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are played in the player's hovercraft flying around the streets of New York. The opponents drive tanks or fly planes and insult the player frequently. The user can choose between one of several bands for theme music in each level. each band has a unique song per level. the bands include: x-static,
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s combat and "often very amusing" writing, and noted that "the game is darned fast for a CD-ROM". However, he criticized the "incredibly annoying" copilot voices and "inane dialogue", and considered its interface clumsy. He concluded, "Adequately addressing these issues might have made
281:
from the first title. At the time, CD-ROM games tended to run slowly, but DreamFactory was designed to allow an unusually high level of speed for the era. However, CyberFlix considered its projects to be "interactive movies" rather than games, according to Jack Neely of
548:#218 by Paul Murphy in the "Eye of the Monitor" column. Murphy's review was negative, concluding "I don't care how good a game looks or sounds, how cool the animation and special-effects are, how easy it is to load or save: if it isn't any fun to play, it's a failure."
32:
212:), and smoove da groove. The name "deathkiller" was coined at a trade show - two Japanese girls watched the demo and described it as "deathkiller". evidently there is no accurate translation from Japanese to English for that type of video game...
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chooses a co-pilot who can navigate or fire weapons. selecting Nikki, Chablis, "Cheesestick" Limbaugh (supposedly descended from Rush, though he is black), Thrash, Lark or
Dogstar. Each co-pilot is unique and may not be available for every level.
331:
employees who were in attendance. As a result, CyberFlix received a "multi-million-dollar deal for it" from
Paramount, Neely later wrote. The agreement, which the two companies closed by November 1993, contracted CyberFlix for three games.
215:
Game control is rather complicated as the player can move up, down, left, right, and forward and backward. The player must also control weapons. Fortunately, the copilot can take care of one or more of these functions.
170:
and a bankrupt federal government. The premise of the story is that gangsters, neo-nazis, and various other thugs have acquired large stores of weapons from the government, and have ransacked New York's store of
300:. The game's development team was composed of four members: Appleton, creator of DreamFactory, who handled the game's programming; audio lead Scott Scheinbaum; artist Jamie Wicks; and screenwriter
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162:, released by Cyberflix one year prior, but this time employs a more detailed storyline and environment. In an opening sequence of the game, we see future
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was hired as a freelancer to create the "puppet characters" for the game. Hughes
Illustrated over 14 characters that players interacted with in the game.
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named it the fourth-best-selling
Macintosh game of July 1994, and the platform's seventh-highest seller in September. By August,
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511:. Erik Quist of CyberFlix expected the game to sell 100,000 units overall "by Christmas", Barbara Kantrowitz of
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a great strategy/action adventure rather than just a good arcade game." The game was reviewed in June 1995 in
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a month after its release, with the help of manager Erik Quist. Science
Fiction and Fantasy Illustrator:
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had reached sales of 50,000 units. Around the 28th of that month, another 50,000 units were shipped for
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called the game one of "the best-selling and most critically praised titles on the market", alongside
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835:"Knoxville Journal; Company's Fall Is Dash of Cold Water but Not a Dashing of Hope"
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Breen, Christopher (April 1994). "Puppet Punks And Cyber-Skinheads".
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Staff (February 1995). "NewsNet; Shelf-Burners for
February '95".
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began in the basement of a log cabin owned by CyberFlix founder
288:, and DreamFactory placed an emphasis on storytelling. As with
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158:, in 1994. The game's technology is similar to that of
580:. Vol. 9, no. 42. pp. 9–12, 22, 23, 40.
304:. The four had originally founded CyberFlix to create
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had reached close to the 100,000 mark by
January 3.
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857:
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695:Loyola, Roman Victor (June 1994). "Quick Clicks;
483:release was a commercial success. Discussing the
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327:later in 1993, to public acclaim, and impressed
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574:Neely, Jack (October 21, 1999). "Game Over".
179:of endangered species. The player's job as a
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208:deathkiller, pink flaand (a reference to
618:from the original on September 13, 2017.
