393:
590:
section on
Corpora Supercelestia." Another said it was "gorgeous, ethereal; indeed, its some of the best choral ‘tron this side of Aguirre, joined as it is by rolling timpani." “Conception” crawls into "earshot fantastically, with a deadbeat dole-queue flanged bass," whilst “Spirit of Joy” is "features that rarest of M400 sounds, the Mellotron Hammond (along with some strings), only distinguishable when Peraino attempts some organ 'chops'." "Come Alive" is "an 8 minute space-prog epic. Clipped bass, fat fizzing synthesiser, and a blues riff that they bring down into the depths, betraying their 60s psych roots, as Arthur riffs on some semi-improvised poetry which he lays over the top." The song, "earthier" and riff-driven, was the album's only attempt to create a "proper song", as Goodge had referred to it; Goodge suggested the song before his departure and created the start of the development of the song.
610: – and we never really did come back." As with the album, the live tour that accompanied the album used the Bentley Rhythm Ace for all the percussion instead of a live drummer, which was similarly innovative as it "went against what people knew." Brown hoped to take the drum machine into areas that were both remarkable and interactive, saying that "Charlie Charles and I wanted to have a flexible machine that could literally respond like a drummer. In fact, I think it was when drummers eventually got hold of the machine that things opened up in terms of the possibilities. I also had the idea of using dance movements and feeding these into a drum machine, to see what comes out". A single version of "Spirit of Joy" was released as a single in the UK by Polydor Records in 1973, featuring the previously unreleased B-side "Come Alive". The band also recorded three of its songs in a live
534:" because "the beat is joined by wa-guitar and funky-but-ominous sounding synthesiser. Everything goes crazy for a second until it gradually settles down into a great motorik groove, and a hugely base riff of warbling notes of moog and bubbling VSC3." Brown's vocals on the song refer to Time Captains, "synthesising the rays powering your brain...lone protons cosmos cold socks." "Triangles" is a slower piece that has been compared to 1974-era
710:
705:
700:
515:
764:
759:
754:
749:
744:
695:
690:
843:, so much more advanced is it than the more well known work" and commented after the release of the 2010 remaster that "now that this milestone is once more available, maybe it stands a chance of being reassessed not only as Arthur Brown's masterpiece, but also as one of the truly great albums of the seventies."
820:
was so far ahead of its time that you have to keep checking the sleeve to make sure that it really does say 1973 and not 1983. Nowhere is this more apparent than on opening track “Time
Captives"– imagine the shock of playing this record for the first time in 1973 and being faced with a full minute of
375:
during production, and Goodge decided to leave the band because of this. Victor
Peraino was his replacement, who was into "sonic sensibilities and recording structures." Brown stated in an interview at the time that band's three albums were intended to present a thematic progression, with their debut
780:
rated the album two stars out of five and said "it's a
Kingdom Come record, which by definition is an uneven experience, dwelling in the darker side of early-'70s prog rock, but also touching on heavy metal, jazz, science fiction electronics, and blues from time to time. The cold electronic touches
789:
s a
Mellotron classic. Buy," and Head Heritage said the album is "a drum-machine propelled space-glam masterpiece that positively gushed with transcendent energy and light. It shows just how complex you can get your grooves (even with a Bentley Rhythm Ace in charge of the drums) and how space-rock
424:
said that the album has been "most noted in retrospect as one of the first rock records to use a drum machine, which was still quite a novelty back in 1973." Brown recalled "the whole album is based around the drum machine, and we had a lot of ideas that we wanted to explore using this technology.
589:
Side two begins with the three-part suite "Superficial
Roadblocks" contains a "celestial quasi-choral tone of sections." One reviewer said it "soars in with brass and choir providing the main chordal backdrop. This track has to be one of the most Mellotron-heavy ever, with an unaccompanied choir
31:
351:
in 1972, but by the end of the 1972, the band's line up had changed drastically several times over, at that point featuring vocalist Brown, guitarist and vocalist Andy Dalby, bassist, percussionist and vocalist Phil Shutt, and synthesiser/keyboard player
Michael "Goodge" Harris.
