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Josef Albers

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1400:, was reinstalled at the Walter Gropius-designed 200 Park Avenue (Metlife) Building, New York, following an almost two decade absence. “While we appreciate its importance in the art community, it just doesn’t work for us anymore,” a Metlife representative is quoted as saying, at the time of its removal (2000). Two decades later, the piece is once again being hailed as the vibrant centerpiece of the building, with the Albers Foundation's director on hand for the rededication of the work: “This is what art was for him: something that could affect you, maybe gave a little bit of joy to the lives of those people rushing to their trains or rushing out of the station to their workday.” 609: 472: 3597: 799: 871:. The giant abstract mural of black, white, and red strips arranged in interwoven columns stood 28-feet high and 55-feet wide and was installed in the lobby of the building; it was removed during a lobby redesign around 2000. Before he died in 1976, Albers left exact specifications of the work so that it could easily be replicated; in 2019, it was replicated and reinstalled in its original place in the Pan Am building, now renamed MetLife. In 1967, his painted mural 6891: 939: 1420:; and simultaneous contrast. In each case Lee suggested that Albers made fundamental errors with serious consequences for his claims about colour and his pedagogical method. Lee suggested that Albers' belief in the importance of colour deception was related to a misconception about aesthetic appreciation (that it depends upon some kind of confusion about visual perception). Lee suggested that the scientific 1389:, and "includes a central research and archival storage center to accommodate the Foundation's art collections, library and archives, and offices, as well as residence studios for visiting artists." A second, and substantial, part of the Josef Albers estate is held by the Josef Albers Museum in Bottrop, Germany, where he was born. Both institutions continue active outreach to secure the artist's reputation. 736:
resonate with audiophiles today, and are much sought-after by connoisseurs of mid-century modern design for their striking covers. This was all due to the collaboration between two individuals, Josef Albers and Enoch Light. Both men — one an influential teacher and artist, the other a stereo-recording pioneer — driven by strong convictions and passion for their respective crafts."
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manipulation of diverse materials. He worked from 1908 to 1913 as a schoolteacher in his home town; he also trained as an art teacher at Königliche Kunstschule in Berlin, Germany, from 1913 to 1915. From 1916 to 1919 he began his work as a printmaker at the Kunstgewerbschule in Essen, where he learnt stained-glass making with Dutch artist
596:, to teach in the summer seminar. Weil remarked that, as a teacher, Albers was "his own academy". She said that Albers claimed that "when you're in school, you're not an artist, you're a student", although he was very supportive of self-expression when one became an artist and began on her or his journey. Albers produced many 1212:– "Art is not to be looked at. Art is looking at us.. .To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision. 1603:
had a profound influence on the theory and practice of art and design—through his influential book 'Interaction of Color', but also in his classes at Black Mountain College, where he was the head of the art department, and Yale University, where he oversaw the department of design through an overhaul
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in 1969 and 1970. In 1971 (nearly five years before his death), Albers founded the Josef and Anni Albers Foundation, a nonprofit organization he hoped would further "the revelation and evocation of vision through art". Today, this organization serves as the office for the estates of both Josef Albers
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Although Albers prioritized teaching his students principles of color interaction, he was admired by many of his students for instilling a general approach to all materials and means of engaging it in design. Albers "put practice before theory and prioritised experience; 'what counts,' he claimed 'is
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Dorothea Jameson has challenged Lee's criticism of Albers, arguing that Albers' approach toward painting and pedagogy emphasized artists' experiences in the handling and mixing of pigments, which often have different results than predicted by color theory experiments with projected light or spinning
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Josef Albers produced album covers for over three years between 1959 and 1961, Albers' seven album sleeves for Command Records incorporated elements such as circles and grids of dots, highly uncommon in his practice. "The series of records made by Command Records over half a century ago still
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with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m.
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in 1888. His father, Lorenzo Albers, was variously a housepainter, carpenter, and handyman. His mother came from a family of blacksmiths. His childhood included practical training in engraving glass, plumbing, and wiring, giving Josef versatility and lifelong confidence in the handling and
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continues to be influential despite criticisms that arose following his death. In 1981, Alan Lee attempted to refute Albers' general claims about colour experience (that colour deceives continually) and to posit that Albers' system of perceptual education was fundamentally misleading.
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Albers presented color systems at the end of his courses (and at the end of 'Interaction of Color') and these featured descriptions of primary, secondary and tertiary color, as well as a range of connotations that he assigned to specific colors on his triangular color model.
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in 1920. Although Albers had studied painting, it was as a maker of stained glass that he joined the faculty of the Bauhaus in 1922, approaching his chosen medium as a component of architecture and as a stand-alone art form. The director and founder of the Bauhaus,
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The Josef and Anni Albers Foundation offers three residency programs in three different parts of the world. They are located in Bethany, Connecticut; Carraig-na-gCat, Ireland; and Thread, Senegal. Residencies usually last between one and two months.
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he used on the back of his works, as if the colours were catalogued components of an optical experiment. His work represents a transition between traditional European art and the new American art. It incorporated European influences from the
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should be considered in lieu of the concepts put forward by Albers. Finally, Lee called for a reassessment of Albers' art as necessary, following successful challenge to the foundational colour concepts that were the basis of his corpus.
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at Yale, he received a grant from the Graham Foundation for the Advanced Studies of Fine Arts for an exhibit and lecture on his work. Albers also collaborated with Yale professor and architect
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The Albers Foundation, the main beneficiary of the estates of both Josef and Anni Albers, remains protective of the artist's work and reputation. In 1997, one year after the auction house,
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program. Albers' teaching methodology, prioritizing practical experience and vision in design, had a profound impact on the development of postwar Western visual art, while his book
7008: 1723: 6998: 3058: 711:, shows a tightly packed grid or lattice of small black disks from which a few wander up and out as if stray molecules of some light gas. He was elected a Fellow of the 690:, one of Yale's secret senior groups (1962), and a design for the Mt. Bethel Baptist Church (1973). Also, at this time he worked on his structural constellation pieces. 1003:
not so-called knowledge of so-called facts, but vision – seeing.' His focus was process." Although their relationship was often tense, and sometimes, even combative,
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movement, and its intensity and smallness of scale were typically European, but his influence fell heavily on American artists of the late 1950s and the 1960s. "
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later identified Albers as his most important teacher. Albers is considered to be one of the most influential teachers of visual art in the twentieth century.
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pressure in 1933, Albers emigrated to the United States. He was appointed as the head of the painting program at the experimental liberal arts institution
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concluded that however impersonal his paintings might at first appear, not one of them "could have been painted by any one but Josef Albers himself.".
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included designing furniture and working with glass. As a younger instructor, he was teaching at the Bauhaus among established artists who included
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Lee examined four topics in Albers' account of colour critically: In additive and subtractive colour mixture; the tonal relations of colours; the
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in November 1933. When a student asked me what I was going to teach I said: 'to open eyes'. And this has become the motto of all my teaching."
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is real, probably more real than nature. I'll go further and say that abstraction is nearer my heart. I prefer to see with closed eyes."
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Sandler, Irving (Spring 1982). "The School of Art at Yale; 1950-1970: The Collective Reminiscences of Twenty Distinguished Alumni".
