173:. I had to break away from everything in New York to go rescue my mother in Texas where my grandfather was, one could say, inadvertently allowing her to overdose on lithium. I had to go out there to be their saving grace. After I nursed her to health. I brought her back to New York with me, documenting everything. When I came back, I met this guy who was an intern at the MIX Film Festival. I showed him about 45 minutes of the film I had been making, which had three working titles at the time. "Lucid," "The Day I Disappeared" and "Tarnation," and he said, "Whatever this is, you should finish it because there's a deadline for this film festival coming up in three weeks." So I took my vacation from Mikimotos, where I was working as a door-man, and I went on this crazy editing marathon and got the film in right in the nick of time. I got it into the hands of the then festival director, Stephen Winter, who is also really good friends with John Cameron Mitchell, and that's how everything exploded.
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right as I'm about to conk out, this whole plethora of information comes from my own awareness and rushes into my mind's eye. It's like a story, or a poem, or a series of images...It only makes sense for a moment and then it dissipates. It's like this weird waking dream. I wanted to lucidly mimic that in the form of a film and transpose it cinematically. Soon after I met John and I had auditioned for his film
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It was a completely organic process based on these unusual, psychological experiences I've had in my adult life—these strange, trancelike experiences, similar to sensations I remember from childhood when I had a very high fever. Where I'm half asleep and half awake, just on the cusp of dreamland. And
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Caouette's mother was mentally ill and frequently institutionalized. He never knew his father, being raised betweeen his mother, grandparents and foster homes. He was raised as a
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Wie ich lernte die Zahlen zu lieben/ How I Learned to Love the
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as an attempt to give his disorder filmic form. Of the film, he said:
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331:"Meet Houston Filmmaker Jonathan Caouette at January 26 SWAMP Salon"
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Caouette has a son, Josh, who was featured in the 2008 documentary
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378:"D e L P H I N I U M | A Childhood Portrait of Derek Jarman"
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85:, Texas from 1987 to 1990 where he was bullied regularly for his
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535:"My life, the horror movie – interview with Jonathan Caouette"
190:, scheduled for pre-production in 2012. He also appeared in
129:. Caouette has also directed the experimental short film
285:"All in the Family: Jonathan Caouette on Walk Away Renee"
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589:"Living the iLife with Jonathan Caouette – An Interview"
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is an
American film director, writer, editor and actor.
416:. Vol. 89. New Art Publications. Archived from
310:"Westbury High School Houston, TX at classmates.com"
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152:Delphinium: A Childhood Portrait of Derek Jarman
96:, resulting in what a doctor later diagnosed as
92:At the age of 12, Caouette accidentally smoked
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461:"Official PORTLAND website – The Cast"
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208:by Oliver Sechting & Max Taubert.
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487:"Shortbus By IFQ Critic Todd Konrad"
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509:"The Insider – Jonathan Caouette"
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440:"Official Fat Girls website"
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147:2011 Cannes Film Festival
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69:Early life and education
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579:Tarnation Film Website
244:All Tomorrow's Parties
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122:All Tomorrow's Parties
16:American film director
601:on September 27, 2007
198:John Cameron Mitchell
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145:and premiered at the
125:about the cult music
659:Writers from Houston
644:American gay writers
420:on November 13, 2011
79:Westbury High School
639:American gay actors
408:"Jonathan Caouette"
252:All Flowers in Time
132:All Flowers in Time
664:Collage filmmakers
513:The New York Times
357:The New York Times
565:Jonathan Caouette
158:He has described
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388:February 9,
353:"Tarnation"
336:October 12,
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618:Categories
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268:References
219:Bi the Way
87:effeminacy
289:Filmmaker
236:Tarnation
184:Fat Girls
160:Tarnation
116:Tarnation
109:Directing
543:. London
424:July 25,
362:June 17,
193:Shortbus
188:Portland
170:Shortbus
127:festival
143:Agnes B
83:Houston
263:(2011)
247:(2009)
239:(2003)
204:about
178:Acting
104:Career
47:, U.S.
226:Films
607:2015
569:IMDb
549:2010
520:2010
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