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Jules Bledsoe

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of New Hope Baptist Church, the first organized religious congregation for freed slaves in Waco. It was where Bledsoe reportedly sang his first concert at the age of 5. During his youth Bledsoe attended Central Texas Academy from 1905 to 1914. After graduating as valedictorian, he studied liberal arts and music at
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Jules Bledsoe was gay, but during his lifetime his personal life and sexual orientation were not directly acknowledged or discussed in the newspapers and other media. Bledsoe's manager, Adriaan Frederik "Freddy" Huygens, a member of the rich and influential Huygens family of the Netherlands, was also
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When Bledsoe died in July 1943, his aunt Naomi Cobb had his body brought to Waco, Texas for the funeral and burial. A spray of red roses from Huygens covered the casket. Heartbroken, Huygens decided to leave the Hollywood house he had shared with Bledsoe; he wrote to Naomi Cobb, “I cannot bear being
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in 1897 or 1898, the only child of Henry L. and Jessie Cobb Bledsoe. When his parents separated in 1899, Julius went with his mother to live with the Cobb family. His grandmother, mother, and aunts taught him to sing and play the piano. His grandfather, Stephen Cobb, in 1866 was the founding pastor
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Bachelor hosts, I have noticed, often give the best parties. The one given by Mr. F. Huygens, who is Dutch, young, very rich and has a lovely house in Lowndes-square, was one of the most successful. There was such a crowd that the late comers sat on the stairs to listen to Jules Bledsoe, the negro
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he published an essay titled "Has the Negro a Place in the Theatre?" His conclusion is that "It is up to the few of us that have gotten past the sentinels at the gate, to fling the gates wide open for our successors." Bledsoe believed that Black artistic talent must be proven "by the excellence of
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are held in the Manuscripts, Archives and Rare Books Division at the Schomburg Center for Research in Black Culture, which is one of the research centers of the New York Public Library. These papers consist of correspondence, contracts, musical compositions, legal documents, financial records,
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Bledsoe died in Hollywood, California, on July 14, 1943 following a cerebral hemorrhage. At his funeral at New Hope Baptist Church in Waco, Texas, he was eulogized by J. J. Rhoades, the President of Bishop College, and A. J. Armstrong, the President of Baylor University. Bledsoe is buried in
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Bledsoe performed in many major operas and was in high demand due to his impressive vocal range and his ability to speak and sing in 8 languages: English, French, Italian, German, Russian, Spanish, Yiddish, and Dutch. In 1926 Bledsoe was a soloist at concerts in
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but reevaluated his goals after his mother died. He decided to pursue a career as a professional musician instead, and began voice study with Claude Warford. Later he also studied under Lazar Samoiloff, Luigi Parisotti in Rome, and Mme. Bakkers in Paris.
508:, with Bledsoe starring in the title role. He got rave reviews, and returned to the United States intent on playing the role at home, even if it was Gruenberg's and not his own adaptation. But in the early 1930s nearly all American opera houses were 696:
In London, Bledsoe and Huygens lived together at 21 Lowndes Square and 25 De Walden Street. In New York City, they lived together at 147 East 56th Street (in the parlor floor apartment) from 1934 to 1936. In March 1940, Bledsoe and Huygens moved to
536:). It was a history-making show, enthusiastically praised in both the white and Black press. In the winter of 1934, Bledsoe reprised the role with the Cosmopolitan Opera Company at the New York Hippodrome, to excellent reviews. 528:. His performance was praised in the white press and panned in the Black press. The role remained Tibbett's. Barred from singing at The Met because of his race, Bledsoe starred instead in an all-Black production of Gruenberg's 551:
in Amsterdam in 1937. He also wrote several other songs, including "Does I Luv You," "Poor Monah," "Grandmother's Melodies," "Beside a New-Made Grave," "The Farewell," "Good Old British Blue," and "Ode to America." He set
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programs, broadsides, and news clippings documenting Bledsoe's professional career, particularly in Europe. The Bledsoe-Miller Community Center, a recreation facility in Waco, is jointly named for Bledsoe and
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Opportunities for Black singers, especially Black male singers, were nearly non-existent on the concert or operatic stage in the early 1920s. Most of the few who found any success did so by traveling to
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record, the house was at 6930 Camrose Drive in Hollywood, rented by Adrian F. Huygens, age 40, of the Netherlands. Mr. Bledsoe is not listed. They later lived at 6642 Emmet Terrace in Hollywood.
