1400:, was reinstalled at the Walter Gropius-designed 200 Park Avenue (Metlife) Building, New York, following an almost two decade absence. âWhile we appreciate its importance in the art community, it just doesnât work for us anymore,â a Metlife representative is quoted as saying, at the time of its removal (2000). Two decades later, the piece is once again being hailed as the vibrant centerpiece of the building, with the Albers Foundation's director on hand for the rededication of the work: âThis is what art was for him: something that could affect you, maybe gave a little bit of joy to the lives of those people rushing to their trains or rushing out of the station to their workday.â
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871:. The giant abstract mural of black, white, and red strips arranged in interwoven columns stood 28-feet high and 55-feet wide and was installed in the lobby of the building; it was removed during a lobby redesign around 2000. Before he died in 1976, Albers left exact specifications of the work so that it could easily be replicated; in 2019, it was replicated and reinstalled in its original place in the Pan Am building, now renamed MetLife. In 1967, his painted mural
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1420:; and simultaneous contrast. In each case Lee suggested that Albers made fundamental errors with serious consequences for his claims about colour and his pedagogical method. Lee suggested that Albers' belief in the importance of colour deception was related to a misconception about aesthetic appreciation (that it depends upon some kind of confusion about visual perception). Lee suggested that the scientific
1389:, and "includes a central research and archival storage center to accommodate the Foundation's art collections, library and archives, and offices, as well as residence studios for visiting artists." A second, and substantial, part of the Josef Albers estate is held by the Josef Albers Museum in Bottrop, Germany, where he was born. Both institutions continue active outreach to secure the artist's reputation.
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resonate with audiophiles today, and are much sought-after by connoisseurs of mid-century modern design for their striking covers. This was all due to the collaboration between two individuals, Josef Albers and Enoch Light. Both men â one an influential teacher and artist, the other a stereo-recording pioneer â driven by strong convictions and passion for their respective crafts."
931:, which is a record of an experiential way of studying and teaching color. He asserted that color "is almost never seen as it really is" and that "color deceives continually", and he suggested that color is best studied via experience, underpinned by experimentation and observation. The very rare first edition has a limited printing of only 2,000 copies and contained 150
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manipulation of diverse materials. He worked from 1908 to 1913 as a schoolteacher in his home town; he also trained as an art teacher at Königliche
Kunstschule in Berlin, Germany, from 1913 to 1915. From 1916 to 1919 he began his work as a printmaker at the Kunstgewerbschule in Essen, where he learnt stained-glass making with Dutch artist
596:, to teach in the summer seminar. Weil remarked that, as a teacher, Albers was "his own academy". She said that Albers claimed that "when you're in school, you're not an artist, you're a student", although he was very supportive of self-expression when one became an artist and began on her or his journey. Albers produced many
1212:â "Art is not to be looked at. Art is looking at us.. .To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision.
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had a profound influence on the theory and practice of art and designâthrough his influential book 'Interaction of Color', but also in his classes at Black
Mountain College, where he was the head of the art department, and Yale University, where he oversaw the department of design through an overhaul
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in 1969 and 1970. In 1971 (nearly five years before his death), Albers founded the Josef and Anni Albers
Foundation, a nonprofit organization he hoped would further "the revelation and evocation of vision through art". Today, this organization serves as the office for the estates of both Josef Albers
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Although Albers prioritized teaching his students principles of color interaction, he was admired by many of his students for instilling a general approach to all materials and means of engaging it in design. Albers "put practice before theory and prioritised experience; 'what counts,' he claimed 'is
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Dorothea
Jameson has challenged Lee's criticism of Albers, arguing that Albers' approach toward painting and pedagogy emphasized artists' experiences in the handling and mixing of pigments, which often have different results than predicted by color theory experiments with projected light or spinning
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Josef Albers produced album covers for over three years between 1959 and 1961, Albers' seven album sleeves for
Command Records incorporated elements such as circles and grids of dots, highly uncommon in his practice. "The series of records made by Command Records over half a century ago still
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with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406Ă406 mm to 1.22Ă1.22 m.
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in 1888. His father, Lorenzo Albers, was variously a housepainter, carpenter, and handyman. His mother came from a family of blacksmiths. His childhood included practical training in engraving glass, plumbing, and wiring, giving Josef versatility and lifelong confidence in the handling and
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continues to be influential despite criticisms that arose following his death. In 1981, Alan Lee attempted to refute Albers' general claims about colour experience (that colour deceives continually) and to posit that Albers' system of perceptual education was fundamentally misleading.
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Albers presented color systems at the end of his courses (and at the end of 'Interaction of Color') and these featured descriptions of primary, secondary and tertiary color, as well as a range of connotations that he assigned to specific colors on his triangular color model.
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in 1920. Although Albers had studied painting, it was as a maker of stained glass that he joined the faculty of the
Bauhaus in 1922, approaching his chosen medium as a component of architecture and as a stand-alone art form. The director and founder of the Bauhaus,
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The Josef and Anni Albers
Foundation offers three residency programs in three different parts of the world. They are located in Bethany, Connecticut; Carraig-na-gCat, Ireland; and Thread, Senegal. Residencies usually last between one and two months.
1202:â "THE ORIGIN OF ART: The discrepancy between physical fact and psychic effect. THE CONTENT OF ART: Visual information of our reaction to life. THE MEASURE OF ART: The ratio of effort to effect. THE AIM OF ART: Revelation and evocation of vision."
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he used on the back of his works, as if the colours were catalogued components of an optical experiment. His work represents a transition between traditional
European art and the new American art. It incorporated European influences from the
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should be considered in lieu of the concepts put forward by Albers. Finally, Lee called for a reassessment of Albers' art as necessary, following successful challenge to the foundational colour concepts that were the basis of his corpus.
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at Yale, he received a grant from the Graham
Foundation for the Advanced Studies of Fine Arts for an exhibit and lecture on his work. Albers also collaborated with Yale professor and architect
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The Albers
Foundation, the main beneficiary of the estates of both Josef and Anni Albers, remains protective of the artist's work and reputation. In 1997, one year after the auction house,
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360:, in which he explored chromatic interactions with nested squares, meticulously recording the colors used. He also created murals, such as those for the Corning Glass Building and the
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program. Albers' teaching methodology, prioritizing practical experience and vision in design, had a profound impact on the development of postwar Western visual art, while his book
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not so-called knowledge of so-called facts, but vision â seeing.' His focus was process." Although their relationship was often tense, and sometimes, even combative,
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movement, and its intensity and smallness of scale were typically European, but his influence fell heavily on American artists of the late 1950s and the 1960s. "
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later identified Albers as his most important teacher. Albers is considered to be one of the most influential teachers of visual art in the twentieth century.
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536:. The so-called "form master" Klee taught the formal aspects in the glass workshops where Albers was the "crafts master"; they cooperated for several years.
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pressure in 1933, Albers emigrated to the United States. He was appointed as the head of the painting program at the experimental liberal arts institution
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concluded that however impersonal his paintings might at first appear, not one of them "could have been painted by any one but Josef Albers himself.".
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included designing furniture and working with glass. As a younger instructor, he was teaching at the Bauhaus among established artists who included
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Lee examined four topics in Albers' account of colour critically: In additive and subtractive colour mixture; the tonal relations of colours; the
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in November 1933. When a student asked me what I was going to teach I said: 'to open eyes'. And this has become the motto of all my teaching."
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is real, probably more real than nature. I'll go further and say that abstraction is nearer my heart. I prefer to see with closed eyes."
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Sandler, Irving (Spring 1982). "The School of Art at Yale; 1950-1970: The Collective Reminiscences of Twenty Distinguished Alumni".
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As a teacher and theoretician as well as a painter, Mr. Albers had a wide influence on several generations of artists and abroad.