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As a teacher and theoretician as well as a painter, Mr. Albers had a wide influence on several generations of artists and abroad.
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color disks. Furthermore, Jameson explains that Lee's own understanding of additive and subtractive color mixtures is flawed.
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Albers, a prolific artist, has numerous prints and drawings available outside of the museums where his work is represented.
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Diaz, Eva (2008). "The Ethics of Perception: Josef Albers in the United States". The Art Bulletin vol. XC, no. 2 (June).
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pressure in 1933 the artists dispersed, most leaving the country. Albers emigrated to the United States. The architect
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as a student and became a faculty member in 1922, teaching the principles of handicrafts. With the Bauhaus's move to
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Jameson, Dorothea (1983). "Some Misunderstandings about Color Perception, Color Mixture and Color Measurement".
1453:(1970) sold for £785,000 (well above the estimated £350,000–450,000), at "the high point of an active market." 6656: 6649: 6471: 3613: 1397: 1315: 867: 6248: 246:
who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in
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A Finding Aid to the Josef Albers papers, 1929–1970 in the Archives of American Art, Smithsonian Institution
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In respect to his artworks, Albers was known to meticulously list the specific manufacturer's colours and
6749: 6677: 5726: 5511: 3184: 2491:"The Photographs of Josef Albers: A Selection from the Collection of The Josef Albers Foundation | MoMA" 1817: 319:, and invited contemporary American artists to teach in the summer seminar, including the choreographer 6973: 6698: 6607: 3285: 3037: 1449:(1964) which sold for $ 1.5 million (nearly double its estimate) at a 2007 sale at Sotheby's. In 2015, 1251: 369: 837:(1961), a 42-feet by 14-feet mural of alternating glass bands in white and brown that recede into two 4995: 4081: 3258: 2088: 908: 768: 311:
At Black Mountain, Albers taught students who would later go on to become prominent artists such as
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in creating decorative designs for some of Wu's projects. Among these were distinctive geometric
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in Manhattan destroyed in 1980. At the invitation of a former student, the Australian architect
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The photographs of Josef Albers: a selection from the collection of the Josef Albers Foundation
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Harmony, Harder Than It Looks – ‘Josef Albers in America: Painting on Paper,’ at the Morgan
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Josef Albers at The Metropolitan Museum of Art: An Exhibition of His Paintings and Prints
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The Josef Albers papers, documents from 1929 to 1970, were donated by the artist to the
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in New York City, arranged for Albers to be offered a job as head of a new art school,
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Josef Albers: Glass, Color, and Light (exh. cat., Peggy Guggenheim Collection, Venice)
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Lee, Alan (1981). "A Critical Account of Some of Josef Albers' Concepts of Color".
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plates. This work has since been republished, and is now available as an iPad App.
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Mosaic as an Experimental System in Contemporary Fine Art Practice and Criticism
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Josef Albers: to Open Eyes : The Bauhaus, Black Mountain College, and Yale
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would become arguably the most influential art teacher in 20th-century America.
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glass construction that he had designed in 1929 at the Bauhaus, and renamed it
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Josef Albers: Despite Straight Lines: An Analysis of His Graphic Constructions
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Press 'L' for Landmark; Time & Life Lobby, a 50's Gem, Awaits Recognition
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Albers and Morandi: Never Finished: works by Josef Albers and Giorgio Morandi
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focused on the works of both artists. The foundation building is located in
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Officers Crosses of the Order of Merit of the Federal Republic of Germany
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Homage to the Square (series), Structural Constellations, Glass Paintings
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records. His album cover for Terry Snyder and the All Stars 1959 album,
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In 1950, Albers left Black Mountain to head the department of design at
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in curriculum in favor of rigorous exercises and an emphasis on detail.
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Josef Albers, National Gallery of Australia, Kenneth Tyler Collection
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An Oral History interview with Josef Albers, 1968 June 22 – July 5
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to head the design department, contributing significantly to its
