518:, saying that "it's always a little shocking to look up and have a line like 'Oh Come on Mom', and you're looking at Mary Tyler Moore, and you think 'Oh, that's Mary Tyler Moore!'." In this same interview, Moore said she was moving away from television roles at the time because she believed that the medium didn't have the same impact that it was once did. Moore had not appeared in many theatrical films during the late 1980s and early-mid 1990s, saying in the interview that "it's not so much that I've been selective, as big screen has been selective. There aren't that many roles that are interesting, so I don't do this as often as I'd like to."
321:, and works as a movie reviewer at a local newspaper only because his sour widowed mother Cynthia pulled strings for him to land the job. He is dissatisfied with the direction that his life has taken; he is about to be fired any day from his job because he can't meet deadlines, he lives in a dilapidated farmhouse, he uses and sells drugs behind the scenes for some extra cash, and he is so irresponsible with life and finances in which he has gotten so far behind on his bills that his electricity has just been cut off which ruins a blind date he has in the opening scene with a neurotic gold-digger named Trudy.
624:) has allowed some racist underpinnings to creep in as his characters refer with some frequency to black people by using a particularly unpleasant epithet. And there aren't any black characters to balance the film, save one — a hooker who is brutally violated and beaten to death." Hicks concluded his review by remarking, "There are some solid laughs early on, and if the humor had held up throughout it might have redeemed the picture. But instead, the film just meanders along until it runs completely out of steam."
359:, in a motel room and that she took photographs. Ronnie attempts to involve Richter by having him hold on to a mysterious black pouch and by exploiting Richter's newspaper connections. Richter wants no part of the blackmail scheme. But he gets in over his head when Keith discovers that Richter has been sleeping with Vicky.
324:
Richter also owes money to Ronnie Stover, an abusive drug dealer who he deals with. Ronnie is married to Vicky, a beautiful woman who was disowned by her socially prominent family for her involvement with Ronnie. Richter is still in love with Vicky despite having ended their relationship many years
29:
600:(which to date has only screened at film festivals -- such as SXSW), it's a shock, of sorts, to see her as an alcoholic topless dancer with a penchant for being in the wrong place at the wrong time. Not a bad shock, mind you, just, you know, a shock. She's miscast."
651:’s beautifully constructed script nails the shifting motivations and subtext of every scene and provides spiky dialogue to boot. The colorfully eclectic cast also delivers in spades, with Stoltz holding his own as 'the black sheep son of a black sheep'."
646:
retread. But this distinctively tasty dish adroitly mixes its genre ingredients with fresh takes on class grudges, Great Plains lifestyles, generational and family strains and life stasis in a way that makes it a satisfying meal unto itself
705:
The film was released to the
American VHS market on September 2, 1997. It came in both rated and unrated versions, with the latter including several instances of nudity involving Joanna Going's character. That year, it was also released on
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remarked in 1997, "When a film with a cast this stellar falls flat on its face like this one does, well, it makes you wanna holler." Savlov also noted that, "After the romantic interlude of Joanna Going's performance in
309:. It is based on the 1991 novel of the same name by Brian Fair Berkey. There is an unrated version that runs 3 minutes longer than the theatrical release.
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Bedford Shaw, the son of a socially prominent businessman named Harmon Shaw, after Cherry tells
Richter that Bedford Shaw murdered her friend, a
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697:, with the book characterizing it as being "long on bizarre, colorful characters, but short on any kind of cohesive, interesting plot."
508:. He read the script and convinced the producer that I'd be great as a drug dealer." In an interview on the Dallas set of the film with
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received a limited theatrical release in the United States during April 1997. It was reviewed on the April 12, 1997 episode of
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714:). On December 17, 2002, it was released to DVD by Artisan. Liberation Hall later reissued the film on DVD in December 2020.
