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338:, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present.
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In 1855, after her marriage to Ruskin was annulled, Effie and John
Millais married. He and Effie eventually had eight children: Everett, born in 1856; George, born in 1857; Effie, born in 1858; Mary, born in 1860; Alice, born in 1862; Geoffroy, born in 1863; John in 1865; and Sophie in 1868. Their
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in 1996, and by them in turn to the Tate. In 2000, under
Stephen Deuchar's directorship, the statue was removed to the side of the building to welcome visitors to the refurbished Manton Road entrance. In 2007, the artist was the subject of a major retrospective at Tate Britain, London visited by
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In 1870 Millais returned to full landscape pictures, and over the next twenty years painted a number of scenes of
Perthshire where he was annually found hunting and fishing from August until late into the autumn each year. Most of these landscapes are autumnal or early winter in season and show
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His mother's "forceful personality" was the most powerful influence on his early life. She had a keen interest in art and music, and encouraged her son's artistic bent, promoting the relocating of the family to London to help develop contacts at the Royal
Academy of Art. He later said "I owe
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314:. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting
447:(1851–52), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world.
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After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as "a catastrophe". It has been argued that this change of style resulted from
Millais's need to increase his output to support his growing family. Unsympathetic critics such as
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of the Ruskin marriage and Effie's subsequent marriage to
Millais have sometimes been linked to his change of style, but she became a powerful promoter of his work and they worked in concert to secure commissions and expand their social and intellectual circles.
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By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making
Millais one of the wealthiest artists of his day, but some former admirers including
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clearly show an ongoing dialogue between the artist and
Whistler, whose work Millais strongly supported. Other paintings of the late 1850s and 1860s can be interpreted as anticipating aspects of the
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saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of
713:(1871). Such paintings indicate Millais's interest in subjects connected to Britain's history and expanding empire. Millais also achieved great popularity with his paintings of children, notably
494:. As Millais painted Effie, they fell in love. Despite having been married to Ruskin for several years, Effie was still a virgin. Her parents realised something was wrong and she filed for an
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456:(1851–52) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system".
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858:. As a young man, Millais frequently went on sketching expeditions to Keston and Hayes. While there he painted a sign for an inn where he used to stay, near to Hayes church (cited in
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686:. Many deploy broad blocks of harmoniously arranged colour and are symbolic rather than narratival. From 1862, the Millais family lived at 7 Cromwell Place, Kensington, London.
666:. Millais himself argued that as he grew more confident as an artist, he could paint with greater boldness. In his article "Thoughts on our Art of Today" (1888), he recommended
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151,000 people. The exhibition then traveled to the Van Gogh Museum, Amsterdam, followed by venues in
Fukuoka and Tokyo, Japan, and seen by over 660,000 visitors in total.
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320:(1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group,
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731:. His last project (1896) was to be a painting entitled "The Last Trek". Based on his illustration for his son's book, it depicted a hunter lying dead in the
974:, was installed at the front of the National Gallery of British Art (now Tate Britain) in the garden on the east side in 1905. On 23 November that year, the
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in 1853; a decade later in 1863, he was elected as a full member of the
Academy, in which he was a prominent and active participant.
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labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with
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accused him of "selling out" to achieve popularity and wealth. His admirers, in contrast, pointed to the artist's connections with
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called it "a breezy statue, representing the man in the characteristic attitude in which we all knew him". In 1953, Tate director
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sat for several pictures by Millais, prompting some speculation about the nature of their apparently fond relationship.
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once asked him "when England conquered Jersey". Millais replied "Never! Jersey conquered England." The family moved to
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Millais's relationship with Ruskin and Effie has been the subject of several dramas, beginning with the silent film
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His many landscape paintings of this period usually depict difficult or dangerous terrain. The first of these,
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bleak, dank, water-fringed bog or moor, loch, and riverside. Millais never returned to "blade by blade"
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777:(Tate Britain), though with little or no direct symbolism or human activity to point to their meaning.
