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679:). His stimulating interaction with composers from many nations led him to believe that a similar organization in the United States might help raise the profile of electro-acoustic music in his own country. In 1984, together with a small group of like-minded composers, Appleton helped establish the
364:. These years shaped his future life: he composed for his fellow students who performed everything he composed, he decided to become a college professor and in 1959 he married his first wife, a fellow student, Georganna Towne. Following his graduation from Reed College, Appleton moved to
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orchestra. He was the greatest musical influence in
Appleton's young life seeing that he studied piano, encouraging him to compose music and taking him to multiple concerts. Appleton's parents were true believers in the
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and by a generous donation from Gerald
Bregman '54. The Bregman Electronic Music studio was one of the pioneering studios at American universities and became a center for many visiting composers. Two of these,
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where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left
Dartmouth to briefly become the head of
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It was during this period that
Appleton began to compose his best computer music and live-electronic music. Many of his works for this genre were first premiered at the annual festival held by the
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film studios. His father left his family the year
Appleton was born and he spent his first years in Mrs. Bell's (an orphanage) and with his brother (Michael Charles Appleton, born 1932) at Palomar
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in 1976–1977 and become the director of
Elektronmusikstudion, Sweden's national center for electronic music. His difficulty with the Swedish bureaucracy led to his resignation and he returned to
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738:. In an essay entitled "How I Became a Russian Composer" (2009) Appleton explains his love of Russian music and culture that he believes his stepfather, Alexander Walden, instilled in him.
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143:. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called
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543:) became important colleagues throughout Appleton's life. In 1970 Appleton also was influenced by the work of the "father" of computer music,
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788:"Ce que signifie la déclaration des droits de l'Homme et du citoyen de 1789 pour les hommes et les citoyens des îles Marquises" (1989)
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It was at this time that he initiated the first competition for electronic music that was held for three years at
Dartmouth College.
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by Larry Austin, Gareth Loy, Chris Chafe, Dexter
Morrill, Neil Rolnick, Rodney Washchka, John Appleton, and Larry Polansky".
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730:(1944–1996) and this began his compositional return to instrumental and choral music, much of it composed for the pianist
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In 1973 Appleton began his collaboration with engineers Sydney Alonso and
Cameron Jones, which led to the creation of the
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and commissioned by the
Delegation Departmental à la Musique et à la Danse of the Conseil General des Alpes-Maritimes in
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698:. According to Asch's wishes, these recordings have remained in print under the Smithsonian/Folkways auspices.
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performing the compositions he composed for this instrument. In the early 1990s, he helped found the
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It was also during this time in his life that Appleton developed a serious interest in the music of
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Appleton's work in electronic music was generously encouraged by the administration of President
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that he loved to compose. During his years in Eugene he became a lifelong friend of the pianist
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Proceedings of the 2000 International Computer Music Conference: August 27 – September 1, 2000
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The Virtuoso in the Computer Age – V: Music For the Matthews/Boie Radio Drum and Radio Baton
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The decade of the 1990s saw Appleton spending increasing amount of time abroad: teaching at
139:(January 4, 1939 – January 30, 2022) was an American composer, an educator and a pioneer in
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but preferred composing his own music rather than playing the works assigned to him (e.g.
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studio and composed his first works in this genre. His thesis was an orchestral work,
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Recorded and produced with support from The Bregman Electronic Music Studio at
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Appleton died on January 30, 2022, at his home in Vermont, at the age of 83.
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1125:"Homenaje a Milanes," Jon Appleton and Neil Rolnick, computer music systems.
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Music for Synclavier and Other Digital Systems: With Jon Appleton, Composer
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fellowships. When he was twenty-eight years old, he joined the faculty of
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and on which he gave concerts of his own music for the following decade.
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vein which has largely been performed only in France, Russia and Japan.
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Leider, Colby Nelson (November 2005). "Observations Re: Jon Appleton".
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683:(SEAMUS). He ultimately served for a time as president of the society.
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In 1966, on the basis of his early electronic music, he was invited by
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for a choir of 1500 children and professional orchestra. The works,
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and Human Music – the latter in collaboration with jazz musician
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1711:. Guide (album review). Vol. whole no. 48645. p. 10S
1552:. Vol. 117, no. 101. April 28, 1970. p. 11 (col. 6)
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380:(1938–2000) writing musical comedies and was employed at the
262:, 1908) and Charles Leonard Appleton (born Chaim Epelboim in
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1957:
Umezaki, Kojiro (2005). "A Conversation with Jon Appleton".
