifacts the communities they originated from while taking into account the historical conditions that gave way to the removal of those artifacts from their communities. Sick of the stereotyping of
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She helped create a space for
Indigenous art in Canada and fought for the right of Native artists to be exhibited in galleries and museums. In 2009 she traveled the province of Alberta on behalf of the Alberta Foundation for the Arts to meet with Indigenous artists and identify work from the various
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to graduate with a B.F.A. in 1977. In 1978 Cardinal-Schubert worked as an assistant curator at the
University of Calgary Art Gallery, and the Nickle Arts Museum (also in Calgary), from 1979 to 1985. Throughout her career her writings have been published internationally in art magazines, catalogues,
189:
Cardinal-Schubert's paintings and installations tell of her personal experiences which she weaves with social and historical events. Visually her work depicts valiant
Indigenous motifs while communicating about subjects that affect and impact her. She takes up and revisits continuously issues of
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Cardinal-Schubert was a member of the Kainai Nation. Also called the Káínawa, or Blood Tribe, a this First Nation in southern
Alberta, Canada had a population of 12,800 (2015) and occupied approximately 549.7 square miles (884.6 km). They are part of the Niitsítapi or
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which has allowed them to successfully resist the efforts of governments, churches, and other
European agencies from enacting systems into traditions which could have resulted in a harmful and disadvantageous effect on legal rights and the cultural identity of the Kainai.
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would be named in her honour. Trustee Amber
Stewart stated in the announcement, "This is only the second high school in Calgary to be named after a woman. I am thrilled to recognize and honour the achievements and talents of a local woman, Joane Cardinal-Schubert."
160:) in 1962 where she studied painting, printmaking, and multimedia. Cardinal-Schubert's Indigenous culture was omitted from the education system, the media, history books, and arts. She focussed her work primarily on her family history and
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stages of their careers not represented in the Foundation's collection, and to recommend purchases which directly benefited Indigenous artists and also made their work available for future generations.
239:. Historic Blackfoot territory extends from the Rocky Mountains to the West; the Sand Hills to the East; to the North Saskatchewan in the North, and the Yellowstone in the South.
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Cardinal-Schubert's exhibited her artwork nationally and internationally with over 26 solo exhibitions and numerous touring group exhibitions.
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Cardinal-Schubert was the fourth woman to be admitted to the Royal Canadian Academy of Arts in 1985. In 1993 she received the
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378:(Solo exhibit) Joane Cardinal-Schubert - Preservation of a Species, 1987-88 Gulf Canada Square Gallery, Calgary, Alberta 1988
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372:(Solo exhibit) Preservation of a Species: Deconstructionists, Ottawa School of Art Gallery, Ottawa, Ontario 1990
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Eurocentric educational, religious, and governmental systems that were forced upon Indigenous peoples.
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and 2003 she was given as honorary doctorate of laws by her alma mata. In 2005 she was given the
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295:(Solo exhibit) Prairie Counter-plain - The Quilt Series, Masters Gallery Calgary Alberta 1997
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375:(Solo exhibit) Joane Cardinal-Schubert, Meridian Gallery, San Francisco, California 1989
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Garneau, D (Winter 1998). "Cardinal-schubert, joane. muttart public art gallery".
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Baptismal — The Convent Series, Medium: acrylic on canvas, Size: 40 × 40 inches
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Alberta College of Art and Design, University of Alberta, University of Calgary
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IC Magazine: A Publication of the Center for World Indigenous Studies Archive
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381:(Solo exhibit) Preservation of a Species: Keeper, Muttart Public Gallery
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316:, Imperial Oil Gallery, Museum of the Regiments, Calgary Alberta 1994
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410:"Dr. Joane Cardinal-Schubert: Cancer Claims Prominent Native Artist"
600:"Contemporary Art | Dr. Joane Cardinal-Schubert LL.D (Hon), R.C.A."
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INDIGENA: Perspectives o f Indigenous Peoples on Five Hundred Years
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at the Muttart Public Art Gallery, 9 October – 7 November 1997
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Drum Dancer "aka Prairie Pony", "Song of My Dream, Bed Dance"
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decided that a high school in the southeast community of
156:. She attended the Alberta College of Art + Design (now
500:"Joane Cardinal-Schubert: At the Centre of Her Circle"
534:
Windspeaker: Aboriginal Multi-Media Society (AMMSA)
323:,Art Gallery of Greater Victoria, Victoria, BC 1994
775:. Ottawa, Ontario: Carleton University. p. 1.
560:Lee., Maracle; Sandra., Laronde (1 January 2000).