487:development scene in 1994, a writer for
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604:Kantrowitz, Barbara (August 28, 1994).
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259:Following the successful launch of its
203:The game's three difficult and lengthy
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847:from the original on April 19, 2018.
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783:from the original on April 27, 2018.
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882:(June 1995). "Eye of the Monitor".
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720:Poole, Stephen (April–May 1994). "
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864:. No. 117. pp. 50, 52.
699:/ Futuristic CD-ROM adventure".
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154:was the second game released by
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1:
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191:Before taking off in a fancy
639:. No. 6. pp. 58–59
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7:
1037:Science fiction video games
771:"Gurus of Multimedia Gulch"
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10:
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741:LeVitus, Bob (May 1994). "
1042:Single-player video games
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606:"Garage-Band Programmers"
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269:in April 1993, developer
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36:Cover art by Mark Maxwell
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797:Electronic Entertainment
748:Electronic Entertainment
658:Staff (September 1994).
629:Clarke, Art (May 1994).
461:Electronic Entertainment
499:. Market research firm
319:CyberFlix demonstrated
279:development environment
769:Gabriel, Trip (1994).
308:, and the company was
277:with the DreamFactory
861:Computer Gaming World
527:Computer Gaming World
524:Christopher Breen of
329:Paramount Interactive
183:is to retrieve them.
60:Paramount Interactive
1027:Classic Mac OS games
676:on December 22, 1999
843:. January 3, 1995.
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840:The New York Times
776:The New York Times
490:The New York Times
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239:. You can help by
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168:rising sea levels
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905:Internet Archive
901:Official website
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235:This section
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181:bounty hunter
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173:cryogenically
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142:Single-player
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96:Andrew Nelson
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72:Bill Appleton
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67:Programmer(s)
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727:CD-ROM Today
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678:. Retrieved
674:the original
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641:. Retrieved
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241:adding to it
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150:
149:
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55:Publisher(s)
43:Developer(s)
880:Cook, David
669:PC Gamer US
631:"JumpRaven"
577:Metro Pulse
350:Publication
285:Metro Pulse
220:Development
103:Platform(s)
83:Jamie Wicks
1016:Categories
972:Jump Raven
911:Jump Raven
743:Jump Raven
722:Jump Raven
697:Jump Raven
662:Jump Raven
552:References
540:Jump Raven
532:Jump Raven
519:Jump Raven
505:Jump Raven
485:multimedia
479:s initial
474:Jump Raven
321:Jump Raven
294:Jump Raven
275:Jump Raven
248:April 2018
210:Pink Floyd
193:hovercraft
151:Jump Raven
25:Jump Raven
953:CyberFlix
951:Games by
916:MobyGames
804:(12): 26.
730:(5): 101.
643:March 28,
481:Macintosh
341:Reception
336:Reception
271:CyberFlix
156:Cyberflix
91:Writer(s)
79:Artist(s)
48:Cyberflix
845:Archived
823:(9): 18.
781:Archived
755:(5): 86.
709:(6): 77.
616:Archived
611:Newsweek
530:enjoyed
514:Newsweek
372:PC Gamer
187:Gameplay
175:-frozen
127:Genre(s)
965:Lunicus
702:MacUser
501:PC Data
385:MacUser
323:at the
306:Lunicus
290:Lunicus
266:Lunicus
160:Lunicus
138:Mode(s)
132:Shooter
118:Release
108:Windows
884:Dragon
545:Dragon
261:CD-ROM
205:levels
197:player
195:, the
112:Mac OS
636:Hyper
535:'
477:'
360:Hyper
353:Score
263:game
903:via
682:2020
645:2021
496:Myst
466:9/10
374:(US)
121:1994
914:at
745:".
724:".
378:76%
365:79%
243:.
177:DNA
1018::
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800:.
779:.
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761:^
751:.
707:10
705:.
666:.
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110:,
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250:)
246:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