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368:, where they continued to work in their private studio. In 1971, Albers was first living artist to be given a solo show at the
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1489:(large typeface based on Albers' 1927â1931 experimentation with geometrically constructed stencil types for posters and signs)
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color disks. Furthermore, Jameson explains that Lee's own understanding of additive and subtractive color mixtures is flawed.
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Albers, a prolific artist, has numerous prints and drawings available outside of the museums where his work is represented.
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Diaz, Eva (2008). "The Ethics of Perception: Josef Albers in the United States". The Art Bulletin vol. XC, no. 2 (June).
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pressure in 1933 the artists dispersed, most leaving the country. Albers emigrated to the United States. The architect
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as a student and became a faculty member in 1922, teaching the principles of handicrafts. With the Bauhaus's move to
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Jameson, Dorothea (1983). "Some Misunderstandings about Color Perception, Color Mixture and Color Measurement".
1453:(1970) sold for ÂŁ785,000 (well above the estimated ÂŁ350,000â450,000), at "the high point of an active market."
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who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in
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A Finding Aid to the Josef Albers papers, 1929â1970 in the Archives of American Art, Smithsonian Institution
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In respect to his artworks, Albers was known to meticulously list the specific manufacturer's colours and
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2491:"The Photographs of Josef Albers: A Selection from the Collection of The Josef Albers Foundation | MoMA"
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1449:(1964) which sold for $ 1.5 million (nearly double its estimate) at a 2007 sale at Sotheby's. In 2015,
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837:(1961), a 42-feet by 14-feet mural of alternating glass bands in white and brown that recede into two
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At Black Mountain, Albers taught students who would later go on to become prominent artists such as
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1891:"Elliott Museum presents 'Albers & Heirs: Josef Albers, Neil Welliver, and Jane Davis Doggett'"
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in creating decorative designs for some of Wu's projects. Among these were distinctive geometric
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in Manhattan destroyed in 1980. At the invitation of a former student, the Australian architect
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The photographs of Josef Albers: a selection from the collection of the Josef Albers Foundation
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Harmony, Harder Than It Looks â âJosef Albers in America: Painting on Paper,â at the Morgan
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1646:. St. Michael's Church, Bottrop, Germany: Albers Foundation Facebook Page. Archived from
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Josef Albers at The Metropolitan Museum of Art: An Exhibition of His Paintings and Prints
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The Josef Albers papers, documents from 1929 to 1970, were donated by the artist to the
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242:; March 19, 1888 – March 25, 1976) was a German-born American artist and
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in New York City, arranged for Albers to be offered a job as head of a new art school,
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Josef Albers: Glass, Color, and Light (exh. cat., Peggy Guggenheim Collection, Venice)
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3175:, article about the Albers, their trips to Mexico, and the Guggenheim show in 2018.
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Lee, Alan (1981). "A Critical Account of Some of Josef Albers' Concepts of Color".
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2015:
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plates. This work has since been republished, and is now available as an iPad App.
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2691:"Josef Albers's Manhattan returns to its rightful place in the MetLife building"
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Mosaic as an Experimental System in Contemporary Fine Art Practice and Criticism
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Josef Albers: to Open Eyes : The Bauhaus, Black Mountain College, and Yale
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would become arguably the most influential art teacher in 20th-century America.
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glass construction that he had designed in 1929 at the Bauhaus, and renamed it
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Josef Albers: Despite Straight Lines: An Analysis of His Graphic Constructions
2516:"Josef Albers in America: Painting on Paper: July 20 through October 14, 2012"
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Press 'L' for Landmark; Time & Life Lobby, a 50's Gem, Awaits Recognition
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1714:. PhD Thesis: University for the Creative Arts; University of Brighton, p.111
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Albers and Morandi: Never Finished: works by Josef Albers and Giorgio Morandi
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focused on the works of both artists. The foundation building is located in
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Officers Crosses of the Order of Merit of the Federal Republic of Germany
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1867:"Josef Albers and Heirs exhibit on view at The Elliott Museum in Florida"
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1074:(1930-1992; painter, Professor of Fine Arts, University of Texas, Austin)
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655:. Albers worked at Yale until he retired from teaching in 1958. At Yale,
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Homage to the Square (series), Structural Constellations, Glass Paintings
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records. His album cover for Terry Snyder and the All Stars 1959 album,
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In 1950, Albers left Black Mountain to head the department of design at
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2542:"One and One Is Four: The Bauhaus Photocollages of Josef Albers | MoMA"
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in curriculum in favor of rigorous exercises and an emphasis on detail.
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Josef Albers, National Gallery of Australia, Kenneth Tyler Collection
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3838:
3822:
3808:
3699:
3390:
3117:
2271:
972:
782:
764:
259:
3207:
An Oral History interview with Josef Albers, 1968 June 22 â July 5
3153:
6411:
5449:
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4526:
3815:
3799:
3785:
1481:
964:
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491:
423:
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335:
to head the design department, contributing significantly to its
273:
247:
106:
60:
2717:"Once Removed and Destroyed, a Modernist Mural Makes Its Return"
1840:"Josef Albers, Eva Hesse, and the Imperative of Teaching | Tate"
1476:
372:
in New York. Albers died in his sleep on March 25, 1976, at the
181:
3733:
3477:
3430:
2947:
1272:
976:
904:
880:
838:
550:
520:
Fleischmann) who was a student at the institution. His work in
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488:
448:
277:
270:
263:
32:
3243:
1345:
One and One Is Four: The Bauhaus Photocollages of Josef Albers
942:
Color model representing Albers' color theory as described in
516:
210:
3088:
Weber, Nicholas Fox; Licht, Fred; Danilowitz, Brenda (1994).
814:
686:
for the Rouse (1954) and DuPont (1959) houses, the façade of
510:, Albers was promoted to professor. At this time, he married
222:
120:
3644:
3187:, The Frick Collection/Frick Art Reference Library Archives.
1667:
1665:
1663:
1661:
1659:
254:, Albers received practical training in diverse skills like
4206:
3740:
3239:
Google images; many pictures of the artworks made by Albers
3234:
Google images; many pictures of the artworks made by Albers
2245:
Robert Rauschenberg, 1925 â 2008: He led the way to Pop Art
1844:
857:, commissioned Albers to make a mural. The artist reworked
777:. In this rigorous series, begun in 1949, Albers explored
3446:
2296:
2219:"Josef Albers, Eva Hesse, and the Imperative of Teaching"
1656:
1164:(1929â2005) painter, teacher of painting and architecture
759:, and poet, Albers is best remembered for his work as an
201:
2999:(25th anniversary ed.). Köln: Taschen. p. 29.
2014:. The Josef & Anni Albers Foundation. Archived from
1885:
1883:
479:
Albers enrolled as a student in the preliminary course (
2624:
The Josef and Anni Albers Foundation: Mission Statement
841:
centers to create an illusion of depth. In the 1960s,
2695:
The Art Newspaper - International art news and events
1880:
1353:(Nov 3, 2017âApr 4, 2018) Guggenheim Museum, New York
635:. While at Yale, Albers worked to expand the nascent
592:. He also invited important American artists such as
350:
In addition to being a teacher, Albers was an active
343:, published in 1963, is considered a seminal work on
213:
7009:
Fellows of the American Academy of Arts and Sciences
3193:. Manuscripts and Archives, Yale University Library.
3087:
1549:"A portrait of Josef Albers, in all his originality"
1223:
364:
in New York City. In 1970, he and his wife lived in
225:
207:
204:
6999:
Members of the American Academy of Arts and Letters
5643:
A Sunday Afternoon on the Island of La Grande Jatte
2848:"Celebrating Bauhaus artists Josef and Anni Albers"
2567:"Guggenheim Museum Presents Josef Albers in Mexico"
2291:
2289:
1618:"Celebrating Bauhaus artists Josef and Anni Albers"
1281:(1965) A major Albers exhibition, organized by the
990:In an article about the artist, published in 1950,
895:relief for the Grand Avenue National Bank lobby in
439:. In 1918 he received his first public commission,
308:in North Carolina, a position he held until 1949.