530:, "although electronic, the tone gives it a curiously pagan feel – like the (slightly) speeded up death-march of the damned familiar to many Third ear band tracks. Bass and deep washes of white noise quiver underneath as the speed picks up." They called it a "space rock" "
298:. The album was not a popular release, although has gone on to be regarded as a groundbreaking and innovative album that was ahead of its time. Although overlooked upon release, it has received generally positive retrospective reviews from critics. Alan Holmes of
821:
minimal drum machine before a one note bass and guitar riff enter and proceed to speed up and slow down while atonal electronics swirl around for a further three minutes. Taken on its own, this opening section could easily be passed off as a lost
306:
was so far ahead of its time that you have to keep checking the sleeve to make sure that it really does say 1973 and not 1983" and that the album was "not only Arthur Brown’s masterpiece, but also one of the truly great albums of the seventies."
481:
called the album "drum-machine propelled space-glam" that "positively gushed with transcendent energy and light." He stated that it "shows just how complex you can get your grooves (even with a
Bentley Rhythm Ace in charge of the drums) and how
538:"twilight stroll", with a "ploddingly simple drum machine groove and toy-town flickering synthesisers and guitars," wobbling through "a number of increasingly intense key changes before lurching to a stop." Brown used an actual
448:
Richie
Unterberger said that, besides being the first drum machine-based rock album, "in other respects it was also a departure from Kingdom Come's previous sound, with the songs not quite as doom-suffused as their first album
355:
Although their first two albums featured drastically different styles, Brown and the band decided their third album would mark another drastic change of direction, conceiving an album to feature a
275:. Although the band had commented the album was entirely based on the drum machine, the band attempted to, in rock and electronic terms, create an album that was the closest they could get "to a
794:
were also favourable, saying it was "the band's most accomplished work, featuring new musicians, plenty of mellotron and synths — a highly entertaining space prog rock album altogether."
781:(including synthesizer and mellotron) and the bleak time-of-reckoning-has-come melodies limited its appeal. But there were gleams of other more tuneful pastures occasionally." However,
606:. Explaining the album title, Arthur Brown said "I had this song which had the line ‘I’m going on a journey/I’m not coming back’, and it was Phil who suggested we call the album
371:, who according to Brown was "more than keen to work on an experimental project". Mixing the album was completed in December 1972. As with the band's previous albums, they took
800:
is considered to be a widely innovative release that was "ahead of its time," and is considered underrated. Mark
Paytress said the album "remains a classic of pioneering
457:, if just as intense in their philosophical questing." He called it an "uneven experience, dwelling in the darker side of early-'70s prog rock, but also touching on
363:, Monmouthshire in November 1972. The sessions began with Dennis Taylor supervising proceedings, but he only recorded two songs with them, being replaced by former
562:." According to Unterberger said that "Triangles" contains "serene swoops". "Gypsy" makes extensive use of the Mellotron and is "smothered in strings and flutes."
790:
and progressive rock moves need not be a block to great tunesmithery and can be gainfully mixed with soul-revue ecstatic(s) and proto-Glam Rock glam descends."
1530:
1293:
1211:
635:
in Germany in 1976, and has been remastered for CD in several occasions, each time with bonus tracks; it was first remastered in Arnies Shack in 1993 by
1441:
1520:
392:
833:, and as the name suggests, we are taken on a unique trip that had no obvious precedents at the time." He said "it's astonishing to think that
259:
outside the UK. After the band featured drastically different styles on their first two albums, and after several line-up changes, band leader
1515:
376:
focusing on the state of humankind in the present, the second on the human animal itself and the dichotomy between the body and mind, and
1510:
776:
was largely ignored on the release, but retrospectively had received generally positive reviews from critics. Richie Unterberger of
271:
responsible for all the percussive sounds on the album. The drum machine in question was the Bentley Rhythm Ace, manufactured by
575:. And ended up playing only those notes that came within the space in the centre of the triangle! It gave us a different tone"
316:
1230:
445:"a remarkably extravagant experiment is the fact that all those connected were open to the most outlandish possibilities.
