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expense, and that an edifice was required that should strike with awe and surprise even at a distance; the architect may be excused for having sacrificed, in some degree, the elegance of design to multiplicity of ornament. All the several parts are moreover exactly calculated, all the rules of art are well observed, and this immense fabric reminds us, on the first glance, of the majesty and state of those of Greece and ancient Rome. When we behold it a distance, it appears not as a single palace, but as an entire city. We arrive at it by a stately bridge of a single arch, and which is itself a masterpiece of architecture. I have contracted a very intimate friend ship with the son of Sir John
Vanbrugh, who has lately obtained a company in the foot guards, and is a young gentleman of real merit. He has shown me, not only all the designs of his father, but also two houses of his building, one near Whitehall, and the other at Greenwich. They are indeed mere models of houses, but notwithstanding their confined situation, there are everywhere traces of a master to be discovered in their execution. The vulgar critic finds too many columns and ornaments; but the true connoisseur sees that all these ornaments are accompanied with utility, and that an inventive genius is visible in every part. This architect was likewise author of several comedies, which are indeed written in a style that is rather licentious, but at the same time are resplendent with wit and vivacity. So true it is, that genius is not confined to one subject, but wherever exercised, is equally manifest.
701:, son of Kit-Cat Sir Robert Walpole, claims that the respectable middle-aged Club members generally mentioned as "a set of wits" were originally "in reality the patriots that saved Britain", in other words were the active force behind the Glorious Revolution itself. Secret groups tend to be poorly documented, and this sketch of the pre-history of the Club cannot be proved. But as we have seen, young Vanbrugh was indeed in 1688 part of a secret network working for William's invasion. If the roots of the Club go back that far, it is tempting to speculate that Vanbrugh in joining the club was not merely becoming one of a convivial London "set of wits" but was also linking up with old friends and co-conspirators. A hero of the cause who had done time in French prison for it, could have been confident of a warm welcome.
750:), animal acts, travelling dance troupes, and famous visiting Italian singers. They also hoped to make a profit, and Vanbrugh optimistically bought up the actors' company, making himself sole owner. He was now bound to pay salaries to the actors and, as it turned out, to manage the theatre, a notorious tightrope act for which he had no experience. The often repeated rumour that the acoustics of the building Vanbrugh had designed were bad is exaggerated (see Milhous ), but the more practical Congreve had become anxious to extricate himself from the project, and Vanbrugh was left spreading himself extremely thin, running a theatre and simultaneously overseeing the building of Blenheim, a project which after June 1705 often took him out of town.
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scale. The result was one of
Vanbrugh's smaller houses. It is also his severest in style, obtaining high architectural drama by the well judged disposition of elements that are few in number, and simple in their nature. The exterior of the house would have been at the point of completion in 1717, the date on the contract for one of the parapet vases. The interior would have been virtually complete by 1719, when the design for inlay on the stair landings was drawn up. Two of the façades have since been remodelled, by Robert Mylne, who remodelled the interior in the 1760s. The stone, which was quarried on the site, was originally ochre in colour but has weathered to an orange-pink.
405:
from being of lower middle class origins, Vanbrugh was descended from Anglo-Flemish or
Netherlandish Protestant merchants who settled in London in the 16th and 17th centuries, minor courtiers, and country gentry. The complex web of kinship Downes' research shows that Vanbrugh had ties to many of England's leading mercantile, gentry, and noble families. These ties reveal the decidedly Protestant and sometimes radical milieu out of which Vanbrugh's own political opinions came. They also gave him a very wide social network that would play a role in all sections of his career: architectural, ceremonial, dramatic, military, political, and social.
758:., though without ever collecting much of the putative price. He had put a lot of money, his own and borrowed, into the theatre company, which he was never to recover. It was noted as remarkable by contemporaries that he continued to pay the actors' salaries fully and promptly while they were working for him, just as he always paid the workmen he had hired for construction work; shirking such responsibilities was close to being standard practice in early 18th century England. Vanbrugh himself never seems to have pursued those who owed him money, and throughout his life his finances can at best be described as precarious.
1695:
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1215:, particularly for their failure to impose exemplary morality by appropriate rewards and punishments in the fifth act. Vanbrugh laughed at these charges and published a joking reply, where he accused the clergyman Collier of being more sensitive to unflattering portrayals of the clergy than to real irreligion. However, rising public opinion was already on Collier's side. The intellectual and sexually explicit Restoration comedy style was becoming less and less acceptable to audiences and was soon to be replaced by a drama of sententious morality. Colley Cibber's
1835:
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the typically tragic/comic rollercoaster experience of
Restoration plays. Vanbrugh takes advantage of this schema and these actresses to deepen audience sympathy for the unhappily married Lady Brute, even as she fires off her witty ripostes. In the intimate conversational dialogue between Lady Brute and her niece Bellinda (Bracegirdle), and especially in the star part of Sir John Brute the brutish husband (Betterton), which was hailed as one of the peaks of Thomas Betterton's remarkable career,
2252:
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any other modern architect; but unluckily for the reputation of this excellent artist, his taste kept no pace with his genius, and his works are so crowded with barbarisms and absurdities, and so born down by their own preposterous weight, that none but the discerning can separate their merits from their defects. In the hands of the ingenious artist, who knows how to polish and refine and bring them into use, we have always regarded his productions as rough jewels of inestimable value'.
1931:, which was under construction at this time, and succeeded Wren as the official architect (or Surveyor), while Hawksmoor was appointed Site Architect. Vanbrugh's small but conspicuous final changes to the nearly completed building were considered a fine interpretation of Wren's original plans and intentions. Thus what was intended as an infirmary and hostel for destitute retired sailors was transformed into a magnificent national monument. His work here is said to have impressed both
1089:. Members of that cast had to be kept from defecting to the rival actors' cooperative, had to be "seduced" (as the legal term was) back when they did defect, and had to be blandished into attending rehearsals which dragged out into ten months and brought the company to the threshold of bankruptcy. "They have no company at all", reported a contemporary letter on 19 November 1696 "and unless a new play comes out on Saturday revives their reputation, they must break". That new play,
1628:
1691:), itself a massive and dense construction of piers and columns, definitely not designed in the Palladian manner for elegant protection from the sun, a huge bust of Louis XIV is forced to look down on the splendours and rewards of his conqueror. Whether this placement and design was an ornamental feature created by Vanbrugh, or an ironic joke by Marlborough, is not known. However, as an architectural composition it is a unique example of baroque ornament.
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1986:
approved them, she discounted. (In fairness to her, it must be mentioned that the Duke of
Marlborough had contributed £60,000 to the initial cost, which, supplemented by Parliament, should have built a monumental house.) Following a meeting with the Duchess, Vanbrugh left the building site in a rage, insisting that the new masons, carpenters and craftsmen were inferior to those he had employed. The master craftsmen he had patronised, however, such as
917:
1775:, the centre was remodelled by Mylne with a canted bay window, at odds with the tautness of Vanbrugh's overall design of the house, in which all planes were parallel or perpendicular to the walls. On the northeast the wall was moved forward during nineteenth-century remodelling, destroying an aesthetically significant alignment between wall projections and the break in the roof arcade, which had been present in Vanbrugh's design.
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frequent altercations with her one time best friend, Sarah, Duchess of
Marlborough. After the Duchess's final argument with the Queen in 1712, all state money ceased and work came to a halt. £220,000 had already been spent and £45,000 was owing to workmen. The Marlboroughs went into exile on the continent, and did not return until after Queen Anne's death in 1714.
1055:, offered to the United Company six weeks later, questions the justice of women's position in marriage at this time. He sends new sexual temptations in the way of not only the reformed husband but also the patient wife, and allows them to react in more credible and less predictable ways than in their original context, lending the flat characters from
1663:, and storehouses. If Castle Howard was the first truly baroque building in England, then Blenheim Palace is the most definitive. While Castle Howard is a dramatic assembly of restless masses, Blenheim is altogether of a more solid construction, relying on tall slender windows and monumental statuary on the roofs to lighten the mass of yellow stone.
483:. Frances née Harrison, Countess of Berkshire. Vanbrugh's grandfather's sister, Elizabeth Carleton married John Harrison, uncle of the Countess of Berkshire and in addition the Countess's aunt, Anne Garrard, married Dudley Carleton, Viscount Dorchester, uncle to Vanbrugh's same grandfather. Frances was (half) second cousin to Vanbrugh's mother.
710:
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2170:(1728) and gave it a happy and sententious ending in which the provocative wife repents and is reconciled: a eulogy of marriage which was the opposite of Vanbrugh's declared intention to end his last and belated "Restoration comedy" with marital break-up. Cibber considered this projected outcome to be "too severe for Comedy".