219:
198:
3062:
3036:
3023:
2948:Danilowitz, Brenda; Frederick A. Horowitz (2006).
2932:
2846:
2398:"The Graphic Constructions of Josef Albers | MoMA"
1644:"Rosa Mystica Ora Pro Nobis (reconstruction 2011)"
539:
453:Königliche Bayerische Akademie der Bildenden Kunst
280:in 1925, he was promoted to professor and married
103:Königliche Bayerische Akademie der Bildenden Kunst
6984:Emigrants from Nazi Germany to the United States
6905:
3212:Josef Albers letters to J. B. Neumann, 1934â1947
3125:, examples of genuine signatures by Josef Albers
3039:Josef Albers, Late Modernism, and Pedagogic Form
2286:
1916:Masheck, Joseph (December 2009 â January 2010).
1837:
409:
2844:
2266:. 42, No. 1 (The Education of Artists): 14â21.
1615:
1238:in Manhattan at J. B. Neumann's New Art Circle.
715:in 1973. In 1970, Albers and his wife moved to
693:Also during this time, he created the abstract
2356:
1768:A Modern Master of Bottles, Scraps and Squares
1493:Category:Albums with cover art by Josef Albers
296:, collaborating with established artists like
3660:
3462:
3259:
2591:Schjeldahl, P. (2021). "Albers and Morandi".
2429:. New York: Metropolitan Museum of Art. 1969.
1918:"ALBERS' RECORD JACKETS: Doing an Artful Job"
1815:
919:(1976) for the Mutual Life Centre in Sydney.
447:for a church in Bottrop. In 1919 he moved to
6582:
6571:
3765:
3754:
3708:
3697:
2606:The Josef and Anni Albers Foundation website
2056:A Familiar Mural Finds Itself Without a Wall
1986:
1915:
1784:
1672:Morris, Roderick Conway (October 21, 2011).
1324:(2011) Palazzina dei Giardini, Modena, Italy
767:. He favored a very disciplined approach to
288:. Albers' work in Dessau included designing
3836:
2845:Crichton-Miller, Emma (November 11, 2016).
1739:
1641:
1616:Crichton-Miller, Emma (November 11, 2016).
1308:Painting on paper â Josef Albers in America
1128:(construction and collage artist, educator)
1010:
396:, 1918 (reconstruction, original destroyed
3667:
3653:
3469:
3455:
3266:
3252:
2994:
2590:
2156:Josef Albers: February 28 â March 27, 2007
1451:Study for Homage to the Square, R-III E.B.
1436:
751:Accomplished as a designer, photographer,
31:
3065:Josef Albers: A Retrospective (exh. cat.)
1897:. Martincountytimes.com. November 9, 2013
1859:
1347:(Nov 23, 2016âApr 2, 2017) MoMa, New York
1244:(Dec 8, 1969âFeb 24, 1970) MOMA, New York
1242:The Graphic Constructions of Josef Albers
997:
781:with nested squares. Usually painting on
572:At Black Mountain, his students included
544:
466:
3043:. Chicago: University of Chicago Press.
3034:
2216:
2089:"The Josef & Anni Albers Foundation"
1961:"Josef Albers, Artist and Teacher, Dies"
1693:"Josef Albers, Artist and Teacher, Dies"
1512:"Josef Albers, Artist and Teacher, Dies"
1445:have outsold their estimates, including
937:
797:
607:
470:
387:
354:and theorist, best known for his series
300:. Following the Bauhaus's closure under
2995:Fiell, Charlotte; Fiell, Peter (2005).
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2261:
2170:
2168:
2166:
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2107:"Interaction of Color on the App Store"
1941:. American Academy of Arts and Sciences
1936:"Book of Members, 1780â2010: Chapter A"
1310:(2010) Pinakothek der Moderne, Munich;
1193:
971:" abstract painters drew on his use of
744:
506:In 1925, the year the Bauhaus moved to
6906:
3118:The Josef & Anni Albers Foundation
3021:
2930:
2926:. Hartford, CT: Trinity College Press.
2921:
2898:
2859:from the original on December 10, 2022
2126:
2093:The Josef & Anni Albers Foundation
1734:Crystal Bridges Museum of American Art
1671:
1585:
1546:
1477:The Josef & Anni Albers Foundation
1359:(2021) David Zwirner Gallery, New York
883:, were installed on the campus of the
549:With the closure of the Bauhaus under
6508:Six Characters in Search of an Author
3648:
3450:
3247:
3135:Cooper Hewitt Museum Exhibition, 2004
3057:
2715:Coleman, Nancy (September 23, 2019).
2689:Stoilas, Helen (September 23, 2019).
2571:The Guggenheim Museums and Foundation
2004:
1441:Several paintings in Albers's series
713:American Academy of Arts and Sciences
622:Hirshhorn Museum and Sculpture Garden
284:, a student at the institution and a
237:
2989:
2387:in The Museum of Modern Art Archives
2161:
2158:Waddington Custot Galleries, London.
1928:
1547:Upshaw, Reagan (November 29, 2018).
1304:(Jan 27âApr 19, 1988) MoMa, New York
1298:(Mar 26âApr 19, 1976) MoMa, New York
1234:In 1936, Albers was given his first
887:. Other architectural works include
723:after being admitted for a possible
376:after being admitted for a possible
3168:Tate Modern exhibition, London 2006
2748:
2595:. Vol. v. 97, n. 2. p. 5.
2243:Christopher Knight (May 14, 2008),
2086:
1586:Heller, Steven (January 22, 2015).
13:
7024:20th-century American male artists
5703:Nude Descending a Staircase, No. 2
3026:The Arts at Black Mountain College
2892:
2415:
2390:
730:
603:
16:German-American artist (1888â1976)
14:
7035:
6949:20th-century American printmakers
3111:
2826:J.S. Marcus (December 18, 2010),
2427:Homage to the Square: Soft Spoken
2036:David W. Dunlap (June 17, 2002),
1224:Exhibitions (not a complete list)
983:further explored his interest in
885:Rochester Institute of Technology
821:was engraved in the lobby of the
6939:20th-century German male artists
6929:Willem de Kooning Academy alumni
6890:
6889:
3595:
3185:"Josef Albers Papers, 1933â1961"
2466:"Josef Albers, 1888â1976 | MoMA"
1328:Albers and Heirs: Josef Albers,
194:
99:Königliche Kunstschule zu Berlin
3273:
2975:. London: Thames & Hudson.
2877:Carol Vogel (October 3, 1997),
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2520:The Morgan Library & Museum
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1953:
1909:
1831:
1816:Rob Roy Kelly (June 23, 1989).
1809:
1785:Robert Ayers (March 29, 2006).
1778:
1760:
1588:"When Bauhaus Met Lounge Music"
1396:In 2019, his "colossal" mural,
1381:, and supports exhibitions and
1316:The Morgan Library & Museum
922:
600:and leaf studies at this time.
540:Emigration to the United States
404:
167:
7019:Black Mountain College faculty
6944:20th-century American painters
6657:Grosvenor School of Modern Art
6650:Fourth dimension in literature
2197:The Illustrated History of Art
2176:The Illustrated History of Art
1717:
1704:
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1635:
1609:
1579:
1540:
1504:
37:Albers in front of one of his
1:
6989:Academic staff of the Bauhaus
3674:
2879:Sotheby's Loses Albers Estate
1766:Pepe Carmel (June 25, 1995),
1498:
1289:
1250:(Nov 19, 1971âJan 11, 1972)
1032:(collage artist and sculptor)
819:Two Structural Constellations
410:Formative years in Westphalia
397:
182:https://albersfoundation.org/
6934:20th-century German painters
3178:The New York Review of Books
2828:Re-Examining a Famed Teacher
2373:Solomon R. Guggenheim Museum
2225:. London: The Tate Gallery.