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in New York. Albers died in his sleep on March 25, 1976, at the
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Fleischmann) who was a student at the institution. His work in
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One and One Is Four: The Bauhaus Photocollages of Josef Albers
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Color model representing Albers' color theory as described in
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Weber, Nicholas Fox; Licht, Fred; Danilowitz, Brenda (1994).
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for the Rouse (1954) and DuPont (1959) houses, the façade of
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Google images; many pictures of the artworks made by Albers
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Google images; many pictures of the artworks made by Albers
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Robert Rauschenberg, 1925 – 2008: He led the way to Pop Art
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Albers enrolled as a student in the preliminary course (
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The Josef and Anni Albers Foundation: Mission Statement
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centers to create an illusion of depth. In the 1960s,
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The Art Newspaper - International art news and events
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In addition to being a teacher, Albers was an active
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Fellows of the American Academy of Arts and Sciences
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in New York City. In 1970, he and his wife lived in
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Members of the American Academy of Arts and Letters
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A Sunday Afternoon on the Island of La Grande Jatte
2848:"Celebrating Bauhaus artists Josef and Anni Albers" 2567:"Guggenheim Museum Presents Josef Albers in Mexico" 2291: 2289: 1618:"Celebrating Bauhaus artists Josef and Anni Albers" 1281:(1965) A major Albers exhibition, organized by the 990:In an article about the artist, published in 1950, 895:relief for the Grand Avenue National Bank lobby in 439:. In 1918 he received his first public commission, 308:in North Carolina, a position he held until 1949. 219: 198: 3062: 3036: 3023: 2948:Danilowitz, Brenda; Frederick A. Horowitz (2006). 2932: 2846: 2398:"The Graphic Constructions of Josef Albers | MoMA" 1644:"Rosa Mystica Ora Pro Nobis (reconstruction 2011)" 539: 453:Königliche Bayerische Akademie der Bildenden Kunst 280:in 1925, he was promoted to professor and married 103:Königliche Bayerische Akademie der Bildenden Kunst 6984:Emigrants from Nazi Germany to the United States 6905: 3212:Josef Albers letters to J. B. Neumann, 1934–1947 3125:, examples of genuine signatures by Josef Albers 3039:Josef Albers, Late Modernism, and Pedagogic Form 2286: 1916:Masheck, Joseph (December 2009 – January 2010). 1837: 409: 2844: 2266:. 42, No. 1 (The Education of Artists): 14–21. 1615: 1238:in Manhattan at J. B. Neumann's New Art Circle. 715:in 1973. In 1970, Albers and his wife moved to 693:Also during this time, he created the abstract 2356: 1768:A Modern Master of Bottles, Scraps and Squares 1493:Category:Albums with cover art by Josef Albers 296:, collaborating with established artists like 3660: 3462: 3259: 2591:Schjeldahl, P. (2021). "Albers and Morandi". 2429:. New York: Metropolitan Museum of Art. 1969. 1918:"ALBERS' RECORD JACKETS: Doing an Artful Job" 1815: 919:(1976) for the Mutual Life Centre in Sydney. 447:for a church in Bottrop. In 1919 he moved to 6582: 6571: 3765: 3754: 3708: 3697: 2606:The Josef and Anni Albers Foundation website 2056:A Familiar Mural Finds Itself Without a Wall 1986: 1915: 1784: 1672:Morris, Roderick Conway (October 21, 2011). 1324:(2011) Palazzina dei Giardini, Modena, Italy 767:. He favored a very disciplined approach to 288:. Albers' work in Dessau included designing 3836: 2845:Crichton-Miller, Emma (November 11, 2016). 1739: 1641: 1616:Crichton-Miller, Emma (November 11, 2016). 1308:Painting on paper – Josef Albers in America 1128:(construction and collage artist, educator) 1010: 396:, 1918 (reconstruction, original destroyed 3667: 3653: 3469: 3455: 3266: 3252: 2994: 2590: 2156:Josef Albers: February 28 — March 27, 2007 1451:Study for Homage to the Square, R-III E.B. 1436: 751:Accomplished as a designer, photographer, 31: 3065:Josef Albers: A Retrospective (exh. cat.) 1897:. Martincountytimes.com. November 9, 2013 1859: 1347:(Nov 23, 2016—Apr 2, 2017) MoMa, New York 1244:(Dec 8, 1969—Feb 24, 1970) MOMA, New York 1242:The Graphic Constructions of Josef Albers 997: 781:with nested squares. Usually painting on 572:At Black Mountain, his students included 544: 466: 3043:. Chicago: University of Chicago Press. 3034: 2216: 2089:"The Josef & Anni Albers Foundation" 1961:"Josef Albers, Artist and Teacher, Dies" 1693:"Josef Albers, Artist and Teacher, Dies" 1512:"Josef Albers, Artist and Teacher, Dies" 1445:have outsold their estimates, including 937: 797: 607: 470: 387: 354:and theorist, best known for his series 300:. Following the Bauhaus's closure under 2995:Fiell, Charlotte; Fiell, Peter (2005). 2970: 2791: 2714: 2688: 2261: 2170: 2168: 2166: 2164: 2107:"Interaction of Color on the App Store" 1941:. American Academy of Arts and Sciences 1936:"Book of Members, 1780–2010: Chapter A" 1310:(2010) Pinakothek der Moderne, Munich; 1193: 971:" abstract painters drew on his use of 744: 506:In 1925, the year the Bauhaus moved to 6906: 3118:The Josef & Anni Albers Foundation 3021: 2930: 2926:. Hartford, CT: Trinity College Press. 