2071:
2105:, ending with the loud shouts of "Herr, Herr, Herr!" in the first bars of the chorus. Soon, after the first part of the theme, comes the triple shout again, but this time, at the end of the bars, as a contra answer for the corresponding orchestral deep stresses at the beginning of the bars. Finally, the entire A section is repeated."Herr, unser Herrscher" and "O Mensch, bewein dein Sünde groß" are very different in character. The latter is full of torment in its text, but a serenely majestic piece of music. "Herr, unser Herrscher" sounds as if it has chains of dissonance between the two oboes and the turmoil of the
72:
1859:. The architecture of Part Two shows symmetry around this movement, the music of the preceding chorus #21f "Wir haben ein Gesetz" corresponds to #23b "Lässest du diesen los", the demand #21d "Kreuzige ihn!" is repeated in an intensified way in #23d "Weg, weg mit dem, kreuzige ihn!", #21b "Sei gegrüßet, lieber Judenkönig" reappears as #25b "Schreibe nicht: der Juden König".
2097:'opening chorus': "Herr, unser Herrscher ..." ("Lord, our master, ..."). There is an orchestral intonation of 36 bars before the explosive entrance of the chorus. Each of these bars is a single stress of lower tones, weakening till the end of the bar. These bass beats are accompanied by the remaining instruments of higher tones, by
2156:). This chorale – with alternative lyrics – is still in regular use in the congregations. The beginning of the theme is a descending sequence, but in overall the theme is full of emotion as well. Singing this chorale standalone, however, does not sound as a closing chorale, except if it is sung at the end of a real ceremony.
1854:
For the central chorale (#22) "Durch dein Gefängnis, Gottes Sohn, muß uns die
Freiheit kommen" ("Through Your prison, Son of God, must freedom come to us) Bach adapted the words of an aria from the Johannes-Passion of Christian Heinrich Postel (1700) and used the melody of "Mach's mit mir, Gott, nach
2123:
includes three commenting arias. There is an alto aria, "Von den
Stricken meiner Sünden" (From the bonds of my sins). This includes an intertwined oboe line that brings back many characteristics of the opening chorus. Another aria is an enchanting flute and soprano duet, "Ich folge dir gleichfalls".
2011:
taken as a lesser sacred concert. The text for the opening prayer, "Herr, unser
Herrscher, dessen Ruhm", as well as the arias, chorales and the penultimate chorus "Ruht wohl, ihr heiligen Gebeine", come from various other sources. Two recitative passages, the first dealing with Peter's weeping after
1904:
was subject to several major revisions. The version most familiar to us today is not the original version from 1724, but rather the version of 1739–1749. In the 1724 version, the
Recitative Movement No. 33 reads "Und die Vorhang im Tempel zerriß in zwei Stück; von oben an bis unten aus." (Mark 15,
2183:, who came to the United States in 1937 as a Jewish refugee from Nazi Germany, changed the text from "Juden" to "Leute" (people) when he conducted performances of the work. This has been the trend of numerous mainline Christian denominations since the late 20th century as well, for instance, the
1942:
again, restoring the original opening chorus, removing the final
Chorale (thus ending the work with the choral Movement No. 39), and removing the three new arias. He also excised the two interpolations from the Gospel of Matthew that appeared in the work, probably due to objections by the
380:
needed some repair, all of which, however, could be attended to at little cost; but he requested that a little additional room be provided in the choir loft of St. Nicholas Church, where he planned to place the musicians needed to perform the music. He also asked that the harpsichord be
2207:
contain fewer statements derogatory toward Jews than many other contemporary musical settings of the
Passion. He also noted that Bach used words for the commenting arias and hymns that tended to shift the blame for the death of Jesus from "the Jews" to the congregation of Christians.
3080:
1765:
Bach followed the Gospel of John but added two lines from the Gospel of
Matthew, the account of Peter's weeping and the rending of the veil in the temple (in Version I, this second line was replaced by the line from the Gospel of Mark).
2130:: "Es ist vollbracht! ..." ("It is accomplished; what comfort for suffering human souls! I can see the end of the night of sorrow. The hero from Judah ends his victorious fight. It is accomplished!"). The central part is essentially a
2124:
In this piece the verbs "ziehen" (to pull) and "schieben" (to push) stimulate Bach's delight in musical illustration. The third aria is a passionate tenor solo that is accompanied by all the instruments, "Ach, mein Sinn" (O my soul).
2048:. Hence, by inserting four missing features, the whole Passion could be performed as if it were part of the liturgy. There would have been no applause, either at the beginning or at the end. The Passion contains quite a few
3073:
343:
The work is most often heard today in the 1739–1749 version (never performed during Bach's lifetime). Bach first performed the oratorio in 1724 and revised it in 1725, 1730, and 1749, adding several numbers.
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At the end, the blessing is given by the priest: "The LORD bless you, and keep you; the LORD make His face shine on you, and be gracious to you; the LORD lift up His countenance on you, and give you peace."
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1996:
chapters 18 and 19. To augment these chapters, which he summarized in the music, Bach used an elaborate body of commentary consisting of hymns, which were often called chorales, and arias. He adhered to
248:
1947:. Neither the aria nor the sinfonia has been preserved. Overall, Bach chose to keep the biblical text, and inserted Lutheran hymn verses so that he could return the work to its liturgical substance.
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several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work, such as that of the
2001:'s translation of the Bible and made no noticeable modifications. Bach proved that the sacred opera as a musical genre did not have to become shallow in liturgical use by remaining loyal to the
1905:
33) and was in 3 measures. From 1725 on, this was replaced by the more familiar 7-measure quote from
Matthew 27: 51–52 (except in the 3rd version, in which this was taken out altogether).
352:", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.
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ecclesiastical authorities. The first of these he simply removed; he composed a new instrumental sinfonia in lieu of the second. He also inserted an aria to replace the still-missing
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today one can sense an older feel to some of the music, and some scholars believe that those portions are the surviving parts of the Weimar
Passion. Unlike the
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In 1749, he reverted more or less to the original of 1724, making only slight changes to the orchestration, most notably replacing the by-then almost obsolete
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in
Leipzig, but due to a last-minute change by the music council, it was to be first performed at St. Nicholas. Bach quickly agreed to the move,
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In present-day performances the part of Jesus is often given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the
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was not Bach's first passion. While he was working as Konzertmeister (1714–1717) in Weimar, Bach possibly wrote a Passion, known as the
2992:
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together, after Jesus' death "Und neiget das Haupt und verschied" and before the aria-chorale "Mein teurer Heiland, lass dich fragen".
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his betrayal and the second portraying the temple veil's ripping during the crucifixion, do not appear in the Gospel of John, but the
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sixteenth notes in the strings. Especially, when they invade the bass, it is full of anguish and therefore it characterizes the
1992:, Bach intended to retain the congregational spirit of the worship service. The text for the body of the work is taken from the
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450:– a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members.
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1961:. Also, Bach's orchestra for this piece would have been very delicate in nature because he called for many gamba strings.
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Paluu kansankielisyyteen ‒ Johannes-passio esitetään Martti Laitisen johdolla ruotsiksi Kokkolassa pitkäperjantaina
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has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".
31:
17:
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Before the beginning of the service, "In the name of the Father, the Son and the Holy Spirit.", announced by the
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2700:"Vi ger åhörarna något de antagligen aldrig tidigare hört" – på långfredagen får musiken dominera i gudstjänsten
389:. The council made the arrangements requested by Bach regarding the harpsichord and space needed for the choir.