2054:Carol Vogel (July 9, 2001),
1674:"Making of a Bauhaus Master"
1403:
915:, Albers designed the mural
383:
7:
6959:German contemporary artists
6750:List of avant-garde artists
5727:The Cabinet of Dr. Caligari
3191:Josef Albers Papers (MS 32)
3030:. Cambridge, MA: MIT Press.
2973:Josef Albers: Life and Work
2441:"The Responsive Eye | MoMA"
1642:Albers, Josef (1917â1918).
1470:
451:, Germany, to study at the
269:In 1920, Albers joined the
10:
7040:
6608:Classical Hollywood cinema
3476:
3035:Saletnik, Jeffrey (2022).
3022:Harris, Mary Emma (1987).
2997:Design of the 20th Century
2368:February 12, 2012, at the
2350:"Josef Albers - Wikiquote"
2311:"Josef Albers - Wikiquote"
2297:"Josef Albers - Wikiquote"
2217:Saletnik, Jeffrey (2007).
1252:Metropolitan Museum of Art
975:and intense colors, while
927:In 1963, Albers published
829:. For the entrance of the
455:, where he was a pupil of
441:Rosa mystica ora pro nobis
394:Rosa mystica ora pro nobis
370:Metropolitan Museum of Art
6871:
6549:
6390:
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6098:
5847:
5836:
5679:Les Demoiselles d'Avignon
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3896:
3887:
3682:
3604:
3593:
3484:
3373:
3281:
2971:Darwent, Charles (2018).
2931:Bucher, François (1977).
2012:"Josef Albers Chronology"
1838:Jeffrey Saletnik (2007).
1729:November 4, 2013, at the
1447:Homage to the Square: Joy
1363:
793:
177:
152:
142:
126:
112:
94:
75:
46:
30:
23:
4464:The Master and Margarita
3229:Brooke Alexander Gallery
3199:Archives of American Art
3123:Art Signature Dictionary
2669:www.albersfoundation.org
2546:The Museum of Modern Art
2495:The Museum of Modern Art
2470:The Museum of Modern Art
2445:The Museum of Modern Art
2402:The Museum of Modern Art
2325:"Oral History Interview"
2131:. New Haven and London:
1374:Archives of American Art
1258:
1011:Noted students of Albers
845:, who was designing the
831:Time & Life Building
739:
557:, then a curator at the
362:Time & Life Building
6757:List of modernist poets
6643:Fourth dimension in art
5819:Meshes of the Afternoon
3140:Josef Albers collection
2832:The Wall Street Journal
1437:Value on the art market
1370:Smithsonian Institution
1296:Josef Albers, 1888â1976
1228:
721:Yale New Haven Hospital
671:were notable students.
414:Albers was born into a
374:Yale New Haven Hospital
331:. In 1950, he left for
6969:American male painters
6964:American art educators
6841:Second Viennese School
6583:
6572:
4476:The Sound and the Fury
4380:In Search of Lost Time
3837:
3766:
3755:
3709:
3698:
3527:Gerhard von Graevenitz
2924:Search Versus Research
2922:Albers, Josef (1969).
2899:Albers, Josef (1975).
2647:June 23, 2012, at the
2629:July 15, 2008, at the
2127:Albers, Josef (1963).
1465:Andre Emmerich Gallery
1351:Josef Albers in Mexico
1217:Black Mountain College
1110:(painter and sculptor)
1080:(painter and sculptor)
998:Teaching and influence
947:
823:Corning Glass Building
807:
779:chromatic interactions
639:program (then called "
633:New Haven, Connecticut
624:
563:Black Mountain College
545:Black Mountain College
476:
467:Entry into the Bauhaus
401:
306:Black Mountain College
87:New Haven, Connecticut
6820:Reactionary modernism
6743:List of art movements
3552:Arnold Alfred Schmidt
3396:Geometric abstraction
3223:Works by Josef Albers
3142:at the Israel Museum.
2905:Yale University Press
2611:July 8, 2008, at the
2133:Yale University Press
2076:. September 23, 2019.
1818:"Origins: Yale years"
1652:on February 26, 2022.
1072:Robert L. Levers, Jr.
941:
897:Kansas City, Missouri
851:Emery Roth & Sons
801:
708:Persuasive Percussion
643:"), hiring designers
611:
475:Armchair (late 1920s)
474:
391:
147:Geometric abstraction
6954:German male painters
6664:Hanshinkan Modernism
6520:The Threepenny Opera
6436:Pelléas et Mélisande
3512:Richard Anuszkiewicz
3158:Museum of Modern Art
2901:Interaction of Color
2129:Interaction of Color
1996:Museum of Modern Art
1701:Retrieved 2020-03-29
1682:Retrieved 2020-03-29
1443:Homage to the Square
1410:Interaction of Color
1387:Bethany, Connecticut
1283:Museum of Modern Art
1194:Quotes of the artist
1176:(painter, 1930-2007)
1134:(sculptor, educator)
1122:(sculptor, educator)
1038:(sculptor, educator)
1018:Richard Anuszkiewicz
944:Interaction of Color
929:Interaction of Color
774:Homage to the Square
746:Homage to the Square
657:Richard Anuszkiewicz
559:Museum of Modern Art
445:stained-glass window
357:Homage to the Square
341:Interaction of Color
39:Homage to the Square
6924:People from Bottrop
6722:International Style
6472:Afternoon of a Faun
5751:Battleship Potemkin
5655:Mont Sainte-Victoir
3421:Monochrome painting
3181:, February 25, 2018
3173:"Bauhaus in Mexico"
3059:Weber, Nicholas Fox
2385:J.B. Neumann Papers
1895:Martin County Times
1710:de Melo, M. (2019)
1554:The Washington Post
1408:Josef Albers' book
1158:(painter, educator)
1116:(painter, educator)
1108:Robert Rauschenberg
1005:Robert Rauschenberg
717:Orange, Connecticut
582:Robert Rauschenberg
437:Johan Thorn Prikker
366:Orange, Connecticut
317:Robert Rauschenberg
6601:Buddhist modernism
6558:American modernism
6484:The Rite of Spring
4452:The Sun Also Rises
4428:The Magic Mountain
3624:Hard-edge painting
3587:Jean-Pierre Yvaral
3572:Gregorio Vardanega
3401:Hard-edge painting
2883:The New York Times
2721:The New York Times
2060:The New York Times
2042:The New York Times
2018:on August 14, 2021
1967:. March 26, 1976.
1965:The New York Times
1772:The New York Times
1754:The New York Times
1697:The New York Times
1678:The New York Times
1518:. March 26, 1976.
1516:The New York Times
1334:Jane Davis Doggett
1279:The Responsive Eye
1044:(graphic designer)
1042:Jane Davis Doggett
981:conceptual artists
948:
875:(1965) as well as
833:lobby, he created
808:
688:Manuscript Society
669:Jane Davis Doggett
625:
477:
402:
325:Harlem Renaissance
6974:Abstract painters
6901:
6900:
6629:Experimental film
6545:
6544:
6532:Waiting for Godot
5832:
5831:
4489:
4488:
4392:The Metamorphosis
3642:
3641:
3619:François Morellet
3562:JesĂșs Rafael Soto
3557:Francisco Sobrino
3532:Edwin Mieczkowski
3444:
3443:
3149:Guggenheim Museum
3103:978-0-8109-6864-6
3094:Guggenheim Museum
3080:978-0-8109-1876-4
3071:Guggenheim Museum
2982:978-0-500-51910-3
2963:978-0-7148-4599-9
2939:. Cambridge, MA:
2914:978-0-300-11595-6
2903:. New Haven, CT:
2775:Project MUSE
2652:Fondation Beyeler
2249:Los Angeles Times
2087:Geismar, Daphne.