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in 1896, Millais was elected President of the Royal Academy. He died later in the same year from
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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and Velázquez. Many of these paintings were on an historical theme. Notable among these are
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Additionally, between 1881 and 1882, Millais was elected and acted as the president of the
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970:) chaired a memorial committee which commissioned a statue of the artist. The statue, by
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437:(1849–50) was highly controversial because of its realistic portrayal of a working class
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Millais's personal life has also played a significant role in his reputation. His wife
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from 1912. There have also been stage and radio plays and an opera. The 2014 film
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1376:. The three female artists models on the right were the sisters Lily Pettigrew ;
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Millais was also very successful as a book illustrator, notably for the works of
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Reynolds, Matthew (24 October 2007). "Millais's high drama and low designs".
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Letters from John Everett Millais, Bart P.R.A. and William Holman Hunt. O.M.
719:(1886) – famous, or perhaps notorious, for being used in the advertising of
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Later works, from the 1870s onwards demonstrate Millais's reverence for
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includes almost 200 paintings on canvas and works on paper by Millais
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Birmingham Museums & Art Gallery's Pre-Raphaelite Online Resource
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Grosvenor 1886 Exhibition of the works of John Everett Millais, Bt
812:, where Millais rented grand houses each autumn to hunt and fish.
30:"John Millais" redirects here. For the artist and naturalist, see
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of Jesus were published in 1864. His father-in-law commissioned
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1820:"BBC Drama Production presents Desperate Romantics for BBC Two"
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is a painting that Millais painted in 1850–51 based on the play
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as Millais. The Pre-Raphaelites have been the subjects of two
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at the still unprecedented age of eleven. While there, he met
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Cartoon portraits and biographical sketches of men of the day
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415:(known as the "PRB") in September 1847 in his family home on
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Beyond Decoration: the Illustrations of John Everett Millais
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1961:
Time Present and Time Past: The Art of John Everett Millais
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John Everett Millais beyond the Pre Raphaelite Brotherhood
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Kennedy, Michael (1984). Liner notes to EMI CD CD-EMX-2058
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National Museums Liverpool important Millais collection
852:. He also provided illustrations for magazines such as
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Millais and Dunkeld The story of Millais's Landscapes
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Millais: three generations in nature, art & sport
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905:, making him the first artist to be honoured with a
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In 1840, his artistic talent won him a place at the
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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Artists and Writers in Revolt – The Pre-Raphaelites
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Aberdeen Archives, Gallery & Museums Collection
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Aberdeen Archives, Gallery & Museums Collection
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Aberdeen Archives, Gallery & Museums Collection
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Aberdeen Archives, Gallery & Museums Collection
674:as models for artists to follow. Paintings such as
488:Soon after they met, she modelled for his painting
310:and illustrator who was one of the founders of the
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2015:
870:Millais was elected as an associate member of the
34:. For the 19th-century French painter Millet, see
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1984:
994:. Ownership was transferred from the Ministry to
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3493:Baronets in the Baronetage of the United Kingdom
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1409:The Two Princes Edward and Richard in the Tower
699:The Two Princes Edward and Richard in the Tower
3573:Recipients of the Pour le Mérite (civil class)
1748:p. 469: London; Chapman & Hall, Ltd; 1909.
602:, was a close friend and muse of the composer
392:in Brittany for a few years in his childhood.
349:, who had supported Millais's early work. The
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2508:A Dream of the Past: Sir Isumbras at the Ford
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2192:153 artworks by or after John Everett Millais
1551:(18th ed.). Cambridge University Press.
2088:The Life and Letters of John Everett Millais
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27:British painter and illustrator (1829–1896)
2871:Louisa Beresford, Marchioness of Waterford
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1985:Campbell-Johnston, R (25 September 2007).
1926:Anonymous (1873). "John Everett Millais".
735:, his body contemplated by two onlookers.
69:
1925:
1484:List of paintings by John Everett Millais
3150:The Finding of the Saviour in the Temple
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1936:. London: Tinsley Brothers. pp. 8–9
1795:, February 2002. Retrieved 5 April 2008.
