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Juan Ruiz de Alarcón

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284: 262: 676: 199: 1090: 93: 1030: 230:. He completed his studies for his doctorate fairly soon thereafter, but never received the degree, in all likelihood because of the rather substantial costs attached to the ceremony. He worked as a legal adviser for a while, as an advocate, and as an interim investigating judge, all the while trying repeatedly and unsuccessfully to gain a teaching chair at the University. 245:(1626) — rather like an appeals court for Spanish colonies in America. Apparently, when political success came, he all but stopped his literary efforts—although he did have two volumes of his plays published (in 1628 and 1634), perhaps because some of them had been pirated and previously published with false attributions to his theatrical rival 33: 211:. Besides, his red haired complexion made him an occasional object of scorn, since some sectors of the conservative catholic society in which he later lived held the prejudice that Judas Iscariot was a redhead. Because of this, his critics often ridiculed his appearance rather than his works. 731:
Elogio descriptivo a las fiestas que Su Majestad del rey Filipo IIII hizo por su persona en Madrid, a 21 de agosto de 1623 años, a la celebración de los conciertos entr el serenísimo Carlos Estuardo, Príncipe de Inglaterra, y la serenísima María de Austria, Infanta de Castilla, al Duque Adelantado
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Returning to Spain about 1611, he entered the household of the marquis de Salinas, and began a frustrating life of job-seeking at court. At the same time, purely as a way of making money apparently, he threw himself into the heady literary and theatrical life of the capital, eventually having a
226:. He continued his studies towards a Licentiate in Law—roughly equivalent to a modern master's degree—which he finished in 1605, without, however, taking the degree. Instead, he practiced law for a while in Seville, then in 1608 went back to Mexico, and in 1609 received the licentiate from the 457:
More than any other Spanish dramatist, Alarcón was preoccupied with ethical aims, and his gift of dramatic presentation is as brilliant as his dialogue is natural and vivacious. It has been alleged that his non-Spanish origin is noticeable in his plays, and there is some foundation for the
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in 1177. Juán Ruiz de Alarcón's maternal grandparents Hernando and María de Mendoza were among the first Spaniards to arrive in Mexico in 1535, when they established themselves in Taxco. Their daughter Leonor de Mendoza married Pedro Ruiz de Alarcón who was described as an
419:) is often seen as a companion-piece since both plays deal with mendacity. His plays can be divided into at least three distinct categories: social comedies, political dramas and plays that dramatize astrology, magic and other occult practices. Among the political plays, 206:
Juan Ruiz de Alarcón was born about 1581 at Real de Taxco, New Spain, where his father was superintendent of mines; his mother was descended from one of Spain's most illustrious families, the Mendozas. He was small of stature and suffered from
427:, the Spartan lawgiver. Although the oracle had predicted that he would either kill a king or be killed by one, when faced with the dilemma he commits suicide thus overcoming the power of the stars. A second political play, 471: 720:
Al Santo Cristo que se halló en Prete, ciudad del Palatinado inferior, quitado de la Cruz y hecho pedazos por los calvinistas, restaurado por los católicos, el licenciado Juan Ruiz de Alarcón dirige estos
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Embittered by his deformity, Alarcón was constantly engaged in personal quarrels with his rivals; but his attitude in these polemics is always dignified, and his crushing retort to Lope de Vega in
276:. He wrote less than did others, and many of his works circulated under their names. He took pains to mull over his plays and polish both their versification and their general composition. 431:, is unusual because the king is deposed at the end. The magic plays include astonishing instances of the occult at a time when such practices were frowned upon. See, for example, 1045: 1119: 294:
He is the author of approximately twenty-five plays. Twenty of them were published by the playwright in two volumes. The first, from 1628, contains eight plays (
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Alarcón was the least prolific of all the great dramatists of Spain and is one of the very few Spanish-Americans among the great dramatists of the
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said of Alarcón: "There are Spanish dramatists greater than Ruiz de Alarcón: there is none whose work is of such even excellence."
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Al volcán en incendios del Vesubio, el licenciado don Juan Ruiz de Alarcón y Mendoza, Relator del Consejo de Indias. Epigrama XXIX
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was unsuccessful, yet it attracted attention to him. By some, he was ridiculed and criticized; from others he obtained support.
