195:
67:
501:
372:
25:
179:, but quickly became infuriated when his work was not being given attention or corrected. Haydn recommended his friend Albrechtsberger, with whom Beethoven then studied harmony and counterpoint. On completion of his studies, the young student noted, "Patience, diligence, persistence, and sincerity will lead to success", which reflects upon Albrechtsberger's own compositional philosophy.
288:, who went on to become the first Professor of Counterpoint and Fugue at the Paris Conservatoire from 1818 until his death in 1836, and who in turn reached a wide audience through both his own teaching and his theoretical writings, which were standard reference at the Conservatoire for most of the 19th century, and translated into German by
387:
250:
Major (1759). As the trombone has few works dating back to the classical period, his concerto is often highlighted by the trombone community. He also wrote a
Concerto for the
112:
and philosophy at a
Benedictine seminary in Vienna, and became one of the most learned and skilful contrapuntists of his age. Albrechtsberger's earliest classmates included
511:
172:
46:
139:
His fame as a theorist attracted to him in the
Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were
194:
599:
569:
559:
229:, etc.; but the greater proportion of his works, vocal and instrumental, exists only in manuscript. They are in the library of the Vienna
392:
594:
33:
538:
128:
in 1757, he was appointed
Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792
534:
524:
579:
554:
574:
237:
and strings (three survive in the
Hungarian National Library in Budapest). They are pleasant, well-written works in the
604:
564:
484:
464:
332:
80:(3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist, and one of the teachers of
281:, who was Kapellmeister at St Stephen's Cathedral from 1713 to 1741; Albrechtsberger later held the same position.
457:
Isaak-Ignaz
Moscheles: the life of the composer and his encounters with Beethoven, Liszt, Chopin, and Mendelssohn
261:
Possibly the most valuable service he rendered to music was in his theoretical works. In 1790 he published at
230:
528:
168:
156:
265:
a treatise on composition, of which a third edition appeared in 1821. A collection of his writings on
419:
431:
89:
38:
444:
The guitar and mandolin: biographies of celebrated players and composers for these instruments
516:
324:
311:
140:
377:
One or more of the preceding sentences incorporates text from a publication now in the
589:
584:
160:
81:
8:
117:
71:
270:
152:
480:
460:
443:
328:
278:
183:
244:
One of his most notable works is his
Concerto for Alto Trombone and Orchestra in B
274:
206:
144:
226:
214:
101:
66:
284:
A continuous thread can be traced from his teaching through that of his pupil
548:
505:
383:
378:
320:
234:
222:
129:
121:
113:
285:
176:
164:
125:
85:
289:
148:
133:
477:
Viennese
Harmonic Theory from Albrechtsberger to Schenker and Schoenberg
396:. Vol. 1 (11th ed.). Cambridge University Press. p. 512.
109:
173:
504: This article incorporates text from a publication now in the
277:
in 1855. His compositional style derives from the counterpoint of
273:(1776–1841) in 1826. An English version of this was published by
266:
262:
251:
24:
105:
269:, in three volumes, was published under the care of his pupil
218:
210:
175:. Beethoven had arrived in Vienna in 1792 to study with
479:(Rochester NY: University of Rochester Press, 1995);
233:. Around 1765, he wrote at least seven concerti for
310:
546:
254:, Op. 27, discussed positively in the 1914 book
182:Albrechtsberger died in Vienna; his grave is in
317:The Harvard biographical dictionary of music
535:Free scores by Johann Georg Albrechtsberger
525:Free scores by Johann Georg Albrechtsberger
422:, bach-cantatas.com. Accessed 5 March 2024.
509:
539:International Music Score Library Project
432:Concerto for Alto Trombone and Orchestra
382:
365:
363:
361:
193:
65:
49:of all important aspects of the article.
420:Johann Georg Albrechtsberger (composer)
406:p. 82, Lockwood (2005) Lewis. New York
547:
446:, archive.org. Accessed 5 March 2024.
308:
205:His published compositions consist of
120:. After being employed as organist at
45:Please consider expanding the lead to
455:Emil Smidak and Charlotte Moscheles,
434:, andrews.edu. Accessed 5 March 2024.
358:
198:Holograph manuscript of a folio from
600:19th-century Austrian male musicians
520:. New York: Robert Appleton Company.
18:
570:Classical composers of church music
560:Austrian Classical-period composers
13:
510:Herbermann, Charles, ed. (1913). "
200:VII Canoni a piu voci in partitura
14:
616:
595:Austrian male classical composers
493:
408:Beethoven: The Music and the Life
309:Randel, Don Michael, ed. (1996).
153:Ludwig-Wilhelm Tepper de Ferguson
108:. He originally studied music at
499:
370:
347:p. 556, Anderson (1982) Robert.
