416:"The Parque de Monsanto project is an essential work in the context of the major interventions carried out in Lisbon during the 20th century. Transferring the large park to the outskirts of the city, it reveals a new understanding of the issue of urban green spaces integrated on the larger scale. vast area of the metropolitan area and the expansion of the city ". Keil develops the general plan and equipment designs. "At the end of the 1940s, the works of the Clube de Ténis or Restaurante de Montes Claros will translate into happy moments on Keil do Amaral's journey, subtly reaching that sense of purification, of abandonment that he had been exploring since the first years. research on Dutch passion, in fact, from 1948 onwards Keil took on a greater modernity according to the codes of the Modern Movement, giving a new meaning to his production: in the Montes Claros Restaurant, he freed the floor plan, in the Clube de Ténis tears big glazing and resolves the coverage with tremendous agility".
428:
second half of the 1950s in association with a large group of architects (published by the
National Architects Union in 1961 under the title Popular Architecture in Portugal). He will also be one of the protagonists of the 1st National Congress of Architecture (1948), "which constitutes an undeniable victory for the class, insofar as, for the first time, architects come together to freely discuss ideas and firmly affirm the need to make Modern architecture in the context of a new professional conscience. Historical congress, it would certainly have been another without the contagious presence of Keil do Amaral, soon adopted as the leader of the new generation ". In March of the same year, he was elected president of the National Union of Architects, but he will be compulsorily removed by the government after only eight months, for political reasons, not even officially taking office.
440:
The training of architects (1948 - communication to the 1st
National Architecture Congress). Also in the Revista Municipal (1939-1973) published by the Lisbon City Council, contents by him. And his studio was, in the words of José Antunes da Silva, a true "center of culture and a school of humanity", where over the years architects of successive generations have collaborated, still in the formation phase or already in maturity, namely: Alberto Pessoa, Hernâni Gandra, José Rafael Botelho, Cândido Palma de Melo, José Antunes da Silva, Pedro Botelho, José Manuel Fernandes, João Paulo Conceição.
424:
do Cego street, for projects by the Lisbon City
Council (with Hernâni Gandra and Alberto José Pessoa), which he maintains in parallel with his personal studio. Simultaneously with the practice of architecture, its civic, cultural and political action is intensified. Publishes articles and books; participates in the bodies of the National Architects Union; is one of the most active promoters of the General Expositions of Plastic Arts (1946-1956), which marked a cultural dynamic of opposition to the Estado Novo, exhibiting in the exhibitions of 1946, 1947, 1948, 1949, 1950, 1953 and 1956.
286:
241:
214:
200:
185:
453:
420:
sector it develops a sequence of stays. The set should be finished off, in the north, by the City Palace, to be implanted next to the viewpoint space marked by the monumental columns. To support this project, he travels to the United States of
America, where he visits reference works of modern architecture, from Frank Lloyd Wright to Eliel Saarinen. Initially designed (1948) by a team that also included Hernâni Gandra and Alberto José Pessoa, the City Palace would become the subject of controversy and was never built.
403:"When, in the middle of the Salazar dictatorship, Portuguese architecture is divided between the mentors of the regime and the desire for a functionalism of an international character, as the figure who with more energy and lucidity defends the bases for building a different perspective of work, theoretically rational and formally linked to local identities, appealing to a simple and balanced language, inspired by the continuity and the integrative sense that seems to be a constant of Portuguese architecture ".
38:
396:). For Keil, the fascination with Dutch architecture (and Frank Lloyd Wright) stems from its progressive, modern character, which reconciles evenly with traditions. "This binomial will clearly define the practice of the architect" leading him, after his return to Portugal, to demarcate aspects of his initial work, the influence of Carlos Ramos and, even more, the historicist and regionalist constraints of the official architecture of the
167:
410:
Pacheco, relating to urban expansion and functional re-equipping of the city. Keil do Amaral will work on equipment projects and on the rearrangement of green spaces in the capital: Parque
Eduardo VII; Large field; Monsanto Park. On the eve of the beginning of the Second World War, he travels to Great Britain and Northern Ireland, France; Netherlands and Germany, to visit parks and deepen knowledge in that specific area.
406:"From a formal point of view, Keil do Amaral's vast production in the 1940s, in addition to documenting contacts with the architecture of Northern Europe and the United States, translates a personal conception of spaces and volumes that transcends conceptual limitations of modernism. And while maintaining the basic assumptions of modern architecture, it does not ignore the experience, especially vernacular, of the past".