779:, arranged both appointments and against whose wishes they were powerless. Vanbrugh went on to make more friends than enemies at the College, however. The pageantry of state occasions appealed to his theatrical sense, his duties were not difficult, and he appears to have performed them well. In the opinion of a modern
1296:, where Vanbrugh had to follow the instructions of his patron. Consequently these houses, which often claim Vanbrugh as their architect, do not best display his own architectural concepts and ideas. In the summer of 1699 as part of his architectural education Vanbrugh made a tour of northern England, writing to
1759:
On the southeast facade, the centre has a Doric temple front with open pediment, which surrounds the doorway. The centre has an attic as its upper storey, topped by a blocking course with scrolled supports at each end. A design with a pediment was prepared for this front, but is thought never to have
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On 29 April Edward
Southwell wrote in his journal at Kings Weston, "Upwards of 60 men preparing stones and digging the foundation of the new house," and on 16 June 1712 work formally began on building the new house by John Vanbrugh. His client, Edward Southwell, did not desire a house on a monumental
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was built between 1712 and 1719 for Edward
Southwell on the site of an earlier Tudor house. A significant architectural feature is the grouping of all the chimneys into a massive arcade. The Kings Weston estate possesses one of the largest collections of buildings designed by Sir John Vanbrugh in the
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Castle Howard was acclaimed a success. This fantastical building, unparalleled in
England, with its facades and roofs decorated by pilasters, statuary, and flowing ornamental carving, ensured that baroque became an overnight success. While the greater part of Castle Howard was inhabited and completed
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Unsurprisingly under these circumstances, Vanbrugh's management of the Queen's
Theatre in Haymarket showed "numerous signs of confusion, inefficiency, missed opportunities, and bad judgment". Having burned his fingers on theatre management, Vanbrugh too extricated himself, expensively, by selling the
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in the Bastille is based on allusions in a couple of much later memoirs and is regarded with some doubt by modern scholars (see McCormick). After being released from the Bastille, he had to spend three months in Paris, free to move around but unable to leave the country, and with every opportunity to
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foot regiment. Since commissions were in the gift of the commanding officer, Vanbrugh's entry as an officer shows that he did have the kind of family network that was then essential to a young man starting out in life. Even so in August 1686 he left this position when the regiment was ordered to help
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With the completion of Castle Howard, English baroque came into fashion overnight. It had brought together the isolated and varied instances of monumental design, by, among others, Inigo Jones and Christopher Wren. Vanbrugh thought of masses, volume and perspective in a way that his predecessors had
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This building (Blenheim) has been severely censured, and I agree that it is not entirely exempt from rational censure as it is too much loaded with columns and other heavy ornaments. But if we consider that Sir John Vanbrugh was to construct a building of endless duration, that no bounds were set to
2001:
That Vanbrugh's work at Blenheim has been the subject of criticism can largely be blamed on those, including the Duchess, who failed to understand the chief reason for its construction: to celebrate a martial triumph. In the achievement of this remit, Vanbrugh was as triumphant as was Marlborough on
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At Blenheim, Vanbrugh developed baroque from the mere ornamental to a denser, more solid, form, where the massed stone became the ornament. The great arched gates and the huge solid portico were ornament in themselves, and the whole mass was considered rather than each facade. As the palace is still
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is a comedy, but Elizabeth Barry who played the abused wife was especially famous as a tragic actress, and for her power of "moving the passions", i.e., moving an audience to pity and tears. Barry and the younger Bracegirdle had often worked together as a tragic/comic heroine pair to bring audiences
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Cibber, an inconspicuous young actor still employed by the parent company, seized this moment of unique demand for new plays and launched his career on two fronts by writing a play with a big, flamboyant part for himself: the Frenchified fop Sir Novelty Fashion. Backed up by Cibber's own uninhibited
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He was adept at delivering buildings for his clients, that successfully met their requirements. His reputation has suffered because of his famed disagreements with the Duchess of Marlborough, yet, one must remember his original client was the British Nation, not the Duchess, and the nation wanted a
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was less complimentary 'Heaviness was the lightest of (Vanbrugh's) faults... The Italian style...which he contrived to caricature...is apparent in all his works; he helped himself liberally to its vices, contributed many of his own, and by an unfortunate misfortune adding impurity to that which was
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Nobody had informed me that I should at one view see a palace, a town, a fortified city, temples on high places, woods worthy of being each a metropolis of the Druids, vales connected to hills by other woods, the noblest lawn in the world fenced by half the horizon, and a mausoleum that would tempt
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was Vanbrugh's final work, this northern, seemingly rather bleak country house is considered his finest architectural masterpiece; by this stage in his architectural career Vanbrugh was a master of baroque, he had taken this form of architecture not only beyond the flamboyant continental baroque of
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In July 1700 the King granted Vanbrugh permission to build on the ruins of Whitehall at his own expense. Brick and stone from the ruins of the Palace of Whitehall were used and the house was sited on what was the Vice-Chamberlain's lodgings. The small, two storied house was unique in design, though
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has not been staged again since the early 18th century and is read only by the most dedicated scholars, who sometimes express distaste for its businesslike combination of four explicit acts of sex and rakishness with one of sententious reform (see Hume). If Cibber indeed was deliberately attempting
429:). In 1681 records name a 'John Vanbrugg' working for William Matthews, Giles Vanbrugh's cousin. It was not unusual for a merchant's son to follow in his father's trade and seek similar work in business, making use of family ties and connections. However, Robert Williams proved in an article in the
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Taken in this context, though he has sometimes been viewed as an odd or unqualified appointee to the College of Arms, it is not surprising, given the social expectations of his day, that by descent his credentials for his offices there were sound. His forebears, both Flemish/Dutch and English, were
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Sir John Vanbrugh's genius was of the first class; and, in point of movement, novelty and ingenuity, his works have not been exceeded by anything in modern times. We should certainly quote Blenheim and Castle Howard as great examples of these perfections in preference to any work of our own, or of
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Vanbrugh was deeply distressed by the turn of events. The rows and resulting rumours had damaged his reputation, and the palace he had nurtured like a child was forbidden to him. In 1719, while the duchess was "not at home", Vanbrugh was able to view the palace in secret; but when he and his wife,
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had initially been the architect of choice, charging more than the Lord had thought reasonable. Vanbrugh's charm, and Talman's lack thereof, may have been enough to convince the patron to change his architect. However, it remains unknown how Vanbrugh, totally untrained and inexperienced, persuaded
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To dispel the myth of Vanbrugh's humble origins, Downes took pains to explore Vanbrugh's background, closely examining the family and connexions of each of his four grandparents: Vanbrugh, Jacobs or Jacobson, Carleton, and Croft, summing up the characteristics of each line and concluding that, far
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Vanbrugh arrived in London at a time of scandal and internal drama at London's only theatre company, as a long-running conflict between pinchpenny management and disgruntled actors came to a head and the actors walked out. A new comedy staged with the makeshift remainder of the company in January
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His life is sharply bisected by this prison experience, which he entered at age 24 and emerged from at 29, after having spent, as Downes puts it, half his adult life in captivity. It seems to have left him with a lasting distaste for the French political system but also with a taste for the comic
1938:
Vanbrugh's reputation still suffers from accusations of extravagance, impracticability and a bombastic imposition of his own will on his clients. Ironically, all of these unfounded charges derive from Blenheim – Vanbrugh's selection as architect of Blenheim was never completely popular. The
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was written and staged in the eye of a theatrical storm. London's only and mismanaged theatre company, known as the United Company, had split in two in March 1695 when the senior actors began operating their own acting cooperative, and the next season was one of cutthroat rivalry between the two
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factions, the final blow for Vanbrugh came when the Duke was incapacitated in 1717 by a severe stroke, and the thrifty (and hostile) Duchess took control. The Duchess blamed Vanbrugh entirely for the growing extravagance of the palace, and its general design: that her husband and government had
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Though Parliament had voted funds for the building of Blenheim, no exact sum had ever been fixed upon, and certainly no provision had been made for inflation. Almost from the outset, funds had been intermittent. Queen Anne paid some of them, but with growing reluctance and lapses, following her
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Although Vanbrugh continued to work for the stage in many ways, he produced no more original plays. With the change in audience taste away from Restoration comedy, he turned his creative energies from original composition to dramatic adaptation/translation, theatre management, and architecture.
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bought himself the title of "Lord Foppington" through the corrupt system of Royal title sales). Critics of Restoration comedy are unanimous in declaring Lord Foppington "the greatest of all Restoration fops" (Dobrée), by virtue of being not merely laughably affected, but also "brutal, evil, and
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Born in London and baptised on 24 January 1664, Vanbrugh was the fourth child (of 19), and eldest surviving son, of Giles Vanbrugh, a London cloth-merchant of Flemish descent (as evident in the name, contracted from "Van Brugh") and Protestant background, and his wife Elizabeth, widow of Thomas
1292:, was to be Vanbrugh's collaborator in many of his most ambitious projects, including Castle Howard and Blenheim. During his almost thirty years as a practising architect, Vanbrugh designed and worked on numerous buildings. More often than not his work was a rebuild or remodel, such as that of
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repeat 18th- and 19th-century traditions which were originally offered as guesses but have since hardened into "fact". This accounts for several discrepancies between the entries in these encyclopædias and the following narrative, which is based on the findings of Downes (1987) and McCormick
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succession to the throne. Yet the Kit-Cats always presented their club as more a matter of dining and conviviality, and this reputation has been successfully relayed to posterity. Downes suggests, however, that the Club's origins go back to before the Glorious Revolution of 1689 and that its
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Seaton Delaval is one of the few houses Vanbrugh designed alone without the aid of Nicholas Hawksmoor. The sobriety of their joint work has sometimes been attributed to Hawksmoor, and yet Seaton Delaval is a very sombre house indeed. Whereas Castle Howard could successfully be set down in
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After growing up in a large household in Chester (12 children of his mother's second marriage survived infancy), the question of how Vanbrugh spent the years from age 18 to 22 (after he left school) was long unanswered, with the baseless suggestion sometimes made that he had been studying
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As was common in the 18th century, personal comfort was sacrificed to perspective. Windows were to adorn the facades, as well as light the interior. Blenheim was designed as a theatre piece both externally and also from the 67 foot (20 m) high great hall, leading to the huge
2147:. Vanbrugh had told his old friend Colley Cibber that he intended in this play to question traditional marriage roles even more radically than in the plays of his youth, and end it with a marriage falling irreconcilably apart. The unfinished manuscript, today available in Vanbrugh's
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landscape. Vanbrugh, in the final stage in his career, was fully liberated from the rules of the architects of a generation earlier. The rustic stonework is used for the entire facade, including on the entrance facade, the pairs of twin columns supporting little more than a stone
1333:"We are informed that Sir John Vanbrugh, in his scheme for new paving the cities of London and Westminster, among other things, proposes a tax on all gentlemen's coaches, to stop all channels in the street, and to carry all the water off by drains and common sewers under ground."
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by 1709, the finishing touches were to continue for much of Vanbrugh's lifetime. The west wing was finally completed after Vanbrugh's death, to an altered design. The acclaim of the work at Castle Howard led to Vanbrugh's most famous commission, architect for Blenheim Palace.
641: – and particularly popular for "his colossal geniality, his great good humour, his easy-going temperament". The Club is best known today as an early 18th-century social gathering point for culturally and politically prominent Whigs, including many artists and writers (
1981:. The 64-year-old Duke now decided to complete the project at his own expense; in 1716 work restarted and Vanbrugh was left to rely entirely upon the means of the Duke of Marlborough himself. Already discouraged and upset by the reception the palace was receiving from the
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see an architecture "unparalleled in England for scale, ostentation, richness, taste and sophistication". He was allowed to return to England in April 1693; once he returned to England he joined the Navy and took part in an unsuccessful naval attack against the French at
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on a charge of espionage (which Downes concludes was trumped-up) in September 1688, two months before William invaded England. Vanbrugh remained in prison in France for four and a half years, albeit in reasonable comfort. In 1691 he requested to be moved from Calais to
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in 1704. Marlborough's reward, from a grateful nation, was to be a splendid country seat, and the Duke himself chose fellow Kit-Cat John Vanbrugh to be the architect. Work began on the palace in 1705, though as Vanbrugh wasn't a trained architect he worked alongside
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to give the great opportunity to him instead. Seizing it, Vanbrugh instigated European baroque's metamorphosis into a subtle, almost understated version that became known as English baroque. Four of Vanbrugh's designs act as milestones for evaluating this process:
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of the great hall, adding to the drama of the building's silhouette, but unlike Vanbrugh's other great houses, no statuary decorates the roof-scape here. The decoration is provided solely by a simple balustrade hiding the roof line, and chimneys disguised as
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in March 1704. In 1725 he sold this office to Knox Ward, and he told a friend he had "got leave to dispose in earnest, of a place I got in jest". His colleagues' opposition to an ill-gotten appointment ought to have been directed to Lord Carlisle, who as
628:
Vanbrugh's London career was diverse and varied, comprising playwriting, architectural design, and attempts to combine these two overarching interests. His overlapping achievements and business ventures were sometimes confusing even to Vanbrugh himself.
439:, Gujarat where his uncle, Edward Pearce, had been Governor. However, Vanbrugh never mentioned this experience in writing. Scholars debate whether evidence of his exposure to Indian architecture can be detected in any of his architectural designs.
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Earl Carlisle to grant the responsibility of architect to him. The design process began in the summer of 1699, before the end of the year the model for Castle Howard was under construction, stone was being quarried and foundations discussed.
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three years before Castle Howard. In the contest for the commission of Castle Howard, the untrained and untried Vanbrugh astonishingly managed to out-charm and out-clubman the professional but less socially adept Talman and to persuade the
2047:, who visited Blenheim Palace in the autumn of 1727, described it as 'a great mass of stone with neither charm nor taste' and thought that if the apartments 'were but as spacious as the walls thick, the house would be commodious enough'.
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Among architects, only Vanbrugh could have taken for his inspiration one of Palladio's masterpieces, and while retaining the humanist values of the building, alter and adapt it, into a unique form of baroque unseen elsewhere in Europe.
1300:, (he was still an Earl at the time) on Christmas Day of that year: 'I have seen most of the great houses in the North, as Ld Nottings (sic): Duke of Leeds Chattesworth (sic) &C.' This itinerary likely included many of the great
2236:) and schools named in his honour. His architectural works have been described as "the architectural equivalent of the heroic play, theatrical, grandiose, a dramatic grouping of restless masses with little reference to function."
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rose to become one of Ireland's greatest architects. His influence in Yorkshire can also be seen in the work of the amateur architect William Wakefield, who designed several buildings in the county that show Vanbrugh's influence.
1850:. However, Seaton Delaval was to be on a much smaller scale. Work began in 1718 and continued for ten years. The building is an advancement on the style of Blenheim, rather than the earlier Castle Howard. The principal block, or
1756:, and each side consists of two bays in which the windows have wide flat surrounds. There are four parapet vases. The steps originally had low flank walls perpendicular to the facade, which were removed in the later remodelling.
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political importance was much greater before it went public in 1700, in calmer and more Whiggish times. Downes proposes a role for an early Kit-Cat grouping in the armed invasion by William of Orange and the Glorious Revolution.
1883:. The twin columns are severe and utilitarian, and yet ornament, as they provide no structural use. This is part of the furtive quality of the baroque of Seaton Delaval: the ornamental appears as a display of strength and mass.