23:
312:"Albrechtsberger, Johann Georg"
189:
37:may be too short to adequately
469:
459:(London: Scolar Press, 1989);
449:
437:
425:
413:
400:
341:
302:
47:provide an accessible overview
1:
388:Albrechtsberger, Johann Georg
295:
231:Gesellschaft der Musikfreunde
70:Albrechtsberger; portrait by
16:Austrian composer (1736–1809)
580:Musicians from Lower Austria
555:18th-century Austrian people
529:Choral Public Domain Library
100:Albrechtsberger was born at
95:
78:Johann Georg Albrechtsberger
7:
169:Franz Xaver Wolfgang Mozart
157:Antonio Casimir Cartellieri
10:
621:
575:People from Klosterneuburg
410:W. W. Norton & Company
84:. He was also a friend of
512:Johann G. Albrechtsberger
605:String quartet composers
565:Austrian music theorists
393:Encyclopædia Britannica
256:The Guitar and Mandolin
134:St. Stephen's Cathedral
351:"Mostly unknown" 1674
202:
74:
517:Catholic Encyclopedia
197:
141:Johann Nepomuk Hummel
69:
161:Ludwig van Beethoven
82:Ludwig van Beethoven
118:Franz Joseph Aumann
72:Leopold Kupelwieser
271:Ignaz von Seyfried
203:
75:
475:Robert W. Wason,
353:The Musical Times
319:. Cambridge, MA:
279:Johann Joseph Fux
184:St. Marx cemetery
64:
63:
612:
521:
503:
502:
487:
473:
467:
453:
447:
441:
435:
429:
423:
417:
411:
404:
398:
397:
376:
374:
373:
367:
356:
345:
339:
338:
314:
306:
249:
248:
59:
56:
50:
27:
19:
620:
619:
615:
614:
613:
611:
610:
609:
545:
544:
500:
496:
491:
490:
474:
470:
454:
450:
442:
438:
430:
426:
418:
414:
405:
401:
386:, ed. (1911). "
371:
369:
368:
359:
346:
342:
335:
307:
303:
298:
246:
245:
227:string quartets
192:
145:Ignaz Moscheles
98:
60:
54:
51:
44:
32:This article's
28:
17:
12:
11:
5:
618:
608:
607:
602:
597:
592:
587:
582:
577:
572:
567:
562:
557:
543:
542:
532:
522:
495:
494:External links
492:
489:
488:
468:
448:
436:
424:
412:
399:
384:Chisholm, Hugh
357:
340:
333:
300:
299:
297:
294:
191:
188:
102:Klosterneuburg
97:
94:
62:
61:
41:the key points
31:
29:
22:
15:
9:
6:
4:
3:
2:
617:
606:
603:
601:
598:
596:
593:
591:
588:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
552:
550:
540:
536:
533:
530:
526:
523:
519:
518:
513:
507:
506:public domain
498:
497:
486:
485:9781878822529
482:
478:
472:
466:
465:9780859678216
462:
458:
452:
445:
440:
433:
428:
421:
416:
409:
403:
395:
394:
389:
385:
380:
379:public domain
366:
364:
362:
354:
350:
344:
336:
334:0-674-37299-9
330:
326:
322:
321:Belknap Press
318:
313:
305:
301:
293:
291:
287:
282:
280:
276:
272:
268:
264:
259:
257:
253:
242:
240:
236:
232:
228:
224:
220:
216:
212:
208:
201:
196:
187:
185:
180:
178:
174:
170:
166:
162:
158:
154:
150:
146:
142:
137:
135:
131:
130:Kapellmeister
127:
123:
119:
115:
114:Michael Haydn
111:
107:
103:
93:
91:
87:
83:
79:
73:
68:
58:
48:
42:
40:
35:
30:
26:
21:
20:
531:(ChoralWiki)
515:
476:
471:
456:
451:
439:
427:
415:
407:
402:
391:
352:
348:
343:
316:
304:
286:Anton Reicha
283:
260:
255:
243:
238:
204:
199:
190:Compositions
181:
177:Joseph Haydn
165:Anton Reicha
138:
126:Maria Taferl
124:in 1755 and
99:
77:
76:
52:
36:
34:lead section
590:1809 deaths
585:1736 births
323:. pp.
290:Carl Czerny
149:Josef Weigl
55:August 2024
549:Categories
296:References
235:Jew's harp
110:Melk Abbey
241:style.
96:Biography
39:summarize
247:♭
217:for the
207:preludes
541:(IMSLP)
537:at the
527:in the
508::
381::
275:Novello
267:harmony
263:Leipzig
252:Mandola
215:sonatas
171:. See:
104:, near
483:
463:
375:
355:August
331:
239:galant
211:fugues
106:Vienna
90:Mozart
223:organ
219:piano
86:Haydn
481:ISBN
461:ISBN
329:ISBN
221:and
213:and
167:and
122:Raab
116:and
88:and
514:".
390:".
349:123
132:of
551::
360:^
327:.
325:12
315:.
292:.
258:.
225:,
209:,
186:.
163:,
159:,
155:,
151:,
147:,
143:,
136:.
92:.
337:.
57:)
53:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
