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and Joseph L. Anderson pointed out the lack of a cohesive visual style in
Yoshimura's films, arguing that due to the wide range of material which Yoshimura chose, his style had to adopt to each individual film. According to Richie and Anderson, the one distinguishable cinematic element of his later
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studio in 1929. He debuted as director with a short film in 1934, but, after being denied a promotion by head of the studio Shirō Kido, continued working as an assistant director for filmmakers
239:. The director's "most typical films" (Alexander Jacoby) were contemporary dramas focussing on sympathetically drawn female characters, which earned him the comparison with
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and is regarded as one of his major works. The film marked the start of a long relationship with screenwriter and film director
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647:"Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura at BFI Southbank in June and July 2012"
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for Best
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212:. In 1950, the two of them left Shōchiku and started the independent production company
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Critical
Handbook of Japanese Film Directors: From the Silent Era to the Present Day
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622:. Wisconsin Studies in Film. The University of Wisconsin Press. pp. 211–217.
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266:(1963). He is credited with furthering the careers of actresses such as
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189:(1940), for which he toured the actual battlefields in China.
202:, was named the best picture of the year by film magazine
578:. Rutland, Vermont and Tokyo: Charles E. Tuttle Company.
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that established his status as a director. During the
258:(1957, a project he had taken over from Mizoguchi),
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183:he directed a number of military dramas such as
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282:(Purple Ribbon) for artistic accomplishments.
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16:Japanese film director (1911–2000)
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433:A retrospective on Yoshimura and
712:. Berkeley: Stone Bridge Press.
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333:(偽れる盛装, Itsuwareru seiso) (1951)
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474:"Obituary: Kozaburo Yoshimura"
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274:and his regular collaborator
593:"吉村公三郎 (Yoshimura Kōzaburō)"
540:"吉村公三郎 (Yoshimura Kōzaburō)"
511:"吉村公三郎 (Yoshimura Kōzaburō)"
235:films was Yoshimura's quick
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387:(女の坂, Onna no saka) (1960)
318:The Ball at the Anjo House
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224:, Yoshimura received the
172:What Did the Lady Forget?
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771:People from Ōtsu, Shiga
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597:Japanese Movie Database
675:"毎日映画コンクール 第5回（1950年）"
439:British Film Institute
399:Bamboo Doll of Echizen
385:A Woman's Uphill Slope
311:The Spy Isn't Dead Yet
264:Bamboo Doll of Echizen
166:Our Neighbor, Miss Yae
175:It was the 1939 film
331:Clothes of Deception
286:Selected filmography
218:Clothes of Deception
95:Kimisaburo Yoshimura
620:The Imperial Screen
392:A Woman's Testament
299:(暖流, Danryū) (1939)
226:Mainichi Film Award
737:Kōzaburō Yoshimura
214:Kindai Eiga Kyōkai
130:Yoshimura Kōzaburō
118:Kōzaburō Yoshimura
25:Kōzaburō Yoshimura
719:978-1-933330-53-2
480:. 8 November 2000
379:Night Butterflies
338:The Tale of Genji
260:Night Butterflies
192:Yoshimura's 1947
181:Sino-Japanese war
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216:. For his 1951
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74:(2000-11-07)
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761:2000 deaths
756:1911 births
364:Night River
276:Machiko Kyō
272:Ayako Wakao
262:(1957) and
249:Night River
198:, starring
750:Categories
603:4 December
521:4 December
449:References
325:Temptation
222:Daiei Film
100:Occupation
49:1911-09-09
143:Biography
111:1929-1974
679:Mainichi
544:Kinenote
515:Kotobank
441:and the
291:Director
252:(1956),
153:Shōchiku
147:Born in
84:Kanagawa
80:Yokohama
685:21 July
659:18 July
550:19 July
484:19 July
413:Epitome
237:editing
86:, Japan
63:, Japan
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429:Legacy
424:(1953)
416:(1953)
401:(1963)
381:(1957)
375:(1957)
367:(1956)
359:(1955)
353:(1953)
347:(1953)
341:(1951)
327:(1948)
321:(1947)
313:(1942)
307:(1940)
124:吉村 公三郎
650:(PDF)
61:Shiga
741:IMDb
714:ISBN
687:2023
661:2023
624:ISBN
605:2010
552:2023
523:2010
486:2023
169:and
159:and
69:Died
57:Ōtsu
43:Born
739:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