2921: 2898: 2859:from the original on December 10, 2022 2126: 2093:The Josef & Anni Albers Foundation 1734:Crystal Bridges Museum of American Art 1671: 1585: 1546: 1477:The Josef & Anni Albers Foundation 1359:(2021) David Zwirner Gallery, New York 883:, were installed on the campus of the 549:With the closure of the Bauhaus under 6508:Six Characters in Search of an Author 3648: 3450: 3247: 3135:Cooper Hewitt Museum Exhibition, 2004 3057: 2715:Coleman, Nancy (September 23, 2019). 2689:Stoilas, Helen (September 23, 2019). 2571:The Guggenheim Museums and Foundation 2004: 1441:Several paintings in Albers's series 713:American Academy of Arts and Sciences 622:Hirshhorn Museum and Sculpture Garden 284:, a student at the institution and a 237: 2989: 2387:in The Museum of Modern Art Archives 2161: 2158:Waddington Custot Galleries, London. 1928: 1547:Upshaw, Reagan (November 29, 2018). 1304:(Jan 27—Apr 19, 1988) MoMa, New York 1298:(Mar 26—Apr 19, 1976) MoMa, New York 1234:In 1936, Albers was given his first 887:. Other architectural works include 723:after being admitted for a possible 376:after being admitted for a possible 3168:Tate Modern exhibition, London 2006 2748: 2595:. Vol. v. 97, n. 2. p. 5. 2243:Christopher Knight (May 14, 2008), 2086: 1586:Heller, Steven (January 22, 2015). 13: 7024:20th-century American male artists 5703:Nude Descending a Staircase, No. 2 3026:The Arts at Black Mountain College 2892: 2415: 2390: 730: 603: 16:German-American artist (1888–1976) 14: 7035: 6949:20th-century American printmakers 3111: 2826:J.S. Marcus (December 18, 2010), 2427:Homage to the Square: Soft Spoken 2036:David W. Dunlap (June 17, 2002), 1224:Exhibitions (not a complete list) 983:further explored his interest in 885:Rochester Institute of Technology 821:was engraved in the lobby of the 6939:20th-century German male artists 6929:Willem de Kooning Academy alumni 6890: 6889: 3595: 3185:"Josef Albers Papers, 1933–1961" 2466:"Josef Albers, 1888–1976 | MoMA" 1328:Albers and Heirs: Josef Albers, 194: 99:Königliche Kunstschule zu Berlin 3273: 2975:. London: Thames & Hudson. 2877:Carol Vogel (October 3, 1997), 2871: 2838: 2820: 2785: 2742: 2708: 2682: 2657: 2635: 2617: 2599: 2584: 2559: 2534: 2520:The Morgan Library & Museum 2508: 2483: 2458: 2433: 2378: 2342: 2317: 2303: 2255: 2237: 2210: 2189: 2149: 2120: 2099: 2080: 2066: 2048: 2030: 1953: 1909: 1831: 1816:Rob Roy Kelly (June 23, 1989). 1809: 1785:Robert Ayers (March 29, 2006). 1778: 1760: 1588:"When Bauhaus Met Lounge Music" 1396:In 2019, his "colossal" mural, 1381:, and supports exhibitions and 1316:The Morgan Library & Museum 922: 600:and leaf studies at this time. 540:Emigration to the United States 404: 167: 7019:Black Mountain College faculty 6944:20th-century American painters 6657:Grosvenor School of Modern Art 6650:Fourth dimension in literature 2197:The Illustrated History of Art 2176:The Illustrated History of Art 1717: 1704: 1685: 1635: 1609: 1579: 1540: 1504: 37:Albers in front of one of his 1: 6989:Academic staff of the Bauhaus 3674: 2879:Sotheby's Loses Albers Estate 1766:Pepe Carmel (June 25, 1995), 1498: 1289: 1250:(Nov 19, 1971—Jan 11, 1972) 1032:(collage artist and sculptor) 819:Two Structural Constellations 410:Formative years in Westphalia 397: 182:https://albersfoundation.org/ 6934:20th-century German painters 3178:The New York Review of Books 2828:Re-Examining a Famed Teacher 2373:Solomon R. Guggenheim Museum 2225:. London: The Tate Gallery. 2054:Carol Vogel (July 9, 2001), 1674:"Making of a Bauhaus Master" 1403: 915:, Albers designed the mural 383: 7: 6959:German contemporary artists 6750:List of avant-garde artists 5727:The Cabinet of Dr. Caligari 3191:Josef Albers Papers (MS 32) 3030:. Cambridge, MA: MIT Press. 2973:Josef Albers: Life and Work 2441:"The Responsive Eye | MoMA" 1642:Albers, Josef (1917–1918). 1470: 451:, Germany, to study at the 269:In 1920, Albers joined the 10: 7040: 6608:Classical Hollywood cinema 3476: 3035:Saletnik, Jeffrey (2022). 3022:Harris, Mary Emma (1987). 2997:Design of the 20th Century 2368:February 12, 2012, at the 2350:"Josef Albers - Wikiquote" 2311:"Josef Albers - Wikiquote" 2297:"Josef Albers - Wikiquote" 2217:Saletnik, Jeffrey (2007). 1252:Metropolitan Museum of Art 975:and intense colors, while 927:In 1963, Albers published 829:. For the entrance of the 455:, where he was a pupil of 441:Rosa mystica ora pro nobis 394:Rosa mystica ora pro nobis 370:Metropolitan Museum of Art 6871: 6549: 6390: 6258: 6098: 5847: 5836: 5679:Les Demoiselles d'Avignon 5633: 5459: 5019: 4502: 4493: 4370: 4154: 3896: 3887: 3682: 3604: 3593: 3484: 3373: 3281: 2971:Darwent, Charles (2018). 2931:Bucher, François (1977). 2012:"Josef Albers Chronology" 1838:Jeffrey Saletnik (2007). 1729:November 4, 2013, at the 1447:Homage to the Square: Joy 1363: 793: 177: 152: 142: 126: 112: 94: 75: 46: 30: 23: 4464:The Master and Margarita 3229:Brooke Alexander Gallery 3199:Archives of American Art 3123:Art Signature Dictionary 2669:www.albersfoundation.org 2546:The Museum of Modern Art 2495:The Museum of Modern Art 2470:The Museum of Modern Art 2445:The Museum of Modern Art 2402:The Museum of Modern Art 2325:"Oral History Interview" 2131:. New Haven and London: 1374:Archives of American Art 1258: 1011:Noted students of Albers 845:, who was designing the 831:Time & Life Building 739: 557:, then a curator at the 362:Time & Life Building 6757:List of modernist poets 6643:Fourth dimension in art 5819:Meshes of the Afternoon 3140:Josef Albers collection 2832:The Wall Street Journal 1437:Value on the art market 1370:Smithsonian Institution 1296:Josef Albers, 1888–1976 1228: 721:Yale New Haven Hospital 671:were notable students. 414:Albers was born into a 374:Yale New Haven Hospital 331:. In 1950, he left for 6969:American male painters 6964:American art educators 6841:Second Viennese School 6583: 6572: 4476:The Sound and the Fury 4380:In Search of Lost Time 3837: 3766: 3755: 3709: 3698: 3527:Gerhard von Graevenitz 2924:Search Versus Research 2922:Albers, Josef (1969). 