84:
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rules on seasonality, which intensified after the war; there had previously been rules about kimono-wearing, but these were not rigidly codified and varied by region and class. Formalisation sought perfection, with no creases or unevenness in the kimono, and an increasingly tubular figure was promoted as the ideal for women in kimono. The kimono-retail industry also promoted a sharp distinction between
Japanese and Western clothes; for instance, wearing Western shoes with Japanese clothing (while common in the Taishō period) was codified as improper; these rules on proper dressing are often described in Japanese using the English phrase "Time, Place, and Occasion" (TPO). As neither Japanese men or women commonly wore kimono, having grown up under wartime auspices, commercial
512:
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2004:
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and each chest side to the front). Iro-tomesode may be worn by both married and unmarried women, though kuro-tomesode are exclusively worn by married women. in days past, the closer the design was to the hemline and the more muted the colours, the older the wearer (Wearing a tomesode that was too bright or too effusive in design was the equivalent of 'mutton dressed as lamb', and very definitely not iki!). Thus it was possible to read a lot of information from a wearer's kimono (age, family, status, children) without ever having spoken to them, saving faux-pas and so all-important face!
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50:
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137:
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3372:, where kimono are sold as fabric rolls only, the price of which is often left to the shop's discretion. The shop will charge a fee separate to the cost of the fabric for it to be sewn to the customer's measurements, and fees for washing the fabric or weatherproofing it may be added as another separate cost. If the customer is unfamiliar with wearing kimono, they may hire a service to help dress them; the end cost of a new kimono, therefore, remains uncertain until the kimono itself has been finished and worn.
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hemp, linen or, more recently, synthetic fibers. Nagajuban are the outer layer of kimono underwear, and can be silk or synthetic, lined (awase) or unlined (hitoe). In summer, one can lessen the layers or just wear a han-juban (literally half-juban) with no susoyoke (skirt). The only part of a juban which is seen after dressing is the collar, which is removable so that a clean matching collar can be replaced at short notice. collars (eri) are a separate area, with many types, fabrics and levels of intracacy.
467:
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still given, were much less extensive. It was during this time that it became acceptable and even preferred for women to wear
Western dress to ceremonial occasions like weddings and funerals. Many women had dozens or even hundreds of kimono, mostly unworn, in their homes; a secondhand kimono, even if unworn, would sell for about 500 yen (less than £3.50; about US$ 5), a few percent of the bought-new price. In the 1990s and early 2000s, many secondhand kimono shops opened as a result of this.
1971:
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are common. Fabrics are usually matte, in contrast to the occasional satin weaves of some women's kimono. Some men's kimono have a subtle pattern, and textured fabrics are more common in informal men's kimono. Informal men's kimono may also feature slightly brighter colours, such as lighter purples, greens and blues. Sumo wrestlers have occasionally been known to wear quite bright colours, such as fuchsia, in their kimono, which they are required to wear when appearing in public.
1014:
1986:
2973:. Though the length of the kimono, collar style and sleeve construction differs for this type of kimono, in all other types of women's kimono, the construction is generally the same; the collar is set back only slightly into the nape of the neck, the sleeves are attached evenly only at the shoulder (not all the way down the sleeve length) and the kimono's length from shoulder to hem is ideally the entire height of the woman wearing it, to allow for the creation of the
2087:), so that the child appeared to be wearing a sleeveless vest of the same fabric over their garment. These sewn tucks were let out as the child grew, and are mostly only seen today on the kimono of apprentice geisha in Kyoto, as apprentices previously began their training at a young age, requiring tucks to be let out as they grew. In the present day, apprentices begin their training in their late teenage years, and the tucks are retained merely as an anachronism.
3596:
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358:
3453:, traditional kimono shops. In previous centuries, types of kimono were not as distinct, with factors such as age and social class playing a much larger role in determining kimono types than they do presently. Beginning in the Meiji period, and following the Meiji Restoration and the abolition of class distinctions, kimono varieties began to change as Japanese society did, with new varieties being invented for new social situations.
9271:
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591:. This also prevented dissemination to the upper classes, who were the main arbiters of traditional Japanese culture at the time, and the only people allowed to wear such clothing. The ensuing cultural vacuum facilitated the development of a Japanese culture independent from Chinese fashions. Elements previously lifted from the Tang Dynastic courts developed independently into what is known literally as "national culture" or "
2689:
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3620:, were designed to be used as casual, cheap daywear, and are machine-spun and -woven using brightly-patterned yarns. Some varieties of crêpe are on the lowest end of formal, with their rougher texture considered unsuitable for formal use; other varieties, such as smooth crêpe, are used for all varieties of formal kimono. The most formal kimono are only ever made of smooth, fine silks, such as glossy silk fabrics like
1424:
11002:
6483:). Because the stitches must be taken out for washing, traditional kimono need to be hand sewn. The process of traditionally washing kimono is very expensive and difficult and is one of the causes of the declining popularity of kimono. Modern fabrics and cleaning methods have been developed that eliminate this need, although the traditional washing of kimono is still practiced, especially for high-end garments.
1611:
2143:
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5642:– is usually reserved for those closest to the deceased. Those further away will wear kimono in dark and subdued colours, rather than a plain black kimono with a reduced number of crests. In time periods when kimono were worn more often, those closest to the deceased would slowly begin dressing in coloured kimono over a period of weeks after the death, with the
3390:: being surrounded by staff and essentially pressured into purchasing an expensive kimono Shops are also renowned for lying about the origins of their products and who made them gave me careful instructions before we entered the : 'do not touch anything. And even if you don't buy a kimono today, you have to buy something, no matter how small it is.'
2703:
1598:, a famously seasonal motif worn in spring until just before the actual cherry blossoms begin to bloom, it being considered unlucky to try and 'compete' with the cherries. Motifs are typically worn a few weeks before the official 'start' of any given season, as it is considered fashionable to anticipate the coming season.
2128:
usually sewn with a single running stitch roughly 3 millimetres (0.12 in) to 4 millimetres (0.16 in) long, with stitches growing shorter around the collar area for strength. Kimono seams, instead of being pressed entirely flat, are pressed to have a 'lip' of roughly 2 millimetres (0.079 in) (known as the
3118:-length sleeves are sometimes seen. In the past, mostly all young women wore long-sleeved kimono as a marker of youth generally regardless of the formality of their kimono, and upon marriage, women would cut or hem their sleeves shorter, or unpick the sleeves and swap them for an identical but shorter pair.
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On this page are some of my tomesode. Most are black-background kuro-tomesode, but there is the odd iro-tomesode (coloured tomesode) too. In the list of formality, tomesode rank to the top, becoming more formal the higher the number of kamon (small family emblems to the center back, each sleeve back,
6025:
is sewn further and deeper back into the nape of the neck, so that it can be pulled down much lower without causing the front of the kimono to ride up. The sleeves are set unevenly onto the body, shorter at the back than at the front, so that the underarm does not show when the collar is pulled down.
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resemble a kimono in construction, with a few key differences: the sleeves are typically open along the entire cuff side, with only a few stitches sewing both sides together placed where a normal kimono sleeve cuff would end; the sleeve has no curve sewn into the outer edge, instead being square; the
3706:
is always unlined, and thus only worn in summer; the most formal kimono, in contrast, are unlikely to be worn unlined in summer, as many people simply do not have more than one formal kimono to wear, and do not wear formal kimono often enough to warrant the purchase of a new, unlined kimono, just for
2114:
that will not fray, the woven edges of the fabric bolt are retained when the kimono is sewn, leading to large and often uneven seam allowances; unlike
Western clothing, the seam allowances are not trimmed down, allowing for a kimono to be resewn to different measurements without the fabric fraying at
1331:
In the second half of the 20th century, the
Japanese economy boomed, and silk became cheaper, making it possible for the average family to afford silk kimono. The kimono retail industry had developed an elaborate codification of rules for kimono-wearing, with types of kimono, levels of formality, and
6116:
worn by kabuki actors varies by role, and so can appear as the humble clothing of an Edo-period merchant's daughter, as well as the fine silk clothing of a samurai woman. These costumes may be made of polyester, as well as silk, informal silk fabrics, cotton, linen or hemp. Pattern placement, colour
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The formality levels of different types of kimono are a relatively modern invention, having been developed between late Meiji- to post-war Japan, following the abolition of Edo-period sumptuary clothing laws in 1868. These laws changed constantly, as did the strictness with which they were enforced,
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Juban covers a wide range of undergarments which are worn between the silk kimono and the skin, to protect the delicate, expensive and often unwashable kimono from sweat and skin oils. Juban worn next to the skin are generally described as hadagi or hadajuban and need to be washable, so are cotton,
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displaying the inn a person was staying at. From roughly the mid-1980s onwards, they began to be produced in a wider variety of colours and designs, responding to demand for a more casual kimono that could be worn to a summer festival, and have since become more formal than their previous status as
3356:
Though artisan-made kimono are some of the most accomplished works of textile art on the market, many pieces are not bought solely for appreciation of the craft. Unwritten social obligations to wear kimono to certain events – weddings, funerals – often leads consumers to purchase artisan pieces for
3012:
Men's sleeves are not visual markers of youth. They are attached to the body of the kimono all the way down, or almost all of the way down; though a small portion perhaps a few centimetres in length may be left unattached to the body at the very bottom, this portion is sewn closed. The construction
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had developed roughly modern kimono proportions, though variety existed until roughly the mid- to later years of the era. Men's sleeves continued to be sewn shut to the body of the kimono down most of their length, with no more than a few inches unattached at the bottom, unlike the women's style of
1601:
Though men's kimono historically displayed just as much decoration and variety as women's kimono, in the modern era, the principal distinction of men's kimono in terms of seasonality and occasion is the fabric. The typical men's kimono is a subdued, dark colour; black, dark blues, greens and browns
1589:
are commonly seasonal motifs worn out of season, either to denote the spring just passed or the desire for cooler autumn or winter temperatures. Colour also contributes to the seasonality of kimono, with some seasons – such as autumn – generally favouring warmer, darker colours over lighter, cooler
1373:
The economic collapse of the 1990s bankrupted much of the kimono industry and ended a number of expensive practices. The rules for how to wear kimono lost their previous hold over the entire industry, and formerly-expensive traditions such as bridal kimono trousseaus generally disappeared, and when
3500:
Kimono range in variation from extremely formal to very casual. For women, the formality is determined mostly by pattern placement, decoration style, fabric choice and colour. For men, whose kimono are generally monochromatic, formality is determined typically by fabric choice and colour. For both
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In contrast, kimono bought by hobbyists are likely to be less expensive, purchased from second-hand stores with no such sales practices or obligation to buy. Hobbyists may also buy cheaper synthetic kimono (marketed as 'washable') brand-new. Some enthusiasts also make their own kimono; this may be
1208:
It was during the Taishō period that the modern formalisation of kimono and kimono types began to emerge. The Meiji period had seen the slow introduction of kimono types that mediated between the informal and the most formal, a trend that continued throughout the Taishō period, as social occasions
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Before WWII, the length of women's kimono sleeves varied, with sleeves gradually shortening as a woman got older. During WWII, due to shortage of fabric, the 'short' length of women's kimono sleeves became standardised, and post-WWII, the realm of long kimono sleeves was narrowly curtailed to the
2064:
Some custom bolts of fabric are produced for especially tall or heavy people, such as sumo wrestlers, who must have kimono custom-made by either joining multiple bolts, weaving custom-width fabric, or using non-standard size fabric. For children, in the early 1900s, shorter lengths were used, and
1364:
By the 1970s, formal kimono formed the vast majority of kimono sales. Kimono retailers, due to the pricing structure of brand new kimono, had developed a relative monopoly on not only prices but also a perception of kimono knowledge, allowing them to dictate prices and heavily promote more formal
3346:
Even kimono that have not been hand-crafted will constitute a relatively high expense when bought new, as even for one outfit, a number of accessories of the right formality and appearance must be bought. Not all brand-new kimono originate from artisans, and mass-production of kimono – mainly of
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Despite the expense of hand-sewing, however, some modern kimono, including silk kimono and all formal kimono, are still hand-sewn entirely; even machine-sewn kimono require some degree of hand-sewing, particularly in finishing the collar, the hem, and the lining, if present. Hand-sewn kimono are
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the seams. This was also used to prolong the life of the garment by reversing the sleeves (hiding the worn cuff hem in the shoulder seam) or the back panels (swapping the high-stress center seam and the low-stress sides), like the
European custom of side-to-middling or end-to-middling bedsheets.
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that are decorated with dyed patterns, and vice versa. However, for all but the most formal kimono, this is more of a general suggestion than a strict rule. Formal kimono are typically decorated with dyed patterns, commonly found along the hemline. These patterns may feature embroidery in parts,
310:
The history of the kimono can be tracked back to the Heian period (794–1185), when Japan's nobility embraced a distinctive style of clothing. Formerly the most common
Japanese garment, the kimono has fallen out of favor and is rarely worn as everyday dress now. They are most often seen at summer
5400:
are formal women's kimono, featuring a black background and a design along the hem. They are the most formal women's kimono, and are worn to formal events such as weddings and wedding parties. The design is only present along the hem; the further up the body this design reaches, the younger the
2911:
is used for coarse adjustments, and made deliberately weak so that the stitches will tear before the cloth does under tension. Men's kimono, on the other hand, are cut to the length of the wearer's body and tied with a narrow belt at the hips, with no extra fabric in the kimono's length for an
8101:
The lowly komon kimono is the workhorse of the kimono wardrobe, worn for trips to town, to friends houses, in any situation which is outside of the home but informal. Despite their name, which means 'small design', komon can have large or small imagery, and the repeat can be staggered widely.
2961:. In these instances, the kimono worn is constructed differently to a regular women's kimono: the collar is set back further into the neck, the sleeves are sewn to the body unevenly (further down the front than the back), and the body is elongated. This style of kimono is referred to as a
1118:, policemen, railroad workers and teachers moved to wearing Western clothing within their job roles, with the adoption of Western clothing by men in Japan happening at a much greater pace than by women. Initiatives such as the Tokyo Women's & Children's Wear Manufacturers' Association
3583:
were once bright and boldly-patterned (and were often kimono too damaged to use as an outer layer, repurposed), but are now typically muted pastel shades. The outside of men's garments tended towards subtle patterns and colours even after the sumptuary laws lifted, with blues and blacks
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worn by people performing traditional
Japanese dance typically feature a bold design in block colours, as their clothing must stand out from the stage. Performers performing in a group wear kimono identical to one another, with the bold designs creating visual unity between performers.