1268:'s grand classical work (1656–61) in the château well. On his release from prison (he was at the Bastille by then) on 22 November 1692 he spent a short time in Paris, there he would have seen much recent architecture including
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described Blenheim as 'uniting in one building the beauty and magnificence of Grecian architecture, the picturesqueness of the Gothic, and the massive grandeur of a castle.' In his fifth Royal Academy lecture of 1810, Sir
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UK. Whilst the house and the majority of the estate buildings are still standing others have been demolished or been heavily altered. Bristol is the only UK city outside London to possess buildings designed by Vanbrugh.
1085:, however, came very close to not being performed at all. The United Company had lost all its senior performers, and had great difficulty in finding and keeping actors of sufficient skills for the large cast required by
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The entrance front, on the southwest, has a centre containing six Corinthian pilasters, with those at each side paired to produce three bays, each of which contains a round arched window. The pediment has a central
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Vanbrugh is remembered today for his vast contribution to British culture, theatre, and architecture. An immediate dramatic legacy was found among his papers after his sudden death, the three-act comedy fragment
462:), but always had to rely on loans and backers. The fact that Giles Vanbrugh had twelve children to support and set up in life may go some way towards explaining the debts that were to plague John all his life.
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Greenwich Palace, Wren's unexecuted design for Greenwich, which like Castle Howard was dominated by a domed centre block, and of course Talman's Chatsworth. A possible inspiration for Castle Howard was also
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at the outset of Vanbrugh's dramatic career, Colley Cibber again became involved, and this time he had last word. Cibber, now a successful actor-manager, completed Vanbrugh's manuscript under the title of
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with the Earl of Carlisle, visited the completed Blenheim as members of the viewing public in 1725, they were refused admission to even enter the park. The palace had been completed by Nicholas Hawksmoor.
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The northeast and northwest facades of Vanbrugh's original design were entirely undecorated, and a consequent lack of popular appeal may be the reason why they were largely destroyed in later remodelling.
1602:. As it was designed as a national monument first and a comfortable family home second, Vanbrugh had many arguments with the Duchess who wanted the Palace to be a comfortable country house for her family,
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Sherwood and Pevsner describe it as set there by Marlborough "like a head on a stake": their quotation marks, and suggesting, although not directly stating, that the description was Marlborough's own.
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Walpole was not as complimentary of Blenheim, describing it as 'execrable within, without & almost all round' and went on 'a quarry of stone that looked at a distance like a great house'. In 1773
1687:, all designed on an axis with the 134 foot (41 m) high column of victory in the grounds, with the trees planted in the battle positions of Marlborough's soldiers. Over the south portico (
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Nicholas Hawksmoor, Vanbrugh's friend and collaborator on so many projects continued to design many London churches for ten years after Vanbrugh's death. Vanbrugh's pupil and cousin the architect
2277:
Quarterly, (1 & 4) gules, on a fess or 3 barrulets vert, in chief a demi-lion argent issuing from the fess (Vanbrugh); (2 & 3) argent, on a bend sable 3 voided lozenges argent (Carleton).
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wrote in his 13th Discourse '...in the buildings of Vanbrugh, who was a poet as well as an architect, there is a greater display of imagination, than we shall find perhaps in any other.' In 1796
1093:, did turn out a tremendous success that saved the company, not least by virtue of Colley Cibber again bringing down the house with his second impersonation of Lord Foppington. "This play (the
1121:, and adapted to the greater acting skills of the rebels. Vanbrugh had good reason to offer his second play to the new company, which had got off to a brilliant start by premièring Congreve's
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subplot, Vanbrugh provides the more traditional Restoration attraction of an overly well-dressed and exquisite fop, Lord Foppington, a brilliant re-creation of Cibber's Sir Novelty Fashion in
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had been robustly phrased to be suitable for amateurs and minor acting talents, he could count on versatile professionals like Thomas Betterton, Elizabeth Barry, and the rising young star
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Vanbrugh's prompt success as an architect can be attributed to his friendships with the influential of the day. No less than five of his architectural patrons were fellow members of the
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between two flanking wings. At Seaton Delaval the wings have a centre projection of three bays, crowned by pediment, either side of which are 7 bays of sash windows above a ground floor
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of the service block, it has been described as resembling an impregnable entrance to a walled city. The gate, its tapering walls creating an illusion of greater height, also serves as
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had this to say about Castle Howard: "great play & charm in Hall. I could not leave it. Vast effect, movement in staircases &c. good effect of long passages on entering."
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of Blenheim Palace and producing a 'castle air'. It is square in shape and open on the northeast. The current structure is the result of a rebuilding in 1968, using Bath Stone.
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The precise reasons and motivations behind Vanbrugh's change in career remain unclear, but the decision was sudden enough even to be remarked upon by commentators of his time:
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40,000 a year in trade from Barbados, throws a new light on Vanbrugh's social background, one rather different from the picture of a backstreet Chester sweetshop as painted by
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versions, but as such, they remained popular. Throughout Colley Cibber's long and successful acting career, audiences continued to demand to see him as Lord Foppington in
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Though Vanbrugh is best known in connection with stately houses, the parlous state of London's 18th-century streets did not escape his attention. It was reported in the
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in February 1692. This raised the profile of his case once more, finally prompting his release in November of the same year, in an exchange of political prisoners.
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husband, and the perfect wife is celebrated and rewarded in a climactic finale where the cheating husband kneels to her and expresses the depth of his repentance.
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remain controversial. On 21 June 1703 the obsolete office of Carlisle Herald was revived for Vanbrugh. This appointment was followed by a promotion to the post of
3280:"Warrant Books: April 1713, 1-15 Pages 169-184 Calendar of Treasury Books, Volume 27, 1713. Originally published by Her Majesty's Stationery Office, London, 1955"
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The pediment over the south portico is a complete break from the convention. The flat top is decorated by a trophy bearing the marble bust of Louis XIV looted by
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1463:, is very much in the school of classic European baroque. It combined aspects of design that had only appeared occasionally, if at all, in English architecture:
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998:, had a final scene that to Vanbrugh's critical mind demanded a sequel, and even though it was his first play he threw himself into the fray by providing it.
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1955:, the parliamentary treasurer, appointed Vanbrugh, and outlined his remit. Sadly, nowhere did this warrant mention Queen, or Crown. This error provided the
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below) and hoped to improve the chances of legitimate theatre in London. Theatre was under threat from more colourful types of entertainment such as opera,
435:("Vanbrugh's Lost Years", 3 September 1999) that Vanbrugh was in India for part of this period, working for the East India Company at their trading post in
287:. His architectural work was as bold and daring as his early political activism and marriage-themed plays, and jarred conservative opinions on the subject.
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The picture of a well-connected youth is reinforced by the fact that Vanbrugh in January 1686 took up an officer's commission in his distant relative the
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You have your end Madam, for I will never trouble you more Unless the Duke of Marlborough recovers so far, to shelter me from such intolerable Treatment.
1249:, in this quote, suggests that Vanbrugh had no previous training in, nor studied architecture, but applied himself to the discipline whole-heartedly.
1127:, the greatest London box-office success for years. The actors' cooperative boasted the established star performers of the age, and Vanbrugh tailored
1994:, completed the work in perfect imitation of the greater masters, so perhaps there was fault and intransigence on both sides in this famed argument.
413:, and their coats of arms can be traced in three out of four cases, revealing that Vanbrugh was of gentle descent (Jacobson, of Antwerp and London ;
389:. Sugar refining would normally have been combined with sugar trading, which was a lucrative business. Downes' example of one sugar baker's house in
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1990:, refused to work for the lower rates paid by the Marlboroughs. The craftsmen brought in by the Duchess, under the guidance of furniture designer
841:, York, aged 26 to his 55. In spite of the age difference, this was by all accounts a happy marriage, which produced two sons. Unlike that of the
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were designed to be overpowering and magnificent displays, rather than warm, or comfortable. Cosy, middle class comfort was not the intention at
1854:, containing, as at Blenheim and Castle Howard, the principal state and living room, forms the centre of a three-sided court. Towers crowned by
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1444:, often described as England's first truly baroque building. The baroque style at Castle Howard is the most European that Vanbrugh ever used.
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of the building was of equal, if not greater, importance than the interior layout. In every aspect of the house, subtlety was the keyword.
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abound, and galleries linked by soaring arches give the impression of an opera stage-set – doubtless the intention of the architect.
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said that 'By studying his works the artist will acquire a bold flight of irregular fancy', calling him 'the Shakespeare of architects'.
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The arcade formed by linking the chimneys, which rises above the roof, is a notable external feature of the building, reminiscent of the
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and temptations, while a London wife drives her patient husband to despair with her gambling and her consorting with the demi-monde of
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and historian, although the appointment was "incongruous", he was "possibly the most distinguished man who has ever worn a herald's
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Barker (by whom Vanbrugh's mother had the first of her twenty children, Vanbrugh's elder half-sister, Elizabeth), and daughter of
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been built. Though the only decoration is the rustication on the Doric temple's pilasters, a remarkably rich effect is achieved.
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Cordner, Michael. "Playwright versus priest: profanity and the wit of Restoration comedy". In Deborah Payne Fisk (ed.) (2000),
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Blenheim, the largest non-royal domestic building in England, consists of three blocks, the centre containing the living and
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of the flanking wings, the heavy stonework and intricate recesses all create light and shade which is ornament in itself.
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in 1709, weighing 30 tons. The positioning of the bust was an innovative new design in the decoration of a pediment.
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for the palace, thus confounding those of Vanbrugh's critics, such as the Duchess, who accused him of impracticability.
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Work on each of these projects overlapped with that on the next, providing a natural progression of thoughts and style.
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615:. At some point in the mid-1690s, it is not known exactly when, he exchanged army life for London and the London stage.
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p753, The Dictionary of Biographical Quotations, Justin Wintle & Richard Kenin (eds), 1978, Routledge & K. Paul
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The day after the Queen's death the Marlboroughs returned, and were reinstated in favour at the court of the new King
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background, and writes that a 19th-century suggestion that Giles Vanbrugh was a sugar-baker has been misunderstood. "
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and 18th century society, not only by the sexual explicitness of his plays, but also by their messages in defence of
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was almost disguised: a recess or a pillar was not placed for support, but to create a play of light or shadow. The
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leading from the main entrance block to the flanking wings, its centre crowned by a great domed tower complete with
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in Chester, though no records of his being a scholar there survive. Another candidate would have been the school at
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1097:)", writes Cibber in his autobiography forty years later, "from its new and easy Turn of Wit, had great Success".
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1808:, it replaced the existing house on the site. It is possible that the design of Seaton Delaval was influenced by
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The great court, and state entrance to the palace. The Duchess of Marlborough felt the building was extravagant.
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493:. Carlisle's grandmother, Lady Anne Howard, Countess of Carlisle, was first cousin to the 3rd Earl of Berkshire
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page 16, Sir John Vanbrugh The Playwright as Architect, Frank McCormick, 1991, Pennsylvania State University,
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to appeal simultaneously to rakish and respectable Londoners, it worked: the play was a great box-office hit.
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As an architect (or surveyor, as the term then was) Vanbrugh is thought to have had no formal training (see "
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In a letter dated 10 March 1740, the German Jacob Friedrich, Baron Bielfeld had this to say about Vanbrugh:
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on each floor filled the central space between two shallow projections. Perhaps to improve the view down to
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during years of imprisonment in France affected him is hard to gauge, in April 1691 he was transferred to
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1643:. Vanbrugh cunningly slightly tapered the sides to create an illusion of even greater height and drama.
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235:(1697), which have become enduring stage favourites but originally occasioned much controversy. He was
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The interiors are extremely dramatic, the Great Hall rising 80 feet (24 m) into the cupola.
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Vanbrugh's family background and youth have been relayed down the centuries as hearsay and anecdote.
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1978:
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In 1698, Vanbrugh's argumentative and sexually frank plays were singled out for special attention by
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designed by Vanbrugh in the earliest stages of his career. A Grade I listed building, and formerly a
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In 1703, Vanbrugh started buying land and signing backers for the construction of a new theatre, the
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From 1686, Vanbrugh was working undercover, playing a role in bringing about the armed invasion by
332:. It was also not uncommon for boys to be sent to study at school away from home, or with a tutor.
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The likewise severe, but perfectly proportioned, garden facade has at its centre a four-columned,
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The design concept Vanbrugh drew up was similar to that employed at Castle Howard and Blenheim: a
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As a result of these arguments Vanbrugh resigned before the palace was completed in November 1716.