2899:Albers, Josef (1975). 2647:June 23, 2012, at the 2629:July 15, 2008, at the 2127:Albers, Josef (1963). 1465:Andre Emmerich Gallery 1351:Josef Albers in Mexico 1217:Black Mountain College 1110:(painter and sculptor) 1080:(painter and sculptor) 998:Teaching and influence 947: 823:Corning Glass Building 807: 779:chromatic interactions 639:program (then called " 633:New Haven, Connecticut 624: 563:Black Mountain College 545:Black Mountain College 476: 467:Entry into the Bauhaus 401: 306:Black Mountain College 87:New Haven, Connecticut 6820:Reactionary modernism 6743:List of art movements 3552:Arnold Alfred Schmidt 3396:Geometric abstraction 3223:Works by Josef Albers 3142:at the Israel Museum. 2905:Yale University Press 2611:July 8, 2008, at the 2133:Yale University Press 2076:. September 23, 2019. 1818:"Origins: Yale years" 1652:on February 26, 2022. 1072:Robert L. Levers, Jr. 941: 897:Kansas City, Missouri 851:Emery Roth & Sons 801: 708:Persuasive Percussion 643:"), hiring designers 611: 475:Armchair (late 1920s) 474: 391: 147:Geometric abstraction 6954:German male painters 6664:Hanshinkan Modernism 6520:The Threepenny Opera 6436:PellĂ©as et MĂ©lisande 3512:Richard Anuszkiewicz 3158:Museum of Modern Art 2901:Interaction of Color 2129:Interaction of Color 1996:Museum of Modern Art 1701:Retrieved 2020-03-29 1682:Retrieved 2020-03-29 1443:Homage to the Square 1410:Interaction of Color 1387:Bethany, Connecticut 1283:Museum of Modern Art 1194:Quotes of the artist 1176:(painter, 1930-2007) 1134:(sculptor, educator) 1122:(sculptor, educator) 1038:(sculptor, educator) 1018:Richard Anuszkiewicz 944:Interaction of Color 929:Interaction of Color 774:Homage to the Square 746:Homage to the Square 657:Richard Anuszkiewicz 559:Museum of Modern Art 445:stained-glass window 357:Homage to the Square 341:Interaction of Color 39:Homage to the Square 6924:People from Bottrop 6722:International Style 6472:Afternoon of a Faun 5751:Battleship Potemkin 5655:Mont Sainte-Victoir 3421:Monochrome painting 3181:, February 25, 2018 3173:"Bauhaus in Mexico" 3059:Weber, Nicholas Fox 2385:J.B. Neumann Papers 1895:Martin County Times 1710:de Melo, M. (2019) 1554:The Washington Post 1408:Josef Albers' book 1158:(painter, educator) 1116:(painter, educator) 1108:Robert Rauschenberg 1005:Robert Rauschenberg 717:Orange, Connecticut 582:Robert Rauschenberg 437:Johan Thorn Prikker 366:Orange, Connecticut 317:Robert Rauschenberg 6601:Buddhist modernism 6558:American modernism 6484:The Rite of Spring 4452:The Sun Also Rises 4428:The Magic Mountain 3624:Hard-edge painting 3587:Jean-Pierre Yvaral 3572:Gregorio Vardanega 3401:Hard-edge painting 2883:The New York Times 2721:The New York Times 2060:The New York Times 2042:The New York Times 2018:on August 14, 2021 1967:. March 26, 1976. 1965:The New York Times 1772:The New York Times 1754:The New York Times 1697:The New York Times 1678:The New York Times 1518:. March 26, 1976. 1516:The New York Times 1334:Jane Davis Doggett 1279:The Responsive Eye 1044:(graphic designer) 1042:Jane Davis Doggett 981:conceptual artists 948: 875:(1965) as well as 833:lobby, he created 808: 688:Manuscript Society 669:Jane Davis Doggett 625: 477: 402: 325:Harlem Renaissance 6974:Abstract painters 6901: 6900: 6629:Experimental film 6545: 6544: 6532:Waiting for Godot 5832: 5831: 4489: 4488: 4392:The Metamorphosis 3642: 3641: 3619:François Morellet 3562:JesĂșs Rafael Soto 3557:Francisco Sobrino 3532:Edwin Mieczkowski 3444: 3443: 3149:Guggenheim Museum 3103:978-0-8109-6864-6 3094:Guggenheim Museum 3080:978-0-8109-1876-4 3071:Guggenheim Museum 2982:978-0-500-51910-3 2963:978-0-7148-4599-9 2939:. Cambridge, MA: 2914:978-0-300-11595-6 2903:. New Haven, CT: 2775:Project MUSE 2652:Fondation Beyeler 2249:Los Angeles Times 2087:Geismar, Daphne. 1922:The Brooklyn Rail 1748:(July 26, 2012), 1699:. March 26, 1976. 1422:colour hypothesis 1418:Weber-Fechner Law 1174:Theo Stavropoulos 1030:Varujan Boghosian 992:Elaine de Kooning 909:Celanese Building 594:Willem de Kooning 530:Wassily Kandinsky 292:and working with 187: 186: 117:Abstract painting 7031: 6893: 6892: 6864: 6862:Vulgar modernism 6857: 6855:Underground film 6850: 6843: 6836: 6829: 6822: 6815: 6808: 6801: 6794: 6787: 6780: 6773: 6766: 6759: 6752: 6745: 6738: 6731: 6724: 6717: 6708: 6701: 6694: 6687: 6680: 6678:Hippie modernism 6673: 6666: 6659: 6652: 6645: 6638: 6631: 6624: 6617: 6610: 6603: 6596: 6594:Bloomsbury Group 6589: 6588: 6578: 6577: 6567: 6560: 6538: 6537: 6526: 6525: 6514: 6513: 6502: 6501: 6490: 6489: 6478: 6477: 6466: 6465: 6454: 6453: 6442: 6441: 6430: 6429: 6418: 6417: 6406: 6405: 6383: 6376: 6369: 6362: 6355: 6348: 6341: 6334: 6327: 6320: 6313: 6306: 6299: 6292: 6285: 6278: 6271: 6251: 6244: 6237: 6230: 6223: 6216: 6209: 6202: 6195: 6188: 6181: 6174: 6167: 6160: 6153: 6146: 6139: 6132: 6125: 6118: 6111: 6091: 6084: 6077: 6070: 6063: 6056: 6049: 6042: 6035: 6028: 6021: 6014: 6007: 6000: 5993: 5986: 5979: 5972: 5965: 5958: 5951: 5944: 5937: 5930: 5923: 5916: 5909: 5902: 5895: 5888: 5881: 5874: 5867: 5860: 5845: 5844: 5825: 5824: 5813: 5812: 5801: 5800: 5791: 5790: 5781: 5780: 5775:Un Chien Andalou 5769: 5768: 5757: 5756: 5745: 5744: 5739:Ballet MĂ©canique 5733: 5732: 5721: 5720: 5709: 5708: 5697: 5696: 5685: 5684: 5673: 5672: 5667:The Starry Night 5661: 5660: 5649: 5648: 5626: 5619: 5612: 5605: 5598: 5591: 5584: 5577: 5570: 5563: 5556: 5549: 5542: 5535: 5528: 5521: 5514: 5507: 5500: 5493: 5486: 5479: 5472: 5452: 5445: 5438: 5431: 5424: 5417: 5410: 5403: 5396: 5389: 5382: 5375: 5368: 5361: 5354: 5347: 5340: 5333: 5326: 5319: 5312: 5305: 5298: 5291: 5284: 5277: 5270: 5263: 5256: 5249: 5242: 5235: 5228: 5221: 5214: 5207: 5200: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5137: 5130: 5123: 5116: 5109: 5102: 5095: 5088: 5081: 5074: 5067: 5060: 5053: 5046: 5039: 5032: 5012: 5005: 4998: 4996:Toulouse-Lautrec 4991: 4984: 4977: 4970: 4963: 4956: 4949: 4942: 