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The numbering of the movements is different in different editions. The following table uses the numbers of the
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falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by
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follows exactly the words of that bible. The compiler of the additional poetry is unknown. Models are the
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3202:
3127:
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2070:
2311:"Zwei Bach-Funde in Mügeln. C. P. E. Bach, Picander und die Leipziger Kirchenmusik in den 1730er Jahren"
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but pointed out that the booklet was already printed, that there was no room available and that the
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that were in regular use in worship. The congregation and the audience, however, remained silent.
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using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the
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1973:
1925:
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50:
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269:
63:
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For the words of the aria "Ach, mein Sinn" (#13), Bach used an adaptation of a 1675 poem by
4125:
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3687:
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2387:
The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St John Passion
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singing the prospective theme. The last six bars of the orchestral intro produce a robust
8:
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4108:
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3049:, text (in many languages), details, recordings, reviews, discussions – bach-cantatas.com
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The council agreed and sent a flyer announcing the new location to all the people around
2169:. This accusation is closely connected to a wider controversy regarding the tone of the
489:, and the crowd is not interrupted by reflective elements but a single central chorale.
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1833:
332:
2027:. In the early 1950s musicians were allowed to play church music only in the frame of
1972:
was soon to follow. Fred Wolle, with his Choral Union of 1888 at the Moravian town of
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2013:
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1774:
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of 1724, shortly after Bach's 39th birthday. It was originally planned to be held at
1964:
In the summer of 1815, Bach's Passions began to be studied once again. Parts of the
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485:, and the third finally at the burial site. The dramatic argument between Pilate,
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2090:: Alto enters after these first few bars of Viola da gamba solo. Continuo omitted
1980:
in the Americas. This spurred a revival of Bach's choral music in the New World.
1848:
1778:
462:
273:
261:
59:
3008:
2986:
Johann Sebastian Bach's 'St John Passion' from 1725: A Liturgical Interpretation
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Between the first and second part of the Passion, the priest gives a very short
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4018:
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2954:"Luther, Bach, and the Jews: The Place of Objectionable Texts in the Classroom"
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1993:
1908:
In 1725, Bach replaced the opening and closing choruses and added three arias (
1815:
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412:
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aria. The theme is introduced by the viola da gamba gently accompanied by the
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Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach
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in a full-scale Good Friday service was revived in Kokkola, Finland in 2023.
2003:
1998:
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Die Kriegsknechte aber, da sie Jesum gekreuziget hatten, nahmen seine Kleider
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Johann Sebastian Bach, St John Passion: Genesis, Transmission, and Meaning
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1818:(1633), verse 10 for movement 14, verse 20 for 28, the last verse for 32,
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My heart, in which the whole world in Jesus' suffering likewise suffers
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Wäre dieser nicht ein Übeltäter, wir hätten dir ihn nicht überantwortet.
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1920:, which was later transposed and reused at the end of part one of the
1502:
Lasset uns den nicht zerteilen, sondern darum losen, wes er sein soll.
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If he were not a malefactor, we would not have delivered him to you.
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Then the soldiers, when they had crucified Jesus, took his garments
30:
For other musical settings of the Passion according to St John, see
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Mein Herz, in dem die ganze Welt bei Jesu Leiden gleichfalls leidet
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Bach Perspectives, Volume 8: J. S. Bach and the Oratorio Tradition
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Bach's Latin title is more literally "Passion according to John".
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1916:) from the original version. The opening chorus was replaced by
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Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist
319:
1924:. The closing chorale was replaced by a brilliant setting of "
1255:
Through thy captivity, Son of God, has come to us the freedom
1250:
Durch dein Gefängnis, Gottes Sohn, muß uns die Freiheit kommen
453:
Bach followed chapters 18 and 19 of the Gospel of John in the
4003:
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examines the controversy in detail. He concludes that Bach's
1900:, to which Bach made very few and insignificant changes, the
1507:
Let us not rend it, but cast lots for it, whose it shall be.
486:
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307:
931:
Then led they Jesus from Caiaphas into the hall of judgment
532:
Lord, our Lord, whose glory is magnificent in all the earth
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And from that hour that disciple took her to his own home.
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Now Annas had sent him bound unto Caiaphas the high priest
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Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas
443:, instruments that were already old-fashioned at the time.
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424:
323:
217:
2197:
Lutheranism, Anti-Judaism, and Bach's 'St John's Passion'
1875:(and heard in the recording by Emmanuel Music directed by
1286:
Lässest du diesen los, so bist du des Kaisers Freund nicht
550:
Jesus went forth with his disciples over the brook Cedron
2076:
Audio playback is not supported in your browser. You can
1935:. The three new arias are not known to have been reused.
1909:
1214:
Wir haben ein Gesetz, und nach dem Gesetz soll er sterben
2439:
2287:, 107. Canada: Associated University Presses, Inc. 1981.
1781:(1630), verse 6 for movement 3, verses 7 & 8 for 17,
1628:
Und siehe da, der Vorhang im Tempel zerriß in zwei Stück
2669:
A Deák téri János passió-előadások kulisszatitkaiból I.
2614:
1892:, but it is now lost. Sometimes while listening to the
1687:
The Jews therefore, because it was the preparation day
1232:
Da Pilatus das Wort hörete, fürchtet' er sich noch mehr
3173:
Jesus Christus ist um unsrer Missetat willen verwundet
2848:
Lutheranism, Anti-Judaism, and Bach's St. John Passion
2290:
1309:
When Pilate heard that saying, he brought Jesus forth
1237:
When Pilate heard that saying, he was the more afraid
617:
Jesus antwortete: Ich hab's euch gesagt, daß ich's sei
411:
with soloists, as well as an instrumental ensemble of
2023:
Hungary demonstrates the congregational character of
218:
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2638:
2626:
2474:
2285:
The Music of Johann Sebastian Bach: The Choral Works
1633:
And, behold, the veil of the temple was torn in two
1291:
If you let this man go, you are not Caesar's friend
1124:
Und die Kriegsknechte flochten eine Krone von Dornen
2602:
2260:, 114. Cambridge: Cambridge University Press. 2004.
1304:
Da Pilatus das Wort hörete, führete er Jesum heraus
926:
Da führeten sie Jesum von Kaiphas vor das Richthaus
392:
2803:, intended to be understood even by non-believers.
2590:
2165:The text Bach set to music has been criticized as
2142:setting. Then comes the solo vocal interpretation.
1867:Researchers have discovered that Bach revised his
1376:Da überantwortete er ihn daß er gekreuziget würde.
545:Jesus ging mit seinen Jüngern über den Bach Kidron
473:, and the second in the palace of the high priest
2702:, 7 April 2023, Österbottens Tidning (in Swedish)
1088:Betrachte, meine Seel', mit ängstlichem Vergnügen
743:Ich folge dir gleichfalls mit freudigen Schritten
225:orchestra of woodwinds, strings and basso contiuo
27:1724 musical composition by Johann Sebastian Bach
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1825:(1531), verse 1 for movement 15, verse 8 for 37,
1723:And after this Joseph of Arimathea asked Pilate
4441:Passions and oratorios by Johann Sebastian Bach
2876:Bach's Major Vocal Works. Music, Drama, Liturgy
2427:Architecture and Sources of the St John Passion
2393:, 100–101. University of Illinois Press. 2011.