1593:
A number of different guides on seasonal kimono motifs exist, with some guides – such as those for tea ceremony in particular – being especially stringent on their reflection of the seasons. Motifs typically represent the flora, fauna, landscape or culture of Japan; one such example is
1328:) – trousers constructed from old kimono – instead. Fibres such as rayon became widespread during WWII, being inexpensive to produce and cheap to buy, and typically featured printed designs. Cloth rationing persisted until 1951, so most kimono were made at home from repurposed fabrics.
276:, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as
1209:
and opportunities for leisure increased under the abolition of class distinctions. As
Western clothing increased in popularity for men as everyday clothing, the kimono industry further established its own traditions of formal and informal dress for women; this saw the invention of the
5355:
3948:
Men's kimono sleeves are only ever one length, and women's sleeves are limited to a short length suitable for almost all types of kimono, or a longer length used for only one type of formal young women's kimono. In the modern day, the two lengths of women's sleeve worn on kimono are
1094:
Following the opening of Japan's borders in the early Meiji period to
Western trade, a number of materials and techniques – such as wool and the use of synthetic dyestuffs – became popular, with casual wool kimono being relatively common in pre-1960s Japan; the use of safflower dye
343:
wrestlers) must wear kimonos at all times in public. Despite the small number of people who wear it regularly and its reputation as a complicated garment, the kimono has experienced a number of revivals in previous decades, and is still worn today as fashionable clothing in Japan.
5425:
portions of the kimono, or asymmetrically placed along the entirety of the hem, with the design being larger and higher-placed at the left side than the right. Vintage kimono are more likely to have the former pattern placement than the latter, though this is not a hard rule.
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Today, the majority of people in Japan wear
Western clothing as everyday attire, and are most likely to wear kimono either to formal occasions such as wedding ceremonies and funerals, or to summer events, where the standard kimono is the easy-to-wear, single-layer cotton
1237:), an uncommon practice of the upper classes in the Edo period, also became common throughout the middle classes; traditions of kimono bridalwear for marriage ceremonies were also codified in this time, which resembled the bridalwear of samurai-class women. Standards of
3326:
The high expense of some hand-crafted brand-new kimono reflects the traditional kimono making industry, where the most skilled artisans practice specific, expensive and time-consuming techniques, known to and mastered only by a few. These techniques, such as hand-plied
1494:
Modern kimono are widely available in fabrics considered easier to care for, such as polyester. Kimono linings are typically silk or imitation silk, and often match the top fabric in fibre type, though the lining of some casual silk kimono may be cotton, wool or linen.
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570:
clothing code was instituted, which stipulated that all robes had to be overlapped at the front with a left-to-right closure, following typical Chinese fashions. This convention of wear is still followed today, with a right-to-left closure worn only by the deceased.
1365:(and expensive) purchases, as selling a single formal kimono could support the seller comfortably for three months. The kimono industry peaked in 1975, with total sales of 2.8 trillion yen (~£18 billion). The sale of informal brand new kimono was largely neglected.
4518:
8021:(translator did not translate the full book text, but from the acknowledgements of vol 1 it sounds as if some of his translations might be incorporated into the work. Volume 1 came out in 1919, volume 2 in 1920. Note the work is in the public domain, therefore
1025:
7926:"呉服 Gofuku, Kure-hatori" 1. A general term for kimono textiles, a bolt of fabric 2. The name of silk fabrics as opposed to Futomono 3. A twill woven with the method from the country of Go in ancient China, Kurehatori (literally translates as a weave of Kure)
4589:(crests), and the sleeves are fairly short. They are made with a repeating designs, though the repeat length may be quite long. Designs can be made with any method; woven patterns, prints, stencilled patterns in alternating orientations, freehand painting (
1051:
2886:
In the present day, both men's and women's kimono retain some historical features – for instance, women's kimono trailed along the floor throughout certain eras, and when the wearer went outside, the excess length would be tucked and tied underneath the
6158:
of the Ryukyuan people. Though similar to the kimono, these garments are distinguishable by their separate cultural heritage, and are not considered to be simply 'variations' of kimono such as the clothing worn by the working class is considered to be.
2850:
mostly retained its small, narrow and round-sleeved nature, with the length of women's sleeves gradually increasing over time and eventually becoming mostly detached from the body of the garment below the shoulders. The collar on both men's and women's
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generally could not double as a regular kimono, as they often feature heavy, highly-formal decoration and may be padded throughout, if not solely on the hem. They are designed to trail along the floor, and the heavily-padded hem helps to achieve this.
1884:
Outside of being re-woven into new fabrics, worn-out kimono have historically been recycled in a variety of ways, depending on the type of kimono and its original use. When the cloth is worn out, it may be used as fabric for smaller items or to create
3603:
Kimono vary widely in fabric type, and are not all made of silk. Certain types of fabric, such as wool, cotton, linen and hemp, are always considered informal, and so are not seen on more formal varieties of kimono. Certain varieties of silk, such as
3548:); sometimes they were banned altogether, and were transferred to the collar of the underkimono, or the inside of the hem, where only the faintest glimpse would be intermittently visible. This type of subtle ostentation became an aesthetic known as
6166:
There are a number of accessories that can be worn with the kimono, and these vary by occasion and use. Some are ceremonial, or worn only for special occasions, whereas others are part of dressing in kimono and are used in a more practical sense.
574:
Clothing used by the upper classes was significantly simpler to don and wear than dress from the following Heian period. Sleeves, while narrow, were long enough to cover the fingers, since status was associated with covering more of the body.
6511:
Like many other traditional Japanese garments, there are specific ways to fold kimono. These methods help to preserve the garment and to keep it from creasing when stored. Kimono are often stored wrapped in acid-free paper envelopes known as
6413:
may have a false collar attached to it, or a matching false collar sewn to the kimono separately, creating the illusion of a layered kimono at the neckline; separate false sleeve cuffs may also be sewn into the kimono to create this effect.
1086:
In 1869, the social class system was abolished, and with them, class-specific sumptuary laws. Kimono with formerly-restricted elements, like red and purple colours, became popular, particularly with the advent of synthetic dyestuffs such as
558:
being of Chinese origin, due to the limitations of Japan's ability to produce the fabrics at the time. As early as the 4th century CE, images of priestess-queens and tribal chiefs in Japan depicted figures wearing clothing similar that of
3787:
is immediate. The richness of fabrics increases going into November and December, with figured silks featuring woven patterns appropriate. Coming into January, crêpe fabrics with a rougher texture become appropriate, with fabrics such as
918:), whose clothing was representative of their increasing economic power and rivaled the aristocracy and samurai classes, shown by their brightly-coloured kimono that utilised expensive production techniques, such as hand-painted dyework.
3361:
believes we are in a strange age where people who know nothing about kimono are the ones who spend a lot of money on a genuine handcrafted kimono for a wedding that is worn once by someone who suffers wearing it, and then is never used
2041:, which is roughly 11.5 metres (38 ft) long and 36 centimetres (14 in) wide for women, and 12.5 metres (41 ft) long and 42 centimetres (17 in) wide for men. The entire bolt is used to make one kimono, and some men's
827:
83:
545:
leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. The Imperial Japanese court quickly adopted Chinese styles of dress and clothing, with evidence of the oldest samples of
4967:, do not typically cross over the seams of each kimono panel, though some confusingly do. In older examples, the motifs may instead be placed symmetrically along the hem, with the skirt patterns mirrored down the centre-back seam.
1916:
Formal kimono, made of expensive and thin silk fabrics, would have been re-sewn into children's kimono when they became unusable for adults, as they were typically unsuitable for practical clothing; kimono were shortened, with the
7662:
3967:
only – formal young women's and girl's kimono, where previously longer sleeves were seen on other varieties of dress, both formal and informal. Pre-WWII women's kimono are recognisable for their longer sleeves, which, though not
3722:) or opaque fabrics, with kimono transitioning towards gauze fabrics at the height of summer and away from them as autumn begins. In one kimono guide for tea ceremony, at the start of the unlined season in June, fabrics such as
6141:
Though the kimono is the national dress of Japan, it has never been the sole item of clothing worn throughout Japan; even before the introduction of Western dress to Japan, many different styles of dress were worn, such as the
5158:
757:
6263:, typically featured the plainest decorative techniques, such as dyework only, and the successive outer layers would feature techniques such as embroidery and couched gold thread, with the outermost layer – known as the
1361:, and parents felt obliged to provide kimono trousseaus that cost up to 10 million yen (~£70,000), which were displayed and inspected publicly as part of the wedding, including being transported in transparent trucks.
4605:). Traditionally the direction of the fabric was alternated in adjacent panels (necessary due to the lack of shoulder seam), so patterns were generally reversible. If the pattern is the same way up on each panel, the
1893:(patchwork) kimono (which were also sometimes made for the sake of fashion). The fact that the pattern pieces of a kimono consist of rectangles, and not complex shapes, make reuse in garments or other items easier.
908:" – luxurious displays of wealth and increased patronage of the arts – led to the further development of many art forms, including those of clothing. Genroku culture was led by the growing and increasingly-powerful
1579:, and denote the season in which the kimono can be worn; however, some motifs have no season and can be worn all-year round. Others, such as the combination of pine, plum and bamboo – a grouping referred to as the
2090:
Though adult women also retained a 'tuck' at the hip, this was a leftover from the trailing length of most women's kimono, which had previously been either held up by hand when walking or tied up loosely with a
6162:
Some related garments still worn today were the contemporary clothing of previous time periods, and have survived on in an official and/or ceremonial capacity, worn only on certain occasions by certain people.
3398:
Second-hand items are seen as highly affordable; costs can be as little as ¥100 (about US$ 0.90) at thrift stores within Japan, and certain historic kimono production areas around the country – such as the
3944:
Both men's and women's kimono feature sleeves considered relatively short, with men's sleeves shorter than women's. Though lengths can vary by a few centimetres, these lengths are informally standardised.
3535:
fabrics, but other dyes, such as reds and purples, were forbidden to those below a certain class. Sometimes, for some classes, designs were restricted to below the belt, to the bottoms of the sleeves (for
2882:
without getting in the way. Sleeves for both men and women grew in proportion to be of roughly equal width to the body panels, and the collar for both men's and women's kimono became shorter and narrower.
6529:. Although this can be extremely expensive, it is generally less expensive than the traditional method of taking a kimono apart to clean it. This may, however, be impossible for certain fabrics or dyes.
803:
6471:
In the past, a kimono would often be entirely taken apart for washing, and then re-sewn for wearing. This traditional washing method involves two steps: taking the kimono apart and washing each piece (
1383:
became popular with young people. Around 2010, men began wearing kimono again in situations other than their own wedding, and kimono were again promoted and worn as everyday dress by a small minority.
90:
5464:, though formalwear, are not allowed at the royal court, as black is the colour of mourning, despite the colour designs decorating the kimono itself; outside of the royal court, this distinction for
3403:
district of Kyoto – are well known for their second-hand kimono markets. Kimono themselves do not go out of fashion, making even vintage or antique pieces viable for wear, depending on condition.
1764:, meaning "thick materials", with both cotton and hemp yarns being considerably thicker than silk yarns used for weaving. Cotton kimono are specifically referred to in the context of materials as
3447:
The modern kimono canon was roughly formalised after WWII, following fabric shortages, a generation unfamiliar with wearing kimono in everyday life, and the postwar revival of kimono sales by
4841:
are monochromatic, undecorated women's kimono mainly worn to tea ceremonies, as the monochrome appearance is considered to be unobtrusive to the ceremony itself. Despite being monochromatic,
1929:, or were simply cut at the waist to create a side-tying jacket. After marriage or a certain age, young women would shorten the sleeves of their kimono; the excess fabric would be used as a
2740:
Though the basic shape of the kimono has not changed in centuries, proportions have, historically, varied in different eras of Japanese history. Beginning in the later Heian period, the
8102:
painted, closely stencilled, woven, Printed, striped, spotted, shibori, silk, jinken, modern polyester--if it's a repetitive design, short-sleeved, and without kamon, then it's a komon.
963:
developed. They valued and prioritised the display of wealth through an almost mundane appearance, and the concept of kimono design and wear continues to this day as a major influence.
6257:, and generally featured the same design presented on different background colours, such as white (innermost), red (middle layer) and black (outermost). The innermost layers, known as
466:
8937:
2097:; though kimono were not worn as trailing towards the end of the 19th century, the excess length of most women's kimono remained, with the hip fold formalised and neatened into the
10349:
6011:
can be up to 230 cm (91 in) long, and are generally no shorter than 200 cm (79 in) from shoulder to hem; this is to allow the kimono to trail along the floor.
6269:– displaying the most extensive decoration. These matching sets would be designed and created together, commonly as part of a bride's outfit for a wedding. Extant intact sets of
721:
resembled a modern kimono, though at this time the sleeves were sewn shut at the back and were smaller in width (shoulder seam to cuff) than the body of the garment. During the
4961:– across the back-right shoulder and back-right sleeve, the front-left shoulder and the front-left sleeve, and across the hem, higher at the left than the right – but, unlike
8935:
7351:
511:
7766:
2870:
very deep sleeves mostly detached from the body of the kimono. Men's sleeves were also less deep than women's kimono sleeves so that they did not get tied under the narrow
6245:
Pre-WW2, kimono were commonly worn layered, with three being the standard number of layers worn over the top of undergarments. The layered kimono underneath were known as
2124:. Once cleaned, the fabric would be resewn by hand; this process, though necessary in previous centuries, is uncommon in modern-day Japan, as it is relatively expensive.
2015:
1167:
kimono, woven from raw and waste silk threads unsuitable for other uses, became highly popular, following the loss of many people's possessions. By 1930, ready-to-wear
1701:
is also used to refer to kimono in general within Japan, particularly within the context of the kimono industry, as traditional kimono shops are referred to as either
4755:
formal wear, with specific patterns becoming associated with specific families. Towards the end of the Edo period, in the early 1800s, commoners began to wear them.