4935: 4928: 4921: 4914: 4907: 4900: 4893: 4886: 4879: 4872: 4865: 4858: 4851: 4844: 4837: 4830: 4823: 4816: 4809: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4564: 4557: 4550: 4543: 4536: 4529: 4522: 4515: 4500: 4499: 4482: 4481: 4470: 4469: 4458: 4457: 4446: 4445: 4434: 4433: 4422: 4421: 4410: 4409: 4398: 4397: 4386: 4385: 4363: 4356: 4349: 4342: 4335: 4328: 4321: 4314: 4307: 4300: 4293: 4286: 4279: 4272: 4265: 4258: 4251: 4244: 4237: 4230: 4223: 4216: 4209: 4202: 4195: 4188: 4181: 4174: 4167: 4147: 4140: 4133: 4126: 4119: 4112: 4105: 4098: 4091: 4084: 4077: 4070: 4063: 4056: 4049: 4042: 4035: 4028: 4021: 4014: 4007: 4000: 3993: 3986: 3979: 3972: 3965: 3958: 3951: 3944: 3937: 3930: 3923: 3916: 3909: 3894: 3893: 3880: 3873: 3866: 3859: 3852: 3843: 3842: 3832: 3825: 3818: 3811: 3802: 3795: 3788: 3779: 3772: 3771: 3761: 3760: 3757:Der Blaue Reiter 3750: 3743: 3736: 3729: 3722: 3715: 3714: 3704: 3703: 3693: 3669: 3662: 3655: 3646: 3645: 3634:Optical illusion 3599: 3517:Carlos Cruz-Diez 3471: 3464: 3457: 3448: 3447: 3330:Kazimir Malevich 3268: 3261: 3254: 3245: 3244: 3107: 3084: 3068: 3054: 3042: 3031: 3029: 3018: 2991: 2986: 2967: 2944: 2938: 2927: 2918: 2887: 2875: 2869: 2868: 2866: 2864: 2850: 2842: 2836: 2824: 2818: 2817: 2789: 2783: 2782: 2746: 2740: 2739: 2737: 2735: 2712: 2706: 2705: 2703: 2701: 2686: 2680: 2679: 2677: 2675: 2661: 2655: 2639: 2633: 2621: 2615: 2603: 2597: 2596: 2588: 2582: 2581: 2579: 2577: 2563: 2557: 2556: 2554: 2552: 2538: 2532: 2531: 2529: 2527: 2512: 2506: 2505: 2503: 2501: 2487: 2481: 2480: 2478: 2476: 2462: 2456: 2455: 2453: 2451: 2437: 2431: 2430: 2419: 2413: 2412: 2410: 2408: 2394: 2388: 2382: 2376: 2360: 2354: 2353: 2346: 2340: 2339: 2337: 2335: 2321: 2315: 2314: 2307: 2301: 2300: 2293: 2284: 2283: 2259: 2253: 2241: 2235: 2234: 2214: 2208: 2193: 2187: 2172: 2159: 2153: 2147: 2146: 2124: 2118: 2117: 2115: 2113: 2103: 2097: 2096: 2084: 2078: 2077: 2070: 2064: 2052: 2046: 2034: 2028: 2027: 2025: 2023: 2008: 2002: 1990: 1984: 1983: 1981: 1979: 1957: 1951: 1950: 1948: 1946: 1940: 1932: 1926: 1925: 1913: 1907: 1906: 1904: 1902: 1887: 1878: 1877: 1875: 1873: 1863: 1857: 1856: 1854: 1852: 1835: 1829: 1828: 1826: 1824: 1813: 1807: 1806: 1804: 1802: 1797:on March 8, 2008 1793:. 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Perry 1086:(graphic artist) 901:Reclining Figure 879:(1965), a brick 855:Pietro Belluschi 806:(1977) in Sydney 399: 352:abstract painter 321:Merce Cunningham 241: 239:[ˈalbɐs] 236: 232: 231: 228: 227: 224: 221: 216: 215: 212: 209: 206: 203: 200: 171: 169: 129: 82: 56: 54: 35: 21: 20: 7039: 7038: 7034: 7033: 7032: 7030: 7029: 7028: 6904: 6903: 6902: 6897: 6888: 6880: 6867: 6860: 6853: 6848:Structural film 6846: 6839: 6832: 6825: 6818: 6811: 6804: 6799:New Objectivity 6797: 6790: 6785:Neo-romanticism 6783: 6778:Neo-primitivism 6776: 6769: 6762: 6755: 6748: 6741: 6734: 6727: 6720: 6713: 6704: 6697: 6690: 6683: 6676: 6669: 6662: 6655: 6648: 6641: 6634: 6627: 6620: 6613: 6606: 6599: 6592: 6581: 6570: 6563: 6556: 6541: 6535: 6529: 6523: 6517: 6511: 6505: 6499: 6493: 6487: 6481: 6475: 6469: 6463: 6457: 6451: 6445: 6439: 6433: 6427: 6424:VerklĂ€rte Nacht 6421: 6415: 6409: 6403: 6397: 6386: 6379: 6372: 6365: 6358: 6351: 6344: 6337: 6330: 6323: 6316: 6309: 6302: 6295: 6288: 6281: 6274: 6267: 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2447: 2439: 2438: 2434: 2421: 2420: 2416: 2406: 2404: 2396: 2395: 2391: 2383: 2379: 2370:Wayback Machine 2361: 2357: 2348: 2347: 2343: 2333: 2331: 2323: 2322: 2318: 2309: 2308: 2304: 2295: 2294: 2287: 2260: 2256: 2242: 2238: 2215: 2211: 2194: 2190: 2173: 2162: 2154: 2150: 2143: 2125: 2121: 2111: 2109: 2105: 2104: 2100: 2085: 2081: 2072: 2071: 2067: 2053: 2049: 2035: 2031: 2021: 2019: 2010: 2009: 2005: 1991: 1987: 1977: 1975: 1959: 1958: 1954: 1944: 1942: 1938: 1934: 1933: 1929: 1914: 1910: 1900: 1898: 1889: 1888: 1881: 1871: 1869: 1865: 1864: 1860: 1850: 1848: 1836: 1832: 1822: 1820: 1814: 1810: 1800: 1798: 1783: 1779: 1765: 1761: 1744: 1740: 1731:Wayback Machine 1722: 1718: 1709: 1705: 1691: 1690: 1686: 1670: 1657: 1640: 1636: 1626: 1624: 1622:Financial Times 1614: 1610: 1596: 1594: 1584: 1580: 1567: 1565: 1545: 1541: 1528: 1526: 1510: 1509: 1505: 1501: 1473: 1439: 1406: 1366: 1312:Centre Pompidou 1292: 1261: 1231: 1226: 1196: 1191: 1168:Julian Stanczak 1120:William Reimann 1036:Norman Carlberg 1013: 1000: 961:Constructivists 925: 893:stainless steel 847:Pan Am Building 796: 749: 742: 733: 731:Command Records 697:of band leader 629:Yale University 606: 604:Yale University 547: 542: 526:Oskar Schlemmer 469: 412: 407: 386: 333:Yale University 234: 218: 197: 193: 173: 170: 1925) 165: 161: 138: 127: 90: 84: 80: 71: 58: 52: 50: 42: 26: 17: 12: 11: 5: 7037: 7027: 7026: 7021: 7016: 7011: 7006: 7001: 6996: 6994:Bauhaus alumni 6991: 6986: 6981: 6979:AIGA medalists 6976: 6971: 6966: 6961: 6956: 6951: 6946: 6941: 6936: 6931: 6926: 6921: 6916: 6899: 6898: 6881: 6873: 6872: 6869: 6868: 6866: 6865: 6858: 6851: 6844: 6837: 6830: 6823: 6816: 6809: 6806:Poetic realism 6802: 6795: 6788: 6781: 6774: 6767: 6760: 6753: 6746: 6739: 6736:Late modernity 6732: 6729:Late modernism 6725: 6718: 6711: 6710: 6709: 6702: 6695: 6681: 6674: 6671:High modernism 6667: 6660: 6653: 6646: 6639: 6632: 6625: 6618: 6615:Degenerate art 6611: 6604: 6597: 6590: 6585:Ballets Russes 6579: 6568: 6561: 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5432: 5425: 5418: 5411: 5404: 5397: 5390: 5383: 5376: 5369: 5362: 5355: 5348: 5341: 5334: 5331:Ray (Satyajit) 5327: 5324:Ray (Nicholas) 5320: 5313: 5306: 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5215: 5208: 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5117: 5110: 5103: 5096: 5089: 5082: 5075: 5068: 5061: 5054: 5047: 5040: 5033: 5025: 5023: 5017: 5016: 5014: 5013: 5006: 4999: 4992: 4985: 4978: 4971: 4964: 4957: 4950: 4943: 4936: 4929: 4922: 4915: 4908: 4901: 4894: 4887: 4880: 