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on Easter Sunday, April 20, 1924. Over the course of his career he traveled throughout the United States and Europe performing, acting, and writing. In 1927, when he was hired for the musical
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in the role of the Ethiopian king, Amonasro. It was a performance that crossed the color line for first time in American opera. In 1933, Bledsoe also sang the role of Amonasro with
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so that Bledsoe could pursue the next phase of his career in film. Their shared home is described in Clarence Rhambo’s self-published biography of Bledsoe. According to the
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revival of the show), is somewhat melodramatic in the manner of early twentieth-century acting. Bledsoe rolls all his Rs, as a baritone might when singing solos in an
722:, a city-owned cemetery in Waco, Texas. His papers, including sheet music, photographs, and correspondence, are housed in The Texas Collection at Baylor University. 381:" in that same style, which demonstrates that it was not unique to his performance of "Ol' Man River." Bledsoe was also filmed singing "Ol' Man River" in the sound 636: 1149: 225: 1189: 2624: 2417:"And now Pathetone presents Jules Bledsoe, the Celebrated International Actor-Baritone, the Original creator of 'Ole Man River,' in 'Dear Old Southland'" 532:
in the summer of 1934 by the all-Black but short-lived Aeolian Opera Company, which staged it just blocks away from The Met at the Mecca Temple (now the
2639: 2629: 558: 1349: 2283: 839: 466:, from which he excised the word "nigger." He could not secure the opera rights to the play, however; O'Neill had already given them to composer 688: 487: 2659: 2649: 486:, as well as nearly 30 pages of his operatic score tucked away and not indexed in a box labeled "Sheet Music" among Bledsoe's papers at the 198: 2634: 175: 1492: 2644: 2694: 2619: 494:. Johnson notes that "Bledsoe's version was performed, though how often or where is uncertain." In 1934, Gruenberg's adaptation of 2511: 2442: 1867: 2674: 1729: 509: 1907: 2654: 2581: 815: 583: 1040: 437: 76:
in May 1918. (Bishop College also awarded Bledsoe an honorary Doctorate later in his career.) After graduation, he moved to
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Bledsoe, Jules. "Has the Negro a Place in the Theatre?" (1928). In Gates, Henry Louis, Jr.; Jarrett, Gene Andrew (eds.).
1437:"Certificate of Incorporation, The Garrison Apartments, Inc., September 24, 1929, Department of State, State of New York" 1083: 80:, where he served in the Civilian Chaplain Service, worked as a secretary, and promoted musical entertainment for the 2543: 2267: 2043: 2018: 2139: 2062: 1841: 434:. He reprised the role in November 1934 with the Cosmopolitan Opera Association, also at the New York Hippodrome. 1084:"Bledsoe, Baritone of 'Show Boat,' 44. Negro Singer Who Made a Hit of 'Ol' Man River' in 1927, Dies in Hollywood" 765: 2669: 2377: 2330: 2244: 2197: 2124: 1933: 1893: 1801: 1754: 1714: 1638: 1565: 1518: 1422: 1375: 1335: 1288: 1215: 1175: 1109: 1066: 885: 179: 85: 591:
Early in his career, Bledsoe recognized his own role as a Black trailblazer in theatre and music. In 1928 in
556:’s poem “Pagan Prayer” to music and performed it to widespread acclaim. In 1939 he wrote a full opera called 548: 77: 2689: 1436: 2567: 2498: 539:
Bledsoe was also a composer. For voice, violin, and orchestra, he composed a set of four songs called
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a decade later. With Hurok's sponsorship, Bledsoe made his professional singing debut in New York's
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White, Walter, "The Negro Renaissance" (1926). In Gates, Henry Louis; Jarrett, Gene Andrew (eds.).
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Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway
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Racing the Great White Way: Black Performance, Eugene O'Neill, and the Transformation of Broadway
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star who could “pick the heart right out of anybody.” In 1927, Bledsoe shared the stage with
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in this house any longer, where every object speaks of him, and where I would suffocate.”