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1623:Parallel Lives: Five Victorian Marriages
1548:Cambridge English Pronouncing Dictionary
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1231:Parable - The Pharisee and the Publican
912:
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306:; 8 June 1829 – 13 August 1896) was an
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1806:"Millais – Exhibition at Tate Britain"
477:This style was promoted by the critic
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1598:cited in Chums annual, 1896, page 213
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582:Photo assemblage of Millais's family
219:Sir John Everett Millais, 1st Baronet
3047:Our English Coasts ('Strayed Sheep')
2436:A Huguenot, on St. Bartholomew's Day
2152:The Drawings of John Everett Millais
2013:
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1395:(1873), Perth Museum and Art Gallery
1997:. London: The Times. Archived from
1968:Footnotes to the Millais Exhibition
1956:(London, G. Bell & Sons, 1908).
1822:(Press release). BBC. 7 August 2008
1744:"Memorials of St Paul's Cathedral"
1571:
934:Royal Birmingham Society of Artists
885:, of Palace Gate, in the parish of
836:. His complex illustrations of the
380:, England, in 1829, of a prominent
345:was formerly married to the critic
24:
3563:Royal Society of Portrait Painters
3012:Christ in the House of His Parents
2404:Christ in the House of His Parents
2248:Christ in the House of His Parents
2022:. New York: Ticknor & Fields.
1981:and Royal Academy catalogue 1967).
1882:Christ in the House of His Parents
1837:
1454:National Portrait Gallery (London)
1434:National Portrait Gallery (London)
1088:A Huguenot on St Bartholomew's Day
434:Christ in the House of His Parents
317:Christ in the House of His Parents
164:Christ in the House of His Parents
25:
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3588:19th-century English male artists
3211:King Cophetua and the Beggar Maid
2428:The Return of the Dove to the Ark
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1974:(Liverpool Bulletin, No 12 1967).
982:attempted to have it replaced by
563:The Return of the Dove to the Ark
470:and the poem of the same name by
3513:English people of Norman descent
2308:Baronetage of the United Kingdom
2138:Notes on Millais Exhibition R.A.
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1588:. London: Smith, Elder & Co.
1584:Dictionary of National Biography
1507:Longman Pronunciation Dictionary
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925:. He was buried in the crypt of
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1673:John Everett Millais 1829–1896,
1611:, Sportsman's Press, 1988, p.10
962:When Millais died in 1896, the
195:
75:Self-portrait by Millais, 1881.
3533:Burials at St Paul's Cathedral
3191:Pygmalion and the Image series
2290:President of the Royal Academy
2147:(Notes from a catalogue, 1886)
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1033:, was shown in 1975, starring
866:Academic career and baronetage
620:
549:(1851–52) Tate Britain, London
532:(1852–53) Tate Britain, London
13:
1:
3543:Deaths from cancer in England
3498:19th-century English painters
3061:Paolo and Francesca da Rimini
2460:The Proscribed Royalist, 1651
2080:(London and New Haven, 2001).
2053:Private Libraries Association
1734:. 14 July 1885. p. 3239.
1677:. Tate.org.uk. Archived from
1578:"Millais, John Everett"
1213:Parable - The Hidden Treasure
583:
367:
357:
3538:Deaths from laryngeal cancer
2941:John Roddam Spencer Stanhope
2866:Robert Braithwaite Martineau
2325:(of Palace Gate and St Ouen)
1782:"Sir Thomas Brock 1847–1922"
1130:National Gallery of Victoria
1047:. It was first broadcast on
7:
3583:Pre-Raphaelite illustrators
2162:Williamson, Audrey (1976).
1977:Bennett, Mary (catalogue) (
1895:Sir John Everett Millais's
1880:Sir John Everett Millais's
1477:
1149:(1858) Tate Britain, London
1037:as Millais. The second was
747:Millais later in his career
634:(1878) Tate Britain, London
589:. Names in full size image.
10:
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2956:Algernon Charles Swinburne
2700:Pre-Raphaelite Brotherhood
2626:Pre-Raphaelite Brotherhood
2452:The Order of Release, 1746
1989:Master of Victorian values
1310:(1870), private collection
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645:(1879), Private Collection
413:Pre-Raphaelite Brotherhood
396:everything to my mother."
312:Pre-Raphaelite Brotherhood
175:Pre-Raphaelite Brotherhood
29:
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3268:The Roses of Heliogabalus
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2891:Valentine Cameron Prinsep
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2124:Phaidon Press Ltd., 2012.
2102:National Portrait Gallery
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1844:
1509:(3rd ed.). Longman.