4873: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4586: 4579: 4572: 4565: 4558: 4551: 4544: 4537: 4530: 4523: 4516: 4508: 4506: 4497: 4491: 4490: 4487: 4486: 4484: 4483: 4471: 4459: 4447: 4435: 4423: 4416:The Waste Land 4411: 4399: 4387: 4374: 4372: 4368: 4367: 4365: 4364: 4357: 4350: 4343: 4336: 4329: 4322: 4315: 4308: 4301: 4294: 4287: 4280: 4273: 4266: 4259: 4252: 4245: 4238: 4231: 4224: 4217: 4210: 4203: 4196: 4189: 4182: 4175: 4168: 4160: 4158: 4152: 4151: 4149: 4148: 4141: 4134: 4127: 4120: 4113: 4106: 4099: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3910: 3902: 3900: 3891: 3885: 3884: 3882: 3881: 3874: 3867: 3860: 3853: 3846: 3845: 3844: 3826: 3819: 3812: 3805: 3804: 3803: 3789: 3782: 3781: 3780: 3773: 3762: 3744: 3737: 3730: 3727:Constructivism 3723: 3716: 3705: 3694: 3686: 3684: 3680: 3679: 3672: 3671: 3664: 3657: 3649: 3640: 3639: 3637: 3636: 3631: 3626: 3621: 3616: 3611: 3605: 3602: 3601: 3594: 3592: 3590: 3589: 3584: 3579: 3577:Grazia Varisco 3574: 3569: 3564: 3559: 3554: 3549: 3544: 3539: 3534: 3529: 3524: 3519: 3514: 3509: 3504: 3499: 3494: 3488: 3486: 3482: 3481: 3474: 3473: 3466: 3459: 3451: 3442: 3441: 3439: 3438: 3436:Postminimalism 3433: 3428: 3426:Neo-minimalism 3423: 3418: 3413: 3408: 3403: 3398: 3393: 3388: 3386:Constructivism 3383: 3381:Conceptual Art 3377: 3375: 3371: 3370: 3368: 3367: 3362: 3357: 3352: 3347: 3342: 3340:John McCracken 3337: 3332: 3327: 3322: 3317: 3312: 3307: 3302: 3297: 3291: 3289: 3279: 3278: 3271: 3270: 3263: 3256: 3248: 3242: 3241: 3236: 3231: 3220: 3219: 3214: 3209: 3195: 3194: 3188: 3182: 3170: 3165: 3160: 3151: 3143: 3137: 3132: 3126: 3120: 3113: 3112:External links 3110: 3109: 3108: 3102: 3096:Publications. 3085: 3079: 3073:Publications. 3055: 3049: 3032: 3019: 3005: 2992: 2987: 2981: 2968: 2962: 2945: 2928: 2919: 2913: 2894: 2891: 2889: 2888: 2870: 2837: 2819: 2784: 2741: 2707: 2681: 2656: 2634: 2616: 2598: 2593:The New Yorker 2583: 2558: 2533: 2507: 2482: 2457: 2432: 2414: 2389: 2377: 2355: 2341: 2316: 2302: 2285: 2272:10.2307/776486 2254: 2236: 2209: 2195:Piper, David. 2188: 2174:Piper, David. 2160: 2148: 2142:978-0300018462 2141: 2119: 2098: 2079: 2065: 2047: 2029: 2003: 1985: 1952: 1927: 1908: 1879: 1858: 1830: 1808: 1777: 1759: 1746:Holland Cotter 1738: 1736:, Bentonville. 1716: 1703: 1684: 1655: 1634: 1608: 1578: 1539: 1502: 1500: 1497: 1496: 1495: 1490: 1484: 1479: 1472: 1469: 1438: 1435: 1405: 1402: 1365: 1362: 1361: 1360: 1354: 1348: 1342: 1339:Elliott Museum 1325: 1319: 1305: 1299: 1291: 1288: 1287: 1286: 1276: 1260: 1257: 1256: 1255: 1245: 1239: 1230: 1227: 1225: 1222: 1221: 1220: 1213: 1210: 1203: 1200: 1195: 1192: 1190: 1189: 1183: 1177: 1171: 1165: 1162:Robert Slutzky 1159: 1156:Sewell Sillman 1153: 1147: 1141: 1135: 1129: 1123: 1117: 1111: 1105: 1102:Joseph Raffael 1099: 1093: 1087: 1084:Victor Moscoso 1081: 1078:Ronald Markman 1075: 1069: 1063: 1057: 1051: 1045: 1039: 1033: 1027: 1021: 1014: 1012: 1009: 999: 996: 924: 921: 907:mural for the 843:Walter Gropius 795: 792: 748: 743: 741: 738: 732: 729: 674:In 1962, as a 649:Herbert Matter 645:Alvin Eisenman 637:graphic design 614:Proto-Form (B) 612:Josef Albers, 605: 602: 567:North Carolina 555:Philip Johnson 546: 543: 541: 538: 497:Walter Gropius 485:Johannes Itten 468: 465: 416:Roman Catholic 411: 408: 406: 403: 392:Josef Albers, 385: 382: 337:graphic design 329:Jacob Lawrence 286:textile artist 185: 184: 179: 175: 174: 163: 157: 156: 154: 150: 149: 144: 140: 139: 137: 136: 132: 130: 124: 123: 121:study of color 114: 113:Known for 110: 109: 96: 92: 91: 85: 83:(aged 88) 79:March 25, 1976 77: 73: 72: 59: 57:March 19, 1888 48: 44: 43: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 7036: 7025: 7022: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6995: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6911: 6909: 6896: 6886: 6885: 6884:Postmodernism 6879: 6878: 6870: 6863: 6859: 6856: 6852: 6849: 6845: 6842: 6838: 6835: 6831: 6828: 6827:Metamodernism 6824: 6821: 6817: 6814: 6810: 6807: 6803: 6800: 6796: 6793: 6792:New Hollywood 6789: 6786: 6782: 6779: 6775: 6772: 6768: 6765: 6761: 6758: 6754: 6751: 6747: 6744: 6740: 6737: 6733: 6730: 6726: 6723: 6719: 6716: 6712: 6707: 6703: 6700: 6696: 6693: 6689: 6688: 6686: 6685:Impressionism 6682: 6679: 6675: 6672: 6668: 6665: 6661: 6658: 6654: 6651: 6647: 6644: 6640: 6637: 6633: 6630: 6626: 6623: 6619: 6616: 6612: 6609: 6605: 6602: 6598: 6595: 6591: 6587: 6586: 6580: 6576: 6575: 6569: 6566: 6562: 6559: 6555: 6554: 6552: 6548: 6534: 6533: 6528: 6522: 6521: 6516: 6510: 6509: 6504: 6498: 6497: 6492: 6486: 6485: 6480: 6474: 6473: 6468: 6462: 6461: 6456: 6450: 6449: 6444: 6438: 6437: 6432: 6426: 6425: 6420: 6414: 6413: 6408: 6402: 6401: 6396: 6395: 6393: 6389: 6382: 6378: 6375: 6371: 6368: 6364: 6361: 6357: 6354: 6350: 6347: 6343: 6340: 6336: 6333: 6329: 6326: 6322: 6319: 6315: 6312: 6308: 6305: 6301: 6298: 6294: 6291: 6287: 6284: 6280: 6277: 6273: 6270: 6266: 6265: 6263: 6261: 6257: 6250: 6246: 6243: 6239: 6236: 6232: 6229: 6225: 6222: 6218: 6215: 6211: 6208: 6204: 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Land 1423: 1419: 1414: 1411: 1401: 1399: 1394: 1390: 1388: 1384: 1380: 1377:and his wife 1375: 1371: 1358: 1355: 1352: 1349: 1346: 1343: 1340: 1336: 1335: 1331: 1330:Neil Welliver 1326: 1323: 1320: 1317: 1314:, Paris, and 1313: 1309: 1306: 1303: 1300: 1297: 1294: 1293: 1284: 1280: 1277: 1274: 1270: 1266: 1263: 1262: 1254:in Manhattan. 