778:"Juan Ruiz de Alarcón : reconstrucción biográfico-crítica / Margarita Peña Muñoz | Biblioteca Virtual Miguel de Cervantes" 777: 241:
For ten years, he pursued this double life, until he finally secured first an interim and then a permanent appointment to the
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Second part of the comedies of the graduate by Iuan Rvyz de Alarcón y Mendoza, Rapporteur of the Council of the Indies
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who was a priest and is known for having written a treatise documenting the non-Christian religious practices of the
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may be the first Spanish play that dramatizes a pact with the devil. Indeed, even in social comedies such as
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The Political Theater of Early Seventeenth-Century Spain with Special Reference to Juan Ruiz de Alarcón
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El licenciado don Juan Ruiz de Alarcón y Mendoza, Relator del Consejo de las Indias. Al autor. Décimas
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Vejamen académico a Bricián Díez Cruzate, cuando se doctoró en la Universidad de México (1609-1613)
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Cull, John T. "Some Stylistic Hallmarks in the Dramatic Works of Juan Ruiz de Alarcón."
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De don Juan Ruiz de Alarcón en la muerte del Conde de Villamedina (21 de agosto de 1622)
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he produced a masterpiece of national art, national sentiment and national expression.
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Al doctor Cristóbal Pérez de Herrera, el licenciado don Juan Ruiz de Alarcón y Mendoza
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A don Gonzalo de Céspedes y Meneses, el licenciado don Juan Ruiz de Alarcón y Mendoza
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Juan Ruiz de Alarcón had four brothers: Pedro Ruiz de Alarcón, who was rector at the
92: 1094: 398: 397:, (published in 1634). The first great French comedy in modern French literature, 50: 1081: 1008:
Apuntes y documentos nuevos para la biografía de Juan Ruiz de Alarcón y Mendoza
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El licenciado don Juan Ruiz de Alarcón y Mendoza a don Diego Agreda y Vargas
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Historia de la literatura mexicana: desde sus orígenes hasta nuestros días
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El licenciado don Juan Ruiz de Alarcón y Mendoza, al mismo (José Camerino)
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Indians of central Mexico, Gaspar and García, about whom little is known.
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observation; but his workmanship is exceptionally conscientious, and in
1054:. Vol. 1 (11th ed.). Cambridge University Press. p. 469. 113: 32: 163: 474:
Portrait of the playwright Juan Ruiz de Alarcón y Mendoza (1581-1639)
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This article incorporates text from a publication now in the
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Décima del licenciado don Juan Ruiz de Alarcón, natural de México
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Una redondilla y cuatro décimas sobre el asunto que luego se verá
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Perry, Charles E. "The Question of Means and Magic in Alarcón's
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Occult Arts and Doctrine in the Theater of Juan Ruiz de Alarcón
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On the occult in Alarcón see Foley; on astrology see De Armas.
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Algunas hazañas de las muchas de don García Hurtado de Mendoza
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Parr, James A. "On Fate, Suicide, and Free Will in Alarcón's
374:). Other plays were published in collections. These include: 326:); and the second volume from 1634 consists of twelve plays ( 215: 159: 964:
Critical Essays on the Life and Work of Juan Ruiz de Alarcón
386:. He is also the author of a play written in collaboration, 138:
Juan Ruiz de Alarcón was born in Real de Taxco, later named
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is an unsurpassed example of cold, scornful invective.
126:), which is considered a masterpiece of Latin American 266:
First Part of the Comedies of Don Juan Ruiz de Alarcón
447:we can encounter extensive astrological allusions. 202:
Grabado de Juan Ruiz de Alarcón, by Eduardo Gimeno.
