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316:, closed in 2016 after the death of its owner. It began as a renovated sharecropper's shack which was probably originally built in the 1920s or so. Po' Monkey's featured live blues music and "Family Night" on Thursdays. Run by Willie "Po' Monkey" Seaberry until his death in 2016, the popular juke joint had been featured in national and international articles about the Delta. The
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was the first urban manifestation of the jook, and the name itself later became synonymous with a style of music. Related to the classic blues in tonal structure, honky-tonk has a tempo that is slightly stepped up. It is rhythmically suited for many
African-American dances…", but cites no reference.
364:" being conducted than the focus of the patrons' attention. The "sheer funk of all those closely-packed-together bodies, the shouts and laughter" draws his attention. He describes the security measures and buzzer at the door, there having been a shooting there a few years ago. On this particular day
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juke joints as corner bars that go by an address and have no name. The musicians and singers perform unannounced and without microphones, ending with little if any applause. Guralnick tells of a visit to a specific juke joint, Florence's, in 1977. In stark contrast to the streets outside, Florence's
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made the first formal attempt to describe the juke joint and its cultural role, writing that "the Negro jooks...are primitive rural counterparts of resort night clubs, where turpentine workers take their evening relaxation deep in the pine forests." Jukes figure prominently in her studies of
African
147:
camps and lumber companies in the early twentieth century, which built barrel-houses and chock-houses to be used for drinking and gambling. Although uncommon in populated areas, such places were often seen as necessary to attract workers to sparsely populated areas lacking bars and other social
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Juke joints may be considered the first "private space" for blacks. Paul Oliver writes that juke joints were "the last retreat, the final bastion for black people who want to get away from whites, and the pressures of the day." Jooks occurred on plantations, and classic juke joints found, for
163:, it became common to see squalid independent juke joints at highway crossings and railroad stops. These were almost never called "juke joints," but rather were called by names such as "Lone Star" or "Colored Cafe". They were often open only on weekends.
89:
Set up on the outskirts of town, often in ramshackle, abandoned buildings or private houses — never in newly-constructed buildings — juke joints offered food, drink, dancing, and gambling for weary workers. Owners made extra money selling groceries or
301:, and countless others, traveled the juke joint circuit, scraping out a living on tips and free meals. While musicians played, patrons enjoyed dances with long heritages in some parts of the African American community, such as the
257:, Texas guitarist and singer, described the style of the time: "So far as what was called blues, that didn't come till 'round 1917...What we had in my coming up days was music for dancing, and it was of all different sorts."
142:
The origins of juke joints may be the community rooms that were occasionally built on plantations to provide a place for Black people to socialize during slavery. This practice spread to the work camps such as sawmills,
339:
Juke joints are still a strong part of
African American culture in Deep South locations such as the Mississippi Delta where blues is still the mainstay, although it is now more often featured by disc jockeys and on
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was the most popular instrument for
Southern musicians, white and black alike. The fiddle-based music that was played for slaves at their dances formed the foundation of much of what is now termed "old-timey" or
152:, such "company"-owned joints allowed managers to keep an eye on their underlings; it also ensured that the employees' pay was coming back to the company. Constructed simply like a field hand's "
227:), often "raucous and raunchy" good time secular music. Dance forms evolved from group dances to solo and couples dancing. Some Black people opposed the amorality of the raucous "jook crowd".
238:, at least one musician was required to provide music for dancing, but as many as three musicians would play in jooks. In larger cities like New Orleans, string trios or quartets were hired.
267:
some forty years ago and was the only white man there, describes juke joints of the time as, "unappealing, decrepit, crumbling shacks" that were often so small that only a few couples could
403:'s images of the dilapidated buildings and the pulsing life they contained are among the most famous documentary images of the era. A juke joint is featured prominently in the movie
188:; Elijah Ward notes that there were "terms routinely used for any dance that struck respectable people as wild or unrestrained, whether Irish or African." The
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needed a place to relax and socialize following a hard week, particularly since they were barred from most white establishments by
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271:. The outside yard was filled with trash. Inside they were "dusty" and "squalid" with the walls "stained to shoulder height".
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Many of the early and historic juke joints have closed over the past decades for a number of socio-economic reasons.
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Classic Jooks, found for example at rural crossroads, catered to the rural work force that began to emerge after
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term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by
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Musicians during the juke joint era were stylistically quite versatile, with much overlap between genres.
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The allure of juke joints has inspired many large-scale commercial establishments, including the
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was performing with his band, the
Teardrops, on a bandstand barely big enough to hold the band.