6251:, and were often a patchwork of older or unwearable kimono taken apart for their fabric. Specifically-designed matching sets of formal layered kimono were known as
3796:
worn in February. Figured silks continue to be worn until June, when the unlined season begins again. In Japan, this process of changing clothes is referred to as
637:
8539:
3886:) crest is the least formal, with the outline of the crest relatively faint. Shadow crests may be embroidered onto the kimono, and full-embroidery crests, called
3556:, and outlasted the sumptuary laws. Modern-day rules of formality, however, still echo clothing distinctions typically employed by the uppermost samurai classes.
3511:
and were designed to keep the nouveau riche merchant classes from dressing above their station, and appearing better-dressed than monetarily-poor but status-rich
8668:
8631:
8449:
3444:
Several different types of kimono exist. These varieties are primarily based on formality and gender, with more women's varieties of kimono existing than men's.
951:
issued a number of sumptuary laws on kimono for the lower classes, prohibiting the use of purple or red fabric, gold embroidery, and the use of intricately dyed
8122:
630:
jacket worn by both genders in the early 7th century. Others, such as the wrapped front robes also worn by men and women, were kept. Some elements, such as the
1114:, the opening of Japan to Western trade after the enclosure of the Edo period led to a drive towards Western dress as a sign of "modernity". After an edict by
272:, though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion,
8936:
8587:
6290:, a tube-sleeved, wrapped-front garment considered to be underwear, though in the modern day, regular underwear is sometimes worn instead, and a traditional
3716:
Within the two realms of lined and unlined, further distinctions exist for different months. Lined kimono are either made from transparent or gauze fabrics (
1566:
gold and silver thread, and/or gold and silver foil. The layout of motifs can denote a kimono's age, with patterns that mirror along the vertical back seam (
1525:
Kimono fabrics are often decorated, sometimes by hand, before construction. Customarily, kimono with woven patterns are considered more informal, though for
1491:), woven to double-width. Formal kimono are almost always made from silk, with thicker, heavier, stiff or matte fabrics generally being considered informal.
2134:) pressed over each seam. This disguises the stitches, as hand-sewn kimono are not tightly sewn, rendering the stitches visible if pressed entirely flat.
7877:
1910:
10741:
3612:, are considered informal, having once been woven only by silk farmers out of unusable cocoons for their own use; other, more modern varieties, such as
587:(794–1193 CE), Japan stopped sending envoys to the Chinese dynastic courts. This prevented Chinese-imported goods—including clothing—from entering the
4107:
transitioned from being mostly red with bold white motifs to being white or light pastel colours. The dye technique previously used to achieve this,
4673:; they may have one to three crests, with a small, fine pattern that appears to be a solid colour from a distance, and so resembles the more formal
4620:
Woven geometric patterns (such as stripes) have no season, but others show images representing the season in general. Woven non-geometric patterns (
1338:
schools were set up to teach women how to don kimono. Men in this period rarely wore kimono, and menswear thus escaped most of the formalisation.).
7432:
6386:
In modern-day Japan, layered kimono are generally only seen on the stage, whether for classical dances or in kabuki. A false second layer called a
4227:
were originally very simple indigo and white cotton kimono, little more than a bathrobe worn either within the house, or for a short walk locally;
1058:
5871:
is worn for the part of the wedding ceremony, symbolising the purity of the bride coming into the marriage. The bride may later change into a red
3781:
In the same kimono guide, the first lined kimono are worn in October, and the transition away from plainer opaque fabrics to richer silks such as
7717:
900:(1603–1867 CE), both Japan's culture and economy developed significantly. A particular factor in the development of the Edo period was the early
3366:
The high cost of most brand-new kimono reflects in part the pricing techniques within the industry. Most brand-new kimono are purchased through
2905:
is now used for fine length adjustments, and takes up 7–10 inches (18–25 cm) of excess length. A hand-sewn tuck across the back under the
8061:
7010:
in English, Japanese has no conventions of adding an -s suffix to denote plurality in transliterated words; thus, most sources in English use
6902:
Kimono are collected in the same way as Japanese hobbyists by some non-Japanese, and may be worn to events such as Kimono de Jack gatherings.
6811:
kimono are often made with thread spun by hand. It can take up to three months to make enough thread for one kimono by an experienced weaver.
10427:
6508:). They are sometimes replaced for storage. They help to prevent bunching, folding and wrinkling, and keep the kimono's layers in alignment.
3778:, worn in June, become suitable again, and opaque fabrics become preferred over sheer, though sheer may still be worn if the weather is hot.
8022:
5713:, "to drape upon", originating in roughly the 16th century from a fashion among the ruling classes of the time to wear kimono (then called
8019:. Vol. 2. Translated by Inada, Hogitaro. Harold B. Lee Library. London : Printed under the authority of H. M. Stationery Office.
3660:
Despite their informal nature, many types of traditional, informal kimono fabrics are highly-prized for their craftsmanship. Varieties of
9039:
4497:
silk fibre, though now include various types of casual silk kimono whereby the pattern is produced by weave as opposed to surface dying.
3639:
stripes only worn in high summer (July and August), but is used for all types of kimono and for other garments, such as under-kimono and
3688:
In the summer months (from June until October in the most stringent kimono guides, such as those for tea ceremony), kimono are unlined (
3418:
can cost upwards of US$ 300, as they are often intricately woven, or decorated with embroidery, goldwork and may be hand-painted. Men's
3124:
were historically worn by all children, with no gender distinction in pattern or cut, but it is now only young girls who are dressed in
3424:, in contrast, retail much cheaper, as they are narrower, shorter, and have either very little or no decoration, though high-end men's
6101:
worn by geisha and their apprentices are formal kimono worn to engagements, and so are always made of fine silk, resembling kimono of
3930:(traditional trousers) is more formal still. The material, colour, and pattern of these overgarments also varies in formality. Longer
978:
became much longer and wider, with various styles of knots coming into fashion, alongside stiffer weaves of material to support them.
9057:
6920:
6136:
5985:) are women's kimono with a specialised construction that allows them to be worn trailing, with a deep-set and widely-spaced collar.
5528:-decorated") are the most formal men's kimono, which, apart from the cut of the sleeve, look exactly the same from the waist up as a
5120:, has its patterns dyed on the bolt before sewing up. This method of production can usually distinguish the two, as the motifs on a
1935:(wrapping cloth), could be used to lengthen the kimono at the waist, or could be used to create a patchwork undergarment known as a
735:
developed further, with bolder designs and flashy colours becoming popular. By this time, separate lower-body garments, such as the
7691:
3577:(underkimono), which is not worn as an outer layer outside the home, and so only shows at the neck and inside the sleeves. Women's
104:
Kimono for a young woman, depicting a boat on swirling water, with pine tree, plum blossoms and maples. Japan, 1912–1926. From the
5324:
feature formal crests along the shoulders on a colour background, which, apart from the cut of the sleeve, appears the same as an
3035:
Usual women's length; this was longer pre-WWII, but was shortened due to rationing. This is the length almost invariably used for
2780:
was an ankle-length garment for both men and women, and had small, rounded sleeves that were sewn to the body of the garment. The
1853:
kimono became less profitable in the face of cheaper everyday Western clothing, and eventually went out of business, leaving only
10019:
9515:
6275:
kimono are difficult to find, particularly in good condition, with the innermost kimono typically damaged and in poor condition.
5773:
are typically red or white, and often decorated heavily with auspicious motifs. Because they are not designed to be worn with an
492:
5108:
are first roughly sewn up, and the design is sketched onto the fabric, before the garment is taken apart to be dyed again. The
5094:, but with patterns generally matching across the seams. They are always made of silk, and are considered more formal than the
2106:
Kimono have a set method of construction, which allows the entire garment to be taken apart, cleaned and resewn easily. As the
6872:
Kimono are worn outside of Japan in a variety of circumstances. Kimono may be worn to Shinto ceremonies by Brazilian girls of
5743:
progressed into being an over-kimono worn by samurai women before being adopted some time in the 20th century as bridal wear.
3323:
Both men's and women's brand-new kimono can range in expense (in 2023) from around ¥1000 (~$ 7 USD) to ¥150,000 (~$ 1050 US)
2199:
kimono. Some fully lined kimono do not have a separate lower and upper lining, and are instead lined with solid panels on the
8531:
8393:
7749:
7258:
6278:
In modern Japan, at least one layer is typically worn next to the skin when wearing kimono. Traditionally, this would be the
4867:
with incredibly fine patterns are also considered suitable for tea ceremony, as from a distance they are visually similar to
3983:, and outside of formal occasions that warrant it, can wear all other types of women's kimono which feature shorter sleeves.
2162:
kimono; partially lined kimono – with lining only at the sleeve cuff, the back of the sleeve, the lower chest portion of the
4171:
is not considered an essential piece of kimono underwear, and a t-shirt and shorts are frequently substituted in its place.
4092:
are frequently more decorative than women's, often featuring a dyed pictorial scene in the upper back, such as a scene from
2798:
draped around the shoulders, over the head, or as the outermost garment stripped off the shoulders and held in place by the
319:, the most informal type of kimono. More formal types are worn to funerals, weddings, graduations, and other formal events.
11039:
8114:
6182:
wear variations on common accessories that are not found in everyday dress. As an extension of this, many practitioners of
5204:
are formal women's kimono that feature a design along the hem on a coloured background. They are slightly less formal than
7280:. Rebecca A. T. Stevens, Yoshiko Iwamoto Wada, Textile Museum (1st ed.). Washington, D.C.: Pomegranate. p. 132.
4563:
are informal women's kimono. They were the type most often worn as everyday womenswear in pre-war Japan. Though informal,
4261:
are brightly coloured, featuring large motifs from a variety of different seasons. For women, they are worn with either a
3645:. Some fabrics – such as certain types of crêpe – are never seen in certain varieties of kimono, and some fabrics such as
3106:
refers by definition to highly-formal long-sleeved kimono worn by girls and young women; however, informal kimono such as
1543:
with woven patterns. Though kimono fabrics with woven patterns are typically not especially heavy and can be lightweight,
8846:
5168:
dating to the 1920s displaying a mirrored skirt pattern (the same garment as in the wedding image at the top of the page)
4727:
worn by women characterised by an extremely small repeating pattern, usually done in white on a coloured background. The
4644:(slubbed silk), cotton, linen, ramie, and hemp. In the modern day, synthetic blends and synthetics are also used; rayon (
3584:
predominating, but designers later came to use browns, greens, purples, and other colours in increasingly bold patterns.
3347:
casual or semi-formal kimono – does exist, with mass-produced pieces being mostly cheaper than those purchased through a
966:
From this point onwards, the basic shape of both men's and women's kimono remained largely unchanged. The sleeves of the
33:
8583:
5908:
fan tucked into the kimono. Due to the expensive nature of traditional bridal clothing, few are likely to buy brand-new
4398:, an underkimono resembling) is worn underneath, showing a second layer of collar at the neckline. However, some modern
4025:
is typically a little shorter than the length of a kimono when worn, and features no extra length to be bloused into an
238:
11054:
7815:
7502:
7217:
4733:
dyeing technique is sometimes said to originate in the late Heian period (circa mid-12th century), with a motif called
4078:
are often dyed in dark colours, and can be made of the same material as the outer kimono, as some kimono fabric bolts (
1941:. Kimono that were in better condition could be re-used as an under-kimono, or to create a false underlayer known as a
1013:
667:
During the later Heian period, various clothing edicts reduced the number of layers a woman could wear, leading to the
8787:
8657:
8437:
4156:
comes in two pieces (a wrap-front top and a skirt), features no collar, and either has tube sleeves or is sleeveless.
8013:
Victoria and Albert Museum. Department of Textiles; Smith, A. D. Howell; Koop, Albert J. (Albert James) (1919–1920).
7947:
7555:
7323:
7285:
7192:
7110:
6383:, which is visible at the neckline when worn underneath a kimono, is designed to be replaced and washed when needed.
3798:
1576:
1174:
441:
422:
273:
8340:
7869:
7409:
2955:
Women's kimono are still worn trailing in some situations, such as onstage, in historical dramas, and by geisha and
2746:– an unlined robe worn as underwear – became the predominant outerwear garment for both men and women, known as the
1357:
was deemed a necessity. Bridal trousseaus containing tens of kimono of every possible subtype were also promoted as
10525:
8602:
8554:
7892:
6046:
are pulled up somewhat diagonally, to emphasise the hips and ensure the kimono trails nicely on the floor. A small
3340:
874:
394:
2876:
around the hips, whereas on a woman's kimono, the long, unattached bottom of the sleeve could hang over the wider
1155:
as school uniform for girls. However, kimono still remained popular as an item of everyday fashion; following the
624:, with some elements being abandoned by both male and female courtiers, such as the round-necked and tube-sleeved
10086:
9032:
7153:
6195:
For certain traditional holidays and occasions some specific types of kimono accessories are worn. For instance,
4628:) are also common. Small, dense patterns are often used; this is practical, as fine-scale patterns hides stains.
2921:-width instead of a half width), though it is always folded in half lengthwise before wearing – a style known as
542:
8897:
8741:
8319:
7832:
6095:
can resemble many other types of women's kimono in their decoration, fabric type, colour and sleeve length. The
2009:
The hatless child in the pale kimono most clearly shows the shoulder tucks and hip overfold used to adjust size.
10401:
10116:
7100:
1034:
379:
9002:
6407:
resembles the lower half of a kimono's lining which, and is sewn to the kimono horizontally along the back. A
6302:
is typically made of something more washable than silk, such as cotton, hemp, linen or some synthetic fibres.
3957:
length, which almost reaches the floor, and a shorter length, used for every other variety of women's kimono.
1901:
are used to hold cloth together and decorate it. The cloth used for patchwork clothing must all be of similar
1107:; literally, "red silk") was also common in pre-1960s Japan, making kimono from this era easily identifiable.