2237:
2235:
2233:
1381:Then he delivered him to them to be crucified.
761:Derselbige Jünger war dem Hohenpriester bekannt
2505:
2503:
2501:
2055:More recently, the tradition of including the
1556:Und von Stund' an nahm sie der Jünger zu sich.
1219:We have a law, and by our law he ought to die
3373:
3347:List of compositions by Johann Sebastian Bach
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2850:. New York, Oxford: Oxford University Press.
2736:
2721:
2530:
2515:
2464:
2462:
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2458:
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2454:
2007:and the scriptural word. He did not want the
748:I will follow you likewise with joyful steps
676:Thy will be done, Lord God, at the same time
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1003:That the saying of Jesus might be fulfilled
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280:and was first performed on 7 April 1724, at
2920:Johann Sebastian Bach: The Learned Musician
2690:, 7 April 2023, Keskipohjanmaa (in Finnish)
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2562:
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2558:
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1664:Zerfließe, mein Herze, in Fluten der Zähren
1129:And the soldiers plaited a crown of thorns
766:That disciple was known to the high priest
86:
3380:
3366:
3090:Masses, magnificat, passions and oratorios
3081:
3067:
2838:. Ann Arbor, Michigan: UMI Research Press.
2796:; this is the start of a Lutheran liturgy.
2587:, 11. Maryland, The Scarecrow Press. 2002.
2451:
1682:Die Juden aber, dieweil es der Rüsttag war
622:Jesus answered, I have told you that I am
70:
3040:International Music Score Library Project
2971:
2940:. Oxford: Oxford University Press, 2000.
2892:
2745:
2730:
2620:
2547:
2524:
2341:
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2241:
1807:(1647), verses 3 & 4 for movement 11,
2952:McGinnis, Beth; McGinnis, Scott (2017).
2842:
2757:
2553:
2268:
2266:
1839:"Herzlich lieb hab ich dich, o Herr" by
1718:Darnach bat Pilatum Joseph von Arimathia
756:Evangelist, Maid, Peter, Jesus, Servant
671:Dein Will' gescheh', Herr Gott, zugleich
640:O great love, o love beyond all measure
477:. Part Two shows three scenes, one with
2864:
2659:, 10 April 2009, TajKéAp (in Hungarian)
2509:
2492:
2154:O Lord, let your dear little angels ...
1358:Wir haben keinen König denn den Kaiser.
364:was intended for the vesper service on
276:. It was written during his first year
14:
4433:
2898:Choral Masterworks: A Listener's Guide
2873:
2789:These missing features are, in order:
2717:Evangelical-Lutheran Church in Hungary
2308:
2272:
1525:That the scripture might be fulfilled
1016:Ach großer König, groß zu allen Zeiten
278:as director of church music in Leipzig
3648:Jesus and the woman taken in adultery
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2150:Ach Herr, lass dein lieb Engelein ...
1983:
1165:And they smote him with their hands.
1106:Erwäge, wie sein blutgefärbter Rücken
1093:Look, my soul, with anxious pleasure
635:O große Lieb', o Lieb' ohn' alle Maße
2878:. New Haven: Yale University Press.
2869:. New York: Oxford University Press.
2833:
2608:
2596:
2568:
1759:O Lord, let your dear little angels
1610:Mein teurer Heiland, laß dich fragen
1592:Und neiget' das Haupt und verschied.
1111:Consider how his blood-stained back
998:Auf daß erfüllet würde das Wort Jesu
689:Die Schar aber und der Oberhauptmann
431:. For special colors Bach also used
355:
2900:. Oxford: Oxford University Press.
2436:Neuer Basler Kammerchor (in German)
2187:, when they read the gospel during
1821:"Christus, der uns selig macht" by
1754:Ach Herr, lass dein' lieb' Engelein
1669:Melt, my heart, in floods of tears
725:Simon Petrus aber folgete Jesu nach
658:That the saying might be fulfilled
24:
3387:
3030:(video and background information)
3017:(video and background information)
2927:
2411:The Passion of Saint John, BWV 245
2173:'s Gospel of John with regards to
1520:Auf daß erfüllet würde die Schrift
1327:Away, away with him, crucify him!
1021:Oh great king, great at all times
985:We must not put any man to death.
820:Are you not one of his disciples?
815:Bist du nicht seiner Jünger einer?
25:
4457:
3002:
1597:He bowed his head, and departed.
1273:But the Jews cried out, and said
3135:Kyrie–Gloria Masses, BWV 233–236
2019:A modern example originating in
1918:O Mensch, bewein dein Sünde groß
1843:(1571), verse 3 for movement 40.
1836:(1613), verse 3 for movement 26,
1615:My precious Savior, let ask you
1435:Write not, The King of the Jews
1142:Sei gegrüßet, lieber Judenkönig!
393:Musical architecture and sources
348:O Mensch, bewein dein Sünde groß
272:, the earliest of the surviving
32:St John Passion (disambiguation)
4153:Pillar New Testament Commentary
3053:Text and translation to English
2783:
2705:
2693:
2681:
2662:
2650:
2574:
2420:
2404:
2376:
1976:, was the first to perform the
1938:In the 1730s, Bach revised the
1792:(1539), verse 4 for movement 5,
1736:Ruht wohl, ihr heiligen Gebeine
1430:Schreibe nicht: der Juden König
1322:Weg, weg mit dem, kreuzige ihn!
1052:Nicht diesen, sondern Barrabam!
874:Peter, who does not think back
730:And Simon Peter followed Jesus
653:Auf daß das Wort erfüllet würde
3244:Wer ist der, so von Edom kömmt
2774:
2358:
2302:
2277:
2247:
1931:Du wahrer Gott und Davids Sohn
869:Petrus, der nicht denkt zurück
707:Von den Stricken meiner Sünden
694:Then the band and the captain
427:, the latter both doubling on
326:reflecting on the action, and
13:
1:
2223:
2062:
1968:were being rehearsed and the
1777:, was hast du verbrochen" by
1543:He was careful of everything
1394:Eilt, ihr angefochtnen Seelen
1160:Und gaben ihm Backenstreiche.
1075:Now Barabbas was a murderer.
1070:Barrabas aber war ein Mörder.
1039:Pilate therefore said to him
913:Christ, who makes us blessed
908:Christus, der uns selig macht
2309:Wollny, Peter (2018-07-24).
2160:
2073:
1799:O Welt, sieh hier dein Leben
1700:O hilf, Christe, Gottes Sohn
1363:We have no king but Caesar.
1057:Not this man, but Barabbas!
469:. The first scene is in the
7:
3792:The truth will set you free
3249:includes BWV 1088 and
2865:Melamed, Daniel R. (2005).
2806:The congregation prays the
2218:St John Passion discography
2211:
1912:245a-c) while cutting one (
1862:
1705:O help, Christ, Son of God
828:Evangelist, Peter, Servant
407:is written for a four-part
76:First page of the autograph
10:
4462:
4379:Ohrid Glagolitic fragments
2827:
1928:", taken from the cantata
1786:Vater unser im Himmelreich
1538:Er nahm alles wohl in acht
1471:In the bottom of my heart
1227:Evangelist, Pilate, Jesus
1183:Crucify him, crucify him!