1393:Portrait of Effie Millais
1293:Liverpool Museums Service
1274:(1865) Private Collection
1055:portrayed Millais in the
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568:Ashmolean Museum, Oxford
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3548:Artists' Rifles officers
3518:Artists from Southampton
3253:The Legend of Briar Rose
3082:The Awakening Conscience
2739:Frederic George Stephens
2734:William Michael Rossetti
2412:Ferdinand Lured by Ariel
2098:(London: Methuen, 1899).
1953:Sir John Everett Millais
411:with whom he formed the
3523:Pre-Raphaelite painters
3438:Rossetti and His Circle
3379:Marie Spartali Stillman
2966:John William Waterhouse
2951:John Melhuish Strudwick
2946:Marie Spartali Stillman
2816:Charles Allston Collins
2226:in focus on Tate Online
2202:Millais, John Everett.
2060:Millais and the Ruskins
2018:Pre-Raphaelites in love
1051:Tuesday, 21 July 2009.
1004:The Love of John Ruskin
613:Effie's younger sister
3040:The Light of the World
2976:William Lindsay Windus
2724:Dante Gabriel Rossetti
2572:The North-West Passage
2548:The Boyhood of Raleigh
2264:25 August 2019 at the
2238:Tate Shots: Millais's
2231:24 August 2017 at the
2210:Lady Lever Art Gallery
1655:Suzanne Fagence Cooper
1621:Rose, Phyllis (1984).
1416:Royal Holloway College
1250:The Eve of Saint Agnes
1103:Mrs Coventry Patmore (
1027:. The first, entitled
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846:Kinnoull Parish Church
792:
771:Manchester Art Gallery
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646:
635:
631:The North-West Passage
600:Charles Stuart-Worsley
590:
409:Dante Gabriel Rossetti
373:
3568:British child artists
3503:English male painters
3185:A Vision of Fiammetta
3089:The Hireling Shepherd
2801:Georgiana Burne-Jones
2524:The Black Brunswicker
2122:John Everett Millais.
2107:Rosenfeld, Jason and
2076:Mancoff, D. N. (ed).
2051:. Pinner, Middlesex:
1675:Tate Gallery, London"
1180:The Black Brunswicker
1105:Emily Augusta Patmore
947:
872:Royal Academy of Arts
842:stained-glass windows
787:by J. P. Mayall from
783:
757:(1870, Collection of
746:
707:The Northwest Passage
701:(1878) depicting the
641:
628:
581:
472:Alfred, Lord Tennyson
450:In paintings such as
401:Royal Academy Schools
365:
3508:English illustrators
3303:Hylas and the Nymphs
2856:Edward Robert Hughes
2821:Frank Cadogan Cowper
2766:Lawrence Alma-Tadema
2719:John Everett Millais
2372:John Everett Millais
2084:Millais, John Guille
1700:John Everett Millais
1625:. . pp. 76–85.
1490:Notes and references
1356:The Martyr of Solway
1195:Parable - The Leaven
949:John Everett Millais
913:Last years and death
785:John Everett Millais
739:Landscapes 1870–1892
703:Princes in the Tower
676:The Eve of St. Agnes
529:The Order of Release
491:The Order of Release
427:Pre-Raphaelite works
376:Millais was born in
134:Royal Academy of Art
52:John Everett Millais
36:Jean-François Millet
3462:Desperate Romantics
3324:The Lady of Shalott
3260:The Lady of Shalott
3204:Cymon and Iphigenia
3171:The Shadow of Death
3123:Oxford Union murals
3068:The Last of England
3026:Ecce Ancilla Domini
2971:William James Webbe
2714:William Holman Hunt
2648:Desperate Romantics
2620:John Guille Millais
2136:Spielmann, Marion.
1787:16 May 2011 at the
1780:Birchall, Heather.
1712:"Image Collections"
1430:Louise Jane Jopling
1414:Picture Gallery of
1380:and Rose Pettigrew
1040:Desperate Romantics
927:St Paul's Cathedral
917:After the death of
901:, in the Island of
893:, in the county of
862:, 1896, page 213).