380:, but in the next year he was subject to a disciplinary process, motivated by a conflict with the professor of architecture, Arnaldo Redondo Adães Bermudes. He completes the course, as an external student, working in Carlos Ramos' studio, whose example will mark his future options and, in particular, the functionalist character and purism of his first works (Instituto Pasteur, Porto, 1933–1935).
432:
it is visible "the concern to merge architecture and structure with an aesthetic and economic purpose". He is also the author of several buildings for the União Elétrica
Portuguesa and of the vast order that was the first phase of the Metropolitano de Lisboa, which included all stations inaugurated in 1959. In the 1960s he designed, with Carlos Manuel Ramos,
427:
Keil has an important role in the formation of the group of
Cultural Initiatives Art and Technique (ICAT) and in the reformulation of the magazine Arquitetura, where he launched, in 1947, the idea of a scientific inquiry into Portuguese regional architecture, a reference work in which he endeavors to
409:
Between 1939 and 1949, he joined a team of young architects at the Lisbon City
Council - which also included, among others, Inácio Peres Fernandes and João Faria da Costa - responsible for supporting the initiatives of the then Minister of Public Works and President of the Lisbon City Council, Duarte
320:
Keil do Amaral stood out in a particular way throughout the 1940s and 1950s, having acted in an original way during these particularly difficult decades of national life. He assumed the project responsibility of important public works, without identifying himself with the political regime or with the
431:
In the immediate period, there was a slowdown in the public order from which he had benefited until then, but the ostracism was attenuated a few years later, with the realization of important projects, such as for the Lisbon
Industry Fair, which he projects with great freedom compositional and where
423:
Keil do Amaral's architectural production throughout the 1940s is intense; in addition to the interventions for the city parks, it designs the Lisbon
Airport terminal, theaters in Mangualde and Nelas, single family homes, etc. 1946 is the year of the beginning of the Sobre e Descente studio, in Arco
439:
Although he never had the opportunity to teach architecture at the School of Fine Arts in Lisbon, Keil do Amaral had an important pedagogical action, publishing books and reference articles, namely The Architecture and Life (1942), The Modern Dutch Architecture (1943), The Housing Problem (1945) or
383:
Still a student, he participates in important exhibitions at the National Society of Fine Arts (1932, 1933). In 1936, he won the competition for the Pavilhão de Portugal at the Universal Fair in Paris, imposing a renewing taste in the official programs. He remains in Paris for 1 year to monitor the
419:
The arrangement of Parque Eduardo VII was another of his important works in the context of urban structuring of the city. Draws the central, grassy lane, flanked by a Portuguese stone sidewalk; redesigns the lake; rearranges the Greenhouse and designs the entrance close to the bank; in the eastern
443:
Polemicist, researcher, pedagogue, active participant in union and political activity, frontal opponent of the regime linked to prestigious national culture personalities, his writings and reflection books on architecture and the city, contribute to the framing of a generous and intense as a
325:
and, at the same time, maintaining a critical distance in relation to the International Style orthodoxy, in search of a "third way" able to reconcile modern rationality with thoughtful consideration of the lessons of traditional architecture.
82:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
645:
68:
373:, where he completed his primary education. After a stay in Luanda (1920-1921), where his father was Governor-General, he attended Colégio Nacional and Liceu Gil Vicente (1922-1928).
762:
436:, Iraq, "in which a breath of renewal is felt" in its architecture that will translate into a "lightness of solution unparalleled in previous works of this type in our country".
350:
from 1920 to 1921, son of José Caetano dos Reis and wife Lucrécia Coelho do Amaral, and first wife, as her second husband, Guida Maria Josefina Cinatti Keil, daughter of
376:
He began his professional life in 1929, as an advertising "designer" (with Fred Kradolfer and José Rocha). In 1930 he enrolled in the special Architecture course at the
633:
690:
599:
400:. He will propose a third way, concerned above all with the well-being and happiness of the common man, where "rationalism goes hand in hand with poetry".
85:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
826:
800:
354:
and wife Cleyde Maria Margarida Cinatti. After his mother's death his father remarried Arminda da Conceição da Silva Camacho dos Reis (–
899:
879:
874:
864:
894:
755:
711:
Tostões, Ana – "Keil, arquiteto dos jardins e parques de Lisboa: a história de um trabalhador humanista". In: A.A.V.V. –
106:
Content in this edit is translated from the existing Portuguese Knowledge article at ]; see its history for attribution.