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The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938
2140:"A Pioneering Black Singer's Compositions, Long Forgotten, May Finally Have an Audience" 807:
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938
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In 1932, Bledsoe appeared with the Cleveland Stadium Opera Company in its production of
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to establish a professional career. Bledsoe was an exception. He was able to sign with
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Recital Flyer, Maison Gaveau, Paris, 25 June 1931. Personal Direction, A. S. Huygens.
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in 1933-1934, the title role, Brutus Jones, went to the legendary white baritone
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in French) concealed in an undated travel journal among his papers in
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Columbia University Vagelos College of Physicians and Surgeons alumni
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singer and creator of “Ole Man River’ in the American production of
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his lover and life-partner. They met in 1931. Huygens was living in
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Debut Recital Program, Aeolian Hall, New York City, April 20, 1924.
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O'Neill, Eugene (1988). Bogard, Travis; Bryer, Jackson R. (eds.).
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Between 1929 and 1930, Bledsoe appeared in three musical film
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Certificate of Incorporation, The Garrison Apartments, Inc
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Telegram from Freddy Huygens to Jules Bledsoe, 11 Oct 1938
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Jules Bledsoe (right) with his life-partner Freddy Huygens
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Accession #2755, The Texas Collection, Baylor University
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Accession #2086, The Texas Collection, Baylor University
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discovered Bledsoe's operatic scenario for it (retitled
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in 1927. Bledsoe also performed the title character in
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In New York City, early in his career, Bledsoe lived on
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The Colonial Parkway Apartments at 409 Edgecombe Avenue
1842:"First-Time Buyers Guide to American Negro Spirituals" 1730:"Jules Bledsoe, an outstanding and versatile baritone" 56:
Jules Bledsoe was born Julius Lorenzo Cobb Bledsoe in
2013:. New Haven, CT: Yale University Press. p. 371. 572:. Most of his composing was done on his farm in the 290:
Bledsoe was the first to perform the role of Joe in
32:(December 29, 1897 – July 14, 1943) was an American 1972:"Brutus Jones's Remains: The Case of Jules Bledsoe" 1472:
New York Public Library, Archives & Manuscripts