1453:
1414:
1143:
1505:
490:
moves need not be a block to great tunesmithery and can be gainfully mixed with soul-revue ecstatic(s) and proto-
335:
worked with a varied group of musicians on projects called Strangelands, Puddletown Express, and (briefly) the
866:
1369:
568:
539:
519:
280:
425:
The drum machine they used was the Bentley Rhythm Ace, the British version of the FR-1, manufactured by the
1380:
1287:
1205:
287:
and synthesizers from new member Victor Peraino, who replaced Michael "Goodge" Harris early on production.
408:, Brown said his band were "attempting to do, in rock and electronic terms, the closest we could get to a
256:
160:
43:
1525:
1123:
372:
1358:
526:
The album begins with "Time Captives", which begins with a 4/4 slow drum machine beat. According to
639:
with four bonus alternate takes of songs, none of which were titled on the release then in 2003 by
339:-influenced Rustic Hinge, and eventually founded Kingdom Come in 1970, chiefly including guitarist
1055:
822:
581:
332:
260:
200:
142:
1391:
343:, who was the only consistent member after Brown himself. The band recorded their debut album
839:
1500:
8:
632:
469:
from time to time" with "cold electronic touches (including synthesizer and mellotron)."
1261:
Journey – Arthur Brown's Kingdom Come,Arthur Brown | Songs, Reviews, Credits | AllMusic
648:
636:
438:
430:
1103:
1449:
1329:
1260:
1139:
458:
360:
336:
291:
70:
603:
552:
487:
86:
1234:
1227:
853:
801:
599:
420:
is responsible for all the percussive sounds on the album. Richie Unterberger of
295:
134:
127:
96:
1418:
535:
409:
364:
328:
276:
1347:
1330:
Julian Cope presents Head Heritage | Unsung | Reviews | Kingdom Come – Journey
550:
music, said that, "recorded at the end of 1972, this could easy have come off
441:
their name. According to journalist Malcolm Dome, one of the things that made
1494:
584:
explaining how he used a triangle to guide the guitar playing in "Triangles".
320:
1402:
412:. So the parts for guitar, bass and guitar were written with this in mind".
1059:
1019:
652:
640:
611:
417:
368:
356:
268:
150:
122:
1049:
618:
474:
466:
324:
78:
1381:
Arthur Brown & Kingdom Come* – Journey (Vinyl, LP, Album) at Discogs
1479:
1065:
858:
844:
558:
483:
473:
was purportedly the third in a loose conceptual series. A reviewer for
340:
279:". The album features other experimental techniques, including using a
252:
91:
1080:
1072:
809:
805:
615:
572:
547:
531:
503:
495:
491:
397:
284:
30:
865:. In 2002 Arthur Brown did a guest appearance in the Hawkwind video
1084:
1076:
848:
777:
682:
499:
434:
426:
421:
272:
1484:
857:(1995) in what is believed to be a reference to their guitarist
514:
1124:
Arthur Brown – Kingdom Come/Kingdom Come – Journey « Freq
651:, which came with a bonus disc of the alternative takes and a
631:
to discover his "inner journey". The album was re-released by
1136:
The God Of Hellfire, the Crazy Life and Times of Arthur Brown
628:
38:
1370:
Arthur Brown's Kingdom Come – Journey (CD, Album) at Discogs
1415:"Planet Mellotron Album Reviews: Arthur Brown/Kingdom Come"
785:
gave the album four and a half stars out of five and said "
462:
829:
track from a decade later, but this is only one aspect of
518:
Brown conducted the guitar playing on "Triangles" using a
506:
M400 keyboard, all of which are played by Victor Peraino.
494:
glam descends." The album also makes prominent use of the
1348:
Planet Mellotron Album Reviews: Arthur Brown/Kingdom Come
826:
644:
384:
as the final album in the series, completing a trilogy.
851:
named a song "Journey" on their twentieth studio album
571:, which is simply a frame and moved it up and down the
416:
is most noted for being the first ever album where a
627:
was Kingdom Come's last album, as Brown departed to
267:. The album was the first album in history to use a
1228:
ARTHUR BROWN'S KINGDOM COME discography and reviews
429:company of Japan (Ace Tone later evolved into the
1343:
1341:
1339:
1337:
1200:(liner). Kingdom Come. Esoteric Recordings. 2010.
