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Millais found it very difficult to be in the same room as Ruskin when he was completing the work in London, calling it "the most hateful task I have ever had to perform". As soon as the portrait was finished he broke off contact with Ruskin. Ruskin himself temporarily moved the portrait so that his
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The painting of Ruskin was started at
Glenfinlas, during which the details of the landscape were painted. The last stages of work on the painting were undertaken in Millais' studio in London. By that time Ruskin's wife
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494:"Colour Photograph (Autochrome) of the Millais Portrait of John Ruskin Hanging in her House at Park Town, Oxford, by Sarah Angelina Acland, Early 20th Century"
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122:(1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
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had fallen in love with
Millais. She left Ruskin and sued him for an annulment of the marriage. She and Millais were married the following year.
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in Oxford during 2023–4, together with the first colour photograph of the portrait taken by the pioneer colour photographer in her
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520:"Pre-Raphaelite Photography: Sarah Angelina Acland and Millais's Portrait of Ruskin at Glenfinlas"
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The painting has been exhibited several times, including exhibitions on the Pre-Raphaelites at
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in 1965. The purchaser retained the painting until they died in 2012. It was accepted by the
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592:"Ruskin, Millais, and the Aclands: The colourful story of a painting, from oils to pixels".
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father would not see it, since he was concerned that he would damage or destroy it.
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334:"Sir John Everett Millais. John Ruskin. 1854. Oil on canvas. Private collection"
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London, during 1984 and 2004. The painting was included in an exhibition on
137:. Ruskin and Millais spent the summer of 1853 together at Glenfinlas in the
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78.7 cm × 68 cm (31.0 in × 27 in)
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565:"The Colourful Creatives: How Victorian Women Shaped Colour Technologies"
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469:"Millais's Portrait of Ruskin, Sarah Angelina Acland, and Photography"
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388:. Vol. 138, no. 1117. UK. April 1996. pp. 228–234.
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at £7.0 million in 2012–3. The painting featured in the 2014 film
415:"Oxford's Ashmolean museum acquires Millais John Ruskin portrait"
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200:, who kept it above her desk at the Acland family home in
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Sarah
Angelina Acland: First Lady of Colour Photography
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in 1871. It was left to his daughter, the photographer
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The painting was valued by the
Director of Finance at
658:"John Ruskin and Effie Gray – portrait of a marriage"
353:"Sir John Everett Millais, Portrait of John Ruskin"
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1257:The Ruskin - Library, Museum and Research Centre
192:The painting was given by Ruskin to his friend
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845:A Dream of the Past: Sir Isumbras at the Ford
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141:. Ruskin was especially interested in the
125:The painting depicts Ruskin in front of a
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621:"Financial Statements 2012/13 Commentary"
286:List of paintings by John Everett Millais
228:in 2013 and permanently allocated to the
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545:"Pre-Raphaelite Vision: Truth to Nature"
351:Easby, Rebecca Jeffrey (9 August 2015).
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145:and undertook his own studies of these.
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1308:Waterfalls of Stirling (council area)
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773:A Huguenot, on St. Bartholomew's Day
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314:"Millais's Portrait of John Ruskin"
114:(1819–1900). It was painted by the
24:
741:Christ in the House of His Parents
380:"Ruskin and Millais at Glenfinlas"
311:
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1298:Paintings in the Ashmolean Museum
1288:Paintings by John Everett Millais
765:The Return of the Dove to the Ark
656:Kingsley, Jenny (December 2014).
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498:History of Science Museum, Oxford
261:History of Science Museum, Oxford
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27:Painting by John Everett Millais
1068:The Seven Lamps of Architecture
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1055:(written 1842, published 1851)
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797:The Proscribed Royalist, 1651
518:Hudson, Giles (20 May 2013).
467:Hudson, Giles (20 May 2013).
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208:and later at her own home in
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106:is a portrait of the leading
1293:Portraits by English artists
1052:The King of the Golden River
473:britishphotohistory.ning.com
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563:Hewitson, Madeline (2023).
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1222:Pre-Raphaelite Brotherhood
1144:The Passion of John Ruskin
963:Pre-Raphaelite Brotherhood
789:The Order of Release, 1746
553:(12 February – 3 May 2004)
247:in Victorian times at the
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1247:Ruskin School of Drawing
1186:Arts and Crafts movement
749:Ferdinand Lured by Ariel
606:10.14236/ewic/EVA2024.21
1303:Oil on canvas paintings
385:The Burlington Magazine
1283:19th-century portraits
909:The North-West Passage
885:The Boyhood of Raleigh
524:Matters Photographical
438:Hudson, Giles (2012).