1065:Evangelist, Pilate, Jesus
1029:Evangelist, Pilate, Jesus
993:Evangelist, Pilate, Jesus
962:Da sprach Pilatus zu ihnen
779:Wer hat dich so geschlagen
712:From the bonds of my sins
465:and a Johannes-Passion by
396:
29:
4415:American Standard Version
4387:
4216:
4161:
4148:Second Apocalypse of John
4096:
4037:
3946:
3800:
3734:Disciple whom Jesus loved
3716:
3608:
3542:
3410:
3395:
3337:
3262:
3161:
3102:
2922:. New York: W. W. Norton.
1851:, "Der weinende Petrus".
1812:Jesu Leiden, Pein und Tod
1797:
1753:
1735:
1717:
1699:
1681:
1663:
1645:
1627:
1609:
1591:
1573:
1555:
1537:
1519:
1501:
1483:
1465:
1447:
1429:
1417:There they crucified him
1411:
1393:
1375:
1357:
1339:
1321:
1303:
1285:
1267:
1249:
1231:
1213:
1195:
1177:
1159:
1141:
1123:
1105:
1087:
1069:
1051:
1033:
1015:
997:
980:Wir dürfen niemand töten.
979:
967:Then said Pilate to them
961:
943:
925:
907:
894:
891:
888:
885:
868:
850:
832:
814:
796:
778:
760:
742:
724:
706:
688:
670:
652:
634:
616:
598:
580:
562:
544:
526:
513:
510:
507:
504:
467:Christian Heinrich Postel
399:St John Passion structure
346:
300:Barthold Heinrich Brockes
210:
127:
105:
95:
81:
69:
58:
48:
41:
3780:That they all may be one
3028:Netherlands Bach Society
3015:Netherlands Bach Society
2767:
2389:. In Melamed, Daniel R.
2366:"St John Passion – Bach"
2119:: The first part of the
1830:Valet will ich dir geben
1466:In meines Herzens Grunde
1412:Allda kreuzigten sie ihn
1340:Spricht Pilatus zu ihnen
1147:Hail, King of the Jews!
1034:Da sprach Pilatus zu ihm
3623:Bread of Life Discourse
3326:Ascension Oratorio
3272:Christmas Oratorio
2874:Rathey, Markus (2016).
2867:Hearing Bach's Passions
2078:download the audio file
1974:Bethlehem, Pennsylvania
1926:Christe, du Lamm Gottes
1769:He chose the chorales:
1268:Die Juden aber schrieen
1196:Pilatus sprach zu ihnen
302:) and is compiled from
237:Passio secundum Joannem
155:30 March 1725
88:Passio secundum Joannem
4082:Via et veritas et vita
3873:Mary, sister of Martha
3786:Via et veritas et vita
3178:includes BWV 1084
2988:, Colloquium 4 (2007)
2834:Herz, Gerhard (1985).
2327:10.13141/bjb.v20101883
2035:is an almost complete
1741:Rest well, holy bones
581:Jesus spricht zu ihnen
383:
253:
135:7 April 1724
87:
4420:World English Version
3774:Quod scripsi, scripsi
3703:Resurrection of Jesus
3095:Johann Sebastian Bach
3026:: performance by the
3013:: performance by the
2370:www.bachvereniging.nl
1857:Johann Hermann Schein
374:
296:structure of the work
270:Johann Sebastian Bach
4126:Johannine literature
4049:I am (biblical term)
3708:Restoration of Peter
3318:Easter Oratorio
2836:Essays on J. S. Bach
1345:Pilate says to them
1201:Pilate said to them
4173:(J. S. Bach, 1724)
4119:John the Evangelist
4109:Johannine community
4075:Resurrectio et Vita
3838:Joseph of Arimathea
3751:Feast of Dedication
3638:Healing a paralytic
3633:Healing a blind man
3055:– emmanuelmusic.org
2990:Colloquium 4 (2007)
2448:, pp. 293–294.
1443:Evangelist, Pilate
1335:Evangelist, Pilate
1299:Evangelist, Pilate
1191:Evangelist, Pilate
1178:Kreuzige, kreuzige!
1155:Evangelist, Pilate
957:Evangelist, Pilate
921:Evangelist, Pilate
882:
586:Jesus says to them
501:
289:St. Nicholas Church
4410:King James Version
4206:The Gospel of John
4198:The Gospel of John
4143:Apocryphon of John
4064:Gate for the Sheep
4059:Light of the World
3756:"Love one another"
3683:Farewell Discourse
3658:Raising of Lazarus
3643:Healing a sick son
3211:St Matthew Passion
3104:Latin church music
2995:2013-01-31 at the
2973:10.3390/rel8040053
2894:Steinberg, Michael
2432:2011-07-07 at the
2205:St Matthew Passion
2128:the death of Jesus
1988:While writing the
1984:Congregational use
1970:St Matthew Passion
1922:St Matthew Passion
1898:St Matthew Passion
1834:Valerius Herberger
1574:Es ist vollbracht!
1551:Evangelist, Jesus
1515:Evangelist, Jesus
1448:Pilatus antwortet'
880:
648:Evangelist, Jesus
612:Evangelist, Jesus
604:Jesus of Nazareth
599:Jesum von Nazareth
576:Evangelist, Jesus
568:Jesus of Nazareth
563:Jesum von Nazareth
540:Evangelist, Jesus
499:
333:St Matthew Passion
4446:1724 compositions
4428:
4427:
3604:
3603:
3355:
3354:
2844:Marissen, Michael
2581:Hochreither, Karl
2415:Michael Steinberg
2399:978-0-252-03584-5
2383:Dreyfus, Laurence
2088:Es ist vollbracht
2082:
2042:, focused on the
2014:Gospel of Matthew
1873:Neue Bach-Ausgabe
1775:Herzliebster Jesu
1763:
1762:
1399:Hurry, you souls
878:
877:
494:Neue Bach-Ausgabe
356:First performance
312:Passion of Christ
232:
231:
16:(Redirected from
4453:
4405:Wycliffe Version
4138:Textual variants
4114:John the Apostle
3833:John the Baptist
3724:In the beginning
3673:Passion of Jesus
3653:Walking on water
3628:Feeding the 5000
3408:
3407:
3382:
3375:
3368:
3359:
3358:
3185:Weimarer Passion
3097:
3083:
3076:
3069:
3060:
3059:
3038:: Scores at the
2981:
2975:
2923:
2916:Wolff, Christoph
2911:
2889:
2870:
2861:
2839:
2821:
2787:
2781:
2778:
2761:
2755:
2749:
2743:
2734:
2728:
2719:
2709:
2703:
2697:
2691:
2685:
2679:
2666:
2660:
2654:
2648:
2642:
2636:
2630:
2624:
2618:
2612:
2606:
2600:
2594:
2588:
2578:
2572:
2566:
2551:
2545:
2528:
2522:
2513:
2507:
2496:
2490:
2484:
2478:
2472:
2466:
2449:
2443:
2437:
2424:
2418:
2408:
2402:
2380:
2374:
2373:
2362:
2356:
2350:
2339:
2338:
2306:
2300:
2294:
2288:
2281:
2275:
2270:
2261:
2258:The Life of Bach
2251:
2245:
2239:
2193:Michael Marissen
2185:Episcopal Church
2117:commenting arias
1889:Weimarer Passion
1879:, cited below).
1841:Martin Schalling
1802:
1801:
1756:
1755:
1738:
1737:
1720:
1719:
1702:
1701:
1684:
1683:
1666:
1665:
1648:
1647:
1630:
1629:
1612:
1611:
1594:
1593:
1579:It is finished!