1390:"Beldsoe's Music Resounds In Real Life Court Drama" 646:, although his name did not appear in the credits. 761: 759: 430:and with the Royal Dutch-Italian Opera Company in 2212:"Estate of Jules Bledsoe Becomes Summering Place" 2601: 756: 488:Schomburg Center for Research in Black Culture 2298:"Bledsoe in Talkie at The Alhambra Next Week" 1000:"Jules Bledsoe: The Original 'Ol' Man River'" 766:Ten Thing you should know about Jules Bledsoe 2282:: CS1 maint: multiple names: editors list ( 1150:"Jules Bledsoe Engaged For 'Show Boat' Cast" 918: 916: 903: 901: 899: 897: 895: 838:: CS1 maint: multiple names: authors list ( 40:, the first major Black opera singer in the 2538:, 3rd edition, W. W. Norton & Company. 2008: 1579:de Lerma, Dominique-RenĂ© (March 15, 2013). 452:In 1930, Bledsoe created an original, more 176:The Garrison Apartments, 435 Convent Avenue 51: 2625:20th-century African-American male singers 1769:"'Deep River' Singers Get New Engagements" 1533:"Chronology of 1926 in Words and Pictures" 1190:"Jules Bledsoe Gives Party For His Sister" 945: 943: 941: 939: 937: 935: 933: 931: 860:"Singer's fame 'just keeps rolling along'" 182:'s original shareholders and Board members 2640:African-American male classical composers 1041:"Jules Bledsoe, Famed Negro Singer, Dies" 913: 892: 2630:20th-century American male opera singers 2137: 1814: 1578: 1350:"Jules Bledsoe Loses Automobile License" 687: 653: 599:the many, rather than that of the few." 582: 436: 391: 197: 112: 18: 2536:The Music of Black Americans: A History 2257: 2033: 1969: 928: 768:by John Troesser. Retrieved 2013-07-14. 2602: 1965: 1963: 1585:Oxford African American Studies Center 1010:(1/2): 27, 28, 35, 37–39, 44, 47, 49. 734: 587:Publicity brochure cover, date unknown 215:and also created the role of Tizan in 2086: 2084: 2057: 2055: 1961: 1959: 1957: 1955: 1953: 1951: 1949: 1947: 1945: 1943: 1650: 1648: 1462: 1460: 1458: 1129:Afrocentric Voices in Classical Music 1122: 1078: 1076: 997: 993: 803: 396:Jules Bledsoe as Amonasro in Verdi's 2660:American male musical theatre actors 2650:African-American classical composers 1727: 1606:"Bledsoe to Return to Concert Stage" 1035: 1033: 991: 989: 987: 985: 983: 981: 979: 977: 975: 973: 958:. Texas State Historical Association 858:Ryan, Terri Jo (February 16, 2013). 857: 853: 851: 849: 623:. He spent 1940 and 1941 working in 594:Opportunity: A Journal of Negro Life 2635:African-American male opera singers 724:The Jules Bledsoe papers, 1931-1939 712: 178:, where in 1929 he was one of this 13: 2512:"The Texas Collection: Highlights" 2081: 2052: 2011:Selected Letters of Eugene O'Neill 1940: 1654: 1645: 1455: 1073: 699:Hollywood, Los Angeles, California 193: 14: 2706: 2645:American male classical composers 2549: 2138:Reinhart, Brian (June 22, 2021). 1815:Sterkens, Jozef (June 21, 2014). 1688:. December 29, 1926. p. 11. 1539:. December 29, 1926. p. 10. 1468:"Jules Bledsoe papers, 1931-1939" 1123:Jones, Randye (January 4, 2022). 1030: 970: 949: 846: 627:, and played the part of Kalu in 373:. A 2007 compact disc of vintage 186:Later in his career, he lived in 2695:Virginia Union University alumni 1775:. December 18, 1926. p. 6. 1045:Los Angeles Evening Citizen News 649: 634:He is believed to have acted in 2620:20th-century American composers 2504: 2486: 2460: 2435: 2409: 2384: 2345:"Alhambra [Display Ad]" 2337: 2290: 2251: 2204: 2171:. October 9, 1937. p. 19. 2157: 2131: 2027: 2002: 1900: 1860: 1834: 1808: 1761: 1728:Boyd, Herb (January 27, 2022). 1721: 1674: 1598: 1572: 1525: 1499:. November 11, 1932. p. 27 1485: 1429: 1396:. October 11, 1933. p. 3. 