909:, "El sol sale a medianoche: amor y astrología en 256: 1101: 980:Parr, James A. "Virtus, Honor, Noblesse Oblige: 384:La culpa busca la pena, y el agravio la venganza 1120:17th-century Spanish dramatists and playwrights 747:Sonero dedicado al mismo asunto que el anterior 423:stands out as a stunning tragedy, dealing with 234:number of his plays performed. His first play, 670: 957:Juan Ruiz de Alarcón: letrado y dramaturgo 31: 1068:"Juan de Ruiz de Alarcón y Mendoza"  990:After Its Kind. Approaches to the Comedia 950:El arte dramático de Juan Ruiz de Alarcón 776:Cervantes, Biblioteca Virtual Miguel de. 1040: 674: 469: 282: 260: 197: 1135:Spanish male dramatists and playwrights 959:. Mexico City: Colegio de México, 1989. 924:. New York: Appleton and Company, 1900. 894:Juan Ruiz de Alarcón. Su vida y su obra 700:Romance contra don Francisco de Quevedo 1102: 1091:Works by or about Juan Ruiz de Alarcón 752:Sátira contra don Francisco de Quevedo 646:He Who Follows an Evil Way Ends Evilly 112:who cultivated different variants of 896:. México: Cuadernos Americanos, 1943. 869: 775: 411:), was confessedly modeled after it. 158:after he had successfully driven the 142:in his honour. His family was of old 13: 1145:Mexican people of Asturian descent 1140:Mexican dramatists and playwrights 938:, vol. 2, México, Siglo XXI, 1996. 838:Parr (1974) and Halpern pp. 82-92. 679:Monument to Juan Ruiz Mexico City. 478: 14: 1171: 1059: 1015:The Plays of Juan Ruiz de Alarcón 1028: 1010:(Chicago: 1929. Private edition) 966:. Madrid: Dos Continentes, 1972. 652:No hay mal que por bien no venga 393:The most famous of his plays is 380:No hay mal que por bien no venga 104:(c. 1581 – 4 August 1639) was a 91: 945:. New York: Peter Lang, 1993 922:A History of Spanish Literature 150:had been given to his ancestor 116:. His works include the comedy 1150:University of Salamanca alumni 952:. Kassel: Reichenberger, 2003. 870:Jones, Sam (5 February 2023). 863: 854: 841: 832: 823: 814: 805: 796: 769: 257:Literary career and importance 44:Juan Ruiz de Alarcón y Mendoza 1: 1082:Works by Juan Ruiz de Alarcón 886: 180:College of Saint John Lateran 521:He Who is Similar to Himself 7: 1001:Bulletin of the Comediantes 901:Bulletin of the Comediantes 671:Non-dramatic texts in verse 642:Quien mal anda en mal acaba 243:Royal Council of the Indies 152:Ferren Martínez de Ceballos 16:16th-century Spanish writer 10: 1176: 920:Fitzmaurice-Kelly, James. 802:Fitzmaurice-Kelly, p. 317. 218:in 1600, where he studied 1155:17th-century male writers 997:La prueba de las promesas 971:El dueño de las estrellas 849:La prueba de las promesas 612:La prueba de las promesas 557:El dueño de las estrellas 441:Quien mal anda, mal acaba 437:La prueba de las promesas 421:El dueño de las estrellas 360:La prueba de las promesas 332:El dueño de las estrellas 133: 90: 85: 77: 58: 39: 30: 23: 1017:. London: Tamesis, 2003. 903:68, no. 1 (2016): 39-64. 782:www.cervantesvirtual.com 762: 627:La crueldad por el honor 622:Los pechos privilegiados 581:The Stratagem at Melilla 577:La manganilla de Melilla 552:Los empeños de un engaño 500:La industria y la suerte 465: 452:Los pechos privilegiados 376:Quien mal anda mal acaba 368:La crueldad por el honor 364:Los pechos privilegiados 340:La manganilla de Melilla 328:Los empeños de un engaño 300:La industria y la suerte 236:El semejante de sí mismo 184:Hernando Ruiz de Alarcón 1051:Encyclopædia Britannica 934:Garza Cuarón, Beatriz, 606:The Weaver from Segovia 561:The Master of the Stars 547:El desdichado en fingir 517:El semejante a sí mismo 324:El desdichado en fingir 308:El semejante a sí mismo 224:University of Salamanca 193: 156:Alfonso VIII of Castile 988:as Companion Pieces," 907:De Armas, Frederick A. 892:Castro Leal, Antonio. 