401:
10312:
9903:
264:
Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a
10066:
6542:
Kimono are produced in different regions all over Japan. Locations known for making kimono are often called
5914:; it is not unusual to rent kimono for special occasions, and Shinto shrines are known to keep and rent out
3900:
Formality can also be determined by the type and colour of accessories. For women, this may be the weave of
10396:
10081:
8991:
8261:
7547:
6477:) and then stretching each piece of a kimono onto a board to dry after they have been washed and starched (
5675:
2150:
A number of terms are used to refer to the different parts of a kimono. Kimono that are lined are known as
1406:
105:
8768:
6525:
at least seasonally and before and after each time they are worn. Many people prefer to have their kimono
4779:
can be worn as low-formality visiting wear; because of this, they are always made of silk, unlike regular
3857:
2987:
The sleeve length (dropping down from the arm towards the floor when held outstretched) varies in kimono.
10537:
10499:
10386:
9508:
8992:
The Canadian Museum of Civilization - Archive of the exhibition "The Landscape Kimonos of Itchiku Kubota"
8069:
6896:
4903:
if the purpose of wear is a tea ceremony; instead, flat and untextured silks are chosen for accessories.
3874:) crest, where the design is outlined and filled in with white, is the most formal type. A "mid-shadow" (
7429:
4043:
are considered an essential piece of kimono underwear, and are worn with all types of kimono except for
408:
10992:
10721:
9987:
9808:
9025:
6183:
3750:
in some time in July, fabrics switch over to gauzier varieties, and highly-prized hemp fabrics such as
726:
9965:
8290:
3277:(Coming of Age Day) or weddings, either by the bride herself or an unmarried younger female relative.
2786:
was a relatively thin belt tied somewhat low on the waist, usually in a plain bow, and was known as a
1289:
While kimono were no longer common wear for men, they remained everyday wear for Japanese women until
1243:
at this time began to slowly graduate to a more formalised, neatened appearance, with a flat, uniform
613:. The term is used to refer to Heian-period Japanese culture, particularly that of the upper classes.
11044:
10473:
10354:
10206:
10076:
10061:
8971:
6117:
and design varies by role, with many roles having costume designs preserved from previous centuries.
3527:-dyed clothing was allowed for all classes, and was commonly seen in hand-dyed cotton, linen or hemp
1290:
930:
fabric, also became the preferred material for kimono at this time, replacing the previously-popular
541:(300–538 CE; the first part of the Yamato period), through immigration between the two countries and
10726:
5690:
4936:
4714:
1503:
1267:
standards were still relatively informal, and would not become formalised until after World War II.
1156:
10422:
9003:
Archived link to the Immortal Geisha Forums; comprehensive resource on kimono knowledge and culture
8682:
6522:
5850:
5579:
are a category of kimono and kimono accessories suitable for mourning, worn by both men and women.
5342:, men do not wear formal kimono that have elaborate patterns on the hem, as these would be hidden.
2003:
878:
The overall silhouette of the kimono transformed during the Edo period due to the evolution of the
390:
178:
8607:[Learning Kimono for Tea Ceremony: Dressing for each season] (in Japanese). Archived from
8559:[Learning Kimono for Tea Ceremony: Dressing for each season] (in Japanese). Archived from
8358:
7897:[Learning Kimono for Tea Ceremony: Dressing for each season] (in Japanese). Archived from
7567:
4037:) or features only thin ones, with the collar set at a lower angle than that of a regular kimono.
3343:
in recognition of their work, with the pieces they produce being considered culturally important.
1401:
In 2019, the mayor of Kyoto announced that his staff were working to register "Kimono Culture" on
9720:
7235:
Elizabeth LaCouture, Journal of Design History, Vol. 30, Issue 3, 1 September 2017, Pages 300–314
3842:) is the least formal, used for occasions such as tea ceremony. Kimono (and other garments, like
1580:
1141:
375:
368:
20:
8696:
8012:
6034:
are also tied differently when they are put on – whereas regular kimono are tied with a visible
5886:
will form part of a bridal ensemble with matching or coordinating accessories, such as a bridal
237:. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn
11049:
9501:
3395:
due to difficulty finding kimono of the right size, or simply for personal choice and fashion.
241:, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an
5757:, and thus are not designed to be worn belted. Unlike their 16th century counterparts, modern
10856:
1623:
1293:(1940–1945). Though the Taishō period had seen a number of invented traditions, standards of
10731:
8812:
6365:
resembles a kimono made of a lighter, thinner fabric, not uncommonly constructed without an
5222:
would make the wearer appear to be overdressed for the situation. The pattern placement for
3587:
Older people generally wear more subtle patterns, and younger people brighter, bolder ones.
3237:
86–115 cm (34–45 in), or shoulder to calf; usually about 100 cm (39 in)
636:
skirt worn by women, continued to in a reduced capacity, worn only to formal occasions; the
10891:
10263:
8967:
7669:
5006:
by the size of the motifs used, with smaller, less fluid motifs generally considered to be
3880:) crest is mid-formality, with only the outline of the crest visible in white. A "shadow" (
3295:
114–115 cm (45–45 in), as high as 125 cm (49 in), or shoulder to ankle
2071:). Tucks were also used to take in the garment; an outwards-facing pleat at each shoulder (
7352:"Dress like an aristocrat from the Nara period at new costume rental shop in Nara【Photos】"
7318:(first ed.). Washington DC, San Francisco: The Textile Museum, Pomegranate Artbooks.
5820:
5377:
5181:
5065:
4818:
8:
10148:
10128:
8144:
6873:
3013:
of men's kimono sleeves reflects the fact that they do not have to accommodate the wider
2712:. Top left: as a belted and wrapped robe; top right: belted and off the shoulders in the
1314:
During the war, kimono factories shut down, and the government encouraged people to wear
7695:
7233:
5413:
being considered somewhat more mature. The design is either symmetrically placed on the
5146:
to weddings (except relatives) and receptions. They may also be worn to formal parties.
4659:
are not worn as often as formal kimono, though they have a wider range of suitable use.
3380:
are also regarded as notorious for sales practices seen as unscrupulous and pressuring:
1583:– are auspicious, and thus worn to formal occasions for the entire year. Motifs seen on
1341:
Kimono were promoted as essential for ceremonial occasions; for instance, the expensive
10673:
9813:
9605:
9532:
9305:
9073:
6888:
948:
483:
5140:
may be worn by both married and unmarried women; often friends of the bride will wear
2915:
Formal women's kimono also retain the wider collar of previous eras (made from a full
1444:
111:
10954:
10736:
10653:
10176:
10143:
9881:
9823:
9798:
9698:
9595:
9204:
9048:
8389:
7943:
7811:
7774:
7745:
7711:
7551:
7498:
7329:
7319:
7291:
7281:
7254:
7213:
7188:
7106:
6892:
6771:
6717:
6597:
5844:
5704:
5671:
4494:
4094:
3412:
are likely to remain somewhat pricey; a used, well-kept and high-quality second-hand
2863:
front panel kept its long, shallow angle towards the hem. During the Edo period, the
1643:
The fabrics that kimono are made from are classified in two categories within Japan.
1516:
885:
794:
455:
8014:
7127:
6881:
6823:
6019:
are sewn differently to normal kimono due to the way they are worn. The collar on a
4458:
3746:
with twisted silk threads) are recommended for wear. Following the beginning of the
2702:
415:
11034:
10572:
10369:
10253:
10181:
10171:
10044:
9859:
9828:
9671:
9628:
9359:
8868:
6583:
6052:
is tied, larger at the back than the front, but it wrapped against the body with a
5330:
from the waist up, and thus cannot be distinguished in pattern when worn under the
3551:
3100:
kimono are worn by young, typically unmarried, women. In the present day, the term
1639:; the areas likely to have been damaged are made in another colour. Paper and silk.
1555:
being made from thickly-woven brocade. Traditionally, woven kimono are paired with
1443:
are made from a wide variety of fibre types, including hemp, linen, silk, Japanese
958:
692:
657:
616:
Women's clothing in the imperial palace became increasingly stylised in the formal
7518:
6798:
4739:, which shows tiny stylised cherry blossoms on a background of white dots. In the
10886:
10432:
10317:
10106:
9980:
9645:
9426:
8952:
7453:
7436:
6742:
6624:
6401:
may be attached instead of an entirely separate kimono to achieve this look; the
3767:
3630:
2118:
Historically, kimono were taken apart entirely to be washed – a process known as
1595:
1299:(wearing kimono) were still not as formalised in this time, with creases, uneven
1199:) technique of dyeing, where either warp or both warp and weft threads (known as
1074:
981:
In the Edo period, the kimono market was divided into craftspeople, who made the
905:
8502:
7475:
6966:
6837:
6806:
6784:
5697:
are highly formal women's over-kimono, worn only by brides or onstage. The name
5572:
5132:
generally will not. However, the two can prove near-indistinguishable at times.
4949:, though the two sometimes appear similar or indistinguishable. The motifs on a
4540:
4214:
3680:
are valued for their traditional production, and regularly command high prices.
3077:
691:) garment—previously considered underwear—becoming outerwear by the time of the
210:
11018:
10846:
10781:
10763:
10643:
10597:
10520:
10456:
10446:
10441:
10391:
10029:
10024:
9876:
9838:
8983:
Articles on contemporary kimono artisans and production regions by Ginza Motoji
8320:"Introduction Of Furisode, With Obi And Kimono Accessories | かふぇきもの Cafekimono"
8068:. 137 A Witness to History. National Museum of Japanese History. Archived from
6486:
New, custom-made kimono are generally delivered to a customer with long, loose
5660:
3676:
3657:
altogether, having been more popular in previous eras than in the present-day.
2107:
722:
100:
8468:
7990:
5440:– a false lining layer – attached, occasionally with a slightly padded hem. A
4110:
3700:). This applies to all types of kimono, with a few caveats: the very informal
3315:
1275:
136:
49:
11028:
10934:
10283:
10133:
9781:
9406:
8882:
8410:
7778:
7519:"Genroku period | Edo culture, Ukiyo-e art & Kabuki theater | Britannica"
6487:
6212:
3523:
Under feudal sumptuary laws, colours were restricted by class; for instance,
3218:
are not worn often enough to warrant buying a more casual form of the dress.
1902:
1658:
is the term used to indicate silk kimono fabrics, composed of the characters
1115:
502:
8955:
was created from a revision of this article dated 19 February 2009
8711:
7379:"JAPANESE TRADITIONAL RAIMENT IN THE CONTEXT OF EMERGENT CULTURAL PARADIGMS"
7333:
7295:
7161:
6548:. Many of these regional variations still exist today and are recognized as
5893:
4691:
3772:
continue to be worn; in September, they are still worn, but fabrics such as
3461:
3339:
dotwork dyeing, may take over a year to finish. Kimono artisans may be made
656:
grew too narrow to wrap all the way around and became a trapezoidal pleated
11006:
10964:
10911:
10861:
10668:
10451:
10226:
10071:
9524:
9368:
8817:
8200:
8092:
7840:
7804:
6526:
6232:
4144:
are even further removed from resembling a kimono in construction than the
4031:
for women's kimono; the front either does not have any overlapping panels (
3747:
3272:
3251:
has been growing longer, due to growing people and the near-elimination of
1809:– also being used to refer widely to hemp, linen and ramie kimono fabrics.
1137:
1111:
947:
In response to the increasing material wealth of the merchant classes, the
664:(trousers) became longer than the legs and also trailed behind the wearer.
588:
584:
555:
538:
498:
66:
9154:
8840:
6913:
6171:
5591:
and accessories are characterised by their plain, solid black appearance.
5032:, and can be worn to parties, but not ceremonies or highly formal events.
4374:
may also be worn over the top of a t-shirt and shorts. This distinguishes
2065:
sometimes the body of the kimono was made only a single cloth width wide (
1285:
standards for women, which promoted a neater, more standardised appearance
766:
619:
10929:
10803:
10776:
10693:
10587:
10552:
10364:
10138:
10096:
9997:
9992:
9908:
9869:
9575:
8982:
7964:
7313:
7275:
6610:
6426:
6149:
3813:
3753:
1352:
939:
560:
517:
10969:
8608:
8560:
7898:
6177:
5558:
4285:), and are often accessorised with colourful hair accessories. For men,
3595:
3475:
10813:
10567:
10494:
10359:
10034:
9713:
9691:
9388:
9323:
7663:"Survival or Success? The Kimono Retail Industry in Contemporary Japan"
7493:
Fassbender, Bardo; Peters, Anne; Peter, Simone; Högger, Daniel (2012).
5210:, which have roughly the same pattern placement on a black background.
4740:
3636:
1906:
1859:
stores to sell kimono – leading to kimono shops becoming known only as
1674:
1228:
897:
382: in this section. Unsourced material may be challenged and removed.
244:
9007:
7992:
Boro no Bi : Beauty in Humility—Repaired Cotton Rags of Old Japan
6993:
6107:
formality and above in their pattern placement and background colour.
5751:
are designed to be worn over the top of a complete kimono outfit with
4569:
with smaller, denser patterns are considered a shade more formal than
4476:
4450:
4434:
2033:
Kimono are traditionally made from a single bolt of fabric known as a
10798:
10663:
10658:
10592:
10582:
10562:
10530:
10049:
10012:
9953:
9703:
9676:
9600:
9565:
9435:
9296:
8235:
5926:
already are likely to have inherited them from close family members.
4750:
4490:
4189:
3868:-carrying"). The type of crest adds formality as well. A "full sun" (
3357:
reasons other than personal choice, fashion sense or love of kimono:
972:
began to grow in length, especially amongst unmarried women, and the
10322:
10243:
9270:
9017:
7006:. Though 'kimonos' is technically an acceptable plural for the term
6490:
stitches placed around the outside edges. These stitches are called
4132:
are a type of kimono undergarment traditionally worn underneath the
3918:(a traditional jacket) makes an outfit more formal, and adding both
3430:
can still retail at a high cost equal to that of a high-end women's
3298:
Generally only worn by brides, dancers, and singers. The hem of the
1140:
for men and school uniform for boys, and between 1920 and 1930, the
909:
747:, were almost never worn, allowing full-length patterns to be seen.
578:
357:
10949:
10906:
10866:
10786:
10771:
10678:
10633:
10542:
10379:
10342:
10337:
10248:
10231:
10111:
10091:
9975:
9970:
9918:
9843:
9686:
9560:
9555:
9314:
9091:
9082:
7378:
6877:
6551:
5482:, but are instead likely to be a matte fabric with little texture.