1492:
1359:Kingdom Come* – Spirit Of Joy (Vinyl) at Discogs
1256:
1254:
1252:
1250:
1248:
1246:
1244:
1242:
1223:
1221:
1158:
1156:
1154:
1152:
1119:
1117:
1115:
1113:
1111:
380:focused on cosmic and spiritual matters. He saw
1325:
1323:
1292:: CS1 maint: others in cite AV media (notes) (
1210:: CS1 maint: others in cite AV media (notes) (
359:due to their lack of drummer. The band entered
251:is the third and final studio album by British
1392:Kingdom Come* – Journey (CD, Album) at Discogs
1334:
1321:
1319:
1317:
1315:
1313:
1311:
1309:
1307:
1305:
1303:
741:
1239:
1218:
1149:
1108:
283:to guide guitar playing and extensive use of
687:
647:live sessions, and most recently in 2010 by
598:The album was released in 1973 in the UK by
263:worked the band towards a new direction for
1300:
1192:
1190:
1188:
310:
290:The album was recorded in November 1972 in
1531:Progressive rock albums by English artists
1282:(liner). Kingdom Come. Castle Music. 2003.
1274:
1272:
1270:
1268:
1186:
1184:
1182:
1180:
1178:
1176:
1174:
1172:
1170:
1168:
546:, considering it to have predated similar
542:to guide the guitar playing on the track.
29:
1521:Electronic rock albums by English artists
1439:
1052:) – bass guitar, percussion, vocals
948:"Come Alive" (alternate version, part 2)
945:"Come Alive" (alternate version, part 1)
513:
433:. The Bentley Rhythm Ace later gave the
391:
1433:
1265:
1165:
889:"Triangles" (instrumental) – 3:16
658:
387:
1493:
1036:(Live Peel Session, 5 September 1972)
1029:(Live Peel Session, 5 September 1972)
985:"Spirit of Joy" (Single Version) 2.50
904:"Superficial Roadblocks" – 6:56
668:
18:1973 studio album by Kingdom Come
1516:Albums recorded at Rockfield Studios
952:
928:
347:in 1971 and their sophomore release
939:"Time Captives" (alternate version)
936:"Spirit of Joy" (alternate version)
877:All songs written by Kingdom Come.
861:'s enthusiasm for Arthur Brown and
743:
643:with the same bonus tracks and two
465:, science fiction electronics, and
453:) or as whimsical as their second (
13:
1511:Kingdom Come (British band) albums
1403:Kingdom Come* – Journey at Discogs
979:
14:
1542:
1472:
869:covering the song Time Captives.
837:was recorded at the same time as
689:
963:"Time Captives" (Alternate Take)
960:"Spirit of Joy" (Alternate Take)
942:"Conception" (alternate version)
872:
762:
757:
752:
747:
742:
708:
703:
698:
693:
688:
1448:. SAF Publishing. p. 276.
1407:
1396:
1385:
1374:
1363:
1352:
1068: – electric guitar, vocals
317:The Crazy World of Arthur Brown
1128:
1097:
812:trailblazers." Alan Holmes of
1:
1091:
975:"Spirit of Joy" (BBC Session)
969:"Come Alive" (Alternate Take)
966:"Conception" (Alternate Take)
1048:Phill Shutt (later known as
1042:
255:band Kingdom Come, known as
7:
990:(B-side to "Spirit of Joy")
921:"Spirit of Joy" – 3:15
896:
886:"Time Captives" – 8:18
880:
621:show on 25 September 1972.
257:Arthur Brown's Kingdom Come
10:
1547:
593:
319:in 1969, when keyboardist
1444:Hawkwind: Sonic Assassins
972:"Slow Rock" (BBC Session)
676:
673:
400:synthesizer on the album.
240:
207:
199:
195:
167:
159:
133:
121:
105:
77:
66:
58:
50:
37:
28:
23:
924:"Come Alive" – 8:46
918:"Conception" – 2:06
910:"Superficial Roadblocks"
509:
396:Victor Peraino used the
327:left to eventually form
311:Background and recording
294:and released in 1973 by
959:
935:
913:"Corpora Supercelestia"
903:
1506:Polydor Records albums
1440:Abrahams, Ian (2001).