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as 'Ugly and clumsy enough to have been the work of Vanbrugh if it had been in England.' In 1772
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I made Mr. Vanbrugh my enemy by the constant disputes I had with him to prevent his extravagance
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and his associate William Congreve. It was intended for the use of an actors' cooperative (see
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one to be buried alive; in short I have seen gigantic places before, but never a sublime one.'
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1919:. In 1702, through the influence of Charles Howard, Earl of Carlisle, Vanbrugh was appointed
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1341:, which had been spreading across Europe during the 17th century, promoted by, among others,
983:, often played the comic half of a contrasted tragic/comic heroine pair with Elizabeth Barry.
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Walpole's Letter to George Selwyn; The Letters ed. Mrs Paget Toynbee, VIII, 1904 p. 193
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page 48, Sir John Vanbrugh Storyteller in Stone, Vaughan Hart, 2008, Yale university Press,
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page 7, Sir John Vanbrugh Storyteller in Stone, Vaughan Hart, 2008, Yale University Press,
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page 6, Sir John Vanbrugh Storyteller in Stone, Vaughan Hart, 2008, Yale University Press,
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207:; 24 January 1664 (baptised) – 26 March 1726) was an English architect, dramatist and
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Boswell's London Journal, 1762–1763 (Yale Editions of the Private Papers of James Boswell)
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Vanbrugh is commemorated throughout Britain, by inns, street names, a university college (
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Vanbrugh was in many senses a radical throughout his life. As a young man and a committed
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Hart, Vaughan (2003). '"A Pretty Impudent Countenance": John Vanbrugh's Seaton Delaval',
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its size and proportions led to it being called, unflatteringly, a 'goose-pie' by Swift.
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pages 63–64, Sir John Vanbrugh A Biography, Kerry Downes, 1987, Sidgwick and Jackson,
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of 1688. He thus demonstrates an intense early identification with the Whig cause of
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page 59, The Life and Work of C.R. Cockerell, David Watkin, 1974, A. Zewemmer Ltd,
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2866:"Vanbrugh Castle - Greenwich - Greater London - England - British Listed Buildings"
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facades and similar demilune windows over a non-porticoed entrance. Even the large
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in the months he spent as a prisoner there he would have got to know the architect
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872:(then not considered part of London at all) in the house on Maze Hill now known as
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Vanbrugh's own first and second cousins included Sir Humphrey Ferrers (1652–1678),
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page 76, Sir John Vanbrugh A Biography, Kerry Downes, 1987, Sidgwick and Jackson,
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page 16, Sir John Vanbrugh A Biography, Kerry Downes, 1987, Sidgwick and Jackson,
477:(1639–1686). His wife (from 1673) was Vanbrugh's first-cousin, Dorothy née Ferrers
458:, Vanbrugh never seemed to possess any capital for business ventures (such as the
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3972:, vols 1–5 (ed. Bonamy Dobrée and Geoffrey Webb). Bloomsbury: The Nonesuch Press.
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in marriage. He was attacked on both counts, and was one of the prime targets of
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monument and celebration of victory, and that is what Vanbrugh gave the nation.
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It appears that the early drawings of the design for Castle Howard were made by
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but to the owner of a sugar house, a factory for the refining of raw sugar from
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Regarding the commission, William Talman, an already established architect and
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3875:. Vol. 27 (11th ed.). Cambridge University Press. pp. 880–881.
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Architectural Library, Soane Case 153, Lecture, V, January 1810, folios 50–51
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The qualities of the building are best illustrated by the massive East Gate (
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and her government, and is directly responsible for his subsequent success.
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Throughout the Georgian period reaction to Vanbrugh's architecture varied.
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Castle Howard, but also past the more severe but still decorated Blenheim.
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Vanbrugh's northwest facade consisted of a single flat surface, in which a
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4th Earl of Chesterfield to his son: Letters ed. B. Dobree, VI 1932, p2786
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Architectural Library, Soane Case 153, Lecture, V, January 1810, folio 52
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performance, Sir Novelty delighted the audiences. In the serious part of
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has shown in his well-researched modern biography (1987) that even the
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Thomas Betterton and the Management of Lincoln's Inn Fields 1695—1708
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to the balustrading of the low towers. The massing of the stone, the
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Sir John Soane: Enlightenment Thought and the Royal Academy Lectures
2040:, but his grave is unmarked and the above epitaph is as yet unused.
505:(1634–1714). His Countess was the Earl of Arran's sister. His uncle
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University Park, Pennsylvania: Pennsylvania State University Press.
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1816:(sometimes known as "La Malcontenta"), built circa 1555. Both have
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Some of Vanbrugh's kinsmen – as he addressed them in his letters:
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Short View of the Immorality and Profaneness of the English Stage
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The King's Theatre, 1704–1867: London's First Italian Opera House
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The Dramatic Works of Wycherley, Congreve, Vanbrugh and Farquhar.
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1959:
for the state when the costs and political infighting escalated.
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1874:, the austerity and solidity of Seaton Delaval firmly belongs in
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give the house something of what Vanbrugh called his castle air.
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Short View of the Immorality and Profaneness of the English Stage
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Short View of the Immorality and Profaneness of the English Stage
109:
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The Development of English Drama in the Late Seventeenth Century
2747:(who, as he points out, "was never inclined to generosity") and
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became, after being an iconic role for Thomas Betterton, one of
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The often-repeated claim that Vanbrugh wrote part of his comedy
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The English Factories in India, 1655–1660, William Foster, 1921
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a dimension that at least some critics are willing to consider
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Politically, the Club promoted the Whig objectives of a strong
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already greatly impure, left it disgusting and often odious'.
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Seaton Delaval Hall – central block viewed from the north
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treated as an important part of English heritage, it became a
837:(since rebuilt), Vanbrugh married Henrietta Maria Yarburgh of
692:, a limited monarchy, resistance to France, and primarily the
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258:. In his career as a playwright, he offended many sections of
4016:. Use with caution, this is an abridged and bowdlerised text.
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2516:. Society of Antiquaries of Newcastle upon Tyne. p. 124
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of his plays, Vanbrugh's personal life was without scandal.
787:." In May 1706 Lord Halifax and Vanbrugh – representing the
3790:. Carbondale, Illinois: Southern Illinois University Press.
3766:
Modern Architectural Theory: A Historical Survey, 1673–1968
884:
Boys' School, it is today divided into private apartments.
515:(1650–1701). Vanbrugh's mother was his (half) third cousin.
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3042:. Vol. 2. Oxford University Press. 1850. p. 142.
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From a bridge of 3 arches reversed or, a demi-lion argent.
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In spite of the distant noble relatives and the lucrative
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2584:(4th ed.). New Haven, Conn.: Yale University Press.
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A biographical dictionary of British architects 1600–1840
881:
846:
728:, designed by himself and managed by Vanbrugh along with
187:
32:
3977:
Sir John Vanbrugh, Architect & Dramatist, 1664–1726.
2959:"The Castle Howard Story: The Building of Castle Howard"
3525:"Reviews – A Journey to London (Orange Tree, Richmond)"
1455:
Castle Howard, with its immense corridors in segmental
1349:. The first baroque country house built in England was
681:
who gave Vanbrugh several architectural commissions at
499:(1640–1707). His Duchess was the Earl of Arran's sister
3942:
The Cambridge Companion to English Restoration Theatre
2981:
2510:
Society of Antiquaries of Newcastle upon Tyne (1923).
2396:
2394:
2392:
2390:
545:
509:
married Lettice Ferrers, aunt of the Countess of Arran
373:
is sceptical of earlier historians' claims of a lower
3923:
A Short Biographical Dictionary of English Literature
1582:
Blenheim Palace was conceived to be not only a grand
1520:
The house was demolished in 1898 to make way for the
958:
who brought depth to Lady Brute in Vanbrugh's comedy
929:. Betterton's acting ability was lavishly praised by
190:
3630:(2nd Revised ed.). Edinburgh University Press.
3251:"National Trust for Scotland: Demolish and preserve"
2799:, ed. G. Webb, Volume 4: The letters (1928), p. 170.
254:
on the throne. He was imprisoned by the French as a
196:
193:
184:
3593:
Sir John Vanbrugh and the End of Restoration Comedy
2387:
1284:and detail and his close working relationship with
181:
3745:
3565:"Clarenceux King of Arms | British History Online"
2743:), p.39; Saumarez Smith quotes strong praise from
868:". His married life, however, was mostly spent at
3814:Sherwood, Jennifer and Pevsner, Nikolaus (1974)
3752:. London: Charles Whittingham and Co. p. 338
3678:Downes, Kerry. "Vanbrugh, Sir John (1664–1726)".
3391:Walpole's letter to George Montagu, 20 May 1736;
3147:
3145:
1139:to do justice to characters of depth and nuance.
4902:
1256:" above). To what extent Vanbrugh's exposure to
1029:, wifely patience is tried by an out-of-control
4976:17th-century English dramatists and playwrights
3781:Sir John Vanbrugh: The Playwright as Architect.
3135:
3133:
766:Vanbrugh's introduction and advancement in the
637:A committed Whig, Vanbrugh was a member of the
554:Sketch of the infamous French state prison the
19:"Vanbrugh" redirects here. For other uses, see
3729:, London and New Haven: Yale University Press.
3459:(Cambridge: Cambridge University Press, 1996;
3314:"Great British Architects: Nicholas Hawksmoor"
3142:
1440:, commissioned Vanbrugh in 1699 to design his
1253:
425:architecture in France (stated as fact in the
401:in 1840 and reflected in many later accounts.
381:" implies wealth, as the term refers not to a
4114:
3746:Lowe, Robert William; Cibber, Colley (1889).
3180:
3178:
2472:
352:
3749:An apology for the life of Mr. Colley Cibber
3684:(online ed.). Oxford University Press.
3130:
2197:were only considered possible to perform in
519:Vanbrugh's younger brothers, Charles MP and
290:
283:career, he created what came to be known as
3644:
2718:
2716:
2656:
2654:
2539:
2537:
2535:
2533:
2531:
1910:
603:dramatists and the architecture of France.
219:. He wrote two argumentative and outspoken
4121:
4107:
3175:
2350:
2348:
2346:
2344:
2250:
1200:
595:, leading to his eventual transfer to the
359:
345:
43:
3768:. Cambridge: Cambridge University Press.
3667:, vol. 1. Bloomsbury: The Nonesuch Press.
3214:
3212:
2632:Harrison of Hurst, Harrison of Beech Hill
2557:
2555:
2553:
2551:
2549:
2443:10.1093/gao/9781884446054.article.T087787
1544:) shows the unique severe towering stone
1236:Van's genius, without thought or lecture,
1150:is something as unusual as a Restoration
558:in Paris, where Vanbrugh was incarcerated
320:of 1666. It is possible that he attended
246:, he was part of the scheme to overthrow
3944:, Cambridge: Cambridge University Press.
3897:
3855:
3836:
3800:. London: Society for Theatre research.
3647:At Home: A Short History of Private Life
3417:
2713:
2651:
2528:
2482:. Oxford University Press. p. 797.
2400:
2172:
2130:
1961:
1833:
1804:Built between 1718 and 1728 for Admiral
1693:
1626:
1531:
1446:
1421:
969:
946:
915:
893:
817:
708:
704:
549:
211:, perhaps best known as the designer of
4996:English male dramatists and playwrights
3793:
3727:Sir John Vanbrugh: Storyteller in Stone
3681:Oxford Dictionary of National Biography
3665:The Complete Works of Sir John Vanbrugh
3663:Dobrée, Bonamy (1927). Introduction to
3625:
3522:
3395:ed. Peter Cunningham, I, 1906 p. 6
2797:The Complete Works of Sir John Vanbrugh
2341:
1666:The suite of state rooms placed on the
1298:Charles Montagu, 1st Duke of Manchester
4903:
4128:
3843:. Oxford University Press. p. 430
3357:, Kerry Downes, 1977, A. Zwemmer Ltd,
3209:
3109:Sherwood and Pevsner, pp. 459–60.
2863:
2579:
2546:
2428:
2372:Berkowitz, "Preface"; McCormick, p. 4.