3952:
3400:
3054:
2771:. Court-appropriate dress continued to resemble the previous eras.
2111:
1888:
1563:
1549:
fabrics with woven patterns are often very heavy, with many formal
1344:
1178:
642:
473:
10974:
10716:
10258:
5534:, and thus cannot be distinguished in pattern when worn under the
4592:
4489:
kimono traditionally referred to kimono woven in plain weave with
4323:
are always unlined, and it is possible for women to wear a casual
4115:, fell out of fashion and knowledge and was rediscovered in 2010.
4063:
and can either be patterned or entirely plain, and modern women's
3728:(a type of silk crêpe noted as a more "wrinkle-resistant" form of
1829:
fabrics was separated, with silk kimono handled at shops known as
884:, the sleeves, and the style of wearing multiple layered kimono. (
848:
10944:
10818:
10808:
10628:
10602:
10557:
10547:
10466:
10374:
10332:
10268:
10236:
10216:
10186:
10054:
10007:
10002:
9948:
9943:
9793:
9755:
9750:
9745:
9730:
9725:
9655:
9650:
9550:
9462:
9397:
9350:
9341:
9240:
9231:
9195:
9163:
7273:
6927:
5791:
4744:
4639:
4600:
4498:
4467:
4429:
4199:
decorated with spider chrysanthemums and dragonflies respectively
4081:
4057:
are typically made of lightweight materials, often silk. Women's
3791:
3621:
3607:
3512:
2036:
1977:
1896:
1876:
1474:
1423:
1418:
1088:
1061:, May 1912, some in European dress, some in kimono, some wearing
901:
549:
334:
267:
116:
9493:
9480:
8997:
8035:
7767:"#KimOhNo: Kim Kardashian West renames Kimono brand amid outcry"
7249:
Wada, Yoshiko Iwamoto; Rice, Mary Kellogg; Barton, Jane (2011).
6002:
4885:, though likely no more than this, and are always made of silk.
2688:
1985:
1377:
In the early years of the 21st century, the cheaper and simpler
250:
10979:
10939:
10901:
10896:
10878:
10851:
10823:
10793:
10688:
10623:
10504:
10489:
10327:
10278:
10221:
10211:
10196:
10123:
10039:
9938:
9933:
9928:
9891:
9864:
9818:
9740:
9640:
9585:
9545:
9540:
9471:
9332:
9287:
9258:
9213:
9186:
9172:
9136:
9109:
9100:
9012:
6855:
6748:
5998:
5847:
5843:
are pure-white wedding kimono worn by brides for a traditional
5716:
5624:
A completely black mourning ensemble for women – a plain black
5354:
5088:
are women's formal kimono with the same pattern placement as a
4623:
4502:
4441:
4205:
4184:
3669:
3615:
3530:
3524:
2683:
2142:
2078:
2061:
as well. Kimono linings are made from bolts of the same width.
1970:
1610:
1454:
1402:
1194:
1162:
927:
788:
780:
698:
670:
661:
331:
are required to wear a kimono as part of their profession, and
320:
314:
58:
9145:
7864:
7862:
7860:
7858:
7544:
Robes of Elegance: Japanese Kimonos of the 16th-20th Centuries
7050:
length at the front and back, showing how it is tied into the
1677:
in ancient China where silk weaving technology developed, and
957:
patterns. As a result, a school of aesthetic thought known as
10959:
10871:
10828:
10711:
10273:
10201:
10191:
10166:
10101:
9913:
9886:
9803:
9788:
9735:
9681:
9633:
9590:
9570:
9444:
9249:
9222:
9127:
9118:
7253:(3rd ed.). New York: Kodansha USA, Inc. pp. 11–13.
7038:
Video reference showing Atami geisha Kyouma being dressed in
6895:
overseas, such as Japanese Filipinos in the Philippines (see
6565:
6463:
6198:
5401:
wearer is considered to be, though for a very young woman an
4856:
4653:
Now that kimono are not typically worn as informal clothing,
3245:
are suitable for most formal occasions; the sleeve length of
3164:, these are parallel versions of the formal, shorter-sleeved
2050:
1794:, "hemp clothes", in Japanese, with the character for hemp –
1617:
1460:
1317:
921:
839:
worn as outerwear. Note wider cut of the body, unisex narrow
534:
326:
234:
155:
142:
89:
A man and a woman wearing formal kimono, for a 1923 wedding (
73:
8769:"Varianten des Kimono: Furisode, Tomesode, Hōmongi & Co"
8240:
Kimono Mochi: private kimono collection photographs and text
7277:
The kimono inspiration : art and art-to-wear in America
6371:
panel at the front, and often has a collar cover known as a
4915:
4221:
are casual cotton summer kimono worn by both men and women.
3651:(heavy satin) silk are barely ever seen in modern kimono or
3565:. Bright, elaborate decoration is used on the lining of the
233:
is a traditional Japanese garment and the national dress of
10461:
9958:
9923:
9896:
9833:
9580:
9453:
8442:-dyeing Techniques and Designs after the Meiji Restoration"
8172:
The Great Japan Exhibition: Art of the Edo Period 1600-1868
7855:
7492:
7251:
Shibori: The Inventive Art of Japanese Shaped Resist Dyeing
7094:
7092:
5938:
5737:) unbelted over the shoulders of one's other garments; the
5044:
3974:
length, are longer than most women's kimono sleeves today.
2857:
retained its relatively long and wide proportions, and the
1188:
340:
256:
7090:
7088:
7086:
7084:
7082:
7080:
7078:
7076:
7074:
7072:
6502:, the small white prickstitching seen along the collar of
6143:
4797:
4086:) are woven with enough length to accommodate this. Men's
3627:
Some fabrics are also worn only at certain times of year;
3060:
2841:– becoming popular as formal dress for the upper classes.
2810:– a heavily decorated over-kimono, stemming from the verb
533:
The first instances of kimono-like garments in Japan were
9776:
7439:
7105:(1st ed.). Seattle: University of Washington Press.
5505:, small white decorative prickstitches along the collar.
4943:
are low-ranking women's formalwear, and are a step below
4233:
were also worn by guests at inns, with the design of the
1031:
Assorted types of kimono, Western dress, a court lady in
528:
40:
8448:(475). DigitalCommons@University of Nebraska - Lincoln.
4517:
1841:. Stores that handled all types of fabric were known as
1039:, and a schoolgirl in a high-collared shirt, kimono and
43:
temple-goer wearing a formal cherry-blossom-motif kimono
8658:"BENI ITAJIME: CARVED BOARD CLAMP RESIST DYEING IN RED"
8411:"The unspoiled market found by the lost office workers"
7870:"Kimono Seasonal Motifs, Colors and Flowers: Finished!"
7495:
The Oxford Handbook of the History of International Law
7069:
3810:
Formality is also determined by the number and type of
3206:
are rare, but are sometimes worn for graduations. Most
2661:
The back panels. The back panels consist of the "right
1847:, though after the Meiji period, stores only retailing
1817:
Until the end of the Edo period, the tailoring of both
9478:
9469:
9460:
9451:
9442:
9433:
9424:
9404:
9395:
9386:
9366:
9357:
9348:
9339:
9330:
9321:
9312:
9303:
9294:
9285:
9256:
9247:
9238:
9229:
9220:
9211:
9202:
9193:
9184:
9170:
9161:
9152:
9143:
9134:
9125:
9116:
9107:
9098:
9089:
9080:
9071:
8813:"[Video from Atami Geigi Kenban on Instagram]"
7315:
The kimono inspiration: art and art-to-wear in America
7312:
Stevens, Rebecca A. T.; Wada, Yoshiko Iwamoto (1996).
7051:
7045:
7039:
7024:
6925:
6911:
6849:
6843:
6821:
6804:
6782:
6757:
6728:
6703:
6690:
6683:
6676:
6669:
6662:
6655:
6635:
6608:
6581:
6549:
6543:
6533:
6513:
6503:
6497:
6491:
6478:
6472:
6450:
6444:
6438:
6432:
6424:
6418:
6408:
6402:
6378:
6372:
6366:
6360:
6354:
6342:
6318:
6312:
6306:
6297:
6291:
6285:
6279:
6270:
6264:
6258:
6252:
6246:
6230:
6224:
6218:
6210:
6204:
6196:
6187:
6175:
6153:
6121:
6111:
6102:
6096:
6090:
6081:
6075:
6053:
6047:
6041:
6035:
6029:
6020:
6014:
6006:
5992:
5986:
5980:
5958:
5949:
5943:
5930:
5921:
5915:
5909:
5903:
5897:
5887:
5881:
5872:
5866:
5860:
5854:
5802:
5796:
5783:
5774:
5768:
5758:
5752:
5746:
5738:
5714:
5708:
5698:
5665:
5652:
5643:
5637:
5631:
5625:
5616:
5610:
5604:
5598:
5592:
5586:
5580:
5549:
5535:
5529:
5523:
5517:
5509:
5485:
5477:
5471:
5465:
5459:
5453:
5447:
5441:
5435:
5429:
5420:
5414:
5408:
5402:
5359:
5346:
5337:
5331:
5325:
5319:
5306:
5280:
5271:
5265:
5259:
5253:
5247:
5241:
5235:
5229:
5223:
5217:
5211:
5205:
5163:
5150:
5141:
5135:
5127:
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5109:
5103:
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4722:
4696:
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4405:
4399:
4393:
4387:
4381:
4375:
4369:
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4357:
4351:
4342:
4336:
4330:
4324:
4318:
4310:
4304:
4298:
4292:
4286:
4280:
4274:
4268:
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4256:
4247:
4241:
4234:
4228:
4222:
4194:
4175:
4166:
4160:
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4145:
4139:
4133:
4127:
4119:
4108:
4102:
4087:
4079:
4073:
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4020:
4013:
4007:
4001:
3992:
3978:
3969:
3962:
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3887:
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3837:
3831:
3825:
3819:
3811:
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3782:
3773:
3765:
3759:
3751:
3741:
3735:
3729:
3723:
3717:
3708:
3701:
3695:
3689:
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3640:
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3613:
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3528:
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3492:
3486:
3480:
3466:
3448:
3431:
3425:
3419:
3413:
3407:
3385:
3375:
3367:
3348:
3334:
3328:
3299:
3288:
3282:
3270:
3264:
3258:
3252:
3246:
3240:
3229:
3223:
3213:
3207:
3201:
3195:
3189:
3183:
3177:
3171:
3165:
3159:
3153:
3141:
3135:
3125:
3119:
3113:
3107:
3101:
3052:
3042:
3036:
3024:
3014:
2974:
2968:
2962:
2956:
2945:
2916:
2906:
2900:
2894:
2888:
2877:
2871:
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2858:
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2836:
2805:
2799:
2793:
2787:
2781:
2775:
2741:
2731:
2725:
2719:
2713:
2707:
2693:
2668:
2662:
2582:
2392:
2386:
2380:
2342:
The part of the sleeve left hanging below the armhole.
2212:
2206:
2200:
2169:
2163:
2157:
2151:
2129:
2119:
2098:
2092:
2082:
2072:
2066:
2056:
2048:
2042:
2034:
2021:
1990:
1975:
1957:
1951:
1942:
1936:
1930:
1924:
1918:
1894:
1886:
1874:
1860:
1854:
1848:
1842:
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1824:
1818:
1696:
1627:
1615:
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1458:
1448:
1438:
1428:
1393:
1378:
1350:
1342:
1333:
1323:
1315:
1306:
1300:
1294:
1280:
1262:
1256:
1250:
1244:
1238:
1232:
1222:
1216:
1210:
1200:
1192:
1182:
1168:
1160:
1150:
1142:
1102:
1096:
1068:
1062:
1040:
1032:
988:
982:
973:
967:
952:
937:
931:
919:
913:
879:
846:
840:
834:
816:
810:
786:
778:
772:
764:
742:
736:
730:
716:
710:
709:
began to be held closed with a small belt known as an
704:
696:
668:
631:
617:
592:
547:
332:
324:
312:
265:
254:
242:
183:
71:
64:
56:
10990:
8898:"International conference on Japan and Japan Studies"
7307:
7305:
5609:. Men wear a kimono of the same kind, with a subdued
5216:, though worn to formal events, may be chosen when a
3559:
Aspects of men's kimono still follow this extreme of
1873:
Kimono can readily be resized, or unpicked back into
1779:, "cotton clothes", whereas hemp kimono are known as
1749:
Cotton and hemp fabrics are referred to generally as
625:
477:
7744:(1st ed.). Milano, Italy: Skira Editore S.p.A.
7154:"About the size of tanmono (a roll of kimono cloth)"
6858:
threads are hand woven together to create patterns.
6532:
2792:. During this time period, the fashion of wearing a
1835:, and kimono of other fibres sold at shops known as
1205:) were dyed using a stencil pattern before weaving.
8998:
The Kyoto Costume Museum - Costume History in Japan
8845:(video) (in Japanese). さとしの和ちゃんねる. 13 August 2022.
8584:"Kimono Seasonal Flowers, Motifs, and Colors: July"
8526:
8524:
8174:. London: Royal Academy of Arts. pp. 222–229.
6848:kimono are dyed with mud and dyed from the bark of
6130:
5648:being the last thing to be changed over to colour.
4483:are casual silk kimono worn by both men and women.
2677:
1479:(bolts of narrow width), save for certain types of
1173:kimono had become highly popular for their bright,
8816:
8115:"Kimono Seasonal Motifs, Flowers, and Colors: May"
7803:
7758:
7384:Cogito (2066-7094, Humanities Source, EBSCO (Host)
7377:
7302:
6186:wear similar kimono and accessories to geisha and
5126:are likely to cross fluidly over seams in a way a
4356:is traditionally worn as a single layer or over a
1572:) being typical for kimono made before the 1930s.
1136:Western clothing quickly became standard issue as
809:The courtiers in the foreground are wearing their
8532:"Kimono Seasonal Flowers, Motifs, and More: June"
8463:
8461:
8459:
8230:
8228:
8226:
8224:
8222:
8220:
8218:
5012:, and larger, more fluid motifs considered to be
4101:In the late 19th and early 20th century, women's
4012:, is an under-kimono worn by both men and women.