463:, despite being set entirely in Tulsa. The scenes at the offices of Richter's newspaper were shot in the headquarters of the
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stated it had "far too many minor characters", as well as " than enough for three or four mediocre movies." Marc Savlov of
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The story revolves around a perpetual loser and slacker named
Richter Boudreau. Richter is from a privileged background in
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685:(1998). Harley Peyton's script from Brian Fair Berkey's novel is deft and witty, but Leslie Grief's awkward direction in
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wrote that, "The
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movie critic Chris Hicks criticized the film in his April 1997 review. He wrote, "Writer-director
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https://www.lddb.com/laserdisc/25798/PILF-2356/Keys-to-Tulsa-(Blackmail)
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546:, even though the original novel was set in the late 1980s
492:(1996). Stoltz has said that Spader helped him get cast in
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Magill's Cinema Annual 1998: A Survey of the Films of 1997
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Cinema of
Outsiders: The Rise of American Independent Film
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in the United States and Japan (where the film was titled
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Magill's Cinema Annual 1998: A Survey of the Films of 1997
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Cinema of
Outsiders: The Rise of American Independent Film
526:The soundtrack prominently features the Australian
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514:, Stoltz said he was excited to be working with
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871:"'Keys to Tulsa' won't open many doors or eyes"
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1207:1997 directorial debut films
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748:"SPADER GETS THE KINKS OUT"
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1257:Gramercy Pictures films
1073:"'ANACONDA'A WILD RIDE"
978:"It's all in your mind"
903:www.austinchronicle.com
584:San Francisco Chronicle
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1212:1997 independent films
447:Production and casting
1242:Films about extortion
1043:. Visible Ink Press.
859:, Apr 6, 1997, p. 264
781:Entertainment Tonight
554:Release and reception
511:Entertainment Tonight
1227:American crime films
1217:1990s American films
750:. 15 September 2002.
590:The Austin Chronicle
544:The Golden Palominos
494:2 Days in the Valley
489:2 Days in the Valley
66:by Brian Fair Berkey
33:Original film poster
408:as Cynthia Boudreau
372:as Richter Boudreau
289:is a 1997 American
615:Heaven's Prisoners
534:. The scene where
402:as Louise Brinkman
382:Deborah Kara Unger
120:Deborah Kara Unger
16:1997 American film
667:In his 1999 book
621:Meet Wally Sparks
396:as Keith Michaels
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796:. April 1997
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293:directed by
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140:James Spader
135:Joanna Going
115:James Coburn
100:Cameron Diaz
77:Leslie Greif
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43:Leslie Greif
1056:11 February
1022:4 September
679:(1997) and
579:Roger Ebert
575:Gene Siskel
540:Lori Carson
486:(1985) and
478:Eric Stoltz
400:Randy Graff
370:Eric Stoltz
303:Eric Stoltz
254:113 minutes
105:Randy Graff
95:Eric Stoltz
71:Produced by
39:Directed by
1197:1997 films
1191:Categories
1120:"DVD Talk"
718:References
701:Home video
548:Reagan era
528:didgeridoo
357:prostitute
334:depression
291:crime film
275:Box office
238:1997-04-11
190:Production
49:Written by
794:Boxoffice
712:Blackmail
708:LaserDisc
644:Tarantino
390:as Cherry
349:blackmail
330:alcoholic
192:companies
159:Edited by
1182:AllMovie
570:Anaconda
426:as Trudy
353:stripper
278:$ 57,252
267:Language
179:Music by
88:Starring
59:Based on
1082:Aug 14,
988:Sep 19,
962:Sep 19,
937:Sep 19,
908:Sep 19,
880:Sep 19,
840:Sep 19,
818:Sep 19,
812:Variety
630:Variety
504:called
342:Chicago
270:English
259:Country
236: (
1138:Amazon
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875:SFGate
649:Peyton
581:. The
502:2 Days
453:Dallas
522:Music
457:Texas
340:from
1160:IMDb
1084:2020
1058:2022
1045:ISBN
1024:2021
1011:ISBN
990:2020
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882:2020
842:2020
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577:and
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313:Plot
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844:.
822:.
632:'
612:(
355:/
240:)
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