2189:On the 18th-century stage, Vanbrugh's
2018:Dead Sir John Vanbrugh's house of clay
1778:
1018:Love's Last Shift, Or, Virtue Rewarded
1016:Colley Cibber's notorious tear-jerker
761:
733:
330:Henry Hastings, 3rd Earl of Huntingdon
4102:
3879:
3606:
3421:The Discourses of Sir Joshua Reynolds
2479:The Oxford Dictionary of Architecture
2138:for Vanbrugh at his home in Greenwich
2032:Vanbrugh was buried in the church of
1718:
904:Love's Last Shift, or Virtue Rewarded
813:
481:The 3rd Earl of Berkshire (1619–1706)
2063:described the Roman amphitheatre at
1434:Charles Howard, 3rd Earl of Carlisle
1100:
540:Sir Orlando Bridgeman Bt (1650–1701)
3193:Sherwood and Pevsner, pp. 466.
2835:"Greenwich Guide - Vanbrugh Castle"
2630:The Visitation of Berkshire 1665–66
1631:Vanbrugh's monumental East Gate at
1505:
1288:. Hawksmoor, a former clerk of Sir
1113:Vanbrugh's second original comedy,
679:Richard Temple, 1st Viscount Cobham
632:
546:Political activism and the Bastille
13:
4786:John Wilmot, 2nd Earl of Rochester
3934:
3764:Mallgrave, Harry Francis. (2005).
3677:
3595:, Editions Rodopi (January 1981),
3424:. James Carpenter. pp. 237–38
3100:Sherwood and Pevsner, p. 460.
2891:"Theatre Royal Drury Lane, London"
1923:. This entitled him to a house at
1527:
14:
5022:
5011:English people of Flemish descent
3983:
3626:Boswell, James (11 August 2004).
3344:(The Folio Society, 1950), p.160.
2615:Architecture in Britain 1530–1830
1241:Is hugely turn'd to architecture.
1053:The Relapse, Or, Virtue in Danger
908:The Relapse, or, Virtue in Danger
58:National Portrait Gallery, London
4244:
4006:
3908:Dictionary of National Biography
3722:, vol.7 no.3/4, pp. 311–23.
3720:Architectural Research Quarterly
2735:(London: Faber and Faber, 1990;
2324:Dictionary of National Biography
2014:Under this stone, reader, survey
1411:
1337:Vanbrugh's chosen style was the
1258:contemporary French architecture
532:Sir Herbert Croft Bt (1652–1720)
427:Dictionary of National Biography
177:
4991:English people of Dutch descent
4986:17th-century English architects
4081:Comptroller of the King's Works
3674:. London: Sidgwick and Jackson.
3557:
3548:
3539:
3516:
3500:
3491:
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3449:
3436:
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3398:
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3334:
3306:
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3112:
3103:
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3085:
3055:
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3014:
2930:
2914:
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2883:
2857:
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2790:
2781:
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2763:
2754:
2725:
2704:
2688:
2672:
2663:
2635:
2620:
2607:
2598:
2573:
2564:
2305:
2159:and half-pay officers. As with
2023:Lie heavy on him, Earth! For he
2009:suggested this as his epitaph:
1921:Comptroller of the King's Works
1492:Comptroller of the King's Works
16:English architect and dramatist
4966:Burials at St Stephen Walbrook
3893:. Vol. 24 (9th ed.).
2503:
2466:
2422:
2406:
2366:
2357:
2293:List of works by John Vanbrugh
2245:Coat of arms of John Vanbrugh
2177:The role of Sir John Brute in
2071:described Castle Howard thus:
2027:Laid many heavy loads on thee!
1827:at Villa Foscari hints at the
1659:, and the other the kitchens,
1278:east wing of the Louvre Palace
1157:
1001:
618:
465:
1:
3947:Cropplestone, Trewin (1963).
3672:Sir John Vanbrugh:A Biography
3585:
2733:The Building of Castle Howard
2384:Robert Chambers, Book of Days
1131:to their specialities. While
887:
536:Sir Roger Cave Bt (1655–1703)
4931:English landscape architects
4273:The Adventures of Five Hours
4265:The Cutter of Coleman Street
3833:. London: Thames and Hudson.
3715:. London: Thames and Hudson.
3698:UK public library membership
2870:britishlistedbuildings.co.uk
2335:
1226:
503:The 2nd Earl of Chesterfield
7:
4085:1702 – 1726
4014:Vanbrugh, The Provoked Wife
4005:(public domain audiobooks)
3975:Whistler, Laurence (1938).
3954:Dal Lago, Adalbert (1966).
3840:The Poems of Jonathan Swift
3713:Cultural History of England
3545:Mallgrave 2005, p. 47.
3527:. The British Theatre Guide
2286:
1590:. It is in truth more of a
1426:Vanbrugh's south facade of
1074:(Sir Novelty has simply in
906:inspired Vanbrugh to write
582:, Vanbrugh was arrested at
538:and Cave's sister, wife of
10:
5027:
4926:English Baroque architects
4585:The Marriage-Hater Matched
3862:"Vanbrugh, Sir John"
3739:Hunt, Leigh (ed.) (1840).
3736:. Oxford: Clarendon Press.
2205:, while Sir John Brute in
1943:, particularly wanted Sir
1782:
1722:
1635:is more the entrance to a
1551:
1509:
1415:
1274:Collège des Quatre-Nations
1106:
835:St Lawrence's Church, York
513:The 7th Earl of Huntingdon
80:24 January 1664 (baptised)
18:
5006:Prisoners of the Bastille
4981:17th-century male writers
4873:Restoration of Charles II
4794:
4743:
4715:
4253:
4242:
4136:
4087:
4078:
4070:
4065:
3958:. Milan: Fratelli Fabbri.
3837:Williams, Harold (1958).
3779:McCormick, Frank (1991).
3609:The work of John Vanbrugh
3569:www.british-history.ac.uk
3444:Essays on the Picturesque
3418:Reynolds, Joshua (1842).
3153:"A History of the Palace"
2126:
1614:illustration, below, left
1436:, a fellow member of the
623:
527:, were naval commanders.
432:Times Literary Supplement
291:Early life and background
166:
136:
132:
124:
116:
94:
69:
42:
30:
21:Vanbrugh (disambiguation)
4956:Architects from Cheshire
4936:English officers of arms
3794:Nalbach, Daniel (1972).
3786:Milhous, Judith (1979).
3732:Hume, Robert D. (1976).
3711:Halliday, E. E. (1967).
3607:Beard, Geoffery (1986).
3467:), p. 338, quoting
2893:. London Theatre Tickets
2731:Charles Saumarez Smith,
2476:; Wilson, Susan (2015).
2298:
2121:Charles Robert Cockerell
2088:in the preface to their
1947:. However, eventually a
1939:Duchess, the formidable
1911:Architectural reputation
1831:of Seaton's great hall.
1548:ornamenting the skyline.
1451:Temple of the Four Winds
1051:Vanbrugh's witty sequel
713:The Queen's Theatre, by
487:The 3rd Earl of Carlisle
393:, estimated to bring in
369:Architectural historian
308:, Surrey. He grew up in
4946:People from Westminster
4489:A Commonwealth of Women
3968:Vanbrugh, John (1927).
3961:Harlin, Robert (1969).
3890:Encyclopædia Britannica
3872:Encyclopædia Britannica
3486:Sir John Soane's Museum
3469:Sir John Soane's Museum
3268:(subscription required)
2580:Colvin, Howard (2007).
2318:Encyclopædia Britannica
2239:
2005:After Vanbrugh's death
1542:"Vanbrugh's castle air"
1522:Old War Office Building
1384:, commissioned in 1704;
1374:, commissioned in 1699;
1201:Changing audience taste
876:, a miniature Scottish
772:Clarenceux King of Arms
576:parliamentary democracy
415:Carleton of Imber Court
4961:Architects from London
4878:Second Anglo-Dutch War
4697:The Recruiting Officer
4297:She Would If She Could
3999:Works by John Vanbrugh
3990:Works by John Vanbrugh
3829:Watkin, David (1979).
3725:Hart, Vaughan (2008).
3708:. Oxford: Alden Press.
3690:10.1093/ref:odnb/28058
3670:Downes, Kerry (1987).
3591:Berkowitz, Gerald M.,
3554:Halliday, p. 187.
3523:Thaxter, John (2005).
3446:(1798) II, p. 252
3353:Appendix M, page 275,
3284:British History Online
2839:greenwich-guide.org.uk
2429:Downes, Kerry (2003).
2213:'s most famous roles.
2186:
2139:
2099:
2078:
2057:
2030:
1970:
1839:
1707:
1644:
1549:
1452:
1430:
1335:
984:
965:
942:
911:
830:
798:– led a delegation to
717:
559:
497:The Duke of Devonshire
4601:The Canterbury Guests
4521:The Squire of Alsatia
4409:Friendship in Fashion
3965:. London: Condé Nast.
3704:Green, David (1982).
3484:p. 337, quoting
3408:p 1 footnote 1 (1773)
3406:Works in Architecture
2437:. Oxford Art Online.
2185:'s most famous roles.
2176:
2134:
2094:
2090:Works in Architecture
2073:
2052:
2011:
2002:the field of battle.
1965:
1837:
1697:
1630:
1562:forces defeated King
1560:Duke of Marlborough's
1535:
1450:
1425:
1331:
1329:of 16 March 1722–23:
973:
950:
919:
897:
852:Vanbrugh died "of an
821:
712:
705:The Haymarket theatre
553:
419:Croft of Croft Castle
4863:Lincoln's Inn Fields
4705:The Beaux' Stratagem
4689:The Careless Husband
4665:The Way of the World
3831:English Architecture
3645:Bill Bryson (2010).
3340:Desmond Flower(ed),
3225:World Heritage Sites
3052:Downes, pp. 193–204.
2778:Milhous, p. 194
2431:"Vanbrugh, Sir John"
2226:Edward Lovett Pearce
2167:The Provoked Husband
1925:Hampton Court Palace
1262:Château de Vincennes
923:, Sir John Brute in
754:business in 1708 to
671:Thomas Pelham-Holles
566:, the deposition of
444:Earl of Huntingdon's
221:Restoration comedies
4951:Artists from London
4941:People from Chester
4657:The Constant Couple
4537:The Fortune Hunters
4513:A Fool's Preferment
4449:The London Cuckolds
4289:The Mulberry-Garden
4281:The Comical Revenge
4053:Seaton Delaval Hall
3926:, 1910 – via
3322:. 13 September 2009
3063:"Journal to Stella"
2845:on 29 November 2009
2617:(Yale 1993) p. 252.
2246:
2145:A Journey to London
2034:St Stephen Walbrook
1790:Seaton Delaval Hall
1785:Seaton Delaval Hall
1779:Seaton Delaval Hall
1713:World Heritage Site
1655:: one contains the
1570:, a village on the
1536:The West facade of
1398:Seaton Delaval Hall
1304:houses, including:
804:Order of the Garter
796:Sir Henry St George
792:Garter King of Arms
777:Deputy Earl Marshal
762:The College of Arms
659:Duke of Marlborough
572:Glorious Revolution
525:Newfoundland Colony
507:Ferdinando Stanhope
298:Sir Dudley Carleton
149:Seaton Delaval Hall
4345:Marriage à la mode
4313:Sir Solomon Single
4130:Restoration comedy
4048:Kings Weston House
3970:The Complete Works
3949:World Architecture
3918:Vanbrugh, Sir John
3885:Vanbrugh, Sir John
3818:(London: Penguin;
3342:Voltaire's England
2813:Heralds of England
2570:Downes, pp. 32–33.
2244:
2187:
2140:
1971:
1929:Greenwich Hospital
1840:
1730:Kings Weston House
1725:Kings Weston House
1719:Kings Weston House
1708:
1645:
1577:Nicholas Hawksmoor
1550:
1500:Nicholas Hawksmoor
1481:Corinthian columns
1453:
1431:
1388:Kings Weston House
1286:Nicholas Hawksmoor
985:
966:
943:
941:and Colley Cibber.