759:Andrew Lloyd Webber
664:John Singer Sargent
662:, and influence on
596:John Guille Millais
468:William Shakespeare
463:Measure for Measure
405:William Holman Hunt
211:John Guille Millais
143:Painting, drawing,
32:John Guille Millais
3528:Royal Academicians
3232:Dante and Beatrice
2896:Christina Rossetti
2836:Henry Treffry Dunn
2796:Edward Burne-Jones
2771:George Price Boyce
2588:The Ruling Passion
2300:Sir Edward Poynter
2120:Rosenfeld, Jason.
2040:Eggeling, Dr Joe.
1979:Walker Art Gallery
1972:Walker Art Gallery
1731:The London Gazette
1472:Private Collection
1360:Walker Art Gallery
1109:Fitzwilliam Museum
960:
844:based on them for
798:landscape painting
793:
761:), was painted in
749:
711:Boyhood of Raleigh
684:Aesthetic Movement
647:
636:
591:
374:
366:Photo of Millais,
3480:
3479:
3225:The Golden Stairs
2886:Joseph Noel Paton
2861:Frederic Leighton
2666:
2665:
2651:(2009 miniseries)
2635:(1975 miniseries)
2381:List of paintings
2339:
2338:
2332:Succeeded by
2297:Succeeded by
2283:The Lord Leighton
2275:Cultural offices
2177:978-0-7153-7262-3
2158:catalogue, 1979).
2150:Warner, Malcolm.
2117:catalogue, 2007).
1932:. Illustrated by
1922:
1921:
1607:J. N. P. Watson,
1558:978-0-521-15255-6
1516:978-1-4058-8118-0
1449:John Henry Newman
1338:The Knight Errant
1061:Elizabeth Macneal
992:Ministry of Works
976:Pall Mall Gazette
966:(later to become
832:and the poems of
216:
215:
16:(Redirected from
3595:
3432:Morris & Co.
3349:Elizabeth Siddal
3246:The Magic Circle
3239:Love's Messenger
2996:
2921:Elizabeth Siddal
2911:Frederick Sandys
2826:Evelyn De Morgan
2791:Richard Burchett
2786:Lucy Madox Brown
2781:Ford Madox Brown
2693:
2686:
2679:
2670:
2669:
2516:The Vale of Rest
2365:
2358:
2351:
2342:
2341:
2280:Preceded by
2272:
2271:
2213:
2181:
2169:
2133:
2104:catalogue, 1999.
2037:
2021:
2014:Daly, G (1989).
2010:
2008:
2006:
1945:
1943:
1941:
1934:Waddy, Frederick
1912:The Vale of Rest
1908:
1907:
1893:
1892:
1878:
1877:
1863:
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1854:
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1697:
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1690:
1688:
1686:
1681:on 6 August 2017
1667:
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1599:
1596:
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1589:
1586:(1st supplement)
1580:
1569:
1563:
1562:
1527:
1521:
1520:
1499:
1464:
1444:
1426:
1404:
1389:
1374:An Idyll of 1745
1370:
1352:
1334:
1319:
1302:
1283:
1266:
1256:Royal Collection
1245:
1227:
1209:
1191:
1176:
1158:
1146:The Vale of Rest
1141:
1119:
1100:
1083:
1066:The Doll Factory
996:English Heritage
988:John the Baptist
907:hereditary title
830:Anthony Trollope
775:The Vale of Rest
680:The Somnambulist
588:
585:
558:
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3598:
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3593:
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3483:
3482:
3481:
3476:
3454:The Love School
3446:Dante's Inferno
3408:
3354:Fanny Cornforth
3337:
3317:The Love Potion
2997:
2994:
2992:
2991:
2989:
2987:
2980:
2931:Rebecca Solomon
2881:Alexander Munro
2831:Walter Deverell
2759:
2757:
2755:
2748:
2729:James Collinson
2705:
2697:
2667:
2662:
2632:The Love School
2602:
2564:Victory O Lord!
2500:Peace Concluded
2383:
2374:
2369:
2335:
2334:Everett Millais
2328:
2323:
2302:
2293:
2285:
2266:Wayback Machine
2233:Wayback Machine
2188:
2178:
2143:F.G. Stephens.
2071:Walpole Society
2047:Goldman, Paul.
2030:
2004:
2002:
2001:on 2 April 2008
1966:Bennett, Mary.
1963:, Ashgate 2005.