820:Parr, 1991, pp. 22-36. 680: 616:Trial through Promises 475: 291: 269: 203: 1125:Writers from Guerrero 1074:Catholic Encyclopedia 1046:Alarcón, Juan Ruiz de 931:. Geneva: Droz, 1972. 811:Garza Cuarón, p. 564. 678: 602:El tejedor de Segovia 537:Mudarse por mejorarse 531:The Cave in Salamanca 527:La cueva de Salamanca 495:Los favores del mundo 473: 460:El Tejedor de Segovia 433:La cueva de Salamanca 356:El tejedor de Segovia 316:Mudarse por mejorarse 312:La cueva de Salamanca 296:Los favores del mundo 286: 264: 201: 162:from the fortress of 982:La verdad sospechosa 632:El examen de maridos 567:La amistad castigada 485:La verdad sospechosa 429:La amistad castigada 395:La verdad sospechosa 372:El examen de maridos 348:La verdad sospechosa 336:La amistad castigada 228:University of Mexico 119:La verdad sospechosa 102:Juan Ruiz de Alarcón 25:Juan Ruiz de Alarcón 977:42 (1974): 199-207. 636:The Test of Suitors 571:Friendship Punished 510:The Walls Have Ears 146:nobility. The name 941:Halpern, Cynthia. 927:Foley, Augusta E. 917:59 (1993): 119-26. 681: 665:Catalina de Erauso 661:The Nun Lieutenant 476: 292: 290:(Barcelona, 1634). 270: 247:Félix Lope de Vega 204: 1130:People from Taxco 1086:Project Gutenberg 1006:Schons, Dorothy, 1003:27 (1975): 14-19. 955:King, Willard F. 278:Fitzmaurice-Kelly 99: 98: 66:(aged 58–59) 1167: 1095:Internet Archive 1078: 1070: 1055: 1034: 1032: 1031: 1013:Whicker, Jules. 986:Las paredes oyen 911:Las paredes oyen 880: 879: 867: 861: 858: 852: 845: 839: 836: 830: 827: 821: 818: 812: 809: 803: 800: 794: 793: 791: 789: 773: 657:La Monja Alférez 505:Las paredes oyen 445:Las paredes oyen 413:Las paredes oyen 304:Las paredes oyen 140:Taxco de Alarcón 95: 65: 35: 21: 20: 1175: 1174: 1170: 1169: 1168: 1166: 1165: 1164: 1160:Baroque writers 1100: 1099: 1065: 1062: 1044:, ed. (1911). " 1029: 1027: 975:Hispanic Review 962:Parr, James A. 889: 884: 883: 868: 864: 859: 855: 846: 842: 837: 833: 828: 824: 819: 815: 810: 806: 801: 797: 787: 785: 774: 770: 765: 673: 542:Todo es ventura 481: 479:Dramas in verse 468: 417:Walls have Ears 320:Todo es ventura 259: 209:hunchbackedness 196: 136: 73: 67: 63: 54: 48: 46: 45: 26: 17: 12: 11: 5: 1173: 1163: 1162: 1157: 1152: 1147: 1142: 1137: 1132: 1127: 1122: 1117: 1112: 1098: 1097: 1088: 1079: 1061: 1060:External links 1058: 1057: 1056: 1042:Chisholm, Hugh 1024: 1023: 1019: 1018: 1011: 1004: 993: 978: 967: 960: 953: 946: 939: 932: 925: 918: 904: 897: 888: 885: 882: 881: 862: 853: 840: 831: 829:Whicker, p. 9. 822: 813: 804: 795: 767: 766: 764: 761: 760: 759: 754: 749: 744: 739: 734: 728: 723: 717: 712: 707: 702: 697: 692: 687: 672: 669: 668: 667: 654: 649: 639: 629: 624: 619: 609: 599: 596:The Antichrist 589: 584: 574: 564: 554: 549: 544: 539: 534: 524: 514: 502: 497: 492: 480: 477: 467: 464: 258: 255: 195: 192: 135: 132: 108:writer of the 97: 96: 88: 87: 83: 82: 79: 75: 74: 68: 60: 56: 55: 49: 43: 41: 37: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1172: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1107: 1105: 1096: 1092: 1089: 1087: 1083: 1080: 1076: 1075: 1069: 1064: 1063: 1053: 1052: 1047: 1043: 1038: 1037:public domain 1026: 1025: 1021: 1020: 1016: 1012: 1009: 1005: 1002: 998: 994: 991: 987: 983: 979: 976: 972: 968: 965: 961: 958: 954: 951: 947: 944: 940: 937: 933: 930: 926: 923: 919: 