1382: 1342: 1295: 1248: 1222: 1196:. September 14, 1929. p. 7 1182: 1142: 1116: 2675:Classical musicians from Texas 2165:"Noted Singer, Tiller of Soil" 1996:10.5325/eugeoneirevi.36.1.0001 1988:10.5325/eugeoneirevi.36.1.0001 1612:. January 9, 1929. p. 9. 1156:. November 12, 1927. p. 6 1004:The Black Perspective in Music 952:"BLEDSOE, JULIUS LORENZO COBB" 797: 771: 543:, which he performed with the 180:cooperative apartment building 84:. He was also a member of the 1: 2304:. March 12, 1930. p. 8. 2092:"Singer, Jules Bledsoe, Dies" 1356:. October 29, 1932. p. 2 1262:. April 30, 1930. p. 6. 749: 549:Royal Concertgebouw Orchestra 233:-themed opera set in 1835 in 130:musical agent and impresario 78:Harper's Ferry, West Virginia 2655:American classical composers 2468:"United States Census, 1940" 2218:. July 9, 1930. p. 10. 2098:. July 24, 1943. p. 5. 2063:"Episode 115: Jules Bledsoe" 1982:(1): 7–8, 11–13, 15–23, 27. 1230:"United States Census, 1930" 923:Smith-Cobb Family Collection 779:"United States Census, 1900" 7: 2665:American operatic baritones 2584:in The Texas Collection on 2516:Baylor University Libraries 2351:. May 7, 1930. p. 10. 1309:. July 9, 1930. p. 6. 1125:"Jules Bledsoe (1897-1943)" 1090:. July 16, 1943. p. 17 998:Geary, Lynnette G. (1989). 30:Julius Lorenzo Cobb Bledsoe 10: 2711: 2685:Musicians from Waco, Texas 2568:Internet Broadway Database 2560:(2023) by Katie N. Johnson 2376:: CS1 maint: url-status ( 2329:: CS1 maint: url-status ( 2243:: CS1 maint: url-status ( 2196:: CS1 maint: url-status ( 2123:: CS1 maint: url-status ( 2034:Johnson, Katie N. (2023). 1970:Johnson, Katie N. (2015). 1932:: CS1 maint: url-status ( 1914:. July 11, 1932. p. 6 1892:: CS1 maint: url-status ( 1874:. July 16, 1932. p. 1 1800:: CS1 maint: url-status ( 1753:: CS1 maint: url-status ( 1713:: CS1 maint: url-status ( 1637:: CS1 maint: url-status ( 1564:: CS1 maint: url-status ( 1517:: CS1 maint: url-status ( 1493:"Jules Bledsoe A Linguist" 1421:: CS1 maint: url-status ( 1374:: CS1 maint: url-status ( 1334:: CS1 maint: url-status ( 1287:: CS1 maint: url-status ( 1214:: CS1 maint: url-status ( 1174:: CS1 maint: url-status ( 1108:: CS1 maint: url-status ( 1065:: CS1 maint: url-status ( 1047:. July 15, 1943. p. 8 884:: CS1 maint: url-status ( 377:includes Bledsoe singing " 248:New York Morning Telegraph 162:. His addresses included: 36:, a leading figure in the 667:, and a reporter for the 375:American Negro Spirituals 306:(based on the 1926 novel 108: 90:Virginia Union University 24:Jules Bledsoe (1897-1943) 2494:Jules Bledsoe Collection 2067:CounterMelodyPodcast.com 379:Swing Low, Sweet Chariot 357:(on the 1988 three-disc 275:Pulitzer Prize for Drama 190:at 147 East 56th Street 52:Early life and education 2534:Eileen Southern (ed.), 2501:. Retrieved 2013-12-16. 2349:New York Amsterdam News 2302:New York Amsterdam News 2216:New York Amsterdam News 2169:New York Amsterdam News 2096:New York Amsterdam News 1734:New York Amsterdam News 1686:New York Amsterdam News 1610:New York Amsterdam News 1537:New York Amsterdam News 1394:New York Amsterdam News 1307:New York Amsterdam News 1260:New York Amsterdam News 673:wrote on July 27, 1931: 602: 516:ran in New York at the 512:, and when Gruenberg's 492:New York Public Library 456:operatic adaptation of 251:praised Bledsoe as the 211:under the direction of 693: 686: 659: 588: 449: 401: 294:'s 1927 production of 263:, and Frank Wilson in 203: 118: 26: 2670:Bishop College alumni 1976:Eugene O'Neill Review 956:The