530:"Joane Cardinal Schubert: An Artist Setting Traps"
351:, Inter-media Gallery, Minneapolis, Minnesota 1991
152:Cardinal-Schubert was born in 1942 in the town of
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769:Joane Cardinal-Schubert: Aboriginal Woman Artist
440:"Dr. Joane Cardinal-Schubert LL.D (Hon), R.C.A."
709:(2nd ed.). Wiley-Blackwell. p. 380.
144:. She was an activist for Native sovereignty.
114:Honorary Doctor of Laws, University of Calgary
909:Members of the Royal Canadian Academy of Arts
286:at the Canadian Museum of Civilization (1992)
258:
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337:, Gallery of Tribal Art, Vancouver, BC 1992
468:"Canada's future: Joane Cardinal-Schubert"
211:National Aboriginal Achievement Foundation
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369:, Articule Gallery. Montreal, Quebec 1990
330:, Gallery of Tribal Art, Vancouver BC1994
302:Tribal Arts Gallery, Calgary Alberta 1997
707:Museum Studies: An Anthology of Contexts
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696:
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356:Letters to Ottawa... Oka... Oka...Aiiee!
333:(Solo exhibit) Joane Cardinal-Schubert,
326:(Solo exhibit) Joane Cardinal-Schubert,
309:, Masters gallery. Calgary, Alberta 1994
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705:. In Carbonell, Bettina Messias (ed.).
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290:Joane Cardinal-Schubert: Two Decades
894:21st-century Canadian women writers
889:20th-century Canadian women writers
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280:at the Vancouver Art Gallery (1989)
106:Installation, Mixed media, Painting
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904:21st-century First Nations writers
899:20th-century First Nations writers
766:MacRae, Alisdair (1 August 2012).
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321:With Emily Carr (letters to Emily)
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738:"Baptismal — The Convent Series"
342:Birch Bark Letters to Emily Carr
172:In 1973 she began a B.A. at the
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701:McMaster, Gerald (April 2012).
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213:, now Indspire, gave her their
703:"Museums and the Native Voice"
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158:Alberta University of the Arts
142:Royal Canadian Academy of Arts
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869:People from Red Deer, Alberta
839:21st-century Canadian artists
834:20th-century Canadian artists
472:Indspire Indigenous education
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298:(Solo exhibit) Prairie Mask,
203:Commemorative Medal of Canada
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474:. Indspire. 20 November 2014
207:Queen's Golden Jubilee Medal
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80:BA, BFA, LL. D (Hon), R.C.A.
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914:First Nations women artists
849:First Nations women writers
829:21st-century Canadian poets
824:20th-century Canadian poets
314:Joane Cardinal-Schubert RCA
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176:before transferring to the
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617:"New Public Schools Named"
259:Listings of selected works
219:Calgary Board of Education
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140:. She was a member of the
363:Preservation of a Species
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443:Calgary Contemporary Art
742:Spirit Wrestler Gallery
349:Joane Cardinal-Schubert
307:Joane Cardinal-Schubert
217:. On 30 June 2017, the
121:Joane Cardinal-Schubert
23:Joane Cardinal-Schubert
653:. Kainai First Nations
328:Keepers Counting-group
854:First Nations artists
647:"Kainai First Nation"
563:My home as I remember
445:. Masters Gallery Ltd
365:: Cultural Currency,
237:Blackfoot Confederacy
178:University of Calgary
174:University of Alberta
864:Artists from Alberta
859:Writers from Alberta
819:Canadian women poets
566:. Dundurn. pp.
844:First Nations poets
603:Masters Gallery Ltd
132:, 1942–2009) was a
919:Canadian activists
414:First Nations Drum
335:Looking and Seeing
26:LL.D (Hon), R.C.A.
814:Canadian painters
716:978-1-4051-7381-0
528:Bissley, Jackie.
162:Kainaiwa ancestry
154:Red Deer, Alberta
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879:2009 deaths
874:1942 births
722:19 February
683:19 February
657:19 February
540:19 February
510:19 February
478:19 February
449:19 February
419:19 February
269:Exhibitions
197:Recognition
181:and books.
63:Nationality
808:Categories
386:References
367:The Lesson
148:Early life
586:288133625
536:. (AMMSA)
215:Art Award
168:Education
77:Education
748:14 March
673:"Kainai"
230:Heritage
71:Canadian
605:. 2017.
185:Artwork
128:LL. D (
744:. 2017
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130:Kainai
111:Awards
794:: 49.
773:(PDF)
620:(PDF)
223:Seton
103:Style
750:2017
724:2016
711:ISBN
685:2016
659:2016
582:OCLC
572:ISBN
542:2016
512:2016
480:2016
451:2016
421:2016
58:2009
55:Died
44:1942
41:Born
624:CBE
568:102
125:RCA
20:Dr.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