1939:
1937:
1905:
1890:
1875:
1860:
1845:External videos
1840:
1838:Further reading
1835:
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1799:
1789:Wayback Machine
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1075:
1053:Laurie Kynaston
1030:The Love School
968:King Edward VII
964:Prince of Wales
942:
915:
868:
826:
789:Artists at Home
741:
709:(1874) and the
695:Joshua Reynolds
623:
608:Violin Concerto
586:
576:
569:
567:
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308:English painter
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2898:
2893:
2888:
2883:
2878:
2876:William Morris
2873:
2868:
2863:
2858:
2853:
2848:
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2828:
2823:
2818:
2813:
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2806:James Campbell
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2783:
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2744:Thomas Woolner
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2580:Thomas Carlyle
2576:
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2492:The Blind Girl
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2256:
2255:– Khan Academy
2246:smARThistory:
2243:
2235:
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2199:
2187:
2186:External links
2184:
2183:
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2159:
2148:
2141:
2134:
2125:
2118:
2105:
2099:
2081:
2074:
2063:
2058:Lutyens (ed).
2056:
2045:
2038:
2034:OCLC: 18463706
2028:
2011:
1982:
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1760:The Year's Art
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1703:
1692:
1662:
1659:The Model Wife
1647:
1638:
1631:
1613:
1600:
1591:
1575:, ed. (1901).
1564:
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1503:Wells, John C.
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1071:
1059:adaptation of
1045:Samuel Barnett
941:
938:
914:
911:
881:created him a
879:Queen Victoria
877:In July 1885,
867:
864:
825:
822:
818:Murthly Castle
740:
737:
652:William Morris
622:
619:
594:youngest son,
575:
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332:William Morris
326:, in 1851–52.
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140:Known for
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114:(aged 67)
110:13 August 1896
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2484:Autumn Leaves
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2046:
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2039:
2035:
2031:
2029:0-89919-450-8
2025:
2020:
2019:
2012:
2000:
1996:
1992:
1990:
1983:
1980:
1976:
1973:
1969:
1965:
1962:
1959:Barlow, Paul
1958:
1955:
1954:
1950:
1949:Baldry, A. L.
1947:
1935:
1931:
1930:
1924:
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1918:
1914:
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1632:0-394-52432-2
1628:
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1540:
1536:
1532:
1531:Jones, Daniel
1526:
1518:
1512:
1508:
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1498:
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1469:
1468:The Grey Lady
1463:
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1307:Chill October
1301:
1296:
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1054:
1050:
1046:
1042:
1041:
1036:
1032:
1031:
1026:
1025:period dramas
1023:
1019:
1018:Tom Sturridge
1015:
1014:Emma Thompson
1012:, written by
1011:
1010:
1005:
1000:
997:
993:
989:
985:
984:Auguste Rodin
981:
977:
973:
969:
965:
958:
954:
950:
946:
937:
935:
930:
928:
924:
923:throat cancer
920:
919:Lord Leighton
910:
908:
904:
900:
896:
892:
888:
887:St Mary Abbot
884:
880:
875:
873:
863:
861:
857:
856:
851:
847:
843:
839:
835:
831:
824:Illustrations
821:
819:
815:
814:Christmas Eve
811:
807:
803:
799:
790:
786:
782:
778:
776:
772:
768:
767:Autumn Leaves
764:
760:
756:
755:
754:Chill October
745:
736:
734:
730:
729:
724:
723:
718:
717:
712:
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364:
355:
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231:
224:
220:
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209:8, including
208:
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188:
187:Euphemia Gray
183:
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176:
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83:
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72:
67:
62:
58:
49:
44:
41:
37:
33:
19:
3469:
3461:
3453:
3445:
3436:
3427:Hogarth Club
3419:
3404:Ruth Herbert
3394:Dorothy Dene
3369:Annie Miller
3330:
3323:
3315:
3308:
3301:
3294:
3289:Flaming June
3287:
3280:
3273:
3266:
3262:(Waterhouse)
3259:
3251:
3244:
3237:
3230:
3223:
3216:
3209:
3202:
3195:
3183:
3176:
3169:
3162:
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3148:
3141:
3134:
3127:
3115:
3108:
3101:
3094:
3087:
3080:
3073:
3066:
3059:
3052:
3045:
3038:
3031:
3024:
3017:
3010:
3003:
2995:post-period)
2993:(period and
2961:Henry Wallis
2841:William Dyce
2811:John Collier
2756:artists and
2718:
2654:
2646:
2640:The Countess
2638:
2630:
2594:
2586:
2578:
2570:
2562:
2554:
2546:
2538:
2530:
2522:
2514:
2506:
2498:
2490:
2482:
2474:
2466:
2458:
2450:
2442:
2434:
2426:
2418:
2410:
2402:
2394:
2371:
2326:
2319:
2315:New creation
2314:
2288:
2251:
2247:
2239:
2223:
2204:
2194: at the
2165:
2156:Arts Council
2151:
2144:
2137:
2129:
2121:
2114:Tate Britain
2112:
2109:Alison Smith
2101:
2087:
2077:
2066:
2065:Lutyens, M.