3939:
2418:The opening under the sleeve on a woman's kimono.
2047:are woven to be long enough to create a matching
1989:How a kimono is assembled from pieces cut from a
579:Heian period to Azuchi–Momoyama period (794–1600)
11026:
8905:Rites of Passage in Japanese Traditional Culture
8883:"About Ooshima Tsumugimura|Ooshima Tsumugi Mura"
8665:Textile Society of America Symposium Proceedings
8655:
8576:
8521:
8446:Textile Society of America Symposium Proceedings
8145:"Costume History in Japan - The Kamakura Period"
7997:Textile Society of America Symposium Proceedings
7735:
7733:
7731:
7729:
7727:
7497:. Oxford: Oxford University Press. p. 477.
7067:
7044:– the second video shows the difference between
6423:can be seen in some kabuki performances such as
5615:and a black-and-white or black-and-grey striped
3599:Couple being married in formal traditional dress
936:plain-weave silk, which had been used to create
249:, and is commonly worn with accessories such as
8815:(in Japanese). 11 December 2018. Archived from
8435:
8388:(1st ed.). New York: Bloomsbury Academic.
7965:"Kosode: a Japanese garment for the SCA period"
7797:
7795:
6999:
6972:
6387:
6324:
5920:for traditional weddings. Those who do possess
5811:
5681:
5563:
5491:
5368:
5288:
5172:
5056:
4927:
4809:
4705:
4531:
4465:
4439:
4203:
3507:worn with the kimono also determine formality.
3068:
2922:
2811:
2747:
2628:
2591:
2548:
2527:
2506:
2485:
2464:
2443:
2422:
2401:
2346:
2309:
2288:
2267:
2246:
2225:
2175:
1795:
1780:
1765:
1750:
1732:
1717:
1702:
1678:
1659:
1644:
1537:featuring dyed patterns being less formal than
606:
277:
9008:Articles on kimono from the V&A Collection
8456:
8215:
8195:
8193:
8191:
8189:
8187:
8185:
8183:
8087:
8085:
8083:
8081:
8079:
7942:(in Japanese). Tokyo: Shogakukan. p. 82.
7810:(3rd ed.). London: Vintage Random House.
7248:
6991:
6964:
6830:
6791:
6764:
6735:
6710:
6642:
6617:
6590:
6394:
5818:
5779:, the designs cover the entirety of the back.
5688:
5570:
5498:
5375:
5179:
5063:
4934:
4816:
4712:
4538:
4474:
4448:
4212:
3713:also change fabric type in the summer months.
3075:
2718:style; bottom left: as an unbelted outer robe
2635:
2598:
2555:
2534:
2513:
2492:
2471:
2450:
2429:
2408:
2353:
2316:
2295:
2274:
2253:
2232:
1802:
1787:
1772:
1757:
1739:
1724:
1709:
1685:
1666:
1651:
1386:
1121:
649:
600:
537:introduced to Japan via Chinese envoys in the
284:
207:
160:
9509:
9033:
8656:Arai, Masanao; Iwamoto Wada, Yoshiko (2010).
8503:"Male article: Type and difference of kimono"
7724:
6359:, is worn over the top of any underwear. The
5954:-type pattern on the kimono's elongated skirt
5246:may drift slightly into the back hem itself.
4416:, for occasions such as informal eating-out.
3694:); for the rest of the year, they are lined (
3635:, for instance, is a plain-weave fabric with
2774:By the beginning of the Kamakura period, the
1128:promoted Western dress as everyday clothing.
8735:
8733:
8649:
7792:
6556:, famous products of their place of origin.
3977:Young women are not limited to wearing only
2379:The front panels on a kimono, excluding the
2156:kimono, whereas unlined kimono are known as
2026:, shoulder tucks to adjust size for children
1368:
1131:
520:dress, late 8th century, 2005 reconstruction
311:festivals, where people frequently wear the
8496:
8494:
8492:
8490:
8488:
8486:
8429:
8180:
8076:
8055:
8053:
7742:Taisho Kimono: Speaking of Past and Present
7716:: CS1 maint: numeric names: authors list (
7689:
7469:
7467:
7311:
6854:Tree creating a deep black color. Mud dyed
6331:
6089:Aside from their specialised construction,
6059:
5964:
5877:after the ceremony to symbolise good luck.
5826:
5722:
5383:
5295:
5187:
5071:
4824:
4561:, though the patterns may in fact be large)
4546:
3683:
3083:
3041:, and used by definition for every type of
2929:
2818:
2754:
2641:
2604:
2561:
2359:
2322:
2182:
1956:, kimono made of a fancier material in the
1923:taken off and the collar re-sewn to create
1270:
1159:of 1923, cheap, informal and ready-to-wear
1001:
676:
290:
216:
9516:
9502:
9040:
9026:
8008:
8006:
7839:(in Japanese). スリーネクスト (株). Archived from
7274:Textile Museum (Washington, D.C.) (1996).
7185:Grand Sumo: The Living Sport and Tradition
5991:are extremely long kimono worn by geisha,
5603:, worn with white undergarments and white
5543:
4347:could also be dressed up in the same way.
3986:
2730:style; bottom right: over the head in the
1177:, many of which took inspiration from the
135:
9058:List of items traditionally worn in Japan
8895:
8730:
8335:
8333:
7445:
6921:List of items traditionally worn in Japan
6747:Cotton Kimono known for often hand woven
6137:List of items traditionally worn in Japan
4636:are made with informal materials such as
4240:bathrobes, with high-end, less colourful
3212:are vintage kimono, as in the modern day
2385:. The panels are divided into the "right
1019:Part of the Ootuki family in kimono, 1874
869:
442:Learn how and when to remove this message
8963:, and does not reflect subsequent edits.
8946:
8600:(Translated from the original Japanese:
8552:(Translated from the original Japanese:
8483:
8050:
7982:
7890:(Translated from the original Japanese:
7656:
7654:
7652:
7650:
7648:
7646:
7644:
7642:
7640:
7638:
7636:
7634:
7632:
7630:
7628:
7626:
7624:
7622:
7620:
7618:
7616:
7614:
7612:
7610:
7608:
7606:
7604:
7602:
7600:
7598:
7596:
7464:
7182:
6462:
6455:can also be seen on some bridal kimono.
6296:is not considered strictly necessary. A
6040:, and the side seams are kept straight,
5937:
5790:
5659:
5434:are always made of silk, and may have a
5353:
5157:
5043:
4914:
4796:
4701:pattern is stencil-dyed onto the fabric.
4690:
4516:
4433:
4368:, featuring a simplified construction).
4188:
3895:
3758:are worn. Continuing into August, hemp,
3594:
3474:
3460:
3314:
3059:
2701:
2687:
2220:These terms refer to parts of a kimono:
2141:
1984:
1969:
1609:
1502:
1422:
1274:
873:
110:
99:
8314:
8312:
8310:
8308:
8306:
8304:
8291:"Furisode vs. Tomesode The Kimono Lady"
8285:
8283:
8016:Guide to the Japanese textiles: Costume
8003:
7824:
7594:
7592:
7590:
7588:
7586:
7584:
7582:
7580:
7578:
7576:
7375:
7369:
7345:
7343:
7207:
7176:
5476:are never made of flashy silks such as
4410:featuring a collar of linen, cotton or
3518:
3032:49 cm (19 in), or hip-length
476:influence, with overlapping collar and
11027:
8785:
8739:
8383:
8377:
8345:Tea Ceremony Japan Experiences MAIKOYA
8330:
8259:
8169:
8059:
7956:
7937:
7349:
5597:kimono are plain black silk with five
5446:usually has between 3 and 5 crests; a
5336:. Because formalwear for men requires
4853:suitable for autumn are often made of
4527:with a small, repeating floral pattern
3188:-style pattern is deemed casual wear.
2698:(left) and a modern-day kimono (right)
1221:(short-sleeved) kimono for women, and
529:Yamato period to Nara period (300–794)
9497:
9047:
9021:
8671:from the original on 2 November 2021.
8038:. Kimono-taizen.com. 22 February 1999
7801:
7486:
7098:
7023:Rough crêpe fabrics are not used for
6437:flipped back slightly underneath the
6074:) wrap, which is then covered by the
3830:) are the most formal, three crests (
1671:, the Japanese pronunciation of "Wu")
1101:) for silk linings fabrics (known as
1045:. All wear both purple and red. 1890.
695:(1336–1573 CE). Originally worn with
8667:. University of Nebraska - Lincoln.
8452:from the original on 7 October 2023.
8408:
8301:
8280:
7988:
7739:
7660:
7573:
7340:
6431:, where the kimono is worn with the
5929:
5902:(usually mock-tortoiseshell), and a
5452:of any number of crests outranks an
5364:with three crests and longer sleeves
5270:may be made of figured silk such as
4362:(an underkimono worn underneath the
3836:) are mid-formality, and one crest (
2835:, worn unbelted over the top of the
2581:The collar cover sewn on top of the
1465:). Fabrics are typically – for both
1279:A 1957 clothing ad, showing postwar
1255:, which also resembled the "proper"
380:adding citations to reliable sources
351:
8788:"Are kimono and hikizuri the same?"
8766:
8760:
8709:
8590:from the original on 5 January 2022
8542:from the original on 5 January 2022
8260:Coline, Youandi (26 October 2018).
7830:
7473:
7451:
7350:Rogers, Krista (14 December 2015).
7242:
7201:
7029:, whereas smooth crêpe fabrics are.
6867:
6353:, often known and referred to as a
6305:For all forms of kimono except the
5859:and sometimes described as a white
4982:often lead to confusion, with some
4955:are placed similarly to those of a
3501:men and women, the accessories and
2110:on nearly every panel features two
1812:
1731:– with the additional character of
1187:kimono were usually dyed using the
729:(1568–1600), the decoration of the
63:(storyteller) wearing kimono and 5-
13:
8933:
8341:"Main Kimono Types (general info)"
7962:
7764:
7125:
3439:
3406:However, even second-hand women's
1149:replaced the kimono and undivided
14:
11066:
9523:
8914:
8849:from the original on 8 April 2023
8740:Coline, Youandi (2 August 2019).
7570:Mami Baba. Sen'i gakkaishi vol.64
5621:, worn with black or white zōri.
5540:required for men's formal dress.
5258:are of the same formality as any
5234:, though patterns seen along the
4291:are worn with either an informal
1950:Children also traditionally wore
1073:spread from the court as part of
993:, or wholesalers, and retailers.
11012:
11000:
9269:
8945:
8500:
8384:Cliffe, Sheila (23 March 2017).
8125:from the original on 3 July 2020
7989:Wada, Yoshiko (1 January 2004).
7880:from the original on 2 July 2020
7160:. Hirota Tsumugi. Archived from
7128:"5 Embarrassing Kimono Mistakes"
6229:are also worn by young women on
6131:Related garments and accessories
5508:
4193:A woman and a young boy wearing
4069:are frequently white in colour.
3319:A modern second-hand kimono shop
2982:
2844:In the following centuries, the
2678:Evolution of kimono construction
2481:The wrist opening of the sleeve.
2014:
2002:
1498:
1050:
1024:
1012:
996:
904:period (1688–1704 CE), wherein "
892:, woodblock print, 19th century)
826:
802:
756:
543:envoys to the Tang dynasty court
510:
491:
465:
356:
82:
48:
32:
8889:
8875:
8861:
8833:
8805:
8779:
8703:
8689:
8675:
8624:
8402:
8351:
8253:
8163:
8137:
8107:
8097:Kimono mochi: kimono collection
8028:
7931:
7914:
7683:
7561:
7536:
7511:
7423:
7402:
7376:Rybalko, Svitlana (June 2012).
7032:
7017:
5670:(formal over-kimono) depicting
5345:
5279:
5026:can have between one and three
4246:sometimes standing in place of
3384:Many feared a tactic known as
2626:
2399:
1965:
1261:of upper-class women. However,
367:needs additional citations for
8746:chayatsujikimono.wordpress.com
8473:Kimonomochi: kimono collection
8436:Fukatsu-Fukuoka, Yuko (2004).
8359:"How to buy a kimono in Japan"
8266:chayatsujikimono.wordpress.com
8205:Kimonomochi: kimono collection
7267:
7226:
7146:
7119:
6942:
6891:, and by other members of the
6217:, alongside brightly coloured
5149:
5000:are only distinguishable from
4761:are of a similar formality to
4662:
4575:with larger, bolder patterns.
4404:are worn with collared cotton
4392:(also simply referred to as a
4329:with a high-end, more subdued
3940:Sleeve length and construction
3590:
3149:76–86 cm (30–34 in)
2504:
845:and shorter sleeves. Matsuura
815:off-the-shoulder, showing the
763:In the late Heian period, the
554:tie-dyed fabric stored at the
184:
1:
10313:Traditional Albanian clothing
8786:Coline, Youandi (June 2018).
8742:"Formality Series: Tsukesage"
8170:Watson, William, ed. (1981).
8060:Sawada, Kazuto (9 May 2014).
7063:
4341:underneath. A high-end men's
3491:on the centre-back seam of a
3176:, but with longer sleeves. A
2544:The sleeve pouch of a kimono.
2263:The lower lining of a kimono.
2242:The upper lining of a kimono.
1633:
854:
16:Traditional Japanese clothing
7548:North Carolina Museum of Art
7014:as both singular and plural.
6880:, in the Brazilian state of
6443:to expose the design on the
6154:
6144:
5782:
5676:Khalili Collection of Kimono
4906:
4847:may feature a woven design;
4682:
4667:are the most formal type of
4650:) and polyester are common.
4611:is more formal, approaching
4303:. Children generally wear a
4118:
3456:
2483:
2462:
2439:The overlapping front panel.
2344:
1531:, the reverse is true, with
1407:intangible cultural heritage
535:traditional Chinese clothing
239:left side wrapped over right
106:Khalili Collection of Kimono
7:
11040:Japanese full-body garments
9479:
9470:
9461:
9452:
9443:
9434:
9425:
9405:
9396:
9387:
9367:
9358:
9349:
9340:
9331:
9322:
9313:
9304:
9295:
9286:
9257:
9248:
9239:
9230:
9221:
9212:
9203:
9194:
9185:
9171:
9162:
9153:
9144:
9135:
9126:
9117:
9108:
9099:
9090:
9081:
9072:
8907:– via Google scholar.