Handbook of Texas 691: 675: 657: 637:Safari, Western Union 586: 564:Harriet Beecher Stowe 440: 424:Chicago Opera Company 395: 201: 116: 22: 16:American opera singer 2392:"Dear Old Southland" 1443:. September 24, 1929 908:Jules Bledsoe Papers 534:New York City Center 480:The Texas Collection 304:Oscar Hammerstein II 245:. A critic from the 2582:Jules Bledsoe photo 864:Waco Tribune-Herald 735:Partial filmography 470:. Literary scholar 428:New York Hippodrome 339:A Night on the Town 171:St. Nicholas Avenue 134:, who would manage 102:Columbia University 2690:Singers from Texas 2069:. 13 November 2021 1998:– via JSTOR. 1026:– via JSTOR. 742:Drums of the Congo 720:Greenwood Cemetery 694: 660: 630:Drums of the Congo 621:Dear Old Southland 589: 574:Catskill Mountains 518:Metropolitan Opera 500:toured abroad, in 450: 445:, 1934. Poster by 402: 270:In Abraham’s Bosom 221:Laurence Stallings 213:Serge Koussevitsky 204: 119: 98:Brooklyn, New York 94:Richmond, Virginia 38:Harlem Renaissance 27: 1912:The Montreal Star 950:Geary, Lynnette. 817:978-0-691-12651-7 684: 578:Roxbury, New York 569:Uncle Tom's Cabin 530:The Emperor Jones 524:, who sang it in 514:The Emperor Jones 497:The Emperor Jones 484:Baylor University 463:The Emperor Jones 443:The Emperor Jones 385:to the 1929 film 351:1951 film version 279:Modest Mussorgsky 217:W. 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Johnson 420:Alfredo Salmaggi 347:William Warfield 292:Florenz Ziegfeld 273:, which won the 243:Imperial Theatre 2710: 2709: 2705: 2704: 2703: 2701: 2700: 2699: 2600: 2599: 2552: 2531: 2530: 2520: 2518: 2510: 2509: 2505: 2493: 2491: 2487: 2477: 2475: 2466: 2465: 2461: 2451: 2449: 2441: 2440: 2436: 2426: 2424: 2415: 2414: 2410: 2400: 2398: 2390: 2389: 2385: 2369: 2368: 2361: 2359: 2343: 2342: 2338: 2322: 2321: 2314: 2312: 2296: 2295: 2291: 2275: 2274: 2270: 2256: 2252: 2236: 2235: 2228: 2226: 2210: 2209: 2205: 2189: 2188: 2181: 2179: 2163: 2162: 2158: 2148: 2146: 2136: 2132: 2116: 2115: 2108: 2106: 2090: 2089: 2082: 2072: 2070: 2061: 2060: 2053: 2046: 2032: 2028: 2021: 2007: 2003: 1968: 1941: 1925: 1924: 1917: 1915: 1906: 1905: 1901: 1885: 1884: 1877: 1875: 1866: 1865: 1861: 1851: 1849: 1840: 1839: 1835: 1825: 1823: 1813: 1809: 1793: 1792: 1785: 1783: 1767: 1766: 1762: 1746: 1745: 1738: 1736: 1726: 1722: 1706: 1705: 1698: 1696: 1680: 1679: 1675: 1665: 1663: 1661:WacoHistory.org 1657:"Jules Bledsoe" 1653: 1646: 1630: 1629: 1622: 1620: 1604: 1603: 1599: 1589: 1587: 1581:"Jules Bledsoe" 1577: 1573: 1557: 1556: 1549: 1547: 1531: 1530: 1526: 1510: 1509: 1502: 1500: 1491: 1490: 1486: 1476: 1474: 1466: 1465: 1456: 1446: 1444: 1435: 1434: 1430: 1414: 1413: 1406: 1404: 1388: 1387: 1383: 1367: 1366: 1359: 1357: 1348: 1347: 1343: 1327: 1326: 1319: 1317: 1301: 1300: 1296: 1280: 1279: 1272: 1270: 1254: 1253: 1249: 1239: 1237: 1236:. 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Paris, 1937. 261:Abbie Mitchell 257:Rose McClendon 239:Arthur Hopkins 237:, produced by 195: 192: 184: 183: 173: 167: 110: 107: 69:, earning his 63:Bishop College 53: 50: 23: 15: 9: 6: 4: 3: 2: 2707: 2696: 2693: 2691: 2688: 2686: 2683: 2681: 2678: 2676: 2673: 2671: 2668: 2666: 2663: 2661: 2658: 2656: 2653: 2651: 2648: 2646: 2643: 2641: 2638: 2636: 2633: 2631: 2628: 2626: 2623: 2621: 2618: 2616: 2613: 2611: 2608: 2607: 2605: 2596: 2592: 2591:Jules Bledsoe 2589: 2587: 2583: 2580: 2578: 2574: 2573:Jules Bledsoe 2571: 2569: 2565: 