1922:The Brooklyn Rail
1748:(July 26, 2012),
1699:. March 26, 1976.
1422:colour hypothesis
1418:Weber-Fechner Law
1174:Theo Stavropoulos
1030:Varujan Boghosian
992:Elaine de Kooning
909:Celanese Building
594:Willem de Kooning
530:Wassily Kandinsky
292:and working with
187:
186:
117:Abstract painting
7031:
6893:
6892:
6864:
6862:Vulgar modernism
6857:
6855:Underground film
6850:
6843:
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6829:
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6808:
6801:
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6752:
6745:
6738:
6731:
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6717:
6708:
6701:
6694:
6687:
6680:
6678:Hippie modernism
6673:
6666:
6659:
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6645:
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6603:
6596:
6594:Bloomsbury Group
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5775:Un Chien Andalou
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5739:Ballet MĂ©canique
5733:
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5667:The Starry Night
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4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4830:
4823:
4816:
4809:
4802:
4795:
4788:
4781:
4774:
4767:
4760:
4753:
4746:
4739:
4732:
4725:
4718:
4711:
4704:
4697:
4690:
4683:
4676:
4669:
4662:
4655:
4648:
4641:
4634:
4627:
4620:
4613:
4606:
4599:
4592:
4585:
4578:
4571:
4564:
4557:
4550:
4543:
4536:
4529:
4522:
4515:
4500:
4499:
4482:
4481:
4470:
4469:
4458:
4457:
4446:
4445:
4434:
4433:
4422:
4421:
4410:
4409:
4398:
4397:
4386:
4385:
4363:
4356:
4349:
4342:
4335:
4328:
4321:
4314:
4307:
4300:
4293:
4286:
4279:
4272:
4265:
4258:
4251:
4244:
4237:
4230:
4223:
4216:
4209:
4202:
4195:
4188:
4181:
4174:
4167:
4147:
4140:
4133:
4126:
4119:
4112:
4105:
4098:
4091:
4084:
4077:
4070:
4063:
4056:
4049:
4042:
4035:
4028:
4021:
4014:
4007:
4000:
3993:
3986:
3979:
3972:
3965:
3958:
3951:
3944:
3937:
3930:
3923:
3916:
3909:
3894:
3893:
3880:
3873:
3866:
3859:
3852:
3843:
3842:
3832:
3825:
3818:
3811:
3802:
3795:
3788:
3779:
3772:
3771:
3761:
3760:
3757:Der Blaue Reiter
3750:
3743:
3736:
3729:
3722:
3715:
3714:
3704:
3703:
3693:
3669:
3662:
3655:
3646:
3645:
3634:Optical illusion
3599:
3517:Carlos Cruz-Diez
3471:
3464:
3457:
3448:
3447:
3330:Kazimir Malevich
3268:
3261:
3254:
3245:
3244:
3107:
3084:
3068:
3054:
3042:
3031:
3029:
3018:
2991:
2986:
2967:
2944:
2938:
2927:
2918:
2887:
2875:
2869:
2868:
2866:
2864:
2850:
2842:
2836:
2824:
2818:
2817:
2789:
2783:
2782:
2746:
2740:
2739:
2737:
2735:
2712:
2706:
2705:
2703:
2701:
2686:
2680:
2679:
2677:
2675:
2661:
2655:
2639:
2633:
2621:
2615:
2603:
2597:
2596:
2588:
2582:
2581:
2579:
2577:
2563:
2557:
2556:
2554:
2552:
2538:
2532:
2531:
2529:
2527:
2512:
2506:
2505:
2503:
2501:
2487:
2481:
2480:
2478:
2476:
2462:
2456:
2455:
2453:
2451:
2437:
2431:
2430:
2419:
2413:
2412:
2410:
2408:
2394:
2388:
2382:
2376:
2360:
2354:
2353:
2346:
2340:
2339:
2337:
2335:
2321:
2315:
2314:
2307:
2301:
2300:
2293:
2284:
2283:
2259:
2253:
2241:
2235:
2234:
2214:
2208:
2193:
2187:
2172:
2159:
2153:
2147:
2146:
2124:
2118:
2117:
2115:
2113:
2103:
2097:
2096:
2084:
2078:
2077:
2070:
2064:
2052:
2046:
2034:
2028:
2027:
2025:
2023:
2008:
2002:
1990:
1984:
1983:
1981:
1979:
1957:
1951:
1950:
1948:
1946:
1940:
1932:
1926:
1925:
1913:
1907:
1906:
1904:
1902:
1887:
1878:
1877:
1875:
1873:
1863:
1857:
1856:
1854:
1852:
1835:
1829:
1828:
1826:
1824:
1813:
1807:
1806:
1804:
1802:
1797:on March 8, 2008
1793:. Archived from
1782:
1776:
1764:
1758:
1743:
1737:
1721:
1715:
1708:
1702:
1700:
1689:
1683:
1681:
1669:
1654:
1653:
1651:
1639:
1633:
1632:
1630:
1628:
1613:
1607:
1606:
1600:
1598:
1583:
1577:
1576:
1571:
1569:
1544:
1538:
1537:
1532:
1530:
1508:
1487:Architype Albers
1180:Cora Kelley Ward
1132:Stephanie Scuris
1090:Charles O. Perry
1086:(graphic artist)
901:Reclining Figure
879:(1965), a brick
855:Pietro Belluschi
806:(1977) in Sydney
399:
352:abstract painter
321:Merce Cunningham
241:
239:[ËalbÉs]
236:
232:
231:
228:
227:
224:
221:
216:
215:
212:
209:
206:
203:
200:
171:
169:
129:
82:
56:
54:
35:
21:
20:
7039:
7038:
7034:
7033:
7032:
7030:
7029:
7028:
6904:
6903:
6902:
6897:
6888:
6880:
6867:
6860:
6853:
6848:Structural film
6846:
6839:
6832:
6825:
6818:
6811:
6804:
6799:New Objectivity
6797:
6790:
6785:Neo-romanticism
6783:
6778:Neo-primitivism
6776:
6769:
6762:
6755:
6748:
6741:
6734:
6727:
6720:
6713:
6704:
6697:
6690:
6683:
6676:
6669:
6662:
6655:
6648:
6641:
6634:
6627:
6620:
6613:
6606:
6599:
6592:
6581:
6570:
6563:
6556:
6541:
6535:
6529:
6523:
6517:
6511:
6505:
6499:
6493:
6487:
6481:
6475:
6469:
6463:
6457:
6451:
6445:
6439:
6433:
6427:
6424:VerklÀrte Nacht
6421:
6415:
6409:
6403:
6397:
6386:
6379:
6372:
6365:
6358:
6351:
6344:
6337:
6330:
6323:
6316:
6309:
6302:
6295:
6288:
6281:
6274:
6267:
6254:
6247:
6240:
6233:
6226:
6219:
6212:
6205:
6198:
6191:
6184:
6177:
6170:
6163:
6156:
6149:
6142:
6135:
6128:
6121:
6114:
6107:
6094:
6087:
6080:
6073:
6066:
6059:
6052:
6045:
6038:
6031:
6024:
6017:
6010:
6003:
5996:
5989:
5982:
5975:
5968:
5961:
5954:
5947:
5940:
5933:
5926:
5919:
5912:
5905:
5898:
5891:
5884:
5877:
5870:
5863:
5856:
5839:
5828:
5822:
5816:
5810:
5804:
5798:
5794:
5788:
5784:
5778:
5772:
5766:
5760:
5754:
5748:
5742:
5736:
5730:
5724:
5718:
5712:
5706:
5700:
5694:
5688:
5682:
5676:
5670:
5664:
5658:
5652:
5646:
5640:
5629:
5622:
5615:
5608:
5601:
5594:
5587:
5580:
5573:
5566:
5559:
5552:
5545:
5538:
5531:
5524:
5517:
5510:
5503:
5496:
5489:
5482:
5475:
5468:
5455:
5448:
5441:
5434:
5427:
5420:
5413:
5406:
5399:
5392:
5385:
5378:
5371:
5364:
5357:
5350:
5343:
5336:
5329:
5322:
5315:
5308:
5301:
5294:
5287:
5280:
5273:
5266:
5259:
5252:
5245:
5238:
5231:
5224:
5217:
5210:
5203:
5196:
5189:
5182:
5175:
5168:
5161:
5154:
5147:
5140:
5133:
5126:
5119:
5112:
5105:
5098:
5091:
5084:
5077:
5070:
5063:
5056:
5049:
5042:
5035:
5028:
5015:
5008:
5001:
4994:
4987:
4980:
4973:
4966:
4959:
4952:
4945:
4938:
4931:
4924:
4917:
4910:
4903:
4896:
4889:
4882:
4875:
4868:
4861:
4854:
4847:
4840:
4833:
4826:
4819:
4812:
4805:
4798:
4791:
4784:
4777:
4770:
4763:
4756:
4749:
4742:
4735:
4728:
4721:
4714:
4707:
4700:
4693:
4686:
4679:
4672:
4665:
4658:
4651:
4644:
4637:
4630:
4623:
4616:
4609:
4602:
4595:
4588:
4581:
4574:
4567:
4560:
4553:
4546:
4539:
4532:
4525:
4518:
4511:
4485:
4479:
4473:
4467:
4461:
4455:
4449:
4443:
4437:
4431:
4425:
4419:
4413:
4407:
4401:
4395:
4389:
4383:
4377:
4366:
4359:
4352:
4345:
4338:
4331:
4324:
4317:
4310:
4303:
4296:
4289:
4282:
4275:
4270:Lowell (Robert)
4268:
4261:
4254:
4247:
4240:
4233:
4226:
4219:
4212:
4205:
4198:
4191:
4184:
4177:
4170:
4163:
4150:
4143:
4136:
4129:
4122:
4115:
4108:
4101:
4094:
4087:
4080:
4073:
4066:
4059:
4052:
4045:
4038:
4031:
4024:
4017:
4010:
4003:
3996:
3989:
3982:
3975:
3968:
3961:
3954:
3947:
3940:
3933:
3926:
3919:
3912:
3905:
3883:
3876:
3869:
3862:
3855:
3848:
3835:
3828:
3821:
3814:
3807:
3798:
3791:
3784:
3775:
3764:
3753:
3746:
3739:
3732:
3725:
3718:
3707:
3696:
3689:
3678:
3673:
3643:
3638:
3600:
3591:
3582:Victor Vasarely
3567:Julian Stanczak
3537:Andrzej Nowacki
3522:Wojciech Fangor
3502:Getulio Alviani
3480:
3475:
3445:
3440:
3416:Minimalist film
3369:
3315:Ellsworth Kelly
3283:
3277:
3272:
3131:, record jacket
3114:
3104:
3081:
3051:
3007:
2983:
2964:
2915:
2895:
2893:Further reading
2890:
2876:
2872:
2862:
2860:
2853:Financial Times
2843:
2839:
2825:
2821:
2806:10.2307/1575043
2790:
2786:
2763:10.2307/1574400
2747:
2743:
2733:
2731:
2713:
2709:
2699:
2697:
2687:
2683:
2673:
2671:
2663:
2662:
2658:
2649:Wayback Machine
2640:
2636:
2631:Wayback Machine
2622:
2618:
2613:Wayback Machine
2604:
2600:
2589:
2585:
2575:
2573:
2565:
2564:
2560:
2550:
2548:
2540:
2539:
2535:
2525:
2523:
2514:
2513:
2509:
2499:
2497:
2489:
2488:
2484:
2474:
2472:
2464:
2463:
2459:
2449:
2447:
2439:
2438:
2434:
2421:
2420:
2416:
2406:
2404:
2396:
2395:
2391:
2383:
2379:
2370:Wayback Machine
2361:
2357:
2348:
2347:
2343:
2333:
2331:
2323:
2322:
2318:
2309:
2308:
2304:
2295:
2294:
2287:
2260:
2256:
2242:
2238:
2215:
2211:
2194:
2190:
2173:
2162:
2154:
2150:
2143:
2125:
2121:
2111:
2109:
2105:
2104:
2100:
2085:
2081:
2072:
2071:
2067:
2053:
2049:
2035:
2031:
2021:
2019:
2010:
2009:
2005:
1991:
1987:
1977:
1975:
1959:
1958:
1954:
1944:
1942:
1938:
1934:
1933:
1929:
1914:
1910:
1900:
1898:
1889:
1888:
1881:
1871:
1869:
1865:
1864:
1860:
1850:
1848:
1836:
1832:
1822:
1820:
1814:
1810:
1800:
1798:
1783:
1779:
1765:
1761:
1744:
1740:
1731:Wayback Machine
1722:
1718:
1709:
1705:
1691:
1690:
1686:
1670:
1657:
1640:
1636:
1626:
1624:
1622:Financial Times
1614:
1610:
1596:
1594:
1584:
1580:
1567:
1565:
1545:
1541:
1528:
1526:
1510:
1509:
1505:
1501:
1473:
1439:
1406:
1366:
1312:Centre Pompidou
1292:
1261:
1231:
1226:
1196:
1191:
1168:Julian Stanczak
1120:William Reimann
1036:Norman Carlberg
1013:
1000:
961:Constructivists
925:
893:stainless steel
847:Pan Am Building
796:
749:
742:
733:
731:Command Records
697:of band leader
629:Yale University
606:
604:Yale University
547:
542:
526:Oskar Schlemmer
469:
412:
407:
386:
333:Yale University
234:
218:
197:
193:
173:
170: 1925)
165:
161:
138:
127:
90:
84:
80:
71:
58:
52:
50:
42:
26:
17:
12:
11:
5:
7037:
7027:
7026:
7021:
7016:
7011:
7006:
7001:
6996:
6994:Bauhaus alumni
6991:
6986:
6981:
6979:AIGA medalists
6976:
6971:
6966:
6961:
6956:
6951:
6946:
6941:
6936:
6931:
6926:
6921:
6916:
6899:
6898:
6881:
6873:
6872:
6869:
6868:
6866:
6865:
6858:
6851:
6844:
6837:
6830:
6823:
6816:
6809:
6806:Poetic realism
6802:
6795:
6788:
6781:
6774:
6767:
6760:
6753:
6746:
6739:
6736:Late modernity
6732:
6729:Late modernism
6725:
6718:
6711:
6710:
6709:
6702:
6695:
6681:
6674:
6671:High modernism
6667:
6660:
6653:
6646:
6639:
6632:
6625:
6618:
6615:Degenerate art
6611:
6604:
6597:
6590:
6585:Ballets Russes
6579:
6568:
6561:
6553:
6551:
6547:
6546:
6543:
6542:
6540:
6539:
6527:
6515:
6503:
6491:
6479:
6467:
6455:
6443:
6431:
6419:
6407:
6394:
6392:
6388:
6387:
6385:
6384:
6377:
6370:
6363:
6356:
6349:
6342:
6335:
6328:
6321:
6314:
6307:
6300:
6293:
6286:
6279:
6272:
6264:
6262:
6256:
6255:
6253:
6252:
6245:
6238:
6231:
6224:
6217:
6210:
6203:
6196:
6189:
6182:
6175:
6168:
6161:
6154:
6147:
6140:
6133:
6126:
6119:
6112:
6104:
6102:
6096:
6095:
6093:
6092:
6085:
6078:
6071:
6064:
6057:
6050:
6043:
6036:
6029:
6022:
6015:
6008:
6001:
5994:
5987:
5980:
5973:
5966:
5959:
5952:
5945:
5938:
5931:
5924:
5917:
5910:
5903:
5896:
5889:
5882:
5875:
5868:
5861:
5853:
5851:
5842:
5834:
5833:
5830:
5829:
5827:
5826:
5814:
5802:
5792:
5782:
5770:
5758:
5746:
5734:
5722:
5710:
5698:
5686:
5674:
5662:
5650:
5637:
5635:
5631:
5630:
5628:
5627:
5620:
5613:
5606:
5599:
5592:
5585:
5578:
5571:
5564:
5557:
5550:
5543:
5536:
5529:
5522:
5515:
5508:
5501:
5494:
5487:
5480:
5473:
5465:
5463:
5457:
5456:
5454:
5453:
5446:
5439:
5432:
5425:
5418:
5411:
5404:
5397:
5390:
5383:
5376:
5369:
5362:
5355:
5348:
5341:
5334:
5331:Ray (Satyajit)
5327:
5324:Ray (Nicholas)
5320:
5313:
5306:
5299:
5292:
5285:
5278:
5271:
5264:
5257:
5250:
5243:
5236:
5229:
5222:
5215:
5208:
5201:
5194:
5187:
5180:
5173:
5166:
5159:
5152:
5145:
5138:
5131:
5124:
5117:
5110:
5103:
5096:
5089:
5082:
5075:
5068:
5061:
5054:
5047:
5040:
5033:
5025:
5023:
5017:
5016:
5014:
5013:
5006:
4999:
4992:
4985:
4978:
4971:
4964:
4957:
4950:
4943:
4936:
4929:
4922:
4915:
4908:
4901:
4894:
4887:
4880:
4873:
4866:
4859:
4852:
4845:
4838:
4831:
4824:
4817:
4810:
4803:
4796:
4789:
4782:
4775:
4768:
4761:
4754:
4747:
4740:
4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4635:
4628:
4621:
4614:
4607:
4600:
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4416:The Waste Land
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3727:Constructivism
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3436:Postminimalism
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3426:Neo-minimalism