916: 912: 908: 905: 902: 898: 895: 891: 890: 877: 873: 866: 857: 850: 844: 835: 826: 817: 808: 799: 783: 779: 772: 768: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 729: 727: 724: 722: 718: 716: 713: 711: 708: 706: 703: 701: 698: 696: 693: 691: 688: 686: 683: 682: 677: 666: 662: 658: 655: 653: 650: 647: 643: 640: 637: 633: 630: 628: 625: 623: 620: 617: 613: 610: 607: 603: 600: 597: 593: 592:El anticristo 590: 588: 585: 582: 578: 575: 572: 568: 565: 562: 558: 555: 553: 550: 548: 545: 543: 540: 538: 535: 532: 528: 525: 522: 518: 515: 512: 511: 506: 503: 501: 498: 496: 493: 490: 489:Suspect Truth 486: 483: 482: 472: 463: 461: 455: 453: 448: 446: 442: 438: 434: 430: 426: 422: 418: 414: 410: 406: 405: 400: 396: 391: 389: 385: 381: 377: 373: 369: 365: 361: 357: 353: 352:El anticristo 349: 345: 341: 337: 333: 329: 325: 321: 317: 313: 309: 305: 301: 297: 289: 285: 281: 279: 275: 267: 263: 254: 252: 248: 244: 239: 237: 231: 229: 225: 221: 217: 212: 210: 200: 191: 189: 185: 181: 176: 174: 169: 165: 161: 157: 153: 149: 145: 141: 131: 129: 125: 121: 120: 115: 111: 107: 103: 94: 89: 84: 80: 76: 71: 62:4 August 1639 61: 57: 52: 42: 38: 34: 29: 22: 19: 1110:1580s births 1072: 1049: 1014: 1007: 1000: 996: 989: 985: 981: 974: 970: 963: 956: 949: 948:Josa, Lola, 942: 935: 928: 921: 914: 910: 900: 893: 876:The Observer 875: 865: 856: 848: 843: 834: 825: 816: 807: 798: 786:. Retrieved 784:(in Spanish) 781: 771: 756: 751: 746: 741: 736: 730: 725: 719: 714: 709: 704: 699: 694: 689: 684: 663:), based on 660: 656: 651: 645: 641: 635: 631: 626: 621: 615: 611: 605: 601: 595: 591: 587:Ganar amigos 586: 580: 576: 570: 566: 560: 556: 551: 546: 541: 536: 530: 526: 520: 516: 508: 504: 499: 494: 488: 484: 459: 456: 451: 449: 444: 440: 436: 432: 428: 420: 416: 412: 408: 403: 394: 392: 387: 383: 379: 375: 371: 367: 363: 359: 355: 351: 347: 344:Ganar amigos 343: 339: 335: 331: 327: 323: 319: 315: 311: 307: 303: 299: 295: 293: 287: 274:Siglo de Oro 273: 271: 265: 240: 235: 232: 213: 205: 177: 147: 137: 117: 101: 100: 64:(1639-08-04) 18: 1115:1639 deaths 1022:Attribution 214:He went to 106:New Spanish 1104:Categories 887:References 851:see Perry. 404:Le menteur 114:dramaturgy 110:Golden Age 78:Occupation 399:Corneille 253:in 1639. 130:theater. 86:Signature 915:Criticón 732:& c. 425:Lycurgus 409:The Liar 390:(1622). 144:Asturian 53:, Mexico 1093:at the 1077:. 1913. 1039::  721:sonetos 222:at the 173:hidalgo 164:Alarcón 148:Alarcón 128:Baroque 72:, Spain 47:c. 1580 1033:  788:26 May 268:, 1628 251:Madrid 168:Cuenca 134:Family 81:Writer 70:Madrid 763:Notes 466:Works 216:Spain 188:Nahua 166:near 160:Moors 51:Taxco 984:and 973:," 790:2023 435:and 382:and 370:and 322:and 194:Life 59:Died 40:Born 1084:at 1048:". 999:," 913:", 847:On 401:'s 220:law 154:by 1106:: 1071:. 874:. 780:. 439:. 378:, 366:, 362:, 358:, 354:, 350:, 346:, 342:, 338:, 334:, 330:, 318:, 314:, 310:, 306:, 302:, 298:, 182:, 175:. 124:es 878:. 792:. 659:( 648:) 644:( 638:) 634:( 618:) 614:( 608:) 604:( 598:) 594:( 583:) 579:( 573:) 569:( 563:) 559:( 533:) 529:( 523:) 519:( 513:) 507:( 491:) 487:( 415:( 407:( 122:(

Index


Taxco
Madrid

New Spanish
Golden Age
dramaturgy
La verdad sospechosa
es
Baroque
Taxco de Alarcón
Asturian
Ferren Martínez de Ceballos
Alfonso VIII of Castile
Moors
Alarcón
Cuenca
hidalgo
College of Saint John Lateran
Hernando Ruiz de Alarcón
Nahua

hunchbackedness
Spain
law
University of Salamanca
University of Mexico
Royal Council of the Indies
Félix Lope de Vega
Madrid

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