1576:
1575:
1558:
1557:
1540:
1539:
1522:
1521:
1504:
1503:
1486:
1485:
1468:
1467:
1453:Pilate answered
1450:
1449:
1432:
1431:
1414:
1413:
1396:
1395:
1378:
1377:
1360:
1359:
1342:
1341:
1324:
1323:
1306:
1305:
1288:
1287:
1270:
1269:
1252:
1251:
1234:
1233:
1216:
1215:
1198:
1197:
1180:
1179:
1162:
1161:
1144:
1143:
1126:
1125:
1108:
1107:
1090:
1089:
1072:
1071:
1054:
1053:
1036:
1035:
1018:
1017:
1000:
999:
982:
981:
964:
963:
946:
945:
928:
927:
910:
909:
883:
879:
871:
870:
853:
852:
835:
834:
833:Er leugnete aber
817:
816:
799:
798:
781:
780:
763:
762:
745:
744:
727:
726:
709:
708:
691:
690:
673:
672:
655:
654:
637:
636:
619:
618:
601:
600:
583:
582:
565:
564:
547:
546:
529:
528:
502:
498:
457:, and the tenor
351:
350:
274:Passions by Bach
254:Johannes-Passion
251:
220:
202:
201:
197:
195:
185:
184:
180:
178:
169:
167:
166:
162:
160:
149:
148:
142:
140:
91:
90:
74:
39:
38:
21:
18:Johannes Passion
4461:
4460:
4456:
4455:
4454:
4452:
4451:
4450:
4431:
4430:
4429:
4424:
4383:
4212:
4170:St John Passion
4157:
4092:
4033:
4024:Solomon's Porch
3942:
3848:Mother of Jesus
3796:
3767:Noli me tangere
3739:Doubting Thomas
3712:
3618:Wedding at Cana
3611:(chronological)
3610:
3600:
3538:
3399:
3391:
3386:
3356:
3351:
3333:
3332:
3258:
3257:
3237:St Mark Passion
3230:St Luke Passion
3192:St John Passion
3157:
3156:
3113:Mass in B minor
3098:
3093:
3087:
3046:St John Passion
3035:St John Passion
3022:St John Passion
3010:St John Passion
3005:
2997:Wayback Machine
2984:Markus Rathey.
2951:
2930:
2928:Further reading
2908:
2886:
2858:
2830:
2825:
2824:
2816:Numbers 6:24–26
2788:
2784:
2779:
2775:
2770:
2765:
2764:
2756:
2752:
2744:
2737:
2729:
2722:
2710:
2706:
2698:
2694:
2686:
2682:
2667:
2663:
2655:
2651:
2643:
2639:
2631:
2627:
2619:
2615:
2607:
2603:
2595:
2591:
2579:
2575:
2567:
2554:
2546:
2531:
2523:
2516:
2508:
2499:
2491:
2487:
2479:
2475:
2467:
2452:
2444:
2440:
2434:Wayback Machine
2425:
2421:
2409:
2405:
2381:
2377:
2364:
2363:
2359:
2351:
2342:
2307:
2303:
2295:
2291:
2282:
2278:
2271:
2264:
2254:Williams, Peter
2252:
2248:
2240:
2231:
2226:
2214:
2201:St John Passion
2163:
2146:closing chorale
2121:St John Passion
2111:St John Passion
2094:
2093:
2092:
2091:
2085:
2084:
2083:
2081:
2065:
2057:St John Passion
2033:St John Passion
2031:. However, the
2025:St John Passion
1990:St John Passion
1986:
1978:St John Passion
1966:St John Passion
1940:St John Passion
1902:St John Passion
1894:St John Passion
1884:St John Passion
1869:St John Passion
1865:
1855:deiner Güt" by
1849:Christian Weise
1779:Johann Heermann
1659:Aria (soprano)
1641:Arioso (tenor)
784:Who hit you so
738:Aria (soprano)
463:Brockes Passion
421:flauti traversi
405:St John Passion
401:
395:
362:St John Passion
358:
338:St John Passion
314:as told in the
247:
243:St John Passion
228:
206:
199:
193:
191:
189:
182:
176:
174:
172:
164:
158:
156:
154:
153:
144:
138:
136:
134:
123:
117:madrigal poetry
85:
77:
54:
43:St John Passion
35:
28:
23:
22:
15:
12:
11:
5:
4459:
4449:
4448:
4443:
4426:
4425:
4423:
4422:
4417:
4412:
4407:
4402:
4397:
4391:
4389:
4385:
4384:
4382:
4381:
4376:
4371:
4366:
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4351:
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4326:
4321:
4316:
4311:
4306:
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4296:
4291:
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4281:
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4226:
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4213:
4211:
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4202:
4194:
4186:
4185:
4184:
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4165:
4163:
4159:
4158:
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4155:
4150:
4145:
4140:
4135:
4134:
4133:
4123:
4122:
4121:
4116:
4111:
4100:
4098:
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4093:
4091:
4090:
4085:
4078:
4071:
4066:
4061:
4056:
4051:
4045:
4043:
4035:
4034:
4032:
4031:
4026:
4021:
4019:Sea of Galilee
4016:
4011:
4006:
4001:
3996:
3991:
3986:
3981:
3976:
3971:
3966:
3961:
3956:
3950:
3948:
3944:
3943:
3941:
3940:
3935:
3930:
3925:
3920:
3915:
3911:
3910:
3905:
3900:
3895:
3893:Pontius Pilate
3890:
3885:
3880:
3875:
3870:
3868:Mary Magdalene
3865:
3860:
3855:
3850:
3845:
3843:Judas Iscariot
3840:
3835:
3830:
3825:
3820:
3815:
3810:
3804:
3802:
3798:
3797:
3795:
3794:
3789:
3782:
3777:
3770:
3763:
3758:
3753:
3748:
3741:
3736:
3731:
3726:
3720:
3718:
3714:
3713:
3711:
3710:
3705:
3700:
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3660:
3655:
3650:
3645:
3640:
3635:
3630:
3625:
3620:
3614:
3612:
3606:
3605:
3602:
3601:
3599:
3598:
3593:
3588:
3583:
3578:
3548:
3546:
3540:
3539:
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3531:
3530:
3529:
3524:
3519:
3514:
3509:
3504:
3499:
3494:
3484:
3483:
3482:
3477:
3472:
3467:
3462:
3457:
3452:
3447:
3442:
3437:
3432:
3422:
3416:
3414:
3405:
3393:
3392:
3389:Gospel of John
3385:
3384:
3377:
3370:
3362:
3353:
3352:
3350:
3349:
3344:
3338:
3335:
3334:
3331:
3330:
3322:
3320:, BWV 249
3314:
3313:
3312:
3307:
3302:
3297:
3292:
3287:
3281:
3274:, BWV 248
3267:
3266:
3264:
3260:
3259:
3256:
3255:
3254:
3253:
3240:
3233:
3226:
3225:
3224:
3219:
3207:
3206:
3205:
3200:
3188:
3181:
3180:
3179:
3168:
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3165:
3159:
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3153:
3152:
3147:
3137:
3132:
3131:
3130:
3125:
3120:
3109:
3108:
3106:
3100:
3099:
3086:
3085:
3078:
3071:
3063:
3057:
3056:
3050:
3042:
3031:
3024:(1725 version)
3018:
3004:
3003:External links
3001:
3000:
2999:
2982:
2949:
2929:
2926:
2925:
2924:
2912:
2906:
2890:
2885:978-0300217209
2884:
2871:
2862:
2856:
2840:
2829:
2826:
2823:
2822:
2820:
2819:
2811:
2804:
2797:
2782:
2772:
2771:
2769:
2766:
2763:
2762:
2750:
2746:Steinberg 2005
2735:
2731:Steinberg 2005
2720:
2704:
2692:
2680:
2678:(in Hungarian)
2674:2012-08-02 at
2661:
2649:
2647:, p. 293.
2637:
2635:, p. 292.
2625:
2621:Steinberg 2005
2613:
2611:, p. 199.
2601:
2589:
2573:
2552:
2548:Steinberg 2005
2529:
2525:Steinberg 2005
2514:
2497:
2485:
2483:, p. 297.
2473:
2450:
2438:
2419:
2413:commentary of
2403:
2375:
2357:
2340:
2301:
2297:Steinberg 2005
2289:
2283:Daw, Stephen.
2276:
2262:
2246:
2242:Steinberg 2005
2228:
2227:
2225:
2222:
2221:
2220:
2213:
2210:
2162:
2159:
2158:
2157:
2143:
2140:basso continuo
2132:viola da gamba
2125:
2114:
2086:
2075:
2072:
2069:
2068:
2067:
2066:
2064:
2061:
1994:Gospel of John
1985:
1982:
1945:Ach, mein Sinn
1914:Ach, mein Sinn
1864:
1861:
1845:
1844:
1837:
1826:
1819:
1816:Paul Stockmann
1808:
1793:
1782:
1761:
1760:
1757:
1750:
1747:
1743:
1742:
1739:
1732:
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1714:
1711:
1707:
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1703:
1696:
1693:
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1688:
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1678:
1675:
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1660:
1657:
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1642:
1639:
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1631:
1624:
1621:
1617:
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1613:
1606:
1603:
1599:
1598:
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1588:
1585:
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1577:
1570:
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1563:
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1534:
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1527:
1526:
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1516:
1513:
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1498:
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1127:
1120:
1117:
1113:
1112:
1109:
1102:
1099:
1095:
1094:
1091:
1084:
1083:Arioso (bass)
1081:
1077:
1076:
1073:
1066:
1063:
1059:
1058:
1055:
1048:
1045:
1041:
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1019:
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1009:
1005:
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994:
991:
987:
986:
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973:
969:
968:
965:
958:
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951:
950:
947:
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933:
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919:
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911:
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901:
897:
896:
893:
890:
887:
876:
875:
872:
865:
862:
858:
857:
854:
851:Ach, mein Sinn
847:
844:
840:
839:
836:
829:
826:
822:
821:
818:
811:
808:
804:
803:
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793:
790:
786:
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782:
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772:
768:
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764:
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739:
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732:
731:
728:
721:
718:
714:
713:
710:
703:
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696:
695:
692:
685:
682:
678:
677:
674:
667:
664:
660:
659:
656:
649:
646:
642:
641:
638:
631:
628:
624:
623:
620:
613:
610:
606:
605:
602:
595:
592:
588:
587:
584:
577:
574:
570:
569:
566:
559:
556:
552:
551:
548:
541:
538:
534:
533:
530:
523:
520:
516:
515:
512:
509:
506:
479:Pontius Pilate
441:viola da gamba
429:oboe da caccia
419:with pairs of
417:basso continuo
397:Main article:
394:
391:
357:
354:
316:Gospel of John
310:narrating the
230:
229:
227:
226:
223:
222:choir and solo
214:
212:
208:
207:
205:
204:
187:
170:
151:
131:
129:
125:
124:
122:
121:
118:
115:
113:John 18–19
109:
107:
103:
102:
97:
93:
92:
83:
79:
78:
75:
67:
66:
56:
55:
49:
46:
45:
26:
9:
6:
4:
3:
2:
4458:
4447:
4444:
4442:
4439:
4438:
4436:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4400:Latin Vulgate
4398:
4396:
4393:
4392:
4390:
4386:
4380:
4377:
4375:
4372:
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4280:
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4124:
4120:
4117:
4115:
4112:
4110:
4107:
4106:
4105:
4102:
4101:
4099:
4095:
4089:
4086:
4084:
4083:
4079:
4077:
4076:
4072:
4070:
4069:Good Shepherd
4067:
4065:
4062:
4060:
4057:
4055:
4054:Bread of Life
4052:
4050:
4047:
4046:
4044:
4041:
4036:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3972:
3970:
3967:
3965:
3962:
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3849:
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3839:
3836:
3834:
3831:
3829:
3826:
3824:
3823:Herod Antipas
3821:
3819:
3816:
3814:
3811:
3809:
3806:
3805:
3803:
3799:
3793:
3790:
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3778:
3776:
3775:
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3757:
3754:
3752:
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3742:
3740:
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3721:
3719:
3715:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3654:
3651:
3649:
3646:
3644:
3641:
3639:
3636:
3634:
3631:
3629:
3626:
3624:
3621:
3619:
3616:
3615:
3613:
3607:
3597:
3594:
3592:
3589:
3587:
3584:
3582:
3579:
3577:
3573:
3569:
3565:
3561:
3557:
3553:
3550:
3549:
3547:
3545:
3541:
3535:
3532:
3528:
3525:
3523:
3520:
3518:
3515:
3513:
3510:
3508:
3505:
3503:
3500:
3498:
3495:
3493:
3490:
3489:
3488:
3487:Book of Glory
3485:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3427:
3426:
3425:Book of Signs
3423:
3421:
3418:
3417:
3415:
3413:
3409:
3406:
3403:
3402:New Testament
3398:
3394:
3390:
3383:
3378:
3376:
3371:
3369:
3364:
3363:
3360:
3348:
3345:
3343:
3340:
3339:
3336:
3329:
3328:, BWV 11
3327:
3323:
3321:
3319:
3315:
3311:
3308:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3282:
3280:
3277:
3276:
3275:
3273:
3269:
3268:
3265:
3261:
3252:
3248:
3247:
3246:
3245:
3241:
3239:
3238:
3234:
3232:
3231:
3227:
3223:
3220:
3218:
3215:
3214:
3213:
3212:
3208:
3204:
3201:
3199:
3196:
3195:
3194:
3193:
3189:
3187:
3186:
3182:
3177:
3176:
3175:
3174:
3170:
3169:
3166:
3164:
3160:
3151:
3148:
3146:
3145:early version
3143:
3142:
3141:
3138:
3136:
3133:
3129:
3126:
3124:
3121:
3119:
3118:early version
3116:
3115:
3114:
3111:
3110:
3107:
3105:
3101:
3096:
3091:
3084:
3079:
3077:
3072:
3070:
3065:
3064:
3061:
3054:
3051:
3048:
3047:
3043:
3041:
3037:
3036:
3032:
3029:
3025:
3023:
3019:
3016:
3012:
3011:
3007:
3006:
2998:
2994:
2991:
2987:
2983:
2979:
2974:
2969:
2965:
2961:
2960:
2955:
2950:
2947:
2946:0-19-816240-5
2943:
2939:
2935:
2932:
2931:
2921:
2917:
2913:
2909:
2907:0-19-802921-7
2903:
2899:
2895:
2891:
2887:
2881:
2877:
2872:
2868:
2863:
2859:
2857:9780195344349
2853:
2849:
2845:
2841:
2837:
2832:
2831:
2817:
2812:
2809:
2805:
2802:
2798:
2795:
2791:
2790:
2786:
2777:
2773:
2759:
2758:Marissen 1998
2754:
2747:
2742:
2740:
2732:
2727:
2725:
2718:
2714:
2708:
2701:
2696:
2689:
2684:
2677:
2676:archive.today
2673:
2670:
2665:
2658:
2653:
2646:
2641:
2634:
2629:
2623:, p. 20.
