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226:. As artists, even more than as painters in the strict sense of the word, they both saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israëls' pictures there is some piercing note of woe. Edmond Duranty said that they were painted with gloom and suffering.
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note of his youth. As a watercolour painter and etcher he produced a vast number of works, which, like his oil paintings, are full of deep feeling. They are generally treated in broad masses of light and shade, which give prominence to the principal subject without any neglect of detail.
202:. He returned to Amsterdam in September 1845, where he resumed his studies at the Academy until May 1847. Israëls remained in Amsterdam until 1870, when he moved to The Hague and became a leading member of the
248:, and there he was struck by the daily tragedy of life. Henceforth, he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity.
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He began with historical and dramatic subjects in the romantic style of the day. After an illness, he went to recuperate his strength at the fishing town of
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In his native land, Israëls was late in life viewed as the "reincarnation of
Rembrandt. In 1893, the painter and art critic Jan Veth wrote:
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Dieuwertje
Dekkers and Anna Wagner. "Israëls." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 February 2016.
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and attended the drawing class at the academy. From
September 1845 until May 1847 he was in Paris, working in the history painter
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and intended for Jozef to be a businessman. His mother was
Mathilda Salomon née Polack, and she hoped that Jozef would become a
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He married Aleida née Schaap and together the couple had two children: a daughter, Mathilde Anna Israëls, and a son,
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and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
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one of his later works, seems to hint at a return on the part of the venerable artist to the
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508:"This Day in Jewish History, 1911 - A Man Who Painted Bitter Life as He Saw It Dies"
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Israëls probably influenced many other painters; one them was the
Scottish painter
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magazine described as the most touching pictures of the exhibition.
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This article incorporates text from a publication now in the
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Rembrandt's great pathos seems to be resurrected in Jozef Israëls
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A portrait of Jozef Israëls was painted by the
Scottish painter
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639:(11th ed.). Cambridge University Press. p. 885.
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In 1862, he achieved great success in London with his
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159:parents. His father, Hartog Abraham Israëls, was a
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135:; 27 January 1824 – 12 August 1911) was a Dutch
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742:Biographical notes and dates of Jozef Isräels
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748:Free images of the art of Jozef Isräels
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354:(which gained medals of honor at the
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349:Between the Fields and the Seashore,
186:'s studio and taking classes at the
222:Israëls has often been compared to
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651:Mannen of Betekenis: Jozef Israëls
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506:Green, David B. (12 August 2015).
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132:[ˈjoːzəfˈɪsraːɛls]
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273:The Shipwrecked Mariner
253:The Zandvoort Fisherman
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27:Israel (disambiguation)
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697:Works by Jozef Israëls
352:The Bric-a-brac Seller
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25:. For other uses, see
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414:. Jozef Israëls, 1881
397:. Jozef Israëls, 1878
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224:Jean-François Millet
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837:Alone in the World
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672:(1882–1884)
608:Attribution
395:We Grow Old
375: [
335:An Interior
319:The Widower
279:The Cradle,
210:Sensibility
977:Dutch Jews
961:Categories
655:Chesneau,
649:Jan Veth,
536:(in Dutch)
477:References
313:Later work
147:Early life
63:1824-01-27
797:Paintings
510:. Haaretz
471:The Hague
284:Athenaeum
242:Zandvoort
172:Amsterdam
153:Groningen
103:Patron(s)
71:Groningen
723:Archived
514:16 April
50:Jan Veth
881:Related
708:at the
686:(1900).
668:Dumas,
624::
531:at the
298:Honours
246:Haarlem
137:painter
864:Family
856:(1903)
848:(1883)
840:(1881)
832:(1872)
829:Dreams
824:(1872)
816:(1861)
808:(1856)
679:(1898)
665:(1893)
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382:, 1856
198:, and
190:under
157:Jewish
873:(son)
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244:near
184:Picot
165:rabbi
516:2023
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303:1886
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