912:
831:
814:Marriage and death
718:
675:Sir Robert Walpole
667:Earl of Burlington
560:
256:political prisoner
161:Kings Weston House
153:Grimsthorpe Castle
4898:
4897:
4812:Comedy of manners
4673:Sir Harry Wildair
4649:Love and a Bottle
4625:Love's Last Shift
4545:The English Friar
4457:Sir Barnaby Whigg
4441:The Woman Captain
4305:An Evening's Love
4236:William Wycherley
4151:Susanna Centlivre
4097:
4096:
4088:Succeeded by
3994:Project Gutenberg
3807:978-0-85-430003-7
3696:(Subscription or
3656:978-0-385-61917-2
3637:978-0-7486-2146-0
3618:978-0-7134-4678-4
3601:978-90-6203-503-8
3220:"Blenheim Palace"
3073:on 13 August 2014
3039:Notes and Queries
3026:978-0-300-11929-9
2942:978-0-300-11929-9
2926:978-0-300-11929-9
2749:Lord Chesterfield
2591:978-0-300-12508-5
2452:978-1-884446-05-4
2435:Oxford Art Online
2284:
2283:
2207:The Provoked Wife
2179:The Provoked Wife
2116:Sir Robert Smirke
1953:Earl of Godolphin
1689:illustrated right
1217:Love's Last Shift
1148:The Provoked Wife
1143:The Provoked Wife
1129:The Provoked Wife
1115:The Provoked Wife
1109:The Provoked Wife
1102:The Provoked Wife
1072:Love's Last Shift
1057:Love's Last Shift
1037:Love's Last Shift
1027:Love's Last Shift
1012:Love's Last Shift
996:Love's Last Shift
980:The Provoked Wife
961:The Provoked Wife
954:was a celebrated
926:The Provoked Wife
860:and satirised by
735:The Provoked Wife
608:The Provoked Wife
564:William of Orange
475:The Earl of Arran
460:Haymarket Theatre
326:Ashby-de-la-Zouch
322:The King's School
232:The Provoked Wife
173:Sir John Vanbrugh
170:
169:
5018:
5001:Knights Bachelor
4807:Chocolate houses
4795:Related articles
4776:James II and VII
4609:The Married Beau
4569:The Wives Excuse
4553:Sir Anthony Love
4497:Sir Courtly Nice
4377:The Plain-Dealer
4361:Love in the Dark
4353:The Country Wife
4248:
4216:Thomas Southerne
4161:William Congreve
4123:
4116:
4109:
4100:
4099:
4071:Preceded by
4063:
4062:
4010:
4009:
3930:
3912:
3899:Seccombe, Thomas
3894:
3876:
3864:
3857:Seccombe, Thomas
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3257:. 12 August 2010
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3206:pp. 459–60.
3200:
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3185:
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3170:
3168:
3163:on 27 April 2010
3159:. Archived from
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3069:. Archived from
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2998:. Archived from
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2969:on 15 April 2010
2965:. Archived from
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2243:
1988:Grinling Gibbons
1945:Christopher Wren
1579:on the project.
1506:Vanbrugh's House
1404:, begun in 1718.
1394:, begun in 1712;
1360:Earl of Carlisle
1351:Chatsworth House
1294:Kimbolton Castle
1290:Christopher Wren
1171:The False Friend
1137:Anne Bracegirdle
1079:smart" (Hume ).
1031:Restoration rake
975:Anne Bracegirdle
921:Thomas Betterton
858:Whitehall Palace
730:Thomas Betterton
643:William Congreve
633:The Kit-Cat Club
361:
354:
347:
316:in 1665, or the
314:plague in London
206:
205:
202:
201:
198:
195:
192:
189:
186:
183:
101:
79:
77:
54:kit-cat portrait
47:
28:
27:
5026:
5025:
5021:
5020:
5019:
5017:
5016:
5015:
4901:
4900:
4899:
4894:
4790:
4766:Marquis de Sade
4739:
4711:
4681:The Lying Lover
4641:The Campaigners
4473:City Politiques
4425:Tunbridge Wells
4385:The Man of Mode
4369:The Country Wit
4249:
4240:
4231:George Villiers
4211:Thomas Shadwell
4181:George Farquhar
4176:George Etherege
4132:
4127:
4093:
4084:
4076:
4058:Vanbrugh Castle
4043:Blenheim Palace
4029:Colley Cibber,
4020:Colley Cibber,
4007:
3986:
3963:Historic Houses
3937:
3935:Further reading
3915:
3911:. Vol. 58.
3881:Watts, Theodore
3846:
3844:
3808:
3755:
3753:
3706:Blenheim Palace
3695:
3657:
3638:
3619:
3588:
3583:
3573:
3571:
3563:
3562:
3558:
3553:
3549:
3544:
3540:
3530:
3528:
3521:
3517:
3505:
3501:
3496:
3492:
3482:Sir John Soane,
3479:
3475:
3454:
3450:
3441:
3437:
3427:
3425:
3416:
3412:
3403:
3399:
3390:
3386:
3381:
3377:
3372:
3368:
3352:
3348:
3339:
3335:
3325:
3323:
3312:
3311:
3307:
3302:
3298:
3288:
3286:
3278:
3277:
3273:
3267:
3260:
3258:
3249:
3248:
3244:
3234:
3232:
3218:
3217:
3210:
3201:
3197:
3192:
3188:
3183:
3176:
3166:
3164:
3157:Blenheim Palace
3151:
3150:
3143:
3138:
3131:
3126:
3122:
3117:
3113:
3108:
3104:
3099:
3095:
3090:
3086:
3076:
3074:
3067:Vanbrug's House
3061:
3060:
3056:
3051:
3047:
3036:
3035:
3031:
3019:
3015:
3005:
3003:
2996:Blenheim Palace
2990:
2989:
2982:
2972:
2970:
2957:
2956:
2947:
2935:
2931:
2919:
2915:
2910:
2906:
2896:
2894:
2889:
2888:
2884:
2874:
2872:
2862:
2858:
2848:
2846:
2833:
2832:
2828:
2824:Williams, p.109
2823:
2819:
2815:. 1967, p. 326.
2807:
2803:
2795:
2791:
2786:
2782:
2777:
2773:
2768:
2764:
2759:
2755:
2730:
2726:
2721:
2714:
2709:
2705:
2693:
2689:
2677:
2673:
2668:
2664:
2659:
2652:
2640:
2636:
2625:
2621:
2612:
2608:
2603:
2599:
2592:
2578:
2574:
2569:
2565:
2560:
2547:
2542:
2529:
2519:
2517:
2508:
2504:
2494:
2492:
2490:
2471:
2467:
2457:
2455:
2453:
2427:
2423:
2411:
2407:
2399:
2388:
2383:
2376:
2371:
2367:
2362:
2358:
2353:
2342:
2338:
2333:
2332:
2310:
2306:
2301:
2289:
2242:
2149:Collected Works
2129:
2103:Joshua Reynolds
2025:
2021:
2016:
1967:Blenheim Palace
1941:Sarah Churchill
1913:
1787:
1781:
1769:Venetian window
1727:
1721:
1633:Blenheim Palace
1556:
1554:Blenheim Palace
1538:Blenheim Palace
1530:
1528:Blenheim Palace
1514:
1512:Goose-Pie House
1508:
1470:Vaux-le-Vicomte
1420:
1414:
1378:Blenheim Palace
1372:North Yorkshire
1318:Bolsover Castle
1229:
1203:
1187:The Confederacy
1179:Squire Trelooby
1160:
1111:
1105:
1006:
987:
986:
967:
952:Elizabeth Barry
944:
913:
890:
874:Vanbrugh Castle
839:Heslington Hall
823:Vanbrugh Castle
816:
768:College of Arms
764:
746:(introduced by
722:Queen's Theatre
707:
663:Charles Seymour
651:Godfrey Kneller
635:
626:
621:
548:
489:(1669–1738) of
468:
383:maker of sweets
367:
366:
365:
339:
337:
293:
285:English Baroque
213:Blenheim Palace
180:
176:
159:
155:
151:
147:
143:
141:Blenheim Palace
112:
103:
99:
90:
81:
75:
73:
65:
50:Godfrey Kneller
38:
35:
24:
17:
12:
11:
5:
5024:
5014:
5013:
5008:
5003:
4998:
4993:
4988:
4983:
4978:
4973:
4971:Male feminists
4968:
4963:
4958:
4953:
4948:
4943:
4938:
4933:
4928:
4923:
4918:
4913:
4896:
4895:
4893:
4892:
4887:
4880:
4875:
4870:
4865:
4860:
4855:
4847:
4839:
4834:
4829:
4824:
4819:
4814:
4809:
4804:
4798:
4796:
4792:
4791:
4789:
4788:
4783:
4778:
4773:
4768:
4763:
4758:
4756:Jeremy Collier
4753:
4747:
4745:
4744:Related people
4741:
4740:
4738:
4737:
4732:
4727:
4721:
4719:
4713:
4712:
4710:
4709:
4701:
4693:
4685:
4677:
4669:
4661:
4653:
4645:
4637:
4629:
4621:
4613:
4605:
4597:
4593:The Volunteers
4589:
4581:
4577:Greenwich Park
4573:
4565:
4561:Love for Money
4557:
4549:
4541:
4533:
4525:
4517:
4509:
4501:
4493:
4485:
4477:
4469:
4461:
4453:
4445:
4437:
4429:
4421:
4417:Squire Oldsapp
4413:
4405:
4401:A Fond Husband
4397:
4389:
4381:
4373:
4365:
4357:
4349:
4341:
4333:
4325:
4321:Love in a Wood
4317:
4309:
4301:
4293:
4285:
4277:
4269:
4260:
4258:
4251:
4250:
4243:
4241:
4239:
4238:
4233:
4228:
4223:
4221:Richard Steele
4218:
4213:
4208:
4206:Charles Sedley
4203:
4198:
4193:
4188:
4183:
4178:
4173:
4171:Thomas D'Urfey
4168:
4163:
4158:
4153:
4148:
4142:
4140:
4134:
4133:
4126:
4125:
4118:
4111:
4103:
4095:
4094:
4089:
4086:
4077:
4074:William Talman
4072:
4068:
4067:
4066:Court offices
4061:
4060:
4055:
4050:
4045:
4040:
4035:
4026:
4017:
4011:
3996:
3985:
3984:External links
3982:
3981:
3980:
3973:
3966:
3959:
3952:
3945:
3936:
3933:
3932:
3931:
3913:
3903:Vanbrugh, John
3895:
3877:
3867:Chisholm, Hugh
3853:
3834:
3827:
3812:
3806:
3791:
3784:
3777:
3762:
3743:
3737:
3730:
3723:
3716:
3709:
3702:
3675:
3668:
3661:
3655:
3642:
3636:
3623:
3617:
3604:
3587:
3584:
3582:
3581:
3556:
3547:
3538:
3515:
3499:
3490:
3473:
3455:David Watkin,
3448:
3435:
3410:
3404:Adam and Adam
3397:
3384:
3375:
3366:
3346:
3333:
3305:
3296:
3271:
3242:
3208:
3195:
3186:
3174:
3141:
3129:
3120:
3111:
3102:
3093:
3084:
3054:
3045:
3029:
3013:
3002:on 14 May 2010
2980:
2945:
2929:
2913:
2904:
2882:
2856:
2826:
2817:
2801:
2789:
2787:Nalbach, p. 10
2780:
2771:
2762:
2753:
2745:Alexander Pope
2724:
2712:
2710:Downes, p. 75.
2703:
2687:
2671:
2662:
2650:
2634:
2619:
2613:Summerson, J.