93:
904:
869:
490:
Lisbon Municipal Architecture Award, 1951 - home of A. Sousa Pinto, Avenida D. Vasco da Gama, no. 2, Restelo, Lisbon.
889:
517:
686:
595:
17:
469:
355:
115:
359:
884:
659:"ENTIDADES NACIONAIS AGRACIADAS COM ORDENS PORTUGUESAS - Página Oficial das Ordens Honoríficas Portuguesas"
50:
822:
796:
377:
384:
construction of the pavilion. Discover remarkable works of modern European architecture. He visits
101:
285:
240:
199:
184:
493:
213:
726:
A Arquitetura e a vida: Francisco Keil do Amaral, o arquiteto e o pedagogo, o cidadão e o homem
559:
A Arquitetura e a vida: Francisco Keil do Amaral, o arquiteto e o pedagogo, o cidadão e o homem
397:
322:
745:. Lisboa: Câmara Municipal de Lisboa, Divisão de Museus, 1999, pág. 61-63. ISBN 972-8403-02-X
122:
859:
854:
499:
Valmor Prize, 1962 - housing at Rua Almirante António Saldanha, n.º 44, Restelo, in Lisbon.
476:
Francisco Pires Keil do Amaral, born in 1935, an Architect, Representative of the Title of
465:
389:
339:
624:. Lisboa: Câmara Municipal de Lisboa, Divisão de Museus, 1999, pág. 61. ISBN 972-8403-02-X
8:
413:
On March 4, 1941, he was made an Officer of the Military Order of Sant'Iago da Espada.
393:
452:
370:
347:
97:
433:
137:
362:, 10 October 1935) and they had another son, Eduardo Coelho do Amaral dos Reis (
848:
658:
351:
741:
Ferreira, Raul Hestnes – "Keil do Amaral e a Arquitetura". In: A.A.V.V. –
620:
Ferreira, Raul Hestnes – "Keil do Amaral e a Arquitetura". In: A.A.V.V. –
687:""Ana Tostões – "A Lisboa de Keil". CML, Boletim Lisboa Urbanismo, 1999""
582:. Lisboa: Argumentum e Ordem dos Arquitetos, 2012. ISBN 978-972-8479-68-8
385:
596:"Tostões, Ana – "A Lisboa de Keil". CML, Boletim Lisboa Urbanismo, 1999"
457:
366:, Águas Boas, 11 September 1932 –), unmarried and without issue.
363:
343:
260:
104:
to the source of your translation. A model attribution edit summary is
715:. Lisboa: Câmara Municipal de Lisboa, Divisão de Museus, 1999, pág. 83
317:, painter and photographer. His name was given to a street in Lisbon.
314:
234:
477:
335:
300:
166:
472:, 9 August 1914 –), a painter, and had issue, an only son:
786:. Lisboa: Associação dos Arquitetos Portugueses, 1992, p. 26, 108
141:
79:
346:, Águas Boas, 3 August 1873 – 5 April 1938), 100th Governor of
310:
306:
282:
Officer of the Military Order of Saint James of the Sword
207:
578:. Lisboa: Cadernos da Seara Nova, 1943, p. 49. In: A.A.V.V. –
334:
He was the only son of Francisco Coelho do Amaral Reis, 1st
756:"Revista Municipal (1939-1973), Índice de colaboradores"
732:. Lisboa: Argumentum e Ordem dos Arquitetos, 2012, p. 14
71:
a machine-translated version of the Portuguese article.
823:"Prémio Valmor e Municipal de Arquitectura: 1960/1969"
797:"Prémio Valmor e Municipal de Arquitectura: 1950/1959"
548:. Lisboa: Associação dos Arquitetos Portugueses, 1992
75:
321:historicist standards of the official taste of the
565:. Lisboa: Argumentum e Ordem dos Arquitetos, 2012
846:
148: and the second or paternal family name is
730:Keil do Amaral no centenário do seu nascimento
580:Keil do Amaral no centenário do seu nascimento
563:Keil do Amaral no centenário do seu nascimento
100:accompanying your translation by providing an
62:Click for important translation instructions.
