40:
2163:
595:(2004), he appended a more general list of his 1,000 favorite films from all nations; slightly more than half were American. He starred his 100 favorite films on the list, marking both traditionally canonical films such as
2160:
576:
published in 1998, Rosenbaum published his own list, focusing on less well-established, more diverse films. It also includes works by important independent
American directors (such as
430:
531:
585:
2531:
1496:
632:
Rosenbaum has compiled "best of the year" movie lists from 1972 to 1976, and from 1987 to 2022, thereby helping provide an overview of his critical preferences.
2252:
2052:
2617:
1890:
453:
2567:
2557:
2587:
141:
from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as
2274:
2512:
1703:
796:
2372:
188:, where his grandfather had owned a small chain of movie theaters. He lived with his father Stanley (a professor) and mother Mildred in the
2526:
2354:
2562:
2552:
2142:
1487:
2572:
2577:
416:
He is a frequent contributor to the DVD Beaver website, where he offers his alternative lists of genre films. He also writes the
384:, a collection of interviews and other materials relating to Welles. Rosenbaum consulted on both the 1998 re-editing of Welles's
2485:
2078:
2607:
2332:
1989:
1976:
1963:
1950:
1937:
659:
2504:
2117:
300:
2612:
2111:
2028:
2011:
1924:
1911:
1898:
1881:
1864:
1851:
1838:
1825:
1812:
1799:
1782:
424:, where he reviews international DVD releases of films that are not widely available. He also writes a column called
2300:
2244:
2048:
573:
438:
307:. Farber had a major influence on Rosenbaum's criticism, but the two men had never met until the latter arrived in
168:, and that is Jonathan Rosenbaum. He's one of the best; we don't have writers like him in France today. He's like
445:
from 2010 to 2011. From 2013 to 2015, he taught four times as a visiting lecturer at BĂ©la Tarr's Film
Factory in
2597:
2582:
2221:
2622:
1300:
2592:
1743:
1723:
1116:
20:
2314:
2278:
2161:"To Understand Movies You Have to Understand the World": An Interview with Film Critic Jonathan Rosenbaum
819:
708:
1565:
920:
396:
2301:"Reflections on the New Sight & Sound Poll (And Four Lists, 1982-2012) | Jonathan Rosenbaum"
1672:
1640:
39:
2447:
268:
2432:
2418:
2390:
474:
299:, where he remained until March 1977, when he was offered a two-semester teaching position at the
908:
2494:
1317:
2602:
1090:
510:
2521:
2404:
2376:
2358:
1510:
1268:
1015:
231:
at Bard with the intention of becoming a writer. Among his professors was German philosopher
2179:
610:
2547:
2002:
1873:
1343:
164:
said, "I think there is a very good film critic in the United States today, a successor of
143:
8:
1663:
1441:
1041:
842:
561:
805:
369:; the book includes recorded interviews with Jarmusch. The book places the film in the
232:
1050:
894:
480:
442:
409:
391:
325:
193:
137:
943:
498:
2482:
2107:
2074:
2024:
2007:
1985:
1972:
1959:
1946:
1933:
1920:
1907:
1894:
1877:
1860:
1847:
1834:
1821:
1808:
1795:
1778:
1732:
1237:
784:
597:
468:
381:
274:
197:
181:
65:
2522:
2007 video interview - Unseen Orson Welles - a
Conversation With Jonathan Rosenbaum
2499:
2328:
1352:
1214:
1139:
1125:
1102:
763:
516:
486:
462:
287:
2516:
2489:
2167:
2146:
1683:
1652:
1623:
1591:
1536:
1450:
1369:
1245:
1186:
1073:
929:
903:
740:
717:
615:
577:
522:
201:
189:
161:
157:
219:, where he played piano in an amateur jazz ensemble that included future actors
1162:
1064:
828:
564:, the order depending, "almost entirely on which one I’ve seen most recently".