2606:
2597:
2590:
2572:
2563:
2545:
2527:
2502:
2488:
2474:Stevens, James
2465:
2451:
2421:
2405:
2386:
2374:
2365:
2356:
2339:
2337:
2334:
2331:
2330:
2303:
2302:
2300:
2297:
2296:
2295:
2288:
2285:
2282:
2281:
2280:
2279:
2274:
2271:
2266:
2263:
2260:
2255:
2241:
2238:
2181:became one of
2128:
2125:
2069:Horace Walpole
2038:City of London
1957:get-out clause
1951:signed by the
1912:
1909:
1876:Northumberland
1852:corps de logis
1844:corps de logis
1806:George Delaval
1783:Main article:
1780:
1777:
1723:Main article:
1720:
1717:
1616:), set in the
1552:Main article:
1529:
1526:
1510:Main article:
1507:
1504:
1416:Main article:
1413:
1410:
1406:
1405:
1402:Northumberland
1395:
1385:
1375:
1355:William Talman
1353:, designed by
1326:London Journal
1306:Burghley House
1247:Jonathan Swift
1244:
1243:
1238:
1228:
1225:
1207:Jeremy Collier
1202:
1199:
1198:
1197:
1191:
1183:
1175:
1167:
1159:
1156:
1107:Main article:
1104:
1099:
1005:
1000:
977:, Bellinda in
968:
945:
939:Richard Steele
935:Alexander Pope
914:
892:
891:
889:
886:
829:, south London
815:
812:
802:to confer the
763:
760:
706:
703:
699:Horace Walpole
647:Joseph Addison
634:
631:
625:
622:
620:
617:
547:
544:
523:, Governor of
517:
516:
510:
500:
494:
484:
478:
467:
464:
364:
363:
356:
349:
341:
340:
335:
334:
292:
289:
268:Jeremy Collier
264:women's rights
168:
167:
164:
163:
138:
134:
133:
130:
129:
126:
122:
121:
118:
114:
113:
104:
102:(aged 62)
96:
92:
91:
82:
71:
67:
66:
56:, held in the
48:
40:
39:
36:
31:
15:
9:
6:
4:
3:
2:
5023:
5012:
5009:
5007:
5004:
5002:
4999:
4997:
4994:
4992:
4989:
4987:
4984:
4982:
4979:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4959:
4957:
4954:
4952:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4911:John Vanbrugh
4909:
4908:
4906:
4891:
4888:
4886:
4885:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4852:
4851:The Libertine
4848:
4846:
4844:
4843:The Libertine
4840:
4838:
4835:
4833:
4830:
4828:
4825:
4823:
4822:Dorset Garden
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4799:
4797:
4793:
4787:
4784:
4782:
4779:
4777:
4774:
4772:
4769:
4767:
4764:
4762:
4761:Thomas Hobbes
4759:
4757:
4754:
4752:
4749:
4748:
4746:
4742:
4736:
4733:
4731:
4728:
4726:
4723:
4722:
4720:
4718:
4714:
4707:
4706:
4702:
4699:
4698:
4694:
4691:
4690:
4686:
4683:
4682:
4678:
4675:
4674:
4670:
4667:
4666:
4662:
4659:
4658:
4654:
4651:
4650:
4646:
4643:
4642:
4638:
4635:
4634:
4630:
4627:
4626:
4622:
4619:
4618:
4617:Love for Love
4614:
4611:
4610:
4606:
4603:
4602:
4598:
4595:
4594:
4590:
4587:
4586:
4582:
4579:
4578:
4574:
4571:
4570:
4566:
4563:
4562:
4558:
4555:
4554:
4550:
4547:
4546:
4542:
4539:
4538:
4534:
4531:
4530:
4526:
4523:
4522:
4518:
4515:
4514:
4510:
4507:
4506:
4502:
4499:
4498:
4494:
4491:
4490:
4486:
4483:
4482:
4478:
4475:
4474:
4470:
4467:
4466:
4462:
4459:
4458:
4454:
4451:
4450:
4446:
4443:
4442:
4438:
4435:
4434:
4430:
4427:
4426:
4422:
4419:
4418:
4414:
4411:
4410:
4406:
4403:
4402:
4398:
4395:
4394:
4390:
4387:
4386:
4382:
4379:
4378:
4374:
4371:
4370:
4366:
4363:
4362:
4358:
4355:
4354:
4350:
4347:
4346:
4342:
4339:
4338:
4334:
4331:
4330:
4329:The Rehearsal
4326:
4323:
4322:
4318:
4315:
4314:
4310:
4307:
4306:
4302:
4299:
4298:
4294:
4291:
4290:
4286:
4283:
4282:
4278:
4275:
4274:
4270:
4267:
4266:
4262:
4261:
4259:
4257:
4252:
4247:
4237:
4234:
4232:
4229:
4227:
4226:John Vanbrugh
4224:
4222:
4219:
4217:
4214:
4212:
4209:
4207:
4204:
4202:
4199:
4197:
4196:Robert Howard
4194:
4192:
4189:
4187:
4186:Edward Howard
4184:
4182:
4179:
4177:
4174:
4172:
4169:
4167:
4164:
4162:
4159:
4157:
4156:Colley Cibber
4154:
4152:
4149:
4147:
4144:
4143:
4141:
4139:
4135:
4131:
4124:
4119:
4117:
4112:
4110:
4105:
4104:
4101:
4092:
4091:Thomas Ripley
4083:
4082:
4075:
4069:
4064:
4059:
4056:
4054:
4051:
4049:
4046:
4044:
4041:
4039:
4038:Castle Howard
4036:
4034:
4032:
4027:
4025:
4023:
4018:
4015:
4012:
4004:
4000:
3997:
3995:
3991:
3988:
3987:
3978:
3974:
3971:
3967:
3964:
3960:
3957:
3956:Ville Antiche
3953:
3950:
3946:
3943:
3939:
3938:
3929:
3925:
3924:
3919:
3914:
3910:
3909:
3904:
3900:
3896:
3892:
3891:
3886:
3882:
3878:
3874:
3873:
3868:
3863:
3858:
3854:
3842:
3841:
3835:
3832:
3828:
3825:
3824:0-14-071045-0
3821:
3817:
3813:
3809:
3803:
3799:
3798:
3792:
3789:
3785:
3782:
3778:
3775:
3774:0-521-79306-8
3771:
3767:
3763:
3751:
3750:
3744:
3742:
3738:
3735:
3731:
3728:
3724:
3721:
3717:
3714:
3710:
3707:
3703:
3699:
3691:
3687:
3683:
3682:
3676:
3673:
3669:
3666:
3662:
3658:
3652:
3649:. Doubleday.
3648:
3643:
3639:
3633:
3629:
3624:
3620:
3614:
3610:
3605:
3602:
3598:
3594:
3590:
3589:
3570:
3566:
3560:
3551:
3542:
3526:
3519:
3513:
3512:0-302-02571-5
3509:
3503:
3494:
3487:
3483:
3477:
3470:
3466:
3465:0-521-44091-2
3462:
3458:
3452:
3445:
3439:
3423:
3422:
3414:
3407:
3401:
3394:
3388:
3379:
3370:
3364:
3363:0-302-02769-6
3360:
3356:
3350:
3343:
3337:
3321:
3320:
3315:
3309:
3303:Beard, p. 50.
3300:
3285:
3281:
3275:
3256:
3255:The Economist
3252:
3246:
3231:
3227:
3226:
3221:
3215:
3213:
3205:
3199:
3190:
3181:
3179:
3162:
3158:
3154:
3148:
3146:
3139:Colvin, p850.
3136:
3134:
3127:Bryson p. 156
3124:
3118:Beard, p. 39.
3115:
3106:
3097:
3091:Bryson p. 155
3088:
3072:
3068:
3064:
3058:
3049:
3041:
3040:
3033:
3027:
3023:
3017:
3001:
2997:
2993:
2987:
2985:
2968:
2964:
2963:Castle Howard
2960:
2954:
2952:
2950:
2943:
2939:
2933:
2927:
2923:
2917:
2908:
2892:
2886:
2871:
2867:
2860:
2844:
2840:
2836:
2830:
2821:
2814:
2810:
2805:
2798:
2793:
2784:
2775:
2766:
2760:Bryson p. 153
2757:
2750:
2746:
2742:
2741:0-571-14238-9
2738:
2734:
2728:
2722:Beard, p. 15.
2719:
2717:
2707:
2701:
2700:0-271-00723-0
2697:
2691:
2685:
2684:0-283-99497-5
2681:
2675:
2669:Bryson p. 152
2666:
2660:Beard, p. 13.
2657:
2655:
2648:
2647:0-283-99497-5
2644:
2638:
2631:
2628:
2627:Elias Ashmole
2623:
2616:
2610:
2601:
2593:
2587:
2583:
2576:
2567:
2558:
2556:
2554:
2552:
2550:
2543:Beard, p. 12.
2540:
2538:
2536:
2534:
2532:
2515:
2514:
2506:
2491:
2489:9780199674985
2485:
2481:
2480:
2475:
2469:
2454:
2448:
2444:
2440:
2436:
2432:
2425:
2419:
2418:0-283-99497-5
2415:
2409:
2402:
2401:Seccombe 1911
2397:
2395:
2393:
2391:
2381:
2379:
2369:
2363:Beard, p. 73.
2360:
2354:Beard, p. 70.
2351:
2349:
2347:
2345:
2340:
2326:
2325:
2320:
2319:
2314:
2308:
2304:
2294:
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2278:
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2267:
2264:
2262:24 April 1714
2261:
2258:
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2256:
2253:
2249:
2248:
2237:
2235:
2230:
2227:
2222:
2218:
2214:
2212:
2211:David Garrick
2208:
2204:
2200:
2196:
2195:Provoked Wife
2192:
2184:
2183:David Garrick
2180:
2175:
2171:
2169:
2168:
2162:
2158:
2154:
2150:
2146:
2137:
2133:
2124:
2122:
2117:
2113:
2108:
2107:Uvedale Price
2104:
2098:
2093:
2091:
2087:
2083:
2077:
2072:
2070:
2066:
2062:
2061:Lord Stanhope
2056:
2051:
2048:
2046:
2041:
2039:
2035:
2029:
2028:
2024:
2019:
2015:
2010:
2008:
2003:
1999:
1995:
1993:
1989:
1984:
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1968:
1964:
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1954:
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1861:
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1849:
1845:
1836:
1832:
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1826:
1823:
1819:
1815:
1814:Villa Foscari
1811:
1807:
1802:
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1796:
1791:
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1774:
1770:
1765:
1761:
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1593:
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1585:
1584:country house
1580:
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1569:
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1473:
1471:
1466:
1462:
1458:
1449:
1445:
1443:
1439:
1435:
1429:
1428:Castle Howard
1424:
1419:
1418:Castle Howard
1412:Castle Howard
1409:
1403:
1399:
1396:
1393:
1389:
1386:
1383:
1379:
1376:
1373:
1369:
1368:Castle Howard
1366:
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1364:
1361:
1356:
1352:
1348:
1344:
1340:
1334:
1330:
1328:
1327:
1321:
1319:
1315:
1314:Hardwick Hall
1311:
1310:Wollaton Hall
1307:
1303:
1299:
1295:
1291:
1287:
1283:
1279:
1275:
1271:
1270:Les Invalides
1267:
1263:
1259:
1255:
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1242:
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1234:
1233:
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1162:
1161:
1155:
1153:
1149:
1144:
1140:
1138:
1134:
1130:
1126:
1125:
1124:Love for Love
1120:
1116:
1110:
1103:
1098:
1096:
1092:
1088:
1084:
1080:
1077:
1073:
1069:
1064:
1063:(see Hume ).