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3386:Constructivism
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3381:Conceptual Art
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3112:External links
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3096:Publications.
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3073:Publications.
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2195:Piper, David.
2188:
2174:Piper, David.
2160:
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2142:978-0300018462
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2003:
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1746:Holland Cotter
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1078:Ronald Markman
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843:Walter Gropius
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674:In 1962, as a
649:Herbert Matter
645:Alvin Eisenman
637:graphic design
614:Proto-Form (B)
612:Josef Albers,
605:
602:
567:North Carolina
555:Philip Johnson
546:
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541:
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497:Walter Gropius
485:Johannes Itten
468:
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416:Roman Catholic
411:
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392:Josef Albers,
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337:graphic design
329:Jacob Lawrence
286:textile artist
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121:study of color
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113:Known for
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83:(aged 88)
79:March 25, 1976
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57:March 19, 1888
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6884:Postmodernism
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3889:Literary arts
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3830:Neoplasticism
3827:
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3797:
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3793:Functionalism
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3748:Expressionism
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3720:Ashcan School
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3547:Bridget Riley
3545:
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3542:Julio Le Parc
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3411:Minimal music
3409:
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725:heart ailment
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62:
49:
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40:
34:
29:
22:
19:
6882:
6875:
6622:Ecomodernism
6530:
6518:
6506:
6494:
6482:
6470:
6460:The Firebird
6458:
6446:
6434:
6422:
6410:
6398:
5817:
5807:Citizen Kane
5805:
5796:Fallingwater
5786:Villa Savoye
5773:
5761:
5749:
5737:
5725:
5715:Black Square
5713:
5701:
5689:
5677:
5665:
5653:
5641:
5533:Le Corbusier
5461:Architecture
4512:
4474:
4462:
4450:
4440:Mrs Dalloway
4438:
4426:
4414:
4402:
4390:
4378:
4263:Lowell (Amy)
3629:M. C. Escher
3609:Color theory
3507:Edna Andrade
3497:Josef Albers
3496:
3360:Frank Stella
3335:Agnes Martin
3295:Josef Albers
3294:
3222:
3221:
3197:
3196:
3176:
3154:Josef Albers
3146:Josef Albers
3092:. New York:
3089:
3069:. New York:
3064:
3038:
3025:
2996:
2972:
2949:
2934:
2923:
2900:
2881:
2873:
2863:February 16,
2861:. Retrieved
2852:
2840:
2830:
2822:
2800:(1): 41â42.
2797:
2793:
2787:
2754:
2750:
2744:
2734:February 16,
2732:. Retrieved
2720:
2710:
2700:February 16,
2698:. Retrieved
2694:
2684:
2674:February 14,
2672:. Retrieved
2668:
2659:
2642:Josef Albers
2637:
2619:
2601:
2592:
2586:
2576:February 16,
2574:. Retrieved
2570:
2561:
2549:. Retrieved
2545:
2536:
2526:February 16,
2524:. Retrieved
2519:
2510:
2498:. Retrieved
2494:
2485:
2473:. Retrieved
2469:
2460:
2448:. Retrieved
2444:
2435:
2426:
2417:
2405:. Retrieved
2401:
2392:
2380:
2363:Josef Albers
2358:
2344:
2332:. Retrieved
2328:
2319:
2305:
2263:
2257:
2247:
2239:
2222:
2212:
2196:
2191:
2175:
2151:
2128:
2122:
2110:. Retrieved
2101:
2092:
2082:
2068:
2058:
2050:
2040:
2032:
2020:. Retrieved
2016:the original
2006:
1993:Josef Albers
1988:
1978:November 26,
1976:. Retrieved
1964:
1955:
1943:. Retrieved
1930:
1921:
1911:
1899:. Retrieved
1894:
1870:. Retrieved
1861:
1851:November 18,
1849:. Retrieved
1843:
1833:
1821:. Retrieved
1811:
1799:. Retrieved
1795:the original
1790:
1787:"Susan Weil"
1780:
1770:
1762:
1752:
1741:
1724:Josef Albers
1719:
1711:
1706:
1696:
1687:
1677:
1649:the original
1637:
1627:November 25,
1625:. Retrieved
1621:
1611:
1602:
1597:November 25,
1595:. Retrieved
1592:The Atlantic
1591:
1581:
1573:
1568:November 25,
1566:. Retrieved
1552:
1542:
1534:
1529:November 26,
1527:. Retrieved
1515:
1506:
1458:
1455:
1450:
1446:
1442:
1440:
1431:
1415:
1409:
1407:
1395:
1391:
1383:publications
1367:
1356:
1350:
1344:
1327:
1322:Josef Albers
1321:
1307:
1301:
1295:
1278:
1269:documenta IV
1247:
1241:
1138:Arieh Sharon
1001:
989:
979:artists and
953:
949:
943:
928:
926:
923:Color theory
916:
900:
888:
876:
872:
866:
858:
834:
818:
809:
803:
785:, he used a
772:
763:painter and
750:
745:
734:
706:
695:album covers
692:
673:
653:Alvin Lustig
641:graphic arts
626:
613:
571:
548:
515:
505:
480:
478:
440:
413:
405:German years
393:
355:
349:
345:color theory
340:
310:
268:
190:Josef Albers
189:
188:
128:Notable work
81:(1976-03-25)
38:
25:Josef Albers
18:
6919:1976 deaths
6914:1888 births
6877:Romanticism
6834:Remodernism
6715:Incoherents
6574:Avant-garde
6565:Armory Show
6172:Maeterlinck
6075:Villa-Lobos
6061:Szymanowski
6040:Stockhausen
5977:LutosĆawski
5695:(1909â1910)
4495:Visual arts
4468:(1928â1940)
4384:(1913â1927)
3907:Apollinaire
3871:Synchromism
3711:Art Nouveau
3492:Yaacov Agam
3365:Anne Truitt
3310:Donald Judd
3275:Minimal art
3201:collection:
2551:January 19,
2500:January 19,
2475:January 19,
2450:January 19,
2407:January 19,
2375:, New York.