49:expand this article with text translated from
27:Portuguese architect, painter and photographer
299:Francisco Caetano Keil Coelho do Amaral, 2nd
540:
538:
369:He lived a large part of his childhood in
284:
239:
212:
198:
183:
165:
112:{{Translated|pt|Francisco Keil do Amaral}}
743:Keil do Amaral: o arquiteto e o humanista
713:Keil do Amaral: o arquiteto e o humanista
622:Keil do Amaral: o arquiteto e o humanista
535:
480:of Pedralva, unmarried and without issue
451:
14:
847:
313:, 19 February 1975), was a Portuguese
646:Associação dos Arquitetos Portugueses
496:Award, 1960, for his work as a whole.
900:20th-century Portuguese male artists
880:Portuguese people of Italian descent
784:Keil do Amaral arquitecto: 1910-1975
693:from the original on 17 October 2003
681:
679:
642:Keil do Amaral arquitecto: 1910-1975
602:from the original on 17 October 2003
590:
588:
546:Keil do Amaral arquitecto: 1910-1975
31:
875:Portuguese people of German descent
252:Architecture, painting, photography
24:
865:20th-century Portuguese architects
829:from the original on 14 March 2012
803:from the original on 10 March 2012
25:
916:
676:
585:
388:, where he discovers the work of
895:20th-century Portuguese painters
36:
815:
789:
776:
748:
735:
718:
705:
576:A moderna arquitetura holandesa
763:Hemeroteca Municipal de Lisboa
651:
638:Keil do Amaral e a arquitetura
627:
614:
568:
551:
510:
110:You may also add the template
13:
1:
503:
329:
574:Amaral, Francisco Keil do –
7:
444:professional and citizen".
10:
921:
378:Lisbon School of Fine Arts
360:São Bartolomeu de Messines
135:
74:Machine translation, like
663:www.ordens.presidencia.pt
484:
447:
275:
267:
256:
248:
230:
222:
192:
177:
173:
164:
157:
51:the corresponding article
905:Portuguese male painters
870:Portuguese photographers
309:, 28 April 1910 –
159:Francisco Keil do Amaral
140:, the first or maternal
121:For more guidance, see
890:Architects from Lisbon
634:Ferreira, Raúl Hestnes
464:He married in 1933 to
461:
352:Alfredo Cristiano Keil
196:19 February 1975
455:
123:Knowledge:Translation
94:copyright attribution
466:Maria da Silva Pires
392:(a great admirer of
390:Willem Marinus Dudok
340:Carlos I of Portugal
885:Artists from Lisbon
456:Keil do Amaral and
181:28 April 1910
494:Diário de Notícias
462:
394:Frank Lloyd Wright
102:interlanguage link
728:. In: A.A.V.V. –
648:, 1992, p. 61, 62
640:. In: A.A.V.V. –
561:. In: A.A.V.V. –
371:Canas de Senhorim
348:Portuguese Angola
296:
295:
134:
133:
63:
59:
16:(Redirected from
912:
839:
838:
836:
834:
819:
813:
812:
810:
808:
793:
787:
780:
774:
773:
771:
769:
760:
752:
746:
739:
733:
722:
716:
709:
703:
702:
700:
698:
683:
674:
673:
671:
669:
655:
649:
631:
625:
618:
612:
611:
609:
607:
592:
583:
572:
566:
555:
549:
542:
533:
532:
530:
528:
518:"Keil do Amaral"
514:
434:Al-Shaab Stadium
289:
288:
244:
243:
218:
217:
216:
203:
202:
188:
187:
169:
155:
154:
150:Coelho do Amaral
113:
107:
80:Google Translate
61:
57:
40:
39:
32:
21:
920:
919:
915:
914:
913:
911:
910:
909:
845:
844:
843:
842:
832:
830:
821:
820:
816:
806:
804:
795:
794:
790:
781:
777:
767:
765:
758:
754:
753:
749:
740:
736:
724:Tostões, Ana –
723:
719:
710:
706:
696:
694:
685:
684:
677:
667:
665:
657:
656:
652:
632:
628:
619:
615:
605:
603:
594:
593:
586:
573:
569:
557:Tostões, Ana –
556:
552:
543:
536:
526:
524:
522:Alexandre Pomar
516:
515:
511:
506:
487:
450:
338:of Pedralva by
332:
292:
283:
238:
211:
206:
205:
197:
182:
160:
153:
138:Portuguese name
130:
129:
128:
111:
105:
64:
41:
37:
28:
23:
22:
15:
12:
11:
5:
918:
908:
907:
902:
897:
892:
887:
882:
877:
872:
867:
862:
857:
841:
840:
814:
788:
775:
747:
734:
717:
704:
675:
650:
626:
613:
584:
567:
550:
534:
508:
507:
505:
502:
501:
500:
497:
491:
486:
483:
482:
481:
449:
446:
331:
328:
294:
293:
291:
290:
279:
277:
273:
272:
269:
265:
264:
258:
254:
253:
250:
249:Known for
246:
245:
232:
228:
227:
224:
220:
219:
194:
190:
189:
179:
175:
174:
171:
170:
162:
161:
158:
132:
131:
127:
126:
119:
108:
86:
83:
72:
65:
58:(January 2020)
46:
45:
44:
42:
35:
26:
18:Keil do Amaral
9:
6:
4:
3:
2:
917:
906:
903:
901:
898:
896:
893:
891:
888:
886:
883:
881:
878:
876:
873:
871:
868:
866:
863:
861:
858:
856:
853:
852:
850:
828:
824:
818:
802:
798:
792:
785:
779:
764:
757:
751:
744:
738:
731:
727:
721:
714:
708:
692:
688:
682:
680:
664:
660:
654:
647:
643:
639:
635:
630:
623:
617:
601:
597:
591:
589:
581:
577:
571:
564:
560:
554:
547:
541:
539:
523:
519:
513:
509:
498:
495:
492:
489:
488:
479:
475:
474:
473:
471:
467:
459:
454:
445:
441:
437:
435:
429:
425:
421:
417:
414:
411:
407:
404:
401:
399:
395:
391:
387:
381:
379:
374:
372:
367:
365:
361:
357:
353:
349:
345:
341:
337:
327:
324:
318:
316:
312:
308:
304:
302:
287:
281:
280:
278:
274:
270:
266:
262:
259:
255:
251:
247:
242:
236:
233:
229:
225:
221:
215:
209:
201:
195:
191:
186:
180:
176:
172:
168:
163:
156:
151:
147:
143:
139:
124:
120:
117:
109:
103:
99:
95:
91:
87:
84:
81:
77:
73:
70:
67:
66:
60:
54:
53:in Portuguese
52:
47:You can help
43:
34:
33:
30:
19:
831:. Retrieved
817:
805:. Retrieved
791:
783:
778:
766:. Retrieved
750:
742:
737:
729:
725:
720:
712:
707:
695:. Retrieved
666:. Retrieved
662:
653:
641:
637:
629:
621:
616:
604:. Retrieved
579:
575:
570:
562:
558:
553:
545:
525:. Retrieved
521:
512:
463:
442:
438:
430:
426:
422:
418:
415:
412:
408:
405:
402:
382:
375:
368:
333:
319:
298:
297:
149:
146:Caetano Keil
145:
98:edit summary
89:
56:
48:
29:
860:1975 deaths
855:1910 births
782:A.A.V.V. –
544:A.A.V.V. –
398:Estado Novo
386:Netherlands
323:Estado Novo
303:of Pedralva
263:(1933-1975)
223:Nationality
142:family name
849:Categories
644:. Lisboa:
504:References
458:Maria Keil
330:Background
261:Maria Keil
231:Occupation
226:Portuguese
342:in 1904 (
315:architect
257:Spouse(s)
235:Architect
204:(aged 64)
116:talk page
827:Archived
801:Archived
691:Archived
600:Archived
478:Viscount
336:Viscount
301:Viscount
268:Children
136:In this
92:provide
768:30 June
460:in 1938
114:to the
96:in the
55:.
833:27 May
807:27 May
697:27 May
668:27 May
606:25 May
527:25 May
485:Awards
470:Silves
448:Family
356:Silves
311:Lisbon
307:Lisbon
276:Awards
237:
210:
208:Lisbon
759:(PDF)
364:Sátão
344:Sátão
76:DeepL
835:2021
809:2021
770:2015
699:2021
670:2021
608:2021
529:2021
193:Died
178:Born
90:must
88:You
69:View
144:is
78:or
851::
825:.
799:.
761:.
689:.
678:^
661:.
636:–
598:.
587:^
537:^
520:.
358:,
837:.
811:.
772:.
701:.
672:.
610:.
531:.
468:(
305:(
271:1
152:.
125:.
118:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.