8896:Batkalova, Kuralay (2016).
8066:Bimonthly Magazine REKIHAKU
8062:"Furisode and teenage boys"
7694:. Ndl.go.jp. Archived from
7212:. E.P. Dutton. p. 28.
7052:
7046:
7040:
7025:
7000:
6973:
6926:
6912:
6905:
6897:Japanese in the Philippines
6850:
6844:
6822:
6805:
6783:
6758:
6729:
6704:
6691:
6684:
6677:
6670:
6663:
6656:
6636:
6609:
6582:
6550:
6544:
6538:, kimono production regions
6534:
6514:
6504:
6498:
6492:
6479:
6473:
6451:
6445:
6439:
6433:
6425:
6419:
6409:
6403:
6388:
6379:
6373:
6367:
6361:
6355:
6343:
6325:
6319:
6313:
6307:
6298:
6292:
6286:
6280:
6271:
6265:
6259:
6253:
6247:
6240:
6231:
6225:
6219:
6211:
6205:
6197:
6188:
6176:
6122:
6112:
6103:
6097:
6091:
6082:
6076:
6054:
6048:
6042:
6036:
6030:
6021:
6015:
6007:
5993:
5987:
5981:
5959:
5950:
5944:
5931:
5922:
5916:
5910:
5904:
5898:
5888:
5882:
5873:
5867:
5861:
5855:
5812:
5803:
5797:
5784:
5775:
5769:
5759:
5753:
5747:
5739:
5715:
5709:
5699:
5682:
5666:
5653:
5651:
5644:
5638:
5632:
5626:
5617:
5611:
5605:
5599:
5593:
5587:
5581:
5564:
5550:
5536:
5530:
5524:
5518:
5510:
5492:
5486:
5478:
5472:
5466:
5460:
5454:
5448:
5442:
5436:
5430:
5421:
5415:
5409:
5403:
5369:
5360:
5347:
5338:
5332:
5326:
5320:
5307:
5289:
5281:
5272:
5266:
5260:
5254:
5248:
5242:
5236:
5230:
5224:
5218:
5212:
5206:
5173:
5164:
5151:
5142:
5136:
5128:
5122:
5116:
5110:
5104:
5096:
5090:
5057:
5049:
5037:
5028:
5022:
5014:
5008:
5002:
4996:
4990:
4984:
4978:
4972:
4963:
4957:
4951:
4945:
4928:
4920:
4908:
4899:
4893:
4887:
4881:
4875:
4869:
4863:
4855:
4849:
4843:
4810:
4802:
4790:
4781:
4775:
4769:
4763:
4757:
4749:
4735:
4729:
4723:
4706:
4697:
4684:
4675:
4669:
4661:
4655:
4646:
4638:
4632:
4622:
4613:
4607:
4599:
4591:
4585:
4579:
4571:
4565:
4532:
4523:
4510:
4501:kimono are often dyed with
4485:
4466:
4440:
4421:
4412:
4406:
4400:
4394:
4388:
4382:
4376:
4370:
4364:
4358:
4352:
4343:
4337:
4331:
4325:
4319:
4311:
4305:
4299:
4293:
4287:
4281:
4275:
4269:
4263:
4257:
4248:
4242:
4235:
4229:
4223:
4204:
4195:
4176:
4167:
4161:
4152:
4146:
4140:
4134:
4128:
4120:
4109:
4103:
4088:
4080:
4074:
4065:
4059:
4053:
4045:
4039:
4033:
4027:
4021:
4014:
4008:
4002:
3993:
3979:
3970:
3963:
3951:
3932:
3926:
3920:
3914:
3908:
3902:
3888:
3882:
3876:
3870:
3864:
3856:
3850:
3844:
3838:
3832:
3826:
3820:
3812:
3790:
3783:
3774:
3766:
3760:
3752:
3742:
3736:
3730:
3724:
3718:
3709:
3702:
3696:
3690:
3668:
3662:
3653:
3647:
3641:
3629:
3614:
3606:
3579:
3573:
3567:
3561:
3550:
3544:
3538:
3529:
3503:
3493:
3487:
3481:
3467:
3449:
3432:
3426:
3420:
3414:
3408:
3386:
3376:
3368:
3349:
3335:
3329:
3304:is padded so it can trail.
3300:
3289:
3283:
3271:
3265:
3259:
3253:
3247:
3241:
3230:
3224:
3214:
3208:
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3196:
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3184:
3178:
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3166:
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3154:
3142:
3136:
3126:
3120:
3114:
3108:
3102:
3069:
3053:
3043:
3037:
3029:, ordinary women's sleeves
3025:
3015:
2975:
2969:
2963:
2957:
2946:
2923:
2917:
2907:
2901:
2895:
2893:in a hip fold known as the
2889:
2878:
2872:
2865:
2859:
2853:
2846:
2837:
2812:
2806:
2800:
2794:
2788:
2782:
2776:
2748:
2742:
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2726:
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2708:
2694:
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2592:
2583:
2549:
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2465:
2444:
2423:
2402:
2393:
2387:
2381:
2347:
2310:
2289:
2268:
2247:
2226:
2213:
2207:
2201:
2176:
2170:
2164:
2158:
2152:
2146:Diagram of the kimono parts
2130:
2120:
2099:
2093:
2083:
2081:-like overfold at the hip (
2073:
2067:
2057:
2049:
2043:
2035:
2022:
1991:
1976:
1958:
1952:
1943:
1937:
1931:
1925:
1919:
1895:
1887:
1875:
1861:
1855:
1849:
1843:
1837:
1831:
1825:
1819:
1796:
1781:
1766:
1751:
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1703:
1697:
1679:
1660:
1645:
1628:
1616:
1585:
1568:
1557:
1551:
1545:
1539:
1533:
1527:
1515:
1509:
1487:
1481:
1473:
1467:
1459:
1449:
1439:
1433:kimono in full formal dress
1429:
1412:
1394:
1387:Reiwa period (2019–present)
1379:
1351:
1343:
1334:
1324:
1316:
1307:
1301:
1295:
1281:
1263:
1257:
1251:
1245:
1239:
1233:
1223:
1217:
1211:
1201:
1193:
1183:
1175:seasonally changing designs
1169:
1161:
1151:
1143:
1103:
1097:
1069:
1063:
1041:
1033:
989:
983:
974:
968:
953:
938:
932:
920:
914:
880:
847:
841:
835:
817:
811:
787:
779:
773:
765:
743:
737:
731:
717:
711:
705:
697:
669:
632:
626:
618:
607:
593:
548:
478:
333:
325:
313:
278:
266:
255:
243:
72:
65:
57:
10:
11071:
8536:thekimonolady.blogspot.com
8119:thekimonolady.blogspot.com
7874:thekimonolady.blogspot.com
7765:Ho, Vivian (1 July 2019).
7102:Kimono: Fashioning Culture
6957:to wear (on the shoulders)
6685:Shirataka itajime kogasuri
6377:sewn over its collar. The
6184:Japanese traditional dance
6134:
6003:traditional Japanese dance
5556:
5035:
4879:may occasionally have one
4788:
4427:
4419:
4182:
4006:, also referred to as the
2681:
2546:
2244:
2137:
1521:pattern, a September motif
1416:
771:consisted of many layers (
453:
347:
18:
11055:History of Asian clothing
10922:
10839:
10756:
10704:
10613:
10513:
10482:
10412:
10305:
10298:
10159:
9852:
9766:
9664:
9621:
9614:
9531:
9417:
9379:
9278:
9267:
9064:
9055:
8604:茶席 の きもの を 学ぶ: 季節 ごと の 装い
8556:茶席 の きもの を 学ぶ: 季節 ごと の 装い
8386:The Social Life of Kimono
8262:"Women's vs Men's kimono"
7894:茶席 の きもの を 学ぶ: 季節 ごと の 装い
6992:
6965:
6831:
6792:
6765:
6736:
6711:
6643:
6618:
6591:
6496:(not to be confused with
6395:
5819:
5689:
5571:
5548:
5499:
5376:
5318:are formal men's kimono.
5180:
5064:
4935:
4817:
4713:
4539:
4475:
4449:
4255:In the present day, many
4213:
4174:
3805:
3674:, and fabrics woven from
3341:Living National Treasures
3076:
3067:
2804:, led to the rise of the
2636:
2599:
2589:
2556:
2535:
2525:
2514:
2493:
2472:
2451:
2430:
2409:
2354:
2317:
2296:
2275:
2254:
2233:
1803:
1788:
1773:
1758:
1740:
1725:
1710:
1686:
1667:
1652:
1369:Heisei period (1989–2019)
1311:still deemed acceptable.
1132:Taishō period (1912–1926)
1122:
860:, Azuchi-Momoyama period.
650:
601:
285:
208:
195:
177:
172:
168:
161:
154:
149:
134:
130:
125:
8841:
8603:
8555:
7893:
7056:so as to be not visible.
6935:
6887:Kimono are also worn by
6311:(excluding high-quality
6209:, are worn by girls for
5228:is roughly identical to
4508:
3991:
3684:Lined and unlined kimono
3257:, and may be considered
2950:, a normal width collar)
2420:
2223:
2168:and the entirety of the
1974:Cutting a kimono from a
1868:
1605:
1349:worn by young women for
1271:Shōwa period (1926–1989)
1249:and a smooth, uncreased
1002:Meiji period (1868–1912)
7938:Tanaka, Atsuko (2012).
7410:"The Arts of Edo Japan"
7356:SoraNews24 -Japan News-
7210:The Story of the Kimono
7183:Sharnoff, Lora (1993).
6458:
5544:Occasion-specific types
5407:may be chosen instead,
5114:'s close relative, the
4988:indistinguishable from
4597:) or tie-dye patterns (
3987:General types of kimono
3824:(crests). Five crests (
3571:(jacket), and on men's
3542:) or to along the hem (
3310:
2441:
2307:
2286:
1581:Three Friends of Winter
1575:Many kimono motifs are
21:Kimono (disambiguation)
8941:
8921:Listen to this article
8767:Tim (5 October 2020).
7542:Ishimura Hayao et al.
7435:19 August 2021 at the
7208:Liddell, Jill (1989).
6468:
6001:and people performing
5955:
5808:
5678:
5365:
5169:
5053:
4924:
4806:
4747:classes used them for
4702:
4528:
4462:
4200:
3936:are also more formal.
3600:
3497:
3472:
3392:
3364:
3333:fabrics and hand-tied
3320:
3064:
2737:
2699:
2265:
2147:
1995:
1982:
1640:
1522:
1471:and kimono – woven as
1434:
1286:
1157:Great Kantō Earthquake
893:
890:Plum Blossoms at Night
870:Edo period (1603–1867)
727:Azuchi–Momoyama period
120:
108:
8940:
8509:. Manga Designers Lab
7876:. 30 September 2013.
7568:町人のきもの 1 寛文~江戸中期までの着物
6466:
6237:(Coming of Age Day).
5948:kimono, displaying a
5941:
5896:), a set of matching
5794:
5663:
5458:with less than five.
5357:
5161:
5047:
4970:Similarities between
4918:
4800:
4694:
4520:
4437:
4192:
3896:Choice of accessories
3598:
3478:
3464:
3382:
3359:
3318:
3200:. In the modern era,
3063:
2912:overfold at the hip.
2705:
2692:Comparison between a
2691:
2145:
1988:
1973:
1690:, meaning "clothing")
1613:
1506:
1426:
1278:
1075:Japanese reform dress
877:
114:
103:
10892:Mexican pointy boots
9380:Belt / sash
8972:More spoken articles
8857:– via YouTube.
8842:【完全解説】自宅で着物を洗い張りしてみた
8415:Japan Business Press
8409:Tsuruoka, Hiroyuki.
8151:. The Costume Museum
7969:www.wodefordhall.com
7802:Dalby, Liza (2000).
7670:University of Oxford
7661:Valk, Julie (2018).
7099:Dalby, Liza (1993).
6952:comes from the verb
6467:How to fold a kimono
5836:white pure-innocence
5559:Mourning § Asia
4897:are never worn with
4891:accessories such as
3912:. For men, adding a
3519:Colours and patterns
1844:gofuku futomono dana
1513:machine-dyed with a
1227:. The bridal kimono
777:) worn over a plain
725:(1467–1615) and the
505:) dress, 7th century
472:Women's dress under
376:improve this article
19:For other uses, see
10847:Inuit skin clothing
8821:on 26 December 2021
8748:. Chayatsuji Kimono
8712:"Edokomon - Kimono"
8697:"鹿児島県・大島紬(おおしまつむぎ)"
8683:"紬とは?実は大島紬は紬じゃない!?"
8586:. 19 January 2013.
8538:. 16 October 2012.
8326:. 13 February 2020.
8268:. Chayatsuji Kimono
7922:Daijisen Dictionary
7474:Badgley, Joshua L.
7452:Badgley, Joshua L.
5853:. Comparable to an
5807:(wedding headpiece)
5197:colour short-sleeve
4380:from a more-formal
4279:(a soft, sash-like
3740:(a thicker type of
3194:are also worn with
2992:
2502:The kimono armhole.
2103:of the modern day.
1673:, referring to the
1322:(also romanised as
115:Woman in kimono at
10732:Nationella dräkten
10674:Sombrero de catite
10447:Scottish highlands
9013:Articles on kimono
8942:
8685:. 7 February 2010.
8438:"The Evolution of
8347:. 28 October 2020.
8297:. 24 January 2010.
7740:Dees, Jan (2009).
7523:www.britannica.com
7454:"Women's Garments"
6889:Japanese Americans
6678:Kusakizome tsumugi
6521:Kimono need to be
6469:
5956:
5942:A geisha's formal
5809:
5679:
5490:typically feature
5393:black short-sleeve
5366:
5170:
5054:
4925:
4861:damask silk. Some
4807:
4703:
4617:-level formality.
4529:
4463:
4201:
3775:hitokoshi chirimen
3731:hitokoshi-chirimen
3601:
3498:
3473:
3471:dyed onto a kimono
3321:
3065:
2990:
2738:
2700:
2460:The entire sleeve.