2059:
2048:
2041:
2017:
2005:24 September
2003:. Retrieved
1999:the original
1994:
1988:
1967:
1960:
1951:
1938:. Retrieved
1928:
1917:Smarthistory
1911:
1896:
1881:
1866:
1824:. Retrieved
1814:
1800:
1759:
1753:
1746:Sinclair, W.
1740:
1729:
1720:
1706:
1695:
1683:. Retrieved
1679:the original
1672:
1665:
1658:
1650:
1641:
1622:
1616:
1608:
1603:
1594:
1582:
1567:
1546:
1543:Esling, John
1539:Setter, Jane
1535:Roach, Peter
1525:
1506:
1497:
1467:
1447:
1408:
1392:
1373:
1355:
1342:Tate Britain
1337:
1322:
1305:
1287:
1270:
1248:
1230:
1212:
1194:
1179:
1161:
1144:
1122:
1087:
1064:
1038:
1028:
1007:
1003:
1001:
987:
975:
972:Thomas Brock
961:
957:Tate Britain
953:Thomas Brock
948:
931:
916:
876:
869:
860:Chums Annual
859:
853:
827:
813:
794:
788:
784:
774:
766:
752:
750:
726:
720:
714:
710:
706:
698:
688:
679:
675:
660:Albert Moore
648:
642:
629:
612:
604:Edward Elgar
592:
561:
544:
527:
510:
489:
487:
476:
461:
457:
451:
449:
442:
432:
430:
417:Gower Street
398:
394:
375:
340:
328:
321:
315:
218:
217:
162:
157:
152:Notable work
112:(1896-08-13)
40:
18:John Millais
3558:1896 deaths
3553:1829 births
3472:(2014 film)
3448:(1967 film)
3441:(1922 book)
3399:Fanny Eaton
3374:Jane Morris
3364:Sophie Gray
3310:Lady Godiva
3197:The Beloved
3136:Roman Widow
3129:Lady Lilith
2988:well-known
2906:Emma Sandys
2901:John Ruskin
2754:Associated
2703:(paintings)
2659:(2014 film)
2643:(1999 play)
2519:(1858–1859)
2471:(1853–1854)
2468:John Ruskin
2463:(1852–1853)
2455:(1852–1853)
2447:(1851–1852)
2407:(1849–1850)
2399:(1848–1849)
1995:Visual Arts
1940:28 December
1915:, all from
1793:Tate online
1726:"No. 25490"
1573:Lee, Sidney
1162:Bright Eyes
1132:, Melbourne
1016:, featured
980:Norman Reid
951:(1905), by
728:Cherry Ripe
691:Old Masters
643:Cherry Ripe
621:Later works
615:Sophie Gray
587: 1870
479:John Ruskin
439:Holy Family
378:Southampton
371: 1854
347:John Ruskin
145:printmaking
95:Southampton
91:8 June 1829
3487:Categories
3470:Effie Gray
3359:Effie Gray
3178:Proserpine
3096:April Love
2776:John Brett
2656:Effie Gray
2614:Effie Gray
2476:The Rescue
2329:1885–1896
2222:Millais's
2073:, 1972–4).