556:
404:
263:
248:
2329:"List-o-Mania. Or, How I Stopped Worrying and Learned to Love American Movies"
2101:
1329:
671:
169:
2541:
2020:
1427:
1197:
866:
386:
244:
224:
215:
as a teenager. He frequently refers to it in his film criticism. He attended
205:
2205:
2139:
332:
In addition, he has written many books on film and its criticism, including
1692:
1577:
1548:
1418:
1148:
998:
851:
731:
694:
604:
581:
544:
536:
370:
360:
304:
281:
259:
216:
149:
96:
1381:
952:
1791:
1600:
1519:
1473:
1464:
1395:
1277:
1255:
1224:
1171:
1027:
975:
966:
904:
754:
492:
220:
132:
656:
1404:
1184:
864:
685:
520:. He chose films other than those he had previously chosen for earlier
272:. While living there, he began writing film and literary criticism for
228:
165:
1712:
1614:
1291:
877:
320:
308:
196:, the only building by Wright in Alabama. As a teenager, he attended
2476:
2217:
357:
Movie Wars: How
Hollywood and the Media Limit What Movies We Can See
1752:
989:
446:
365:
2315:"Watch with Mother [on Carl Dreyer] | Jonathan Rosenbaum"
403:
In August 2007, Rosenbaum marked the passing of
Swedish director
185:
1870:
Movie Wars: How
Hollywood and the Media Limit What Films You See
504:
296:
117:
2405:"Ten & Twenty Best Lists, 1995-1999 | Jonathan Rosenbaum"
1982:
1562:
620:
550:
292:
255:
1943:
Goodbye Cinema, Hello
Cinephilia: Film Culture in Transition
1669:
1637:
532:
For the Love of Movies: The Story of
American Film Criticism
783:
460:; he responded with these films as the ten best ever made:
212:
1930:
The
Unquiet American: Transgressive Comedies from the U.S.
1244:
1087:
19:
For the paleographer and president of Gratz College, see
1012:
542:
He has said that his three favorite narrative films are
390:(which was based on a lengthy memo written by Welles to
1314:
2017:
Movie Mutations: The Changing Face of World Cinephilia
1235:
1223:
1047:
891:
258:
in 1969, working briefly as an assistant to director
1729:
1253:
2206:
They Drive by Night: The Criticism of Manny Farber.
1349:
1122:
1099:
802:
760:
235:, whose teaching had a strong effect on Rosenbaum.
135:and author. Rosenbaum was the head film critic for
1649:
1620:
1533:
1447:
1366:
1070:
926:
737:
714:
608:, and harder-to-find films such as Michael Snow's
394:in the 1950s) and the 2018 completion of Welles's
359:(2002). He has written the best-known analysis of
1904:Essential Cinema: On the Necessity of Film Canons
825:
593:Essential Cinema: On the Necessity of Film Canons
2539:
2433:"Ten Best Lists, 2005-2009 | Jonathan Rosenbaum"
2419:"Ten Best Lists, 2000-2004 | Jonathan Rosenbaum"
2391:"Ten Best Lists, 1990-1994 | Jonathan Rosenbaum"
2355:"Ten Best Lists, 1972-1976 | Jonathan Rosenbaum"
1424:
1297:
1194:
588:incorporated five titles from Rosenbaum's list.
2483:Chicago Reader: Jonathan Rosenbaum bibliography
1689:
1574:
1545:
1145:
995:
848:
691:
251:, which marked his first foray into the field.
1969:Cinematic Encounters 2: Portraits and Polemics
1956:Cinematic Encounters: Interviews and Dialogues
1887:Abbas Kiarostami (Contemporary Film Directors)
1831:Placing Movies: The Practice of Film Criticism
1597:
1516:
1470:
1326:
1274:
1168:
1024:
972:
668:
437:Rosenbaum was a visiting professor of film at
338:Placing Movies: The Practice of Film Criticism
2132:
1401:
278:, based in Greenwich Village in New York City
2373:"Ten Best Lists, 1980s | Jonathan Rosenbaum"
1709:
1493:
1378:
1211:
949:
874:
777:
413:, titled "Scenes from an Overrated Career."
2618:University of California, San Diego faculty
1749:
535:, where he discusses the film criticism of
211:Rosenbaum developed a lifelong interest in
529:Rosenbaum appears in the 2009 documentary
38:
2568:21st-century American non-fiction writers
2558:20th-century American non-fiction writers
2495:Jonathan Rosenbaum's 1000 Essential Films
2242:
2099:
627:
329:; he served in that position until 2008.
2588:National Society of Film Critics Members
2500:Interview with Rosenbaum on Orson Welles
574:AFI list of 100 greatest American movies
131:(born February 27, 1943) is an American
2156:
2154:
2055:from the original on September 20, 2009
584:) who were absent from the AFI list. A
2540:
2527:A conversation with Jonathan Rosenbaum
2243:Rosenbaum, Jonathan (August 4, 2007).
567:
247:and was hired to edit a collection of
204:, where his classmates included actor
2255:from the original on November 8, 2017
2224:from the original on October 11, 2013
2198:
1632:
1231:
660:The Discreet Charm of the Bourgeoisie
2445:
2151:
208:. He graduated from Putney in 1961.