2264:Art Journal
2223:Tate Papers
1823:February 9,
1791:Art+Auction
1379:Anni Albers
1267:(1955) and
1265:documenta I
1207:abstraction
1205:â "For me,
1146:(architect)
1140:(architect)
1126:Irwin Rubin
1114:Robert Reed
1054:Erwin Hauer
933:silk screen
877:Loggia Wall
863:sandblasted
835:Two Portals
817:by Albers,
810:In 1959, a
769:composition
753:typographer
699:Enoch Light
680:King-lui Wu
578:Ray Johnson
512:Anni Albers
501:handicrafts
461:Franz Stuck
457:Max Doerner
282:Anni Albers
159:Anni Albers
7014:Serial art
6908:Categories
6764:Maximalism
6699:Literature
6374:Wiesenthal
6276:Cunningham
6269:Balanchine
6249:Witkiewicz
6221:Strindberg
6207:Pirandello
6179:Mayakovsky
6054:Stravinsky
6026:Schoenberg
5838:Performing
5763:Metropolis
5554:Mendelsohn
5359:Rossellini
5352:Richardson
5163:Fassbinder
5149:Eisenstein
5086:Cassavetes
4842:Modigliani
4716:Goncharova
4702:Giacometti
4096:Dos Passos
3898:Literature
3857:Surrealism
3768:Die BrĂŒcke
3406:Minimalism
3355:Tony Smith
3325:Sol LeWitt
3320:Yves Klein
3305:Dan Flavin
3300:Larry Bell
2329:aaa.si.edu
2022:January 8,
1499:References
1290:Posthumous
1271:(1968) in
1152:(sculptor)
1092:(sculptor)
1062:(sculptor)
1056:(sculptor)
1050:(sculptor)
1026:(sculptor)
1024:Ruth Asawa
985:perception
903:(1972), a
891:(1972), a
757:printmaker
703:Command LP
684:fireplaces
618:fiberboard
590:Susan Weil
586:Cy Twombly
574:Ruth Asawa
428:Westphalia
418:family of
313:Ruth Asawa
266:in 1919.
65:Westphalia
53:1888-03-19
6813:Pulp noir
6771:Modernity
6636:Film noir
6360:St. Denis
6283:Diaghilev
6019:Schaeffer
5942:Hindemith
5914:Dutilleux
5886:Boulanger
5691:The Dance
5387:Tarkovsky
5380:Sternberg
5212:Hitchcock
5128:Dovzhenko
5044:Antonioni
4989:Stieglitz
4828:Metzinger
4779:Kokoschka
4758:Kandinsky
4172:Aldington
4165:Akhmatova
4082:Marinetti
4075:Mansfield
4026:Hemingway
3864:Symbolism
3683:Movements
3676:Modernism
3015:809539744
2941:MIT Press
2729:0362-4331
2654:, Riehen.
2334:April 25,
2231:1753-9854
2112:April 19,
2000:Manhattan
1973:0362-4331
1801:April 22,
1563:0190-8286
1524:0362-4331
1461:Sotheby's
1404:Criticism
1398:Manhattan
1341:, Florida
1236:solo show
1188:(painter)
1182:(painter)
1170:(painter)
1104:(painter)
1098:(painter)
1068:(painter)
1060:Eva Hesse
1020:(painter)
969:Hard-edge
956:varnishes
917:Wrestling
868:Manhattan
827:Manhattan
812:gold-leaf
804:Wrestling
661:Eva Hesse
616:, oil on
534:Paul Klee
420:craftsmen
384:Biography
298:Paul Klee
290:furniture
256:engraving
95:Education
41:paintings
6895:Category
6496:Fountain
6400:Don Juan
6339:Nijinsky
6235:Wedekind
6214:Piscator
6109:Anderson
6033:Scriabin
5949:Honegger
5603:Sullivan
5589:Saarinen
5582:Rietveld
5575:Niemeyer
5547:Melnikov
5477:Bunshaft
5408:Truffaut
5373:Sjöström
5317:Pudovkin
5289:Minnelli
5254:Kurosawa
5247:Kuleshov
5177:Flaherty
5003:Vuillard
4982:Steichen
4940:Rousseau
4905:Pissarro
4884:O'Keeffe
4849:Mondrian
4800:Malevich
4793:Magritte
4765:Kirchner
4709:van Gogh
4660:Doesburg
4639:Delaunay
4632:Delaunay
4555:BrĂąncuÈi
4541:Boccioni
4504:Painting
4354:Williams
4277:Mallarmé
4193:Cendrars
4103:Platonov
4061:Lawrence
4054:Koestler
3991:Flaubert
3984:Faulkner
3949:Bulgakov
3878:Tonalism
3839:De Stijl
3823:Lettrism
3809:Futurism
3700:Art Deco
3391:De Stijl
3282:Artists
3061:(1988).
2857:Archived
2794:Leonardo
2751:Leonardo
2645:Archived
2627:Archived
2609:Archived
2366:Archived
1945:April 6,
1872:April 7,
1727:Archived
1471:See also
973:patterns
963:and the
783:Masonite
765:theorist
761:abstract
620:, 1938,
598:woodcuts
327:painter
260:plumbing
244:educator
143:Movement
6550:Related
6412:Ubu Roi
6367:Tamiris
6353:Sokolow
6332:Massine
6200:Osborne
6193:O'Neill
6186:O'Casey
6144:Chekhov
6130:Beckett
6116:Anouilh
6100:Theatre
6047:Strauss
6005:Russolo
5984:Milhaud
5963:JanĂĄÄek
5935:GĂłrecki
5928:Feldman
5907:Debussy
5900:Copland
5858:Antheil
5596:Steiner
5519:Johnson
5498:Guimard
5491:Gropius
5338:Resnais
5240:Kubrick
5170:Fellini
5156:Epstein
5142:Edwards
5107:Cocteau
5093:Chaplin
5065:Bresson
5058:Bergman
5037:Aldrich
5030:Akerman
4975:Soutine
4947:Schiele
4898:Picasso
4891:Picabia
4821:Matisse
4695:Gauguin
4667:Duchamp
4625:Kooning
4604:Claudel
4597:Chirico
4590:Chagall
4583:CĂ©zanne
4576:Cassatt
4548:Bonnard
4534:Bellows
4527:Balthus
4404:Ulysses
4326:Stevens
4319:Seferis
4138:Unamuno
3977:Forster
3956:Chekhov
3921:Beckett
3850:Orphism
3816:Imagism
3800:Bauhaus
3786:Fauvism
3691:Acmeism
3485:Artists
3156:at the
2814:1575043
2771:1574400
2423:"Notes"
2207:, p470.
2186:, p469.
1901:May 14,
1482:Bauhaus
1337:(2014)
965:Bauhaus
802:Albers
492:Bauhaus
487:at the
481:vorkurs
432:Germany
424:Bottrop
274:Bauhaus
258:glass,
248:Bottrop
235:German:
178:Website
172:
164:
107:Bauhaus
69:Germany
61:Bottrop
6536:(1953)
6524:(1928)
6512:(1921)
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