194:Henry Wentworth Acland
180:
18:John Ruskin (painting)
861:The Black Brunswicker
198:Sarah Angelina Acland
175:, pen and ink, 1853,
164:
1076:The Stones of Venice
709:John Everett Millais
628:University of Oxford
619:Kerr, Giles (2013).
600:. pp. 122–129.
446:. pp. 180–181.
120:John Everett Millais
54:John Everett Millais
1160:Desperate Romantics
985:Desperate Romantics
957:John Guille Millais
637:on 18 February 2014
1202:Guild of St George
925:The Ruling Passion
590:Bowen, Jonathan P.
222:British Government
181:
1265:
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1163:(2009 miniseries)
1139:(1975 miniseries)
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988:(2009 miniseries)
972:(1975 miniseries)
718:List of paintings
453:978-1-85124-372-3
340:. Olga's Gallery.
319:The Victorian Web
268:Oxford University
245:Colour Revolution
99:
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16:(Redirected from
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1217:Pathetic fallacy
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853:The Vale of Rest
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1128:Dante's Inferno
1123:(1854 painting)
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1313:Water in art
1212:Mount Ruskin
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1158:
1152:The Countess
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977:The Countess
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665:. Retrieved
661:
651:
641:12 September
639:. Retrieved
632:the original
614:
593:
584:
572:. Retrieved
558:
549:Tate Britain
539:
527:. Retrieved
523:
513:
501:. Retrieved
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476:. Retrieved
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396:– via
383:
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362:. Retrieved
358:Smarthistory
356:
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328:
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253:North Oxford
244:
241:Tate Britain
238:
214:North Oxford
202:Broad Street
191:
182:
165:
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124:
102:
101:
100:
29:
1318:John Ruskin
1171:(2014 film)
1155:(1999 play)
1147:(1994 film)
1131:(1967 film)
1120:John Ruskin
1079:(1851–1853)
1063:(1843–1860)
1037:John Ruskin
996:(2014 film)
980:(1999 play)
856:(1858–1859)
808:(1853–1854)
805:John Ruskin
800:(1852–1853)
792:(1852–1853)
784:(1851–1852)
744:(1849–1850)
736:(1848–1849)
574:19 November
529:19 November
478:19 November
364:19 November
224:in lieu of
112:John Ruskin
110:art critic
103:John Ruskin
35:John Ruskin
1272:Categories
1196:Effie Gray
1168:Effie Gray
1112:Depictions
993:Effie Gray
951:Effie Gray
813:The Rescue
442:. Oxford:
300:References
273:Effie Gray
218:Christie's
204:, central
188:Provenance
172:Glenfinlas
131:Glenfinlas
78:Dimensions
1252:Sarvodaya
1191:Brantwood
725:Paintings
294:(Millais)
257:Park Town
210:Park Town
166:Study of
139:Trossachs
127:waterfall
108:Victorian
63:1853–1854
733:Isabella
596:. eWiC.
420:BBC News
280:See also
255:home in
179:, Oxford
149:Creation
135:Scotland
86:Location
1179:Related
1095:(1870s)
944:Related
933:Bubbles
877:Vanessa
781:Ophelia
757:Mariana
667:26 June
551:. 2004.
118:artist
1198:(wife)
1087:(1860)
1071:(1849)
953:(wife)
936:(1886)
928:(1885)
920:(1877)
912:(1874)
904:(1871)
896:(1870)
888:(1870)
880:(1868)
872:(1865)
869:Esther
864:(1860)
848:(1857)
840:(1856)
832:(1856)
824:(1856)
816:(1855)
776:(1852)
768:(1851)
760:(1851)
752:(1850)
626:. UK:
567:. UK:
496:. UK:
450:
423:. UK:
394:886970
392:
234:Oxford
206:Oxford
170:Rock,
168:Gneiss
94:Oxford
68:Medium
49:Artist
1207:Illth
1044:Works
959:(son)
635:(PDF)
624:(PDF)
503:3 May
398:JSTOR
390:JSTOR
156:Effie
669:2024
643:2014
576:2023
531:2023
505:2022
480:2023
448:ISBN
366:2023
60:Year
52:Sir
602:doi
598:BCS
425:BBC
129:in
1274::
660:.
522:.
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417:.
406:^
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400:.
368:.
322:.
20:)
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