2192:chest-single-layer
2148:
1996:
1983:
1641:
1523:
1435:
1427:A child wearing a
1287:
949:Tokugawa shogunate
894:
484:Takamatsuzuka Tomb
121:
109:
10988:
10987:
10752:
10751:
10654:Traje de flamenca
10294:
10293:
9596:Senegalese kaftan
9491:
9490:
9049:Japanese clothing
8938:
8792:Chayatsuji Kimono
8710:Okamura, Mayumi.
8395:978-1-4725-8553-0
8121:. 13 April 2013.
8025:is not copyright)
7843:on 12 August 2013
7831:Miyoshi, Yurika.
7751:978-88-572-0011-8
7690:更新日:2010年11月25日.
7476:"Women's Outfits"
7260:978-1-56836-396-7
6893:Japanese diaspora
6865:
6864:
6772:Hakusan, Ishikawa
6718:Shiozawa, Niigata
6598:Kumejima, Okinawa
6417:Kimono featuring
5979:) (also known as
5932:Susohiki/Hikizuri
4743:(1603–1867), the
4095:The Tale of Genji
3906:and the style of
3892:, are also seen.
3479:A dyed 'shadow' (
3308:
3307:
2624:The inner collar.
2523:The lower lining.
987:and accessories,
886:Utagawa Kuniyoshi
795:The Tale of Genji
456:Japanese clothing
452:
451:
444:
426:
199:
198:
191:
190:
11062:
11045:Robes and cloaks
11017:
11016:
11015:
11005:
11004:
11003:
10996:
10857:Ceinture fléchée
10573:Ukrainian wreath
10303:
10302:
10082:Formal Chut Thai
10045:Maria Clara gown
9619:
9618:
9518:
9511:
9504:
9495:
9494:
9484:
9475:
9466:
9457:
9448:
9439:
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9410:
9401:
9392:
9372:
9363:
9354:
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9336:
9327:
9318:
9309:
9300:
9291:
9273:
9262:
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9244:
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9208:
9199:
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9167:
9158:
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9104:
9095:
9086:
9077:
9042:
9035:
9028:
9019:
9018:
8962:
8960:
8949:
8948:
8939:
8929:
8927:
8922:
8909:
8908:
8902:
8893:
8887:
8886:
8879:
8873:
8872:
8865:
8859:
8858:
8856:
8854:
8837:
8831:
8830:
8828:
8826:
8820:
8809:
8803:
8802:
8800:
8798:
8783:
8777:
8776:
8764:
8758:
8757:
8755:
8753:
8737:
8728:
8727:
8725:
8723:
8716:project-japan.jp
8707:
8701:
8700:
8693:
8687:
8686:
8679:
8673:
8672:
8662:
8653:
8647:
8646:
8644:
8642:
8628:
8622:
8620:
8618:
8616:
8599:
8597:
8595:
8580:
8574:
8572:
8570:
8568:
8551:
8549:
8547:
8528:
8519:
8518:
8516:
8514:
8498:
8481:
8480:
8465:
8454:
8453:
8433:
8427:
8426:
8424:
8422:
8406:
8400:
8399:
8381:
8375:
8374:
8372:
8370:
8355:
8349:
8348:
8337:
8328:
8327:
8316:
8299:
8298:
8287:
8278:
8277:
8275:
8273:
8257:
8251:
8250:
8248:
8246:
8232:
8213:
8212:
8197:
8178:
8177:
8167:
8161:
8160:
8158:
8156:
8141:
8135:
8134:
8132:
8130:
8111:
8105:
8104:
8089:
8074:
8073:
8057:
8048:
8047:
8045:
8043:
8032:
8026:
8020:
8010:
8001:
8000:
7986:
7980:
7979:
7977:
7975:
7963:Joseph, Lisa A.
7960:
7954:
7953:
7935:
7929:
7928:
7918:
7912:
7910:
7908:
7906:
7889:
7887:
7885:
7866:
7853:
7852:
7850:
7848:
7828:
7822:
7821:
7809:
7799:
7790:
7789:
7787:
7785:
7762:
7756:
7755:
7737:
7722:
7721:
7715:
7707:
7705:
7703:
7687:
7681:
7680:
7678:
7676:
7667:
7658:
7571:
7565:
7559:
7540:
7534:
7533:
7531:
7529:
7515:
7509:
7508:
7490:
7484:
7483:
7471:
7462:
7461:
7449:
7443:
7427:
7421:
7420:
7419:. 18 March 2000.
7417:Asian Art Museum
7414:
7406:
7400:
7399:
7397:
7395:
7381:
7373:
7367:
7366:
7364:
7362:
7347:
7338:
7337:
7309:
7300:
7299:
7271:
7265:
7264:
7246:
7240:
7238:
7230:
7224:
7223:
7205:
7199:
7198:
7180:
7174:
7173:
7171:
7169:
7158:hirotatsumugi.jp
7150:
7144:
7143:
7141:
7139:
7123:
7117:
7116:
7096:
7057:
7055:
7049:
7043:
7036:
7030:
7028:
7021:
7015:
7005:
7003:
6997:
6996:
6988:
6985:
6982:
6978:
6976:
6970:
6969:
6961:
6958:
6955:
6946:
6931:
6917:
6874:Japanese descent
6868:Outside of Japan
6853:
6847:
6834:
6833:
6827:
6810:
6795:
6794:
6788:
6768:
6767:
6761:
6759:Ushikubi tsumugi
6739:
6738:
6732:
6714:
6713:
6707:
6705:Shiozawa tsumugi
6694:
6687:
6680:
6673:
6671:Itajime kogasuri
6666:
6659:
6657:Benibana tsumugi
6646:
6645:
6639:
6621:
6620:
6614:
6594:
6593:
6587:
6584:Kumejima-tsumugi
6559:
6558:
6555:
6547:
6537:
6517:
6507:
6501:
6495:
6482:
6476:
6454:
6448:
6442:
6436:
6430:
6422:
6412:
6406:
6400:
6399:, "second wing")
6398:
6397:
6391:
6382:
6376:
6370:
6364:
6358:
6352:
6350:
6347:
6346:
6339:
6336:
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6328:
6322:
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6301:
6295:
6289:
6283:
6274:
6268:
6262:
6256:
6250:
6236:
6228:
6222:
6216:
6208:
6203:, also known as
6202:
6191:
6181:
6157:
6147:
6125:
6115:
6106:
6100:
6094:
6085:
6080:, rendering the
6079:
6073:
6070:
6067:
6064:
6061:
6057:
6051:
6045:
6039:
6033:
6024:
6018:
6010:
5996:
5990:
5984:
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5975:
5972:
5969:
5966:
5962:
5953:
5947:
5934:
5925:
5919:
5913:
5907:
5901:
5891:
5885:
5876:
5870:
5864:
5858:
5851:wedding ceremony
5842:
5840:
5837:
5834:
5831:
5828:
5824:
5823:
5815:
5806:
5800:
5787:
5778:
5772:
5762:
5756:
5750:
5742:
5736:
5733:
5730:
5727:
5724:
5720:
5712:
5702:
5696:
5694:
5693:
5685:
5669:
5656:
5647:
5641:
5635:
5629:
5620:
5614:
5608:
5602:
5596:
5590:
5584:
5578:
5576:
5575:
5567:
5553:
5539:
5533:
5527:
5521:
5513:
5504:
5502:
5501:
5495:
5489:
5481:
5475:
5470:does not exist.
5469:
5463:
5457:
5451:
5445:
5439:
5433:
5424:
5418:
5412:
5406:
5399:
5397:
5394:
5391:
5388:
5385:
5381:
5380:
5372:
5363:
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5341:
5335:
5329:
5323:
5317:
5315:
5312:
5310:
5303:
5300:
5297:
5292:
5284:
5275:
5269:
5263:
5257:
5251:
5245:
5239:
5233:
5227:
5221:
5215:
5209:
5203:
5201:
5198:
5195:
5192:
5189:
5185:
5184:
5176:
5167:
5154:
5145:
5139:
5131:
5125:
5119:
5113:
5107:
5099:
5093:
5087:
5085:
5082:
5079:
5076:
5073:
5069:
5068:
5060:
5052:
5040:
5031:
5025:
5017:
5011:
5005:
4999:
4993:
4987:
4981:
4975:
4966:
4960:
4954:
4948:
4942:
4940:
4939:
4931:
4923:
4911:
4902:
4896:
4890:
4884:
4878:
4872:
4866:
4860:
4852:
4846:
4840:
4838:
4835:
4832:
4829:
4826:
4822:
4821:
4813:
4805:
4793:
4784:
4778:
4772:
4766:
4760:
4754:
4738:
4732:
4726:
4720:
4718:
4717:
4709:
4700:
4687:
4678:
4672:
4666:
4658:
4649:
4643:
4635:
4627:
4616:
4610:
4604:
4596:
4588:
4582:
4574:
4568:
4562:
4560:
4557:
4554:
4551:
4548:
4544:
4543:
4535:
4526:
4513:
4488:
4482:
4480:
4479:
4471:
4456:
4454:
4453:
4445:
4424:
4415:
4409:
4403:
4397:
4391:
4386:kimono, where a
4385:
4379:
4373:
4367:
4361:
4355:
4346:
4340:
4334:
4328:
4322:
4314:
4308:
4302:
4296:
4290:
4284:
4278:
4272:
4266:
4260:
4251:
4245:
4238:
4232:
4226:
4220:
4218:
4217:
4209:
4198:
4179:
4170:
4164:
4155:
4149:
4143:
4137:
4131:
4123:
4114:
4106:
4091:
4085:
4077:
4068:
4062:
4056:
4048:
4042:
4036:
4030:
4024:
4017:
4011:
4005:
3996:
3982:
3973:
3966:
3956:
3935:
3929:
3923:
3917:
3911:
3905:
3891:
3885:
3879:
3873:
3867:
3861:
3853:
3847:
3841:
3835:
3829:
3823:
3817:
3795:
3786:
3777:
3771:
3763:
3757:
3745:
3739:
3733:
3727:
3721:
3712:
3705:
3699:
3693:
3673:
3665:
3656:
3650:
3644:
3634:
3619:
3611:
3582:
3576:
3570:
3564:
3555:
3547:
3541:
3534:
3506:
3496:
3490:
3484:
3470:
3452:
3435:
3429:
3423:
3417:
3411:
3389:
3379:
3371:
3352:
3338:
3332:
3303:
3292:
3286:
3276:
3268:
3262:
3256:
3250:
3244:
3233:
3227:
3217:
3211:
3205:
3199:
3193:
3187:
3181:
3175:
3169:
3163:
3157:
3145:
3139:
3129:
3123:
3117:
3111:
3105:
3099:
3097:
3094:
3091:
3088:
3085:
3081:
3080:
3072:
3058:
3046:
3040:
3028:
3018:
2993:
2989:
2978:
2972:
2966:
2960:
2951:
2949:
2944:, as opposed to
2943:
2940:
2937:
2934:
2931:
2926:
2920:
2910:
2904:
2898:
2892:
2881:
2875:
2868:
2862:
2856:
2849:
2840:
2834:
2832:
2829:
2826:
2823:
2820:
2815:
2809:
2803:
2797:
2791:
2785:
2779:
2770:
2768:
2765:
2762:
2759:
2756:
2751:
2745:
2735:
2729:
2723:
2717:
2711:
2706:Ways of wearing
2697:
2672:
2666:
2657:
2655:
2652:
2649:
2646:
2643:
2639:
2638:
2632:
2620:
2618:
2615:
2612:
2609:
2606:
2602:
2601:
2595:
2586:
2577:
2575:
2572:
2569:
2566:
2563:
2559:
2558:
2552:
2540:
2538:
2537:
2531:
2519:
2517:
2516:
2510:
2498:
2496:
2495:
2489:
2477:
2475:
2474:
2468:
2456:
2454:
2453:
2447:
2435:
2433:
2432:
2426:
2414:
2412:
2411:
2405:
2396:
2390:
2384:
2375:
2373:
2370:
2367:
2364:
2361:
2357:
2356:
2350:
2338:
2336:
2333:
2330:
2327:
2324:
2320:
2319:
2313:
2301:
2299:
2298:
2292:
2280:
2278:
2277:
2271:
2259:
2257:
2256:
2250:
2238:
2236:
2235:
2229:
2216:
2210:
2204:
2198:
2196:
2193:
2190:
2187:
2184:
2179:
2173:
2167:
2161:
2155:
2133:
2123:
2102:
2096:
2086:
2076:
2070:
2060:
2054:
2046:
2040:
2025:
2018:
2006:
1994:
1981:
1962:and upper back.
1961:
1955:
1946:
1940:
1934:
1928:
1922:
1900:
1892:
1881:(bolt) lengths.
1880:
1864:
1858:
1852:
1846:
1840:
1834:
1828:
1822:
1813:Merchants' terms
1808:
1806:
1805:
1799:
1793:
1791:
1790:
1784:
1778:
1776:
1775:
1769:
1763:
1761:
1760:
1754:
1746:meaning 'shop'.
1745:
1743:
1742:
1736:
1730:
1728:
1727:
1721:
1715:
1713:
1712:
1706:
1700:
1691:
1689:
1688:
1682:
1672:
1670:
1669:
1663:
1657:
1655:
1654:
1648:
1638:
1635:
1631:
1621:
1588:
1571:
1560:
1554:
1548:
1542:
1536:
1530:
1520:
1512:
1490:
1484:
1478:
1470:
1464:
1452:
1442:
1437:Both kimono and
1432:
1397:
1382:
1356:
1348:
1337:
1327:
1321:
1310:
1304:
1298:
1284:
1266:
1260:
1254:
1248:
1242:
1236:
1226:
1220:
1214:
1204:
1198:
1186:
1172:
1166:
1154:
1146:
1127:
1125:
1124:
1106:
1100:
1072:
1066:
1054:
1044:
1038:
1028:
1016:
992:
986:
977:
971:
956:
943:
935:
925:
917:
910:merchant classes
883:
859:
856:
852:
844:
838:
830:
820:
814:
806:
792:
784:
776:
770:
760:
746:
740:
734:
720:
714:
708:
702:
693:Muromachi period
690:
687:
684:
681:
678:
674:
