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employed three languages in a memorandum—"Monsieur
Fischer, ein Engelländer und virtuoso di Violino"—which probably refers to the stranger's performance at a concert of the society. Fisher won favour also at court, and became as widely known for his eccentricities as for his ingenious performances.
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As an executant Fisher pleased by his skill and fiery energy. In his youth he appears to have revelled in his command of the instrument, and in his mature years he offended the critics by a showiness that bordered on charlatanism. Among Fisher's compositions, his
108:, daughter of a proprietor. He devoted his musical talent and business energy to the theatre. When his wife died Fisher sold his share in the theatre, and made a professional tour on the continent, visiting France, Germany, and Russia, and reaching
219:, 'Prometheus', 'Macbeth', and lastly 'Zobeide', point to a more serious vein, though belonging equally to Fisher's theatrical period, about 1770–80; but the well-written anthem, 'Seek ye the Lord', sung at Bedford Chapel and
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two days previously. The work was afterwards heard several times in London; but Fisher's name as a composer is more closely connected with theatrical than with sacred music.
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and at the theatres; the manuscript of a seventh symphony is held at the
British Library. Recordings of the six symphonies were issued by Naxos in 2021.
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133:) ordered Fisher to quit his dominion. Leaving his young wife he sought refuge in Ireland. The cordiality with which his old friend
125:, but when the virtuoso bullied and even struck his bride, the scandal soon became public, and a separation followed. Fisher visited
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89:, 26 June 1777. His indefatigable industry obtained him the degrees of Bac. and Doc. Mus. on 5 July 1777, his oratorio
81:(1763), where he played a concerto, was "by permission" of his patron. The following year Fisher was enrolled in the
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It was not long before he drew odium upon himself through his marriage with, and subsequent ill-treatment of,
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279: This article incorporates text from a publication now in the
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These references are found in the DNB article referred to above.
57:(1744 – May or June 1806) was an English violinist and composer.
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299:. Vol. 19. London: Smith, Elder & Co. pp. 66–67.
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A Comparative View of the
English, French, and Italian Schools
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in 1744, the son of
Richard Fisher. He was brought up in
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that week who supported Fisher's case. The emperor (
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were useful to amateurs of the time ; while his
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242:Biography, Artaria Editions
195:The pantomime, with music,
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285:Middleton, L.M. (1889). "
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87:Magdalen College, Oxford
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184:deserve mention. The
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287:Fisher, John Abraham
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198:Master of the Woods
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55:John Abraham Fisher
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