2335:from the original on March 21, 2009
1775:Moving Places: A Life in the Movies
342:Moving Places: A Life at the Movies
301:University of California, San Diego
243:After graduate school, he moved to
13:
2563:21st-century American male writers
2553:20th-century American male writers
2513:Interview with: Jonathan Rosenbaum
2106:. University of California Press.
2081:from the original on June 16, 2006
238:
14:
2634:
2470:
2446:Koza, Roger (December 31, 2022).
2245:"Scenes From an Overrated Career"
2100:Rosenbaum, Jonathan (June 1997).
2448:"La International Cinéfila 2022"
2120:from the original on May 3, 2008
439:Virginia Commonwealth University
319:Rosenbaum was chosen to succeed
192:, designed by notable architect
2573:American expatriates in England
2439:
2425:
2411:
2397:
2383:
2365:
2347:
2321:
2307:
2293:
2275:"Jonathan Rosenbaum | BFI"
2267:
1763:
2578:American expatriates in France
2236:
2210:
2172:
2093:
2067:
2041:
452:Rosenbaum participated in the
1:
2608:People from Florence, Alabama
2034:
441:'s art history department in
262:and appearing as an extra in
175:
1744:American: An Odyssey to 1947
1724:Wheel of Fortune and Fantasy
1117:A.I. Artificial Intelligence
323:as the main film critic for
21:Jonathan Rosenbaum (scholar)
7:
820:Distant Voices, Still Lives
709:Celine and Julie Go Boating
10:
2639:
1566:The Other Side of the Wind
397:The Other Side of the Wind
227:as a vocalist. He studied
18:
2184:www.jonathanrosenbaum.net
2145:November 9, 2020, at the
2049:"Something to Talk About"
1805:Film: The Front Line 1983
1673:Apichatpong Weerasethakul
1641:The Banshees of Inisherin
1609:
1586:
1557:
1528:
1505:
1482:
1459:
1436:
1413:
1390:
1361:
1338:
1309:
1286:
1263:
1243:
1206:
1180:
1157:
1134:
1111:
1082:
1059:
1036:
1007:
984:
961:
938:
915:
886:
860:
837:
814:
791:
772:
749:
726:
703:
680:
651:
428:for the Spanish magazine
355:His most popular work is
334:Film: The Front Line 1983
314:
291:. In 1974, he moved from
115:
110:
102:
92:
72:
49:
37:
30:
2613:The Putney School alumni
2532:The Marketplace of Ideas
1917:Discovering Orson Welles
431:Caimán Cuadernos De Cine
269:Four Nights of a Dreamer
2218:"JonathanRosenbaum.net"
909:Marceline Loridan-Ivens
418:Global Discovery Column
407:with an op-ed piece in
2488:June 16, 2006, at the
1511:Twin Peaks: The Return
1091:The Wind Will Carry Us
635:His top choices were:
628:Best films of the year
586:second list by the AFI
511:The Wind Will Carry Us
380:(1992), by Welles and
344:(1980; reprint 1995),
2598:Chicago Reader people
2583:American film critics
2452:Con Los Ojos Abiertos
2204:Rosenbaum, Jonathan.
2166:June 3, 2010, at the
2138:Rosenbaum, Jonathan.
1016:A Brighter Summer Day
475:Histoire(s) du cinéma
180:Rosenbaum grew up in
156:Regarding Rosenbaum,
2623:Writers from Alabama
2379:on January 20, 2021.
2075:"Jonathan Rosenbaum"
2003:This is Orson Welles
1874:Chicago Review Press
1318:The Beaches of Agnès
420:in the film journal
378:This Is Orson Welles
16:American film critic
2593:Bard College alumni
2051:. January 3, 2008.
1442:Goodbye to Language
572:In response to the
568:Alternative Top 100
562:Carl Theodor Dreyer
254:Rosenbaum moved to
2477:Jonathan Rosenbaum
2249:The New York Times
2103:Movies as Politics
1891:Mehrnaz Saeed-Vafa
1889:(2003–2018) (with
1844:Movies as Politics
1790:(1983–1991) (with
1051:Manoel de Oliveira
895:A Tale of the Wind
611:La RĂ©gion Centrale
560:, all directed by
481:I Was Born, But...
443:Richmond, Virginia
410:The New York Times
392:Universal Pictures
346:Movies as Politics
326:The Chicago Reader
194:Frank Lloyd Wright
138:The Chicago Reader
129:Jonathan Rosenbaum
32:Jonathan Rosenbaum
2361:on June 14, 2015.