2622:
2617:
2610:
2605:
2599:, p. 94.
2598:
2593:
2586:
2582:
2577:
2570:
2565:
2563:
2561:
2559:
2557:
2549:
2544:
2542:
2540:
2538:
2536:
2534:
2526:
2521:
2519:
2511:
2506:
2504:
2502:
2494:
2489:
2482:
2477:
2471:, p. 294
2470:
2465:
2463:
2461:
2459:
2457:
2455:
2447:
2442:
2435:
2431:
2428:
2423:
2416:
2412:
2407:
2400:
2396:
2392:
2388:
2384:
2379:
2371:
2367:
2361:
2355:, p. 291
2354:
2349:
2347:
2345:
2336:
2332:
2328:
2324:
2320:
2317:(in German).
2316:
2315:Bach-Jahrbuch
2312:
2305:
2299:, p. 22.
2298:
2293:
2286:
2280:
2274:
2269:
2267:
2259:
2255:
2250:
2243:
2238:
2236:
2234:
2229:
2219:
2216:
2215:
2209:
2206:
2202:
2198:
2194:
2190:
2186:
2182:
2178:
2176:
2172:
2171:New Testament
2168:
2155:
2151:
2147:
2144:
2141:
2137:
2133:
2129:
2126:
2122:
2118:
2115:
2112:
2108:
2104:
2100:
2096:
2095:
2089:
2079:
2060:
2058:
2053:
2051:
2047:
2046:
2041:
2038:
2034:
2030:
2026:
2022:
2017:
2015:
2010:
2006:
2005:
2004:cantus firmus
2000:
1999:Martin Luther
1995:
1991:
1981:
1979:
1975:
1971:
1967:
1962:
1960:
1957:
1953:
1952:viola d'amore
1948:
1946:
1941:
1936:
1934:
1932:
1927:
1923:
1919:
1915:
1911:
1906:
1903:
1899:
1895:
1891:
1890:
1885:
1880:
1878:
1874:
1870:
1860:
1858:
1852:
1850:
1842:
1838:
1835:
1831:
1827:
1824:
1823:Michael Weiße
1820:
1817:
1813:
1809:
1806:
1805:Paul Gerhardt
1800:
1794:
1791:
1790:Martin Luther
1787:
1783:
1780:
1776:
1772:
1771:
1770:
1767:
1758:
1751:
1748:
1745:
1744:
1740:
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1730:
1727:
1726:
1722:
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1704:
1697:
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1690:
1686:
1679:
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1673:
1672:
1668:
1661:
1658:
1655:
1654:
1650:
1643:
1640:
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1636:
1632:
1625:
1622:
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1618:
1614:
1607:
1604:
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1600:
1596:
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1578:
1571:
1568:
1565:
1564:
1560:
1553:
1550:
1547:
1546:
1542:
1535:
1532:
1529:
1528:
1524:
1517:
1514:
1511:
1510:
1506:
1499:
1496:
1493:
1492:
1488:
1481:
1478:
1475:
1474:
1470:
1463:
1460:
1457:
1456:
1452:
1445:
1442:
1439:
1438:
1434:
1427:
1424:
1421:
1420:
1416:
1409:
1406:
1403:
1402:
1398:
1391:
1388:
1385:
1384:
1380:
1373:
1370:
1367:
1366:
1362:
1355:
1352:
1349:
1348:
1344:
1337:
1334:
1331:
1330:
1326:
1319:
1316:
1313:
1312:
1308:
1301:
1298:
1295:
1294:
1290:
1283:
1280:
1277:
1276:
1272:
1265:
1262:
1259:
1258:
1254:
1247:
1244:
1241:
1240:
1236:
1229:
1226:
1223:
1222:
1218:
1211:
1208:
1205:
1204:
1200:
1193:
1190:
1187:
1186:
1182:
1175:
1172:
1169:
1168:
1164:
1157:
1154:
1151:
1150:
1146:
1139:
1136:
1133:
1132:
1128:
1121:
1118:
1115:
1114:
1110:
1103:
1101:Aria (tenor)
1100:
1097:
1096:
1092:
1085:
1082:
1079:
1078:
1074:
1067:
1064:
1061:
1060:
1056:
1049:
1046:
1043:
1042:
1038:
1031:
1028:
1025:
1024:
1020:
1013:
1010:
1007:
1006:
1002:
995:
992:
989:
988:
984:
977:
974:
971:
970:
966:
959:
956:
953:
952:
948:
941:
938:
935:
934:
930:
923:
920:
917:
916:
912:
905:
902:
899:
898:
884:
873:
866:
863:
860:
859:
856:Oh, my sense
855:
848:
846:Aria (tenor)
845:
842:
841:
838:He denied it
837:
830:
827:
824:
823:
819:
812:
809:
806:
805:
801:
794:
791:
788:
787:
783:
776:
773:
770:
769:
765:
758:
755:
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751:
747:
740:
737:
734:
733:
729:
722:
719:
716:
715:
711:
704:
701:
698:
697:
693:
686:
683:
680:
679:
675:
668:
665:
662:
661:
657:
650:
647:
644:
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4204:
4196:
4193:(Pärt, 1982)
4188:
4169:
4168:
4080:
4073:
3999:Jordan River
3989:Jacob's Well
3828:Jesus Christ
3784:
3772:
3765:
3743:
3668:Foot washing
3534:Epilogue: 21
3325:
3317:
3271:
3242:
3235:
3228:
3209:
3191:
3190:
3183:
3171:
3045:
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3021:
3009:
2985:
2976:– via
2963:
2957:
2937:
2919:
2897:
2875:
2866:
2847:
2835:
2808:Pater noster
2785:
2776:
2753:
2748:, p. 26
2733:, p. 23
2707:
2695:
2683:
2664:
2652:
2640:
2628:
2616:
2604:
2592:
2584:
2576:
2571:, p. 58
2550:, p. 21
2527:, p. 25
2512:, p. 75
2510:Melamed 2005
2495:, p. 72
2493:Melamed 2005
2488:
2476:
2441:
2422:
2406:
2390:
2386:
2378:
2369:
2360:
2318:
2314:
2304:
2292:
2284:
2279:
2257:
2249:
2244:, p. 19
2204:
2200:
2196:
2179:
2167:anti-Semitic
2164:
2153:
2149:
2145:
2134:solo and an
2127:
2120:
2116:
2110:
2087:
2056:
2054:
2043:
2032:
2024:
2018:
2008:
2002:
1989:
1987:
1977:
1969:
1965:
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1768:
1764:
1605:Aria (bass)
1569:Aria (alto)
1389:Aria (bass)
702:Aria (alto)
491:
455:Luther Bible
452:
445:
404:
402:
384:
375:
361:
359:
342:
337:
331:
293:
242:
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236:
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233:
42:
36:
4217:Manuscripts
4209:(2014 film)
4201:(2003 film)
4182:Discography
4162:Adaptations
4131:Holy Spirit
3898:Simon Peter
3688:Crucifixion
3678:Last Supper
3279:discography
3222:discography
3203:discography
3150:discography
3128:discography
2934:Alfred Dürr
2321:: 111–131.