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and lost their jobs. As a child Appleton studied piano with
1501:"The Bregman Electronic Music Studio at Dartmouth College"
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CDCM (Consortium to Distribute Computer Music) – Vol. 6:
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Jon Appleton, composer and Synclavier innovator, has died
625:. He led a group of Dartmouth students to the Kingdom of
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From 1963 to 1966 Appleton was a graduate student at the
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2004:"Jon Appleton — Selected Compositions (1956–2006)".
1757:. Vol. 1 (of 29), "A to Aristotle" (2nd ed.).
1593:
339:). However, he developed a deep, lifelong affection for
1973:
Society for Electro-Acoustic Music in the United States
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Society for Electro-Acoustic Music in the United States
1704:"Recordings – Computer the Key to New Music Melodies –
1581:. Synclavier European Services; © Cameron W. Jones. n.d
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Society for Electro-Acoustic Music in the United States
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to train radio personnel on the Micronesian islands of
606:, as a partner, for one year, in the newly formed firm
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CDCM Volume 11: The Virtuoso in the Computer Age – II,
914:(1984). Composed and performed by Jon Appleton on the
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Also in this decade Appleton composed two full-length
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International Confederation for Electro-Acoustic Music
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198:. For a decade he toured around the United States and
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In 1969 Appleton's first recordings were published (
387:In 1962–1963 Appleton was the music teacher at the
56:. Unsourced material may be challenged and removed.
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1043:Produced at The Bregman Electronic Music Studio,
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1866:The Development and Practice of Electronic Music
2428:Stanford University Department of Music faculty
1753:The New Grove Dictionary of Music and Musicians
1568:List of Guggenheim Fellowships awarded in 1970
1545:"3 Dartmouth Professors Win Guggenheim Awards"
1000:The Tale of William Mariner and The Snow Queen
783:"CCCP (In Memoriam: Anatoly Kuznetsov)" (1969)
751:Le Dernier Voyage de Jean-Gallup de la Perouse
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442:. It was there that he assembled a primitive
270:, July 14, 1900). His mother was employed by
2433:University of California, Santa Cruz faculty
356:From 1957 to 1961 Appleton was a student at
672:, Appleton became a founding member of the
179:, Sweden. In the late 1970s, together with
2388:American people of Moldovan-Jewish descent
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1919:The New Grove Dictionary of American Music
1596:"Long-Time Music Prof Leaves for Stanford"
1295:The Scarlatti Doubles/The Couperin Doubles
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714:, for three years and frequently visiting
651:Groupe de Musique Experimentale de Bourges
471:Columbia-Princeton Electronic Music Center
2403:University of California, Berkeley alumni
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641:to record and broadcast their own music.
187:, he helped develop the first commercial
116:Learn how and when to remove this message
16:American composer and teacher (1939–2022)
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1479:"Flying Dutchman Discography, 1969–1984"
500:. It was during this year that his son,
384:department store as an assistant buyer.
258:parents: Helen Jacobs Appleton (born in
127:
1956:
1767:10.1093/gmo/9781561592630.article.46152
1594:Waxenberg, Elise (September 30, 2005).
1266:(empreintes DIGITALes, IMED 9635, 1996)
963:The World Music Theatre of Jon Appleton
551:, Beatriz Ferreyra and Michel Redolfi.
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686:In the summer of 1984 Appleton helped
317:House Un-American Activities Committee
2448:Academic staff of Moscow Conservatory
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1116:The Virtuoso in the Computer Age – II
866:U ha'amata 'atou 'i te himene" (1996)
311:. In the 1950s both his parents were
2363:20th-century American male musicians
1708:CDCM Computer Music Series, Vol. 11"
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629:and later received a grant from the
204:Theremin Center for Electronic Music
54:adding citations to reliable sources
25:
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1444:: Phoenicia Publishing. p. 4.
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844:"San Francisco Airport Rock" (1996)
510:JJ Appleton; born April 19, 1967).