2564:Jules Bledsoe 2562: 2559: 2558: 2554: 2553: 2545: 2544:0-393-97141-4 2541: 2537: 2533: 2532: 2517: 2513: 2507: 2500: 2496: 2489: 2473: 2469: 2463: 2448: 2444: 2438: 2422: 2418: 2412: 2397: 2393: 2387: 2379: 2373: 2358: 2354: 2350: 2346: 2340: 2332: 2326: 2311: 2307: 2303: 2299: 2293: 2285: 2279: 2271: 2269:9780691126524 2265: 2261: 2254: 2246: 2240: 2225: 2221: 2217: 2213: 2207: 2199: 2193: 2178: 2174: 2170: 2166: 2160: 2145: 2141: 2134: 2126: 2120: 2105: 2101: 2097: 2093: 2087: 2085: 2068: 2064: 2058: 2056: 2047: 2045:9780472055784 2041: 2037: 2030: 2022: 2020:9780274733248 2016: 2012: 2005: 1997: 1993: 1989: 1985: 1981: 1977: 1973: 1966: 1964: 1962: 1960: 1958: 1956: 1954: 1952: 1950: 1948: 1946: 1944: 1935: 1929: 1913: 1909: 1903: 1895: 1889: 1873: 1869: 1863: 1847: 1843: 1837: 1822: 1818: 1811: 1803: 1797: 1782: 1778: 1774: 1773:The Billboard 1770: 1764: 1756: 1750: 1735: 1731: 1724: 1716: 1710: 1695: 1691: 1687: 1683: 1677: 1662: 1658: 1651: 1649: 1640: 1634: 1619: 1615: 1611: 1607: 1601: 1586: 1582: 1575: 1567: 1561: 1546: 1542: 1538: 1534: 1528: 1520: 1514: 1498: 1494: 1488: 1473: 1469: 1463: 1461: 1459: 1442: 1438: 1432: 1424: 1418: 1403: 1399: 1395: 1391: 1385: 1377: 1371: 1355: 1351: 1345: 1337: 1331: 1316: 1312: 1308: 1304: 1298: 1290: 1284: 1269: 1265: 1261: 1257: 1251: 1235: 1231: 1225: 1217: 1211: 1195: 1191: 1185: 1177: 1171: 1155: 1151: 1145: 1130: 1126: 1119: 1111: 1105: 1089: 1085: 1079: 1077: 1068: 1062: 1046: 1042: 1036: 1034: 1025: 1021: 1017: 1013: 1009: 1005: 1001: 994: 992: 990: 988: 986: 984: 982: 980: 978: 976: 974: 957: 953: 946: 944: 942: 940: 938: 936: 934: 932: 924: 919: 917: 909: 904: 902: 900: 898: 896: 887: 881: 866:. pp. 1D 865: 861: 854: 852: 850: 841: 835: 827: 823: 819: 813: 809: 808: 800: 784: 780: 774: 767: 762: 760: 755: 744: 743: 739: 738: 732: 730: 725: 721: 710: 706: 704: 700: 690: 685: 682: 674: 672: 671: 666: 656: 650:Personal life 647: 645: 644: 639: 638: 633: 631: 626: 622: 618: 614: 610: 600: 597: 595: 585: 581: 579: 575: 571: 570: 565: 561: 560: 555: 550: 546: 542: 541:African Suite 537: 535: 531: 527: 523: 519: 515: 511: 507: 503: 499: 498: 493: 489: 485: 481: 477: 473: 469: 465: 464: 459: 455: 448: 447:Willy Sluiter 444: 439: 435: 433: 429: 425: 421: 417: 416:Mostyn Thomas 413: 412: 407: 399: 394: 390: 388: 384: 380: 376: 372: 368: 367:Harold Prince 364: 360: 356: 355:Bruce Hubbard 352: 348: 344: 340: 336: 333: 329: 328: 323: 319: 318:Ol' Man River 315: 311: 310: 305: 301: 297: 293: 288: 286: 285: 284:Boris Godunov 280: 276: 272: 271: 266: 262: 258: 254: 250: 249: 244: 240: 236: 232: 228: 227: 222: 218: 214: 210: 200: 191: 189: 181: 177: 174: 172: 168: 165: 164: 163: 161: 157: 152: 150: 149: 144: 140: 137: 133: 129: 128:New York City 125: 115: 106: 103: 99: 95: 91: 87: 83: 79: 75: 72: 68: 64: 59: 49: 47: 43: 42:United States 39: 35: 31: 21: 2595:Find a Grave 2555: 2535: 2519:. 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Index


baritone
Harlem Renaissance
United States
Broadway
Waco, Texas
Bishop College
Marshall, Texas
B.A.
Harper's Ferry, West Virginia
YMCA
ROTC
Virginia Union University
Richmond, Virginia
Brooklyn, New York
Columbia University

Europe
New York City
Sol Hurok
contralto
Marian Anderson
Aeolian Hall
Show Boat
Sugar Hill
Harlem
St. Nicholas Avenue
The Garrison Apartments, 435 Convent Avenue
cooperative apartment building
East Midtown

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