1910:Millais's
1865:Millais's
1826:23 October
1685:29 January
1233:(c.1860),
1215:(c.1860),
1197:(c.1860),
1124:The Rescue
1057:Paramount+
1035:Peter Egan
1009:Effie Gray
899:Saint Ouen
891:Kensington
855:Good Words
802:Perthshire
722:Pears soap
444:A Huguenot
431:Millais's
358:Early life
118:Kensington
87:1829-06-08
2388:Paintings
2132:. London.
2130:The Times
1107:) (1851)
1091:(1851–52)
897:, and of
895:Middlesex
672:Rembrandt
668:Velázquez
496:annulment
386:Thackeray
351:annulment
336:Modernism
130:Education
124:, England
101:, England
99:Hampshire
3421:The Germ
2396:Isabella
2262:Archived
2240:Isabella
2229:Archived
2096:Volume 2
2092:Volume 1
1785:Archived
1545:(eds.).
1533:(2011).
1505:(2008).
1478:See also
1340:(1870),
1164:(1877),
1127:, (1855)
1069:(2023).
850:Kinnoull
838:parables
834:Tennyson
693:such as
656:Whistler
206:Children
171:Movement
3413:Related
3033:Mariana
3005:Ophelia
2758:figures
2607:Related
2596:Bubbles
2540:Vanessa
2444:Ophelia
2420:Mariana
2321:Baronet
2252:Ophelia
2224:Ophelia
2044:(1985).
1897:Ophelia
1867:Mariana
1763:. 1904.
1657:(2010)
1452:(1881)
1432:(1879)
1325:(1870),
1323:A Flood
1288:Vanessa
1073:Gallery
883:baronet
806:Dunkeld
804:, near
716:Bubbles
546:Ophelia
512:Mariana
458:Mariana
453:Ophelia
323:Ophelia
200:
192:
158:Ophelia
3342:Models
3326:(Hunt)
3275:Lilith
2616:(wife)
2599:(1886)
2591:(1885)
2583:(1877)
2575:(1874)
2567:(1871)
2559:(1870)
2551:(1870)
2543:(1868)
2535:(1865)
2532:Esther
2527:(1860)
2511:(1857)
2503:(1856)
2495:(1856)
2487:(1856)
2479:(1855)
2439:(1852)
2431:(1851)
2423:(1851)
2415:(1850)
2205:Spring
2196:Art UK
2174:
2055:, 2005
2026:
1629:
1555:
1513:
1470:(1888)
1412:(1878)
1291:(1868)
1271:Esther
1253:(1863)
1182:(1860)
940:Legacy
903:Jersey
810:Birnam
773:) and
725:– and
574:Family
566:(1851)
515:, 1851
419:, off
382:Jersey
181:Spouse
122:London
3103:Found
2990:works
2986:Some
2622:(son)
2294:1896
2140:1898.
2069:(The
2062:1967.
1049:BBC 2
763:Perth
733:veldt
483:Effie
390:Dinan
343:Effie
194:(
190:
59:
3296:Hope
3075:Work
2250:and
2198:site
2172:ISBN
2024:ISBN
2007:2007
1942:2010
1828:2010
1687:2014
1627:ISBN
1553:ISBN
1511:ISBN
808:and
678:and
670:and
658:and
407:and
300:mil-
107:Died
81:Born
3282:Eos
1063:'s
1022:BBC
986:'s
955:at
485:.
466:by
263:-ay
261:MIL
223:PRA
61:PRA
48:Sir
3489::
2208:.
2170:.
2094:,
2090:.
2086:.
2032:.
1993:.
1791:,
1769:^
1728:.
1581:.
1541:;
1537:;
936:.
929:.
909:.
889:,
848:,
820:.
705:,
610:.
584:c.
498:.
423:.
368:c.
302:AY
291:eɪ
272::
270:US
266:,
251:eɪ
232::
230:UK
196:m.
161:;
120:,
97:,
57:Bt
2692:e
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2678:v
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2357:t
2350:v
2212:.
2180:.
2154:(
2111:(
2036:.
2009:.
1991:"
1987:"
1970:(
1944:.
1830:.
1808:.
1714:.
1689:.
1671:"
1635:.
1561:.
1519:.
769:(
294:/
288:l
285:ˈ
282:ɪ
279:m
276:/
254:/
248:l
245:ɪ
242:m
239:ˈ
236:/
226:(
89:)
85:(
38:.
20:)
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