2331:. June 25, 1998.
2281:on August 2, 2020
1990:978-1-955-12532-1
1977:978-0-252-08438-6
1964:978-0-252-08388-4
1951:978-0-226-72664-9
1938:978-3-89472-693-5
1761:
1760:
1733:Ryusuke Hamaguchi
785:Tian Zhuangzhuang
456:Sight & Sound
382:Peter Bogdanovich
288:Sight & Sound
275:The Village Voice
223:as a drummer and
198:The Putney School
144:Cahiers du cinéma
126:
125:
118:jonathanrosenbaum
66:Florence, Alabama
60:February 27, 1943
44:Rosenbaum in 2013
2630:
2464:
2463:
2461:
2459:
2443:
2437:
2436:
2429:
2423:
2422:
2415:
2409:
2408:
2401:
2395:
2394:
2387:
2381:
2380:
2375:. Archived from
2369:
2363:
2362:
2357:. Archived from
2351:
2345:
2344:
2342:
2340:
2325:
2319:
2318:
2311:
2305:
2304:
2297:
2291:
2290:
2288:
2286:
2277:. Archived from
2271:
2265:
2264:
2262:
2260:
2240:
2234:
2233:
2231:
2229:
2214:
2208:
2202:
2196:
2195:
2193:
2191:
2180:"True Believers"
2176:
2170:
2158:
2149:
2136:
2130:
2129:
2127:
2125:
2097:
2091:
2090:
2088:
2086:
2071:
2065:
2064:
2062:
2060:
2045:
1757:
1756:
1755:
1737:
1736:
1735:
1717:
1716:
1715:
1697:
1696:
1695:
1677:
1676:
1675:
1657:
1656:
1655:
1645:
1644:
1643:
1628:
1627:
1626:
1605:
1604:
1603:
1582:
1581:
1580:
1570:
1569:
1568:
1553:
1552:
1551:
1541:
1540:
1539:
1524:
1523:
1522:
1501:
1500:
1499:
1478:
1477:
1476:
1455:
1454:
1453:
1432:
1431:
1430:
1409:
1408:
1407:
1386:
1385:
1384:
1374:
1373:
1372:
1357:
1356:
1355:
1353:Kenneth Lonergan
1334:
1333:
1332:
1322:
1321:
1320:
1305:
1304:
1303:
1282:
1281:
1280:
1259:
1248:
1241:
1227:
1219:
1218:
1217:
1202:
1201:
1200:
1191:
1176:
1175:
1174:
1153:
1152:
1151:
1140:*Corpus Callosum
1130:
1129:
1128:
1126:Steven Spielberg
1107:
1106:
1105:
1103:Abbas Kiarostami
1095:
1094:
1093:
1078:
1077:
1076:
1055:
1054:
1053:
1032:
1031:
1030:
1020:
1019:
1018:
1003:
1002:
1001:
980:
979:
978:
957:
956:
955:
934:
933:
932:
911:
899:
898:
897:
882:
881:
880:
871:
856:
855:
854:
833:
832:
831:
810:
809:
808:
806:Françoise Romand
787:
779:
768:
767:
766:
764:Alfred Hitchcock
745:
744:
743:
722:
721:
720:
699:
698:
697:
676:
675:
674:
664:
663:
662:
638:
637:
350:Essential Cinema
233:Heinrich BlĂĽcher
122:
119:
63:
59:
57:
42:
28:
27:
2638:
2637:
2633:
2632:
2631:
2629:
2628:
2627:
2538:
2537:
2517:Oxford American
2490:Wayback Machine
2473:
2468:
2467:
2457:
2455:
2444:
2440:
2431:
2430:
2426:
2417:
2416:
2412:
2403:
2402:
2398:
2389:
2388:
2384:
2371:
2370:
2366:
2353:
2352:
2348:
2338:
2336:
2327:
2326:
2322:
2313:
2312:
2308:
2299:
2298:
2294:
2284:
2282:
2273:
2272:
2268:
2258:
2256:
2241:
2237:
2227:
2225:
2216:
2215:
2211:
2203:
2199:
2189:
2187:
2186:. July 26, 2018
2178:
2177:
2173:
2168:Wayback Machine
2159:
2152:
2147:Wayback Machine
2140:Playing Oneself
2137:
2133:
2123:
2121:
2114:
2098:
2094:
2084:
2082:
2073:
2072:
2068:
2058:
2056:
2047:
2046:
2042:
2037:
1788:Midnight Movies
1766:
1751:
1750:
1731:
1730:
1711:
1710:
1691:
1690:
1671:
1670:
1653:Martin McDonagh
1651:
1650:
1639:
1638:
1624:Kelly Reichardt
1622:
1621:
1599:
1598:
1592:Vitalina Varela
1576:
1575:
1564:
1563:
1547:
1546:
1537:A Bread Factory
1535:
1534:
1518:
1517:
1495:
1494:
1472:
1471:
1451:Jean-Luc Godard
1449:
1448:
1426:
1425:
1403:
1402:
1380:
1379:
1370:The Turin Horse
1368:
1367:
1351:
1350:
1328:
1327:
1316:
1315:
1299:
1298:
1276:
1275:
1246:Hou Hsiao-hsien
1213:
1212:
1196:
1195:
1187:The Big Red One
1170:
1169:
1147:
1146:
1124:
1123:
1101:
1100:
1089:
1088:
1074:Stanley Kubrick
1072:
1071:
1049:
1048:
1026:
1025:
1014:
1013:
997:
996:
974:
973:
951:
950:
930:Jean-Luc Godard
928:
927:
907:
893:
892:
876:
875:
850:
849:
827:
826:
804:
803:
762:
761:
741:Stanley Kubrick
739:
738:
718:Jacques Rivette
716:
715:
693:
692:
670:
669:
658:
657:
630:
616:Jacques Rivette
578:John Cassavetes
570:
526:top ten lists.
523:Sight and Sound
463:Vampir-Cuadecuc
317:
241:
239:Earliest career
202:Putney, Vermont
190:Rosenbaum House
178:
162:Jean-Luc Godard
158:French New Wave
116:
93:Alma mater
88:
64:
61:
55:
53:
45:
33:
24:
17:
12:
11:
5:
2636:
2626:
2625:
2620:
2615:
2610:
2605:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2565:
2560:
2555:
2550:
2536:
2535:
2524:
2519:
2510:
2502:
2497:
2492:
2480:
2472:
2471:External links
2469:
2466:
2465:
2438:
2424:
2410:
2396:
2382:
2364:
2346:
2320:
2306:
2292:
2266:
2235:
2209:
2197:
2171:
2150:
2131:
2112:
2092:
2066:
2039:
2038:
2036:
2033:
2032:
2031:
2014:
1998:
1997:
1993:
1992:
1979:
1966:
1953:
1940:
1927:
1914:
1901:
1884:
1867:
1854:
1841:
1828:
1815:
1802:
1785:
1771:
1770:
1765:
1762:
1759:
1758:
1747:
1739:
1738:
1727:
1719:
1718:
1707:
1699:
1698:
1687:
1679:
1678:
1667:
1659:
1658:
1647:
1634:
1630:
1629:
1618:
1611:
1607:
1606:
1595:
1588:
1584:
1583:
1572:
1559:
1555:
1554:
1543:
1530:
1526:
1525:
1514:
1507:
1503:
1502:
1491:
1484:
1480:
1479:
1468:
1461:
1457:
1456:
1445:
1438:
1434:
1433:
1422:
1415:
1411:
1410:
1399:
1392:
1388:
1387:
1376:
1363:
1359:
1358:
1347:
1340:
1336:
1335:
1324:
1311:
1307:
1306:
1295:
1288:
1284:
1283:
1272:
1269:Colossal Youth
1265:
1261:
1260:
1250:
1249:
1242:
1233:
1229:
1228:
1221:
1208:
1204:
1203:
1192:
1182:
1178:
1177:
1166:
1163:Down with Love
1159:
1155:
1154:
1143:
1136:
1132:
1131:
1120:
1113:
1109:
1108:
1097:
1084:
1080:
1079:
1068:
1065:Eyes Wide Shut
1061:
1057:
1056:
1045:
1038:
1034:
1033:
1022:
1009:
1005:
1004:
993:
986:
982:
981:
970:
963:
959:
958:
947:
940:
936:
935:
924:
921:Nouvelle Vague
917:
913:
912:
901:
888:
884:
883:
872:
862:
858:
857:
846:
839:
835:
834:
829:Terence Davies
823:
816:
812:
811:
800:
793:
789:
788:
781:
774:
770:
769:
758:
751:
747:
746:
735:
728:
724:
723:
712:
705:
701:
700:
689:
682:
678:
677:
666:
653:
649:
648:
645:
642:
629:
626:
569:
566:
405:Ingmar Bergman
316:
313:
264:Robert Bresson
249:film criticism
240:
237:
177:
174:
124:
123:
113:
112:
108:
107:
104:
100:
99:
94:
90:
89:
87:
86:
83:
80:
76:
74:
70:
69:
51:
47:
46:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
2635:
2624:
2621:
2619:
2616:
2614:
2611:
2609:
2606:
2604:
2603:Living people
2601:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2564:
2561:
2559:
2556:
2554:
2551:
2549:
2546:
2545:
2543:
2534:
2533:
2528:
2525:
2523:
2520:
2518:
2514:
2511:
2509:
2507:
2503:
2501:
2498:
2496:
2493:
2491:
2487:
2484:
2481:
2479:Official Site
2478:
2475:
2474:
2453:
2449:
2442:
2434:
2428:
2420:
2414:
2406:
2400:
2392:
2386:
2378:
2374:
2368:
2360:
2356:
2350:
2334:
2330:
2324:
2316:
2310:
2302:
2296:
2280:
2276:
2270:
2254:
2250:
2246:
2239:
2223:
2219:
2213:
2207:
2201:
2185:
2181:
2175:
2169:
2165:
2162:
2157:
2155:
2148:
2144:
2141:
2135:
2119:
2115:
2113:9780520206151
2109:
2105:
2104:
2096:
2080:
2076:
2070:
2059:September 17,
2054:
2050:
2044:
2040:
2030:
2029:0-85170-984-2
2026:
2022:
2021:Adrian Martin
2019:(2003) (with
2018:
2015:
2013:
2012:0-306-80834-X
2009:
2005:
2004:
2000:
1999:
1995:
1994:
1991:
1987:
1983:
1980:
1978:
1974:
1970:
1967:
1965:
1961:
1957:
1954:
1952:
1948:
1944:
1941:
1939:
1935:
1931:
1928:
1926:
1925:0-520-25123-7
1922:
1918:
1915:
1913:
1912:0-8018-7840-3
1909:
1905:
1902:
1900:
1899:0-252-07111-5
1896:
1892:
1888:
1885:
1883:
1882:1-55652-454-4
1879:
1875:
1871:
1868:
1866:
1865:0-85170-806-4
1862:
1858:
1855:
1853:
1852:0-520-20615-0
1849:
1845:
1842:
1840:
1839:0-520-08633-3
1836:
1832:
1829:
1827:
1826:0-85170-806-4
1823:
1819:
1816:
1814:
1813:0-912869-03-8
1810:
1806:
1803:
1801:
1800:0-306-80433-6
1797:
1793:
1789:
1786:
1784:
1783:0-520-08907-3
1780:
1776:
1773:
1772:
1768:
1767:
1754:
1748:
1746:
1745:
1741:
1740:
1734:
1728:
1726:
1725:
1721:
1720:
1714:
1708:
1706:
1705:
1704:Potemkinistii
1701:
1700:
1694:
1688:
1686:
1685:
1681:
1680:
1674:
1668:
1666:
1665:
1661:
1660:
1654:
1648:
1646:
1642:
1635:
1631:
1625:
1619:
1617:
1616:
1612:
1608:
1602:
1596:
1594:
1593:
1589:
1585:
1579:
1573:
1571:
1567:
1560:
1556:
1550:
1544:
1542:
1538:
1531:
1527:
1521:
1515:
1513:
1512:
1508:
1504:
1498:
1492:
1490:
1489:
1485:
1481:
1475:
1469:
1467:
1466:
1462:
1458:
1452:
1446:
1444:
1443:
1439:
1435:
1429:
1428:Steven Knight
1423:
1421:
1420:
1416:
1412:
1406:
1400:
1398:
1397:
1393:
1389:
1383:
1377:
1375:
1371:
1364:
1360:
1354:
1348:
1346:
1345:
1341:
1337:
1331:
1325:
1323:
1319:
1312:
1308:
1302:
1301:James Benning
1296:
1294:
1293:
1289:
1285:
1279:
1273:
1271:
1270:
1266:
1262:
1258:
1257:
1252:
1251:
1247:
1240:
1239:
1234:
1230:
1226:
1222:
1220:
1216:
1209:
1205:
1199:
1198:Samuel Fuller
1193:
1190:(restoration)
1189:
1188:
1183:
1179:
1173:
1167:
1165:
1164:
1160:
1156:
1150:
1144:
1142:
1141:
1137:
1133:
1127:
1121:
1119:
1118:
1114:
1110:
1104:
1098:
1096:
1092:
1085:
1081:
1075:
1069:
1067:
1066:
1062:
1058:
1052:
1046:
1044:
1043:
1039:
1035:
1029:
1023:
1021:
1017:
1010:
1006:
1000:
994:
992:
991:
987:
983:
977:
971:
969:
968:
964:
960:
954:
948:
946:
945:
941:
937:
931:
925:
923:
922:
918:
914:
910:
906:
902:
900:
896:
889:
885:
879:
873:
870:(restoration)
869:
868:
863:
859:
853:
847:
845:
844:
840:
836:
830:
824:
822:
821:
817:
813:
807:
801:
799:
798:
794:
790:
786:
782:
780:
775:
771:
765:
759:
757:
756:
752:
748:
742:
736:
734:
733:
729:
725:
719:
713:
711:
710:
706:
702:
696:
690:
688:
687:
683:
679:
673:
667:
665:
661:
654:
650:
646:
643:
640:
639:
636:
633:
625:
623:
622:
617:
613:
612:
607:
606:
601:
599:
594:
589:
587:
583:
579:
575:
565:
563:
559:
558:
553:
552:
547:
546:
540:
538:
534:
533:
527:
525:
524:
519:
518:
513:
512:
507:
506:
501:
500:
495:
494:
489:
488:
483:
482:
477:
476:
471:
470:
465:
464:
459:
458:critics' poll
457:
450:
448:
444:
440:
435:
433:
432:
427:
426:En Movimiento
423:
419:
414:
412:
411:
406:
401:
399:
398:
393:
389:
388:
387:Touch of Evil
383:
379:
374:
372:
368:
367:
362:
358:
353:
351:
347:
343:
339:
335:
330:
328:
327:
322:
312:
310:
306:
302:
298:
294:
290:
289:
284:
283:
277:
276:
271:
270:
265:
261:
257:
252:
250:
246:
236:
234:
230:
226:
225:Blythe Danner
222:
218:
214:
209:
207:
206:Wallace Shawn
203:
199:
195:
191:
187:
183:
173:
171:
167:
163:
159:
154:
152:
151:
146:
145:
140:
139:
134:
130:
121:
114:
109:
105:
101:
98:
95:
91:
84:
81:
78:
77:
75:
71:
67:
62:(age 81)
52:
48:
41:
36:
29:
26:
22:
2530:
2505:
2456:. Retrieved
2454:(in Spanish)
2451:
2441:
2427:
2413:
2399:
2385:
2377:the original
2367:
2359:the original
2349:
2339:November 10,
2337:. Retrieved
2323:
2309:
2295:
2283:. Retrieved
2279:the original
2269:
2259:February 22,
2257:. Retrieved
2248:
2238:
2226:. Retrieved
2212:
2200:
2190:December 14,
2188:. Retrieved
2183:
2174:
2134:
2122:. Retrieved
2102:
2095:
2083:. Retrieved
2069:
2057:. Retrieved
2043:
2016:
2006:(1992–1998)
2001:
1981:
1968:
1955:
1942:
1929:
1916:
1903:
1886:
1869:
1856:
1843:
1830:
1817:
1804:
1787:
1777:(1980–1995)
1774:
1764:Bibliography
1742:
1722:
1702:
1693:Alex Garland
1682:
1662:
1636:
1613:
1590:
1578:Orson Welles
1561:
1549:Patrick Wang
1532:
1509:
1486:
1463:
1440:
1417:
1394:
1365:
1342:
1313:
1290:
1267:
1254:
1238:Café Lumière
1236:
1210:
1185:
1161:
1149:Michael Snow
1138:
1115:
1086:
1063:
1040:
1011:
999:Jim Jarmusch
988:
965:
942:
919:
890:
865:
852:Jane Campion
841:
818:
795:
776:
753:
732:Barry Lyndon
730:
707:
695:Orson Welles
684:
655:
634:
631:
619:
609:
605:Citizen Kane
603:
596:
592:
590:
582:Jim Jarmusch
571:
555:
549:
545:Day of Wrath
543:
541:
537:Manny Farber
530:
528:
521:
515:
509:
503:
497:
491:
485:
479:
473:
467:
461:
455:
451:
436:
429:
425:
422:Cinema Scope
421:
417:
415:
408:
402:
395:
385:
377:
375:
371:acid western
364:
361:Jim Jarmusch
356:
354:
349:
348:(1997), and
345:
341:
337:
333:
331:
324:
318:
305:Manny Farber
286:
282:Film Comment
279:
273:
267:
260:Jacques Tati
253:
242:
217:Bard College
210:
179:
155:
150:Film Comment
148:
142:
136:
128:
127:
106:1969–present
97:Bard College
25:
2548:1943 births
1792:J. Hoberman
1601:Pedro Costa
1520:David Lynch
1474:Pedro Costa
1465:Horse Money
1396:Holy Motors
1330:Agnès Varda
1278:Pedro Costa
1256:Three Times
1225:Jia Zhangke
1172:Peyton Reed
1028:Edward Yang
976:Tony Gatlif
967:Latcho Drom
905:Joris Ivens
778:Horse Thief
755:Family Plot
672:Luis Buñuel
493:Rear Window
221:Chevy Chase
170:André Bazin
133:film critic
79:Film critic
2542:Categories
2035:References
1872:A Capella/
1405:Leos Carax
1042:Inquietude
944:Sátántangó
867:L'Atalante
686:F for Fake
499:Sátántangó
449:, Bosnia.