1062:
1061:psychological
1058:
1054:
1050:
1049:
1048:
1041:
1038:
1034:
1032:
1028:
1022:
1019:
1015:
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1004:
999:
997:
993:
992:Colley Cibber
982:
981:
976:
972:
963:
962:
957:
953:
949:
940:
936:
932:
928:
927:
922:
918:
909:
905:
901:
900:Colley Cibber
896:
885:
883:
879:
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871:
867:
863:
859:
855:
850:
848:
844:
840:
836:
828:
824:
820:
811:
809:
808:Prince George
805:
801:
797:
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786:
782:
778:
773:
769:
759:
757:
751:
749:
745:
741:
737:
736:
731:
727:
723:
716:
715:William Capon
711:
702:
700:
695:
691:
686:
684:
680:
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672:
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664:
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541:
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511:
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498:
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491:Castle Howard
488:
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357:
355:
350:
348:
343:
342:
333:
331:
328:, founded by
327:
323:
319:
315:
311:
307:
306:Thames Ditton
303:
299:
288:
286:
282:
281:architectural
277:
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269:
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257:
253:
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217:Castle Howard
214:
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174:
165:
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158:
154:
150:
146:
145:Castle Howard
142:
139:
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131:
127:
123:
119:
115:
111:
107:
98:26 March 1726
97:
93:
89:
85:
72:
68:
63:
59:
55:
51:
46:
41:
37:John Vanbrugh
34:
29:
26:
22:
4882:
4850:
4842:
4832:Fleet Prison
4703:
4695:
4687:
4679:
4671:
4663:
4655:
4647:
4639:
4631:
4623:
4615:
4607:
4599:
4591:
4583:
4575:
4567:
4559:
4551:
4543:
4535:
4527:
4519:
4511:
4503:
4495:
4487:
4479:
4471:
4465:The Royalist
4463:
4455:
4447:
4439:
4433:A True Widow
4431:
4423:
4415:
4407:
4399:
4391:
4383:
4375:
4367:
4359:
4351:
4343:
4335:
4327:
4319:
4311:
4303:
4295:
4287:
4279:
4271:
4263:
4225:
4201:Thomas Otway
4191:James Howard
4079:
4030:
4021:
3976:
3969:
3962:
3955:
3948:
3941:
3921:
3906:
3888:
3870:
3845:. Retrieved
3839:
3830:
3815:
3796:
3787:
3780:
3765:
3754:. Retrieved
3748:
3740:
3733:
3726:
3719:
3712:
3705:
3679:
3671:
3664:
3646:
3627:
3611:. Batsford.
3608:
3592:
3572:. Retrieved
3568:
3559:
3550:
3541:
3529:. Retrieved
3518:
3502:
3493:
3481:
3476:
3456:
3451:
3443:
3438:
3426:. Retrieved
3420:
3413:
3405:
3400:
3392:
3387:
3378:
3369:
3354:
3349:
3341:
3336:
3324:. Retrieved
3319:Country Life
3317:
3308:
3299:
3287:. Retrieved
3283:
3274:
3259:. Retrieved
3254:
3245:
3233:. Retrieved
3223:
3204:Oxfordshire,
3203:
3198:
3189:
3165:. Retrieved
3161:the original
3123:
3114:
3105:
3096:
3087:
3075:. Retrieved
3071:the original
3066:
3057:
3048:
3038:
3032:
3016:
3004:. Retrieved
3000:the original
2992:"The Palace"
2971:. Retrieved
2967:the original
2932:
2916:
2907:
2895:. Retrieved
2885:
2873:. Retrieved
2869:
2864:Good Stuff.
2859:
2847:. Retrieved
2843:the original
2838:
2829:
2820:
2812:
2809:A. R. Wagner
2804:
2796:
2792:
2783:
2774:
2765:
2756:
2732:
2727:
2706:
2690:
2674:
2665:
2637:
2629:
2622:
2614:
2609:
2600:
2581:
2575:
2566:
2518:. Retrieved
2512:
2505:
2493:. Retrieved
2478:
2468:
2456:. Retrieved
2434:
2424:
2408:
2368:
2359:
2322:
2316:
2313:Kerry Downes
2307:
2276:
2268:
2231:
2223:
2219:
2215:
2206:
2202:
2194:
2190:
2188:
2178:
2165:
2160:
2148:
2144:
2141:
2101:In 1786 Sir
2100:
2095:
2092:wrote that:
2089:
2079:
2074:
2058:
2053:
2049:
2042:
2031:
2026:
2022:
2017:
2013:
2012:
2004:
2000:
1996:
1976:
1972:
1937:
1917:Kit-Cat Club
1914:
1905:
1885:
1864:
1841:
1803:
1788:
1766:
1762:
1758:
1750:
1743:
1739:
1728:
1709:
1688:
1678:
1669:piano nobile
1667:
1665:
1646:
1618:curtain wall
1613:
1611:
1607:
1603:
1588:war memorial
1581:
1557:
1541:
1519:
1515:
1497:
1489:
1485:
1474:
1454:
1438:Kit-Cat Club
1432:
1407:
1336:
1332:
1324:
1322:
1266:Louis Le Vau
1251:
1245:
1240:
1235:
1230:
1221:
1216:
1210:
1204:
1193:
1185:
1177:
1169:
1163:
1152:problem play
1147:
1142:
1141:
1132:
1128:
1122:
1118:
1114:
1112:
1101:
1094:
1090:
1086:
1082:
1081:
1075:
1071:
1065:
1056:
1052:
1045:
1043:
1042:
1036:
1035:
1026:
1023:
1017:
1010:
1008:
1007:
1002:
995:
988:
978:
959:
931:Samuel Pepys
924:
907:
903:
851:
833:In 1719, at
832:
789:octogenarian
765:
752:
734:
719:
687:
639:Kit-Cat Club
636:
627:
607:
605:
601:
561:
529:
518:
469:
453:
441:
430:
426:
423:
407:
403:
375:middle-class
371:Kerry Downes
368:
294:
278:
271:
241:
230:
224:
172:
171:
100:(1726-03-26)
25:
4921:1726 deaths
4916:1664 births
4858:Libertinism
4781:Georg Monck
4633:The Relapse
4481:Dame Dobson
4393:Tom Essence
4337:Epsom Wells
4166:John Dryden
4138:Playwrights
3816:Oxfordshire
3574:21 November
3393:The Letters
3184:Green, p10.
2911:Lowe, p.216
2769:Beard p. 18
2513:Proceedings
2203:The Relapse
2199:bowdlerised
2161:The Relapse
2136:Blue plaque
2082:Robert Adam
1992:James Moore
1856:balustrades
1700:Marlborough
1649:state rooms
1622:water tower
1564:Louis XIV's
1472:in France.
1465:John Webb's
1382:Oxfordshire
1302:Elizabethan
1282:perspective
1194:The Mistake
1158:Other works
1133:The Relapse
1119:The Relapse
1091:The Relapse
1087:The Relapse
1083:The Relapse
1076:The Relapse
1047:The Relapse
1021:companies.
1003:The Relapse
956:tragedienne
878:tower house
845:heroes and
655:politicians
619:Public life
466:Connections
456:sugar trade
379:Sugar-baker
302:Imber Court
260:Restoration
252:William III
229:(1696) and
226:The Relapse
157:Stowe House
117:Nationality
106:Westminster
4905:Categories
4827:Drury Lane
4751:Charles II
4717:Characters
4146:Aphra Behn
3928:Wikisource
3700:required.)
3586:References
3077:27 January
2520:8 November
2495:8 November
2458:8 November
2273:Escutcheon
2112:John Soane
2086:James Adam
2007:Abel Evans
1933:Queen Anne
1901:colonnades
1892:clerestory
1829:clerestory
1818:rusticated
1799:silhouette
1746:belvederes
1674:Versailles
1639:than to a
1546:belvederes
1457:colonnades
1254:Early life
902:'s comedy
888:Playwright
756:Owen Swiny
694:Protestant
690:Parliament
570:, and the
411:armigerous
399:Leigh Hunt
318:Great Fire
125:Occupation
76:1664-01-24
4529:Bury Fair
4505:Bellamira
3951:. Hamlyn.
3901:(1899). "
3883:(1888). "
3428:8 January
3261:14 August
2336:Citations
1860:pinnacles
1773:Avonmouth
1715:in 1987.
1661:laundries
1653:courtyard
1598:, than a
1477:Scagliola
1227:Architect
1068:trickster
1009:Cibber's
870:Greenwich
866:goose pie
827:Greenwich
748:John Rich
744:pantomime
726:Haymarket
593:Louis XIV
589:Vincennes
580:The Hague
447:garrison
391:Liverpool
239:in 1714.
137:Buildings
128:Architect
4837:Hedonism
4254:Notable
4033:, vol. 2
4024:, vol. 1
4003:LibriVox
3859:(1911).
3480:Watkin,
3355:Vanbrugh
2875:19 April
2849:19 April
2321:and the
2287:See also
2153:sharpers
2059:In 1766
2045:Voltaire
1979:George I
1872:Würzburg
1810:Palladio
1795:Ornament
1682:frescoed
1568:Blenheim
1566:army at
1276:and the
1044:Sequel:
864:as "the
740:juggling
597:Bastille
568:James II
556:Bastille
449:Guernsey
387:Barbados
250:and put
248:James II
237:knighted
4771:Molière
4031:Apology
4022:Apology
3979:London.
3869:(ed.).
3847:23 June
3756:23 June
3531:18 July
3442:Price,
3289:13 July
2897:18 July
2328:(1991).
2259:Adopted
2191:Relapse
2157:con men
2036:in the
1949:warrant
1897:finials
1888:balcony
1881:cornice
1868:Dresden
1754:lunette
1734:Bristol
1704:Tournai
1657:stables
1637:citadel
1596:citadel
1442:mansion
1392:Bristol
1343:Bernini
1339:baroque
1209:in his
1095:Relapse
800:Hanover
310:Chester
279:In his
120:English
110:England
88:England
62:NPG3231
4853:(film)
4845:(1994)
4802:Bedlam
4708:(1707)
4700:(1706)
4692:(1704)
4684:(1703)
4676:(1701)
4668:(1700)
4660:(1699)
4652:(1698)
4644:(1698)
4636:(1696)
4628:(1696)
4620:(1695)
4612:(1694)
4604:(1694)
4596:(1692)
4588:(1692)
4580:(1691)
4572:(1691)
4564:(1691)
4556:(1690)
4548:(1690)
4540:(1689)
4532:(1689)
4524:(1688)
4516:(1688)
4508:(1687)
4500:(1685)
4492:(1685)
4484:(1683)
4476:(1683)
4468:(1682)
4460:(1681)
4452:(1681)
4444:(1679)
4436:(1678)
4428:(1678)
4420:(1678)
4412:(1678)
4404:(1677)
4396:(1676)
4388:(1676)
4380:(1676)
4372:(1676)
4364:(1675)
4356:(1675)
4348:(1672)
4340:(1672)
4332:(1671)
4324:(1671)
4316:(1670)
4308:(1668)
4300:(1668)
4292:(1668)
4284:(1664)
4276:(1663)
4268:(1661)
3822:
3804:
3772:
3694:
3653:
3634:
3615:
3599:
3510:
3463:
3361:
3230:UNESCO
3024:
2940:
2924:
2739:
2698:
2682:
2645:
2588:
2561:Downes
2486:
2449:
2416:
2127:Legacy
1848:arcade
1685:saloon
1641:palace
1600:palace
1592:castle
1572:Danube
1479:, and
1461:cupola
1347:Le Vau
1272:, the
1196:(1705)
1190:(1705)
1182:(1704)
1174:(1702)
1166:(1697)
990:1696,
898:Actor
854:asthma
785:tabard
781:herald
665:, the
653:) and
624:London
584:Calais
521:Philip
209:herald
84:London
4817:Court
4730:Spark
4256:plays
3865:. In
3326:8 May
3235:8 May
3167:8 May
3006:8 May
2973:8 May
2299:Notes
2265:Crest
2217:not.
2065:Nîmes
1825:gable
1822:attic
1702:from
1594:, or
1164:Aesop
1066:In a
862:Swift
724:, in
683:Stowe
657:(the
613:Brest
437:Surat
300:, of
4868:Mode
4735:Rake
3849:2010
3820:ISBN
3802:ISBN
3770:ISBN
3758:2010
3651:ISBN
3632:ISBN
3613:ISBN
3597:ISBN
3576:2018
3533:2010
3508:ISBN
3461:ISBN
3430:2018
3359:ISBN
3328:2010
3291:2020
3263:2010
3237:2010
3169:2010
3079:2012
3022:ISBN
3008:2010
2975:2010
2938:ISBN
2922:ISBN
2899:2010
2877:2016
2851:2016
2737:ISBN
2696:ISBN
2680:ISBN
2643:ISBN
2586:ISBN
2522:2021
2497:2021
2484:ISBN
2460:2021
2447:ISBN
2414:ISBN
2240:Arms
2234:York
2193:and
2084:and
1983:Whig
1858:and
1558:The
1345:and
1316:and
847:fops
843:rake
677:and
244:Whig
215:and
95:Died
70:Born
4890:Wit
4725:Fop
4001:at
3992:at
3920:",
3905:".
3887:".
3686:doi
2439:doi
1870:or
1812:'s
1732:in
994:'s
882:RAF
825:in
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