448:After "Nude Descending a Staircase"
303:and active members of the multiple
232:University of California Santa Cruz
13:
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694:, release its first recordings of
610:that had begun to manufacture the
374:University of California, Berkeley
14:
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2383:American male classical composers
2064:SEAMUS Lifetime Achievement Award
1997:
1963:(interviewed November 11, 2004).
1706:The Virtuoso in the Computer Age:
1425:"How I Became a Russian Composer"
973:The Dartmouth Digital Synthesizer
801:"Dr Quisling in Stockholm" (1971)
488:During 1966–1968 he was hired by
2368:20th-century classical composers
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978:
926:Problems playing this file? See
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160:American-Scandinavian Foundation
30:
2393:Electroacoustic music composers
2373:20th-century American composers
1304:
859:"Times Square Times Ten" (1969)
631:National Endowment for the Arts
608:New England Digital Corporation
41:needs additional citations for
1536:University of Michigan Library
1371:
1:
1737:Leider, Colby Nelson (2001).
1412:
1012:Four Fantasies for Synclavier
1006:Two Melodramas for Synclavier
912:Four Fantasies for Synclavier
877:
853:"The Sydsing Camklang" (1976)
807:"Georganna's Farewell" (1975)
578:Dartmouth Digital Synthesizer
245:
2378:American classical composers
1862:; Perera, Ronald C. (eds.).
1759:Macmillan Publishers Limited
831:"Newark Airport Rock" (1969)
798:"Dima Dobralsa Domoy" (1996)
747:HOPI: La naissance de Desert
724:Moscow Conservatory of Music
307:organizations including the
208:Moscow Conservatory of Music
7:
2408:University of Oregon alumni
943:Appleton Syntonic Menagerie
813:"Homenaje a Milanés" (1987)
376:, collaborated with writer
10:
2464:
2443:Musicians from Los Angeles
2423:Harvard University faculty
2418:Oakland University faculty
2413:Columbia University alumni
1903:Vaughn, Genevieve (1986).
1695:Sydney Morning Herald, The
1575:"Synclavier Early History"
1340:"Synclavier Early History"
869:"Yamanotesen To Ko" (1997)
810:"Homage To Orpheus" (1969)
804:"Georganna's Fancy" (1966)
18:
2398:Dartmouth College faculty
2071:
1499:Lyon, Eric David (2000).
1020:The Computer Music Studio
395:, where he conducted the
366:San Francisco, California
346:
254:, on January 4, 1939, to
1905:"Appleton, Jon (Howard)"
1739:"Appleton, Jon (Howard)"
1646:(Winter 1993). "Review:
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980:"Georganna's Farewell" (
795:"Degitaru Ongaku" (1983)
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701:
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547:and by French composers
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426:, where he studied with
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296:Los Angeles Philharmonic
19:Not to be confused with
947:Flying Dutchman Records
847:"Spuyten Duyvil" (1967)
834:"Oskuldens Dröm" (1985)
825:"King's Road #8" (1970)
765:Personal life and death
252:Los Angeles, California
1923:. Vol. 4 (of 4).
1653:Computer Music Journal
1606:Hanover, New Hampshire
1402:Sydney Morning Herald,
937:Times Square Times Ten
889:
822:"In Medias Res" (1978)
696:electro-acoustic music
598:led Appleton to leave
141:electro-acoustic music
133:
2316:Scott A. Wyatt (2018)
2149:Bebe and Louis Barron
1854:; Rogers, John Earl;
1635:Reviews and treatises
1220:album ID mw0001371262
1158:album ID mw0001826434
1070:album ID mw0001367376
888:
850:"Stereopticon" (1972)
828:"Mussems Sång" (1976)
792:"Chef d'œuvre" (1967)
276:Twentieth Century Fox
250:Appleton was born in
131:
2077:Vladimir Ussachevsky
1761:. pp. 788–789.
1550:Rutland Daily Herald
1511:. pp. 404–405.
1323:Rutland Daily Herald
1280:Syntonic Menagerie 2
1264:Contes de la mémoire
1187:"Pacific Rimbombo,"
816:"Human Music" (1969)
753:, were conducted by
736:Alexander Zagorinsky
463:Vladimir Ussachevsky
420:University of Oregon
210:. He also taught at
169:Elektronmusikstudion
50:improve this article
2438:Reed College alumni
1909:Hitchcock, H. Wiley
1872:Prentice Hall, Inc.