1071:Victor Peraino –
577:
523:
401:
315:After the collapse of
62:November–December 1972
1011:(alternative version)
1004:(alternative version)
997:(alternative version)
840:Dark Side of the Moon
565:
517:
395:
1087:, percussion, vocals
664:Professional ratings
659:Reception and legacy
451:Galactic Zoo Dossier
388:Music and production
345:Galactic Zoo Dossier
1288:cite AV media notes
1233:15 May 2012 at the
1206:cite AV media notes
1022:, 5 September 1972)
892:"Gypsy" – 9:09
665:
649:Esoteric Recordings
1487:(list of releases)
1138:. SAF Publishing.
867:Out of the Shadows
663:
637:Voiceprint Records
524:
431:Roland Corporation
402:
1526:Space rock albums
1134:Marshall, Polly.
1037:
1030:
1023:
1012:
1005:
998:
991:
953:2003 bonus tracks
929:1993 bonus tracks
771:
770:
733:(very favourable)
723:(very favourable)
655:from the period.
653:John Peel session
602:and in the US by
502:synthesisers and
361:Rockfield Studios
337:Captain Beefheart
292:Rockfield Studios
244:
243:
236:
235:
191:
190:
71:Rockfield Studios
1538:
1467:
1466:
1464:
1462:
1437:
1431:
1430:
1428:
1426:
1417:. Archived from
1411:
1405:
1400:
1394:
1389:
1383:
1378:
1372:
1367:
1361:
1356:
1350:
1345:
1332:
1327:
1298:
1297:
1291:
1283:
1276:
1263:
1258:
1237:
1225:
1216:
1215:
1209:
1201:
1194:
1163:
1160:
1147:
1146:., page 106-111.
1132:
1126:
1121:
1106:
1101:
1058: – vocals,
1035:
1028:
1027:"Spirit of Joy"
1017:
1010:
1003:
996:
995:"Time Captives"
989:
823:Cabaret Voltaire
804:, up there with
783:Planet Mellotron
767:
766:
765:
761:
760:
756:
755:
751:
750:
746:
745:
738:Planet Mellotron
713:
712:
711:
707:
706:
702:
701:
697:
696:
692:
691:
666:
662:
604:Passport Records
585:
553:Ralf and Florian
488:progressive rock
439:of the same name
209:
208:
169:
168:
117:
116:
112:
87:Progressive rock
33:
21:
20:
1546:
1545:
1541:
1540:
1539:
1537:
1536:
1535:
1491:
1490:
1475:
1470:
1460:
1458:
1456:
1438:
1434:
1424:
1422:
1421:on 9 April 2016
1413:
1412:
1408:
1401:
1397:
1390:
1386:
1379:
1375:
1368:
1364:
1357:
1353:
1346:
1335:
1328:
1301:
1285:
1284:
1278:
1277:
1266:
1259:
1240:
1235:Wayback Machine
1226:
1219:
1203:
1202:
1196:
1195:
1166:
1161:
1150:
1133:
1129:
1122:
1109:
1102:
1098:
1094:
1045:
982:
980:2010 bonus disc
955:
931:
899:
883:
875:
802:electronic rock
763:
758:
753:
748:
709:
704:
699:
694:
661:
600:Polydor Records
596:
587:
579:
512:
390:
313:
296:Polydor Records
231:
224:
215:
184:
175:
155:
128:Polydor Records
114:
110:
109:
101:
97:electronic rock
73:, Monmouthshire
46:
19:
12:
11:
5:
1544:
1534:
1533:
1528:
1523:
1518:
1513:
1508:
1503:
1489:
1488:
1474:
1473:External links
1471:
1469:
1468:
1454:
1432:
1406:
1395:
1384:
1373:
1362:
1351:
1333:
1299:
1264:
1238:
1217:
1164:
1148:
1127:
1107:
1095:
1093:
1090:
1089:
1088:
1069:
1063:
1053:
1044:
1041:
1040:
1039:
1032:
1025:
1014:
1007:
1000:
993:
986:
981:
978:
977:
976:
973:
970:
967:
964:
961:
958:
954:
951:
950:
949:
946:
943:
940:
937:
934:
930:
927:
926:
925:
922:
919:
916:
915:
914:
911:
908:
902:
898:
895:
894:
893:
890:
887:
882:
879:
874:
871:
769:
768:
739:
735:
734:
731:
725:
724:
721:
715:
714:
685:
679:
678:
675:
671:
670:
660:
657:
595:
592:
564:
511:
508:
410:string quartet
389:
386:
365:Love Sculpture
331:, band leader
329:Atomic Rooster
312:
309:
277:string quartet
242:
241:
238:
237:
234:
233:
226:
217:
205:
204:
197:
196:
193:
192:
189:
188:
186:
177:
165:
164:
157:
156:
154:
153:
148:
145:
139:
137:
131:
130:
125:
119:
118:
107:
103:
102:
100:
99:
94:
89:
83:
81:
75:
74:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1543:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1498:
1496:
1486:
1482:
1481:
1477:
1476:
1457:
1455:9780946719693
1451:
1447:
1446:
1443:
1436:
1420:
1416:
1410:
1404:
1399:
1393:
1388:
1382:
1377:
1371:
1366:
1360:
1355:
1349:
1344:
1342:
1340:
1338:
1331:
1326:
1324:
1322:
1320:
1318:
1316:
1314:
1312:
1310:
1308:
1306:
1304:
1295:
1289:
1281:
1275:
1273:
1271:
1269:
1262:
1257:
1255:
1253:
1251:
1249:
1247:
1245:
1243:
1236:
1232:
1229:
1224:
1222:
1213:
1207:
1199:
1193:
1191:
1189:
1187:
1185:
1183:
1181:
1179:
1177:
1175:
1173:
1171:
1169:
1159:
1157:
1155:
1153:
1145:
1144:0-946719-77-2
1141:
1137:
1131:
1125:
1120:
1118:
1116:
1114:
1112:
1105:
1100:
1096:
1086:
1082:
1078:
1074:
1070:
1067:
1064:
1061:
1057:
1054:
1051:
1047:
1046:
1033:
1026:
1021:
1015:
1009:"Come Alive"
1008:
1002:"Conception"
1001:
994:
987:
984:
983:
974:
971:
968:
965:
962:
957:
956:
947:
944:
941:
938:
933:
932:
923:
920:
917:
912:
909:
906:
905:
901:
900:
891:
888:
885:
884:
878:
873:Track listing
870:
868:
864:
860:
856:
855:
850:
846:
842:
841:
836:
832:
828:
824:
819:
815:
811:
808:and assorted
807:
803:
799:
795:
793:
792:Prog Archives
788:
784:
779:
775:
740:
737:
736:
732:
730:
729:Head Heritage
727:
726:
722:
720:
717:
716:
686:
684:
681:
680:
672:
669:Review scores
667:
656:
654:
650:
646:
642:
638:
634:
630:
626:
622:
620:
617:
613:
609:
605:
601:
591:
586:
583:
576:
574:
570:
563:
561:
560:
555:
554:
549:
545:
544:Head Heritage
541:
537:
533:
529:
528:Head Heritage
521:
516:
507:
505:
501:
497:
493:
489:
485:
480:
479:Head Heritage
476:
472:
468:
464:
460:
456:
455:Kingdom Come)
452:
446:
444:
440:
436:
432:
428:
423:
419:
415:
411:
407:
399:
394:
385:
383:
379:
374:
370:
366:
362:
358:
353:
350:
346:
342:
338:
334:
330:
326:
322:
321:Vincent Crane
318:
308:
305:
301:
297:
293:
288:
286:
282:
278:
274:
270:
266:
262:
258:
254:
250:
249:
239:
230:
227:
223:
222:
218:
214:
211:
210:
206:
202:
198:
194:
187:
183:
182:
178:
174:
171:
170:
166:
162:
158:
152:
149:
147:Dennis Taylor
146:
144:
141:
140:
138:
136:
132:
129:
126:
124:
120:
108:
104:
98:
95:
93:
90:
88:
85:
84:
82:
80:
76:
72:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1478:
1459:. Retrieved
1445:
1442:
1435:
1423:. Retrieved
1419:the original
1409:
1398:
1387:
1376:
1365:
1354:
1279:
1197:
1162:Liner notes.
1135:
1130:
1099:
1060:drum machine
1056:Arthur Brown
1034:"Triangles"
1020:Peel Session
1016:"Slow Rock"
988:"Slow Rock"
876:
862:
852:
838:
834:
830:
817:
813:
797:
796:
791:
786:
782:
773:
772:
728:
718:
641:Castle Music
624:
623:
612:Peel Session
607:
597:
588:
582:Arthur Brown
578:
566:
557:
551:
543:
527:
525:
478:
470:
454:
450:
447:
442:
418:drum machine
413:
405:
403:
381:
377:
369:Dave Edmunds
357:drum machine
354:
349:Kingdom Come
348:
344:
333:Arthur Brown
323:and drummer
314:
303:
299:
289:
269:drum machine
264:
261:Arthur Brown
247:
246:
245:
228:
220:
219:
213:Kingdom Come
212:
201:Arthur Brown
180:
179:
173:Kingdom Come
172:
161:Kingdom Come
151:Dave Edmunds
143:Arthur Brown
44:Kingdom Come
39:Studio album
15:
1501:1973 albums
1062:programming
1050:Phil Curtis
907:"Lost Time"
816:said that "
619:BBC Radio 1
567:"We took a
522:instrument.
475:Julian Cope
459:heavy metal
404:Describing
325:Carl Palmer
302:said that "
1495:Categories
1092:References
1066:Andy Dalby
859:Dave Brock
845:Space rock
559:Zuckerzeit
484:space rock
367:guitarist
341:Andy Dalby
203:chronology
163:chronology
92:space rock
54:April 1973
1083:, piano,
1081:EMS VCS 3
1073:Mellotron
1043:Personnel
810:krautrock
806:Kraftwerk
616:John Peel
573:fretboard
548:krautrock
532:The Chain
504:Mellotron
496:EMS VCS 3
492:glam rock
398:EMS VCS 3
285:Mellotron
1231:Archived
1104:AllMusic
1085:theremin
1077:ARP 2600
897:Side two
881:Side one
849:Hawkwind
787:Journey'
778:AllMusic
683:AllMusic
614:for the
569:triangle
540:triangle
520:triangle
500:ARP 2600
435:big beat
427:Ace Tone
422:Allmusic
281:triangle
273:Ace Tone
135:Producer
59:Recorded
51:Released
41: by
1485:Discogs
1480:Journey
1461:8 March
1425:8 March
1280:Journey
1198:Journey
863:Journey
854:Alien 4
835:Journey
831:Journey
818:Journey
798:Journey
774:Journey
625:Journey
608:Journey
594:Release
580: —
536:Cluster
471:Journey
443:Journey
414:Journey
406:Journey
382:Journey
378:Journey
304:Journey
265:Journey
248:Journey
232:(1975)
225:(1973)
221:Journey
216:(1972)
185:(1973)
181:Journey
176:(1972)
24:Journey
1452:
1142:
1018:(Live
677:Rating
674:Source
106:Length
67:Studio
847:band
629:India
510:Songs
467:blues
437:band
229:Dance
123:Label
79:Genre
1463:2016
1450:ISBN
1427:2016
1294:link
1212:link
1140:ISBN
1038:3.10
1031:8.36
1024:7.08
1013:8.23
1006:2.01
999:7.08
992:3.55
814:Freq
719:Freq
633:Gull
498:and
486:and
463:jazz
373:acid
300:Freq
253:rock
1483:at
827:RBE
825:or
645:BBC
556:or
477:'s
1497::
1336:^
1302:^
1290:}}
1286:{{
1267:^
1241:^
1220:^
1208:}}
1204:{{
1167:^
1151:^
1110:^
1079:,
1075:,
461:,
115:49
111:41
1465:.
1429:.
1296:)
1214:)
449:(
113::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