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Delta Blues: The Life and Times of the
Mississippi Masters Who Revolutionized American Music
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stuff" and "folk rags" are a catch-all term for older
African American music) and then the
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1213:- 1st edition (1960) Rutgers University Press - London Cassell (UK) and New Brunswick, NJ
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67:". The Jook was the first secular cultural arena to emerge among African-American
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is dim, and smoke-filled with the music more of an accompaniment to the "various
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in
Mississippi. It was still in operation as of 2006. Smitty's Red Top Lounge in
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1230:(1656 pagine) The University of North Carolina Press; 2nd Edition (1989) -
889:"Willie Seaberry, Owner of Mississippi's Po' Monkey's Juke Joint, Dies at 75"
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Jookin': The Rise of Social Dance
Formations in African-American Culture
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idem - 2nd printing (1969) Rutgers
University Press New Brunswick, NJ
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180:" country music. These dances were often referred to at the time as
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Deep Blues: A Musical and Cultural History of the Mississippi Delta
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Jukin' It Out: Contested Visions of Florida in New Deal Narratives
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Escaping the Delta: Robert Johnson and the Invention of the Blues
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The New Partridge Dictionary of Slang and Unconventional English
32:
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193:
172:
114:, meaning rowdy or disorderly which itself is derived from the
999:
Hazzard-Gordon (1990). "Shoddy Confines: The Jook Continuum".
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1082:
The New Encyclopedia of Southern Culture: Volume 14: Folklife
444:
329:
212:
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dance music of the late 1880s or 1890s, which influenced the
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156:"-style dwelling, these may have been the first juke joints.
915:"Blue Front Cafe a sure stop along Mississippi Blues Trail"
181:
1515:
970:
Lost Highway: Journeys and Arrivals of American Musicians
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which played an important role in the development of the
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A collection of Juke Joint Blues musicians and playlists
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Give My Poor Heart Ease: Voices of the Mississippi Blues
199:
Juke joint music began with the blues, then Black folk
167:
example, at rural crossroads began to emerge after the
809:
807:
574:
Blues Off the Record:Thirty Years of Blues Commentary
1059:- The University of North Carolina Press; (2009)
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263:, who tells of a visit to a Jook joint outside of
51:(also jukejoint, jook house, jook, or juke) is the
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479:. Philadelphia: Temple University Press. p.
171:. At the beginning of the twentieth century, the
16:African-American establishments in the U.S. South
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1623:Index of drinking establishment–related articles
1084:The University of North Carolina Press (2009)
549:Will McGuire, “Dzug, Dzog, Dzugu, Jook, Juke”,
399:Jukes have been celebrated in photos and film.
312:, one of the last remaining rural jukes in the
94:to patrons, or providing cheap room and board.
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744:
720:. New York: Oxford University Press. pp.
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1219:idem - (2000) University of Georgia Press
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336:, is also still operating as of last notice.
102:The term "juke" is believed to come from the
1251:Po' Monkey's : portrait of a juke joint
535:Dalzell, Tom; Victor, Terry (2014). "juke".
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514:"Cultural Migrancy, Jooks, and Photographs"
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1281:: CS1 maint: location missing publisher (
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31:
1109:Da Capo Press; Revised edition (1988)
974:. New York: Harper & Row. pp.
371:Katrina Hazzard-Gordon writes that "he
19:For the 1947 race film Juke Joint, see
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1249:Jacks, Will H.; Upholt, Boyce (2019).
1133:- W. W. Norton & Company (2009)
656:
654:
570:
511:
245:Label of 78-rpm gramophone record of "
196:became widely available in the 1890s.
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320:is a historic old juke joint made of
63:. A juke joint may also be called a "
813:
753:. Temple University Press. pp.
694:
660:
633:. Temple University Press. pp.
577:. New York: Da Capo Press. pp.
219:music of the rural South (moving to
1099:(Cover :phfoto of James Son Thomas)
1007:. Temple University Press. p.
786:. Temple University Press. p.
651:
347:
223:'s Black rent-party circuit in the
148:outlets. Also, much like "on-base"
13:
1188:- Penguin Reprint edition (1982)
1028:
825:
601:
289:Early figures of blues, including
122:meaning to misconduct one's self.
14:
1675:
1664:African-American cultural history
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943:. steberphoto.com. Archived from
1228:Encyclopedia of Southern Culture
473:Hazzard-Gordon, Katrina (1990).
419:
134:Dancing at a juke joint outside
1649:Types of drinking establishment
1162:Mississippi Blues Today !
992:
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1330:. backroadsofamericanmusic.com
852:Brown, Luther (22 June 2006).
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1:
1328:"Backroads of American Music"
1309:Random House Word of the Day
1036:"Traveling the Blues Highway"
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1040:National Geographic Magazine
97:
36:Exterior of a juke joint in
7:
714:Floyd, Jr., Samuel (1995).