1253: 1249: 1246: 1243: 1240: 1237: 1233: 1232: 1218: 1214: 1211: 1208: 1204: 1201: 1198: 1197: 1187: 1186:Neil Welliver 1184: 1181: 1178: 1175: 1172: 1169: 1166: 1163: 1160: 1157: 1154: 1151: 1150:Richard Serra 1148: 1145: 1144:Harry Seidler 1142: 1139: 1136: 1133: 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1097: 1096:Irving Petlin 1094: 1091: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1067: 1066:A. B. Jackson 1064: 1061: 1058: 1055: 1052: 1049: 1048:Robert Engman 1046: 1043: 1040: 1037: 1034: 1031: 1028: 1025: 1022: 1019: 1016: 1015: 1008: 1006: 995: 993: 988: 986: 982: 978: 974: 970: 966: 962: 957: 952: 945: 940: 936: 934: 930: 920: 918: 914: 913:Harry Seidler 910: 906: 902: 898: 894: 890: 886: 882: 878: 874: 870: 869: 864: 860: 856: 852: 848: 844: 840: 836: 832: 828: 824: 820: 816: 813: 805: 800: 791: 788: 787:palette knife 784: 780: 776: 775: 770: 766: 762: 758: 754: 747: 737: 728: 726: 725:heart ailment 722: 718: 714: 710: 709: 704: 700: 696: 691: 689: 685: 681: 677: 672: 670: 666: 665:Neil Welliver 662: 658: 654: 650: 646: 642: 638: 634: 630: 623: 619: 615: 610: 601: 599: 595: 591: 587: 583: 579: 575: 570: 568: 564: 560: 556: 552: 537: 535: 531: 527: 523: 519: 518: 513: 509: 504: 502: 498: 493: 490: 486: 482: 473: 464: 462: 458: 454: 450: 446: 442: 438: 433: 429: 425: 421: 417: 395: 390: 381: 379: 378:heart ailment 375: 371: 367: 363: 359: 358: 353: 348: 346: 342: 338: 334: 330: 326: 322: 318: 314: 309: 307: 303: 299: 295: 291: 287: 283: 279: 275: 272: 267: 265: 261: 257: 253: 252:craftsmanship 249: 245: 240: 230: 191: 183: 180: 176: 160: 155: 151: 148: 145: 141: 134: 133: 131: 125: 122: 118: 115: 111: 108: 104: 100: 97: 93: 88: 78: 74: 70: 66: 62: 49: 45: 40: 34: 29: 22: 19: 6882: 6875: 6622:Ecomodernism 6530: 6518: 6506: 6494: 6482: 6470: 6460:The Firebird 6458: 6446: 6434: 6422: 6410: 6398: 5817: 5807:Citizen Kane 5805: 5796:Fallingwater 5786:Villa Savoye 5773: 5761: 5749: 5737: 5725: 5715:Black Square 5713: 5701: 5689: 5677: 5665: 5653: 5641: 5533:Le Corbusier 5461:Architecture 4512: 4474: 4462: 4450: 4440:Mrs Dalloway 4438: 4426: 4414: 4402: 4390: 4378: 4263:Lowell (Amy) 3629:M. C. Escher 3609:Color theory 3507:Edna Andrade 3497:Josef Albers 3496: 3360:Frank Stella 3335:Agnes Martin 3295:Josef Albers 3294: 3222: 3221: 3197: 3196: 3176: 3154:Josef Albers 3146:Josef Albers 3092:. New York: 3089: 3069:. New York: 3064: 3038: 3025: 2996: 2972: 2949: 2934: 2923: 2900: 2881: 2873: 2863:February 16, 2861:. Retrieved 2852: 2840: 2830: 2822: 2800:(1): 41–42. 2797: 2793: 2787: 2754: 2750: 2744: 2734:February 16, 2732:. Retrieved 2720: 2710: 2700:February 16, 2698:. Retrieved 2694: 2684: 2674:February 14, 2672:. Retrieved 2668: 2659: 2642:Josef Albers 2637: 2619: 2601: 2592: 2586: 2576:February 16, 2574:. Retrieved 2570: 2561: 2549:. Retrieved 2545: 2536: 2526:February 16, 2524:. Retrieved 2519: 2510: 2498:. Retrieved 2494: 2485: 2473:. Retrieved 2469: 2460: 2448:. Retrieved 2444: 2435: 2426: 2417: 2405:. Retrieved 2401: 2392: 2380: 2363:Josef Albers 2358: 2344: 2332:. Retrieved 2328: 2319: 2305: 2263: 2257: 2247: 2239: 2222: 2212: 2196: 2191: 2175: 2151: 2128: 2122: 2110:. Retrieved 2101: 2092: 2082: 2068: 2058: 2050: 2040: 2032: 2020:. Retrieved 2016:the original 2006: 1993:Josef Albers 1988: 1978:November 26, 1976:. Retrieved 1964: 1955: 1943:. Retrieved 1930: 1921: 1911: 1899:. Retrieved 1894: 1870:. Retrieved 1861: 1851:November 18, 1849:. Retrieved 1843: 1833: 1821:. Retrieved 1811: 1799:. Retrieved 1795:the original 1790: 1787:"Susan Weil" 1780: 1770: 1762: 1752: 1741: 1724:Josef Albers 1719: 1711: 1706: 1696: 1687: 1677: 1649:the original 1637: 1627:November 25, 1625:. Retrieved 1621: 1611: 1602: 1597:November 25, 1595:. Retrieved 1592:The Atlantic 1591: 1581: 1573: 1568:November 25, 1566:. Retrieved 1552: 1542: 1534: 1529:November 26, 1527:. Retrieved 1515: 1506: 1458: 1455: 1450: 1446: 1442: 1440: 1431: 1415: 1409: 1407: 1395: 1391: 1383:publications 1367: 1356: 1350: 1344: 1327: 1322:Josef Albers 1321: 1307: 1301: 1295: 1278: 1269:documenta IV 1247: 1241: 1138:Arieh Sharon 1001: 989: 979:artists and 953: 949: 943: 928: 926: 923:Color theory 916: 900: 888: 876: 872: 866: 858: 834: 818: 809: 803: 785:, he used a 772: 763:painter and 750: 745: 734: 706: 695:album covers 692: 673: 653:Alvin Lustig 641:graphic arts 626: 613: 571: 548: 515: 505: 480: 478: 440: 413: 405:German years 393: 355: 349: 345:color theory 340: 310: 268: 190:Josef Albers 189: 188: 128:Notable work 81:(1976-03-25) 38: 25:Josef Albers 18: 6919:1976 deaths 6914:1888 births 6877:Romanticism 6834:Remodernism 6715:Incoherents 6574:Avant-garde 6565:Armory Show 6172:Maeterlinck 6075:Villa-Lobos 6061:Szymanowski 6040:Stockhausen 5977:LutosƂawski 5695:(1909–1910) 4495:Visual arts 4468:(1928–1940) 4384:(1913–1927) 3907:Apollinaire 3871:Synchromism 3711:Art Nouveau 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5149:Eisenstein 5086:Cassavetes 4842:Modigliani 4716:Goncharova 4702:Giacometti 4096:Dos Passos 3898:Literature 3857:Surrealism 3768:Die BrĂŒcke 3406:Minimalism 3355:Tony Smith 3325:Sol LeWitt 3320:Yves Klein 3305:Dan Flavin 3300:Larry Bell 2329:aaa.si.edu 2022:January 8, 1499:References 1290:Posthumous 1271:(1968) in 1152:(sculptor) 1092:(sculptor) 1062:(sculptor) 1056:(sculptor) 1050:(sculptor) 1026:(sculptor) 1024:Ruth Asawa 985:perception 903:(1972), a 891:(1972), a 757:printmaker 703:Command LP 684:fireplaces 618:fiberboard 590:Susan Weil 586:Cy Twombly 574:Ruth Asawa 428:Westphalia 418:family of 313:Ruth Asawa 266:in 1919. 65:Westphalia 53:1888-03-19 6813:Pulp noir 6771:Modernity 6636:Film noir 6360:St. Denis 6283:Diaghilev 6019:Schaeffer 5942:Hindemith 5914:Dutilleux 5886:Boulanger 5691:The Dance 5387:Tarkovsky 5380:Sternberg 5212:Hitchcock 5128:Dovzhenko 5044:Antonioni 4989:Stieglitz 4828:Metzinger 4779:Kokoschka 4758:Kandinsky 4172:Aldington 4165:Akhmatova 4082:Marinetti 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Index


Bottrop
Westphalia
Germany
New Haven, Connecticut
Königliche Kunstschule zu Berlin
Königliche Bayerische Akademie der Bildenden Kunst
Bauhaus
Abstract painting
study of color
Geometric abstraction
Anni Albers
https://albersfoundation.org/
/ˈélbərz,ˈɑːl-/
[ˈalbɐs]
educator
Bottrop
craftsmanship
engraving
plumbing
Munich
Weimar
Bauhaus
Dessau
Anni Albers
textile artist
furniture
glass
Paul Klee
Nazi

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