376:He edited
373:subgenre.
229:literature
176:Early life
166:James Agee
73:Occupation
56:1943-02-27
2508:interview
2506:CineScene
2458:March 17,
2285:April 27,
1996:As editor
1769:As author
1713:Radu Jude
1615:First Cow
1497:Kaori Oda
1382:BĂ©la Tarr
1215:The World
953:BĂ©la Tarr
878:Jean Vigo
647:Director
600:(silent -
517:The World
321:Dave Kehr
309:San Diego
160:director
2486:Archived
2333:Archived
2253:Archived
2228:March 9,
2222:Archived
2164:Archived
2143:Archived
2118:Archived
2079:Archived
2053:Archived
1857:Dead Man
1753:Danny Wu
1344:Margaret
990:Dead Man
447:Sarajevo
366:Dead Man
363:'s film
352:(2004).
340:(1995),
336:(1983),
245:New York
182:Florence
82:essayist
2515:on The
2124:July 3,
2085:July 1,
1984:(2024)
1971:(2019)
1958:(2018)
1945:(2010)
1932:(2009)
1919:(2007)
1906:(2004)
1876:(2000)
1859:(2000)
1846:(1997)
1833:(1995)
1820:(1993)
1807:(1983)
1664:Memoria
1488:Aragane
843:Sweetie
557:Gertrud
186:Alabama
111:Website
2110:
2027:
2010:
1988:
1975:
1962:
1949:
1936:
1923:
1910:
1897:
1880:
1863:
1850:
1837:
1824:
1811:
1798:
1781:
797:Mix-Up
644:Title
602:) and
514:, and
505:Spione
315:Career
297:London
285:, and
103:Period
85:author
68:, U.S.
1818:Greed
1633:2022
1610:2021
1587:2020
1558:2019
1529:2018
1506:2017
1483:2016
1460:2015
1437:2014
1419:Locke
1414:2013
1391:2012
1362:2011
1339:2010
1310:2009
1287:2008
1264:2007
1232:2006
1207:2005
1181:2004
1158:2003
1135:2002
1112:2001
1083:2000
1060:1999
1037:1998
1008:1997
985:1996
962:1995
939:1994
916:1993
887:1992
861:1991
838:1990
815:1989
792:1988
773:1987
750:1976
727:1975
704:1974
681:1973
652:1972
641:Year
621:Out 1
598:Greed
551:Ordet
469:Greed
454:2012
293:Paris
256:Paris
2460:2023
2341:2006
2287:2020
2261:2017
2230:2013
2192:2020
2126:2008
2108:ISBN
2087:2006
2061:2010
2025:ISBN
2008:ISBN
1986:ISBN
1973:ISBN
1960:ISBN
1947:ISBN
1934:ISBN
1921:ISBN
1908:ISBN
1895:ISBN
1878:ISBN
1861:ISBN
1848:ISBN
1835:ISBN
1822:ISBN
1809:ISBN
1796:ISBN
1779:ISBN
614:and
580:and
554:and
487:Ivan
213:jazz
147:and
120:.net
50:Born
2529:on
1684:Men
618:'s
591:In
303:by
295:to
266:'s
200:in
172:."
2544::
2450:.
2251:.
2247:.
2220:.
2182:.
2153:^
2116:.
2077:.
2023:)
1893:)
1794:)
1292:RR
624:.
548:,
539:.
508:,
502:,
496:,
490:,
484:,
478:,
472:,
466:,
434:.
400:.
311:.
280:,
184:,
153:.
58:)
2462:.
2435:.
2421:.
2407:.
2393:.
2343:.
2317:.
2303:.
2289:.
2263:.
2232:.
2194:.
2128:.
2089:.
2063:.
54:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