2273:Rathey 2016
2189:Good Friday
1877:Craig Smith
1713:Evangelist
1677:Evangelist
1623:Evangelist
1587:Evangelist
1479:Evangelist
1407:Evangelist
1371:Evangelist
1263:Evangelist
1119:Evangelist
792:Evangelist
720:Evangelist
684:Evangelist
378:harpsichord
366:Good Friday
304:recitatives
282:Good Friday
203:(version 4)
186:(version 3)
168:(version 2)
150:(version 1)
100:Good Friday
82:Native name
4435:Categories
4395:Greek Text
4104:Authorship
3933:Samaritans
3761:Jesus wept
3698:Empty tomb
3342:Evangelist
3140:Magnificat
2645:Wolff 2000
2633:Wolff 2000
2481:Wolff 2000
2469:Wolff 2000
2446:Wolff 2000
2353:Wolff 2000
2224:References
2191:services.
2181:Lukas Foss
2063:Highlights
2045:Evangelium
459:Evangelist
448:Evangelist
370:St. Thomas
260:245, is a
194:1739/1749?
190:1739/1749?
159:1725-03-30
139:1724-04-07
64:J. S. Bach
4224:Papyrus 2
4177:Structure
4088:True Vine
4042:" sayings
3994:Jerusalem
3979:Capernaum
3969:Bethsaida
3959:Bethabara
3938:Sanhedrin
3928:Sadducees
3923:Pharisees
3883:Nicodemus
3878:Nathanael
3745:Ecce homo
3663:Anointing
3263:Oratorios
3217:structure
3198:structure
3123:structure
2966:(4): 53.
2959:Religions
2713:the score
2609:Herz 1985
2597:Herz 1985
2335:0084-7682
2161:Criticism
2103:crescendo
2021:Communist
881:Part Two
500:Part One
481:, one at
381:repaired.
249:‹See Tfd›
128:Performed
3818:Caiaphas
3552:John 1:1
3412:Chapters
3163:Passions
2993:Archived
2918:(2000).
2896:(2005).
2846:(1998).
2672:Archived
2569:Herz1985
2430:Archived
2212:See also
2050:chorales
2037:Lutheran
1933:, BWV 23
1863:Versions
1749:Chorale
1695:Chorale
1533:Chorale
1461:Chorale
1245:Chorale
1011:Chorale
903:Chorale
895:English
864:Chorale
774:Chorale
666:Chorale
630:Chorale
514:English
483:Golgatha
328:chorales
308:choruses
266:oratorio
252:German:
181:/1730?:
120:chorales
96:Occasion
4388:Sources
4097:Related
4014:Samaria
3984:Galilee
3964:Bethany
3908:Zebedee
3858:Malchus
3853:Lazarus
3717:Phrases
3596:20:1–31
3283:Parts:
2828:Sources
2715:of the
2657:BWV 245
2175:Judaism
2107:roiling
2040:liturgy
2029:liturgy
2009:Passion
1959:violins
892:German
889:Voices
511:German
508:Voices
496:(NBA).
475:Kaiphas
413:strings
387:Leipzig
320:ariosos
287:at the
285:Vespers
262:Passion
211:Scoring
200:Leipzig
192: (
183:Leipzig
175: (
165:Leipzig
157: (
146:Leipzig
137: (
60:Passion
4190:Passio
4029:Sychar
4009:Kidron
3947:Places
3918:Angels
3914:Groups
3903:Thomas
3888:Philip
3863:Martha
3808:Andrew
3801:People
3693:Burial
3609:Events
3544:Verses
3420:John 1
2944:
2904:
2882:
2854:
2801:sermon
2794:priest
2417:(2004)
2397:
2333:
2099:legato
336:, the
4004:Judea
3813:Annas
3729:Logos
3591:18:38
3397:Bible
2768:Notes
1956:muted
1954:with
1832:" by
1814:" by
1803:" by
1788:" by
1731:Coro
1497:Coro
1425:Coro
1353:Coro
1317:Coro
1281:Coro
1209:Coro
1173:Coro
1137:Coro
1047:Coro
975:Coro
939:Coro
810:Coro
594:Coro
558:Coro
522:Coro
487:Jesus
425:oboes
409:choir
324:arias
4040:I AM
3974:Cana
3954:Ænon
3586:14:6
3581:3:16
3251:1149
2978:MDPI
2942:ISBN
2902:ISBN
2880:ISBN
2852:ISBN
2711:see
2395:ISBN
2331:ISSN
2203:and
2136:alto
1882:The
1512:27c
1494:27b
1476:27a
1440:25c
1422:25b
1404:25a
1368:23g
1350:23f
1332:23e
1314:23d
1296:23c
1278:23b
1260:23a
1224:21g
1206:21f
1188:21e
1170:21d
1152:21c
1134:21b
1116:21a
1062:18c
1044:18b
1026:18a
990:16e
972:16d
954:16c
936:16b
918:16a
886:NBA
825:12c
807:12b
789:12a
505:NBA
439:and
433:lute
423:and
415:and
403:The
360:The
322:and
306:and
294:The
234:The
219:SATB
177:1728
173:1728
106:Text
4374:128
4369:122
4364:121
4359:120
4354:119
4349:109
4344:108
4339:107
4334:106
3295:III
3092:by
2968:doi
2323:doi
2195:'s
1910:BWV
1746:40
1728:39
1710:38
1692:37
1674:36
1656:35
1638:34
1620:33
1602:32
1584:31
1566:30
1548:29
1530:28
1458:26
1386:24
1242:22
1098:20
1080:19
1008:17
900:15
861:14
843:13
771:11
753:10
609:2e
591:2d
573:2c
555:2b
537:2a
268:by
264:or
258:BWV
256:),
240:or
62:by
53:245
51:BWV
4437::
4329:95
4324:93
4319:90
4314:84
4309:80
4304:76
4299:75
4294:66
4289:63
4284:60
4279:59
4274:55
4269:52
4264:45
4259:44
4254:39
4249:36
4244:28
4239:22
3576:42
3572:35
3570:;
3568:33
3564:25
3562:;
3560:23
3558:;
3556:20
3527:20
3522:19
3517:18
3512:17
3507:16
3502:15
3497:14
3492:13
3480:12
3475:11
3470:10
3310:VI
3300:IV
3290:II
2962:.
2956:.
2936:.
2818:).
2738:^
2723:^
2583:.
2555:^
2532:^
2517:^
2500:^
2453:^
2385:.
2368:.
2343:^
2329:.
2319:96
2313:.
2265:^
2256:.
2232:^
2177:.
2148::
2016:.
735:9
717:8
699:7
681:6
663:5
645:4
627:3
519:1
435:,
318:,
291:.
198::
163::
143::
4234:6
4229:5
4038:"
3574:–
3566:–
3554:–
3465:9
3460:8
3455:7
3450:6
3445:5
3440:4
3435:3
3430:2
3404:)
3400:(
3381:e
3374:t
3367:v
3305:V
3285:I
3082:e
3075:t
3068:v
2980:.
2970::
2964:8
2948:.
2910:.
2888:.
2860:.
2814:(
2760:.
2401:.
2372:.
2337:.
2325::
2152:(
2113:.
2080:.
1828:"
1810:"
1795:"
1784:"
1773:"
344:"
246:(
196:)
179:)
161:)
141:)
34:.
20:)
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