512:Gorman, Juliet (May 2001).
455:List of public house topics
412:
53:African-American vernacular
10:
1680:
670:. HarperCollins. pp.
125:
61:southeastern United States
23:. For the KMFDM song, see
18:
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1395:
966:Guralnick, Peter (1989).
379:
169:Emancipation Proclamation
78:. Plantation workers and
1222:Charles Reagan Wilson -
1042:, April 1999, v.195, n.4
717:The Power of Black Music
230:Until the advent of the
215:, barrel house, and the
1501:Military officers' club
1389:Drinking establishments
1034:Cobb, Charles E., Jr.,
828:"What is a Jook Joint?"
778:Hazzard-Gordon (1990).
745:Hazzard-Gordon (1990).
625:Hazzard-Gordon (1990).
553:vol. 35, no. 5 (1940),
394:Clarksdale, Mississippi
334:Clarksdale, Mississippi
136:Clarksdale, Mississippi
1323:. Accessed 2006-02-02.
1317:. Accessed 2006-02-01.
1311:. Accessed 2006-02-02.
1164:Da Capo Press (1999)
1047:In Search of the Blues
854:"Inside Poor Monkey's"
604:"Backwoods Identities"
250:
139:
45:
21:Juke Joint (1947 film)
1302:29 April 2012 at the
571:Oliver, Paul (1984).
326:Bentonia, Mississippi
244:
133:
35:
1353:Juke Joint at Queens
1107:Blues From The Delta
1045:Hamilton, Marybeth:
427:United States portal
344:than by live bands.
38:Belle Glade, Florida
1654:Restaurants by type
1321:Juke Joint Festival
1315:Junior's Juke Joint
1207:Frederic Ramsey Jr.
401:Marion Post Wolcott
247:Livery Stable Blues
192:was popular before
42:Marion Post Wolcott
1226:- Ann J. Adadie;
1211:Been Here And Gone
1160:Robert Nicholson;
1157:Da Capo Press 1979
441:Juke Joint Jezebel
279:Zora Neale Hurston
251:
249:– Fox Trot" (1917)
140:
46:
40:, photographed by
25:Juke Joint Jezebel
1636:
1635:
1260:978-1-4968-2534-6
1244:978-0-8078-1823-7
1202:978-0-14-006223-6
1177:978-0-306-80883-8
1097:978-0-8078-3346-9
1074:(with CD and DVD)
314:Mississippi Delta
57:African Americans
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1618:Drinking culture
1536:(Western) saloon
1400:Alcohol-free bar
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291:Robert Johnson
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941:"Juke-joints"
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921:. 3 July 2006
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1436:Cider house
1411:Beer garden
1253:. Jackson.
899:15 November
697:, pp.
435:Delta Blues
390:Ground Zero
269:Hully Gully
261:Paul Oliver
159:During the
65:barrelhouse
1643:Categories
1575:By country
1561:Toddy shop
1526:Ratskeller
1486:Juke joint
1466:Honky tonk
1269:1100427294
985:0060971746
722:66–67, 122
490:087722613X
461:References
373:honky-tonk
366:Magic Slim
265:Clarksdale
236:juke boxes
145:turpentine
49:Juke joint
1582:Australia
1521:Pulqueria
1506:Nightclub
1481:Juice bar
1441:Cigar bar
1421:Biker bar
1416:Beer hall
1277:cite book
1127:Ted Gioia
919:USA Today
814:Wald 2004
695:Wald 2004
342:jukeboxes
303:slow drag
295:Son House
282:American
274:In 1934,
178:hillbilly
138:, in 1939
98:Etymology
92:moonshine
1611:See also
1566:Wine bar
1556:Tiki bar
1546:Teahouse
1456:Fern bar
1451:Dive bar
1407:(saloon)
1300:Archived
893:Afro.com
664:(2004).
499:19515231
413:See also
362:business
284:folklore
232:Victrola
69:freedmen
1592:Ireland
1531:Shebeen
1496:Meyhane
1476:Izakaya
1471:Ice bar
1461:Gay bar
1431:Cantina
1426:Brewpub
1003:Jookin'
976:304–305
782:Jookin'
749:Jookin'
637:, 105.
629:Jookin'
357:Chicago
221:Chicago
205:ragtime
194:guitars
154:shotgun
126:History
59:in the
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1551:Tavern
1511:Ouzeri
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234:, and
173:fiddle
104:Gullah
1659:Blues
1491:Jumak
755:82–83
699:43–44
579:45–47
555:p. 12
551:Time,
445:KMFDM
330:blues
213:blues
190:banjo
186:reels
118:word
116:Wolof
106:word
1336:2008
1283:link
1265:OCLC
1255:ISBN
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184:and
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