1616:on October 22, 2014
856:"Syntrophia" (1977)
819:"In Deserto" (1977)
668:During his time in
580:and ultimately the
569:label, produced by
539:(born 1938, LePuy,
494:Rochester, Michigan
467:Columbia University
389:Verde Valley School
325:Theodore Saidenberg
272:Metro-Goldwyn-Mayer
228:Stanford University
137:Jon Howard Appleton
1701:(August 2, 1993).
1507:. Vol. 2000.
1430:Russian Music, The
1211:release ID 1773079
1014:, (Folkways, 1982)
890:
779:"Apolliana" (1970)
559:Syntonic Menagerie
537:Jean-Claude Risset
502:Jon Jason Appleton
490:Oakland University
274:and his father by
150:. In 1970, he won
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2008:Dartmouth Library
1880:978-0-1320-7605-0
1844:Slawson, A. Wayne
1610:Dartmouth College
1451:978-0-9781-7494-1
1286:The Russian Music
1149:release ID 623521
1061:release ID 376127
1045:Dartmouth College
1036:"Degitaru Ongaku"
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872:"Zoetrope" (1974)
663:Stockholm, Sweden
600:Dartmouth College
533:Stockholm, Sweden
529:Lars-Gunnar Bodin
520:Dartmouth College
498:Dartmouth College
238:music in a quasi-
164:Dartmouth College
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1612:. Archived from
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1114:CDCM – Vol. 11:
1008:(Folkways, 1982)
996:(Folkways, 1978)
975:(Folkways, 1976)
967:Folkways Records
907:
906:
887:
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728:Dmitri Pokrovsky
692:Folkways Records
604:Norwich, Vermont
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483:Richard Taruskin
469:to study in the
452:serial technique
444:electronic music
362:Portland, Oregon
280:Military Academy
148:electronic music
132:Appleton in 2013
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2016:discography at
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1925:Macmillan Press
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1848:Ciamaga, Gustav
1789:
1787:
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1732:
1730:Further reading
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1714:
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1670:10.2307/3680551
1637:
1632:
1626:Wayback Machine
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841:Otahiti" (1973)
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720:Theremin Center
708:Keio University
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567:Flying Dutchman
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393:Sedona, Arizona
378:Willard S. Bain
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309:Communist party
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212:Keio University
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61:Find sources:
55:
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39:This article
37:
33:
28:
27:
22:
21:John Appleton
2322:Gordon Mumma
2253:Curtis Roads
2245:Larry Austin
2229:Joel Chadabe
2221:Alvin Lucier
2213:Wendy Carlos
2205:Barry Vercoe
2197:Jon Appleton
2196:
2181:Herbert Brün
2101:Otto Luening
2023:Jon Appleton
2014:Jon Appleton
1964:
1958:
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1918:
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1800:
1788:. Retrieved
1752:
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1713:. Retrieved
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1618:. Retrieved
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1599:
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1579:500sound.com
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1554:. Retrieved
1549:
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1528:. Retrieved
1504:
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1463:. Retrieved
1429:
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1361:
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1305:Bibliography
1177:
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925:
911:
768:
759:Nice, France
750:
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734:and cellist
712:Tokyo, Japan
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428:Homer Keller
417:
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301:Soviet Union
260:Philadelphia
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136:
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43:verification
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2173:Paul Lansky
2125:Max Mathews
2109:Robert Moog
2006:Digital by
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1620:October 17,
1566: (see
1389:Perkis 1993
1189:Max Mathews
953:Human Music
589:synthesizer
313:blacklisted
292:double-bass
194:called the
192:synthesizer
2347:Categories
2293:Dave Smith
2189:Don Buchla
1943:5713592067
1785:5104830816
1686:7377038833
1585:August 14,
1525:1123664389
1413:References
1274:Achim Treu
1270:Wunderbra!
1255:1180811331
1193:radio drum
1093:1069306162
957:Don Cherry
928:media help
878:Recordings
710:(Mita) in
688:Moses Asch
623:Micronesia
612:Synclavier
582:Synclavier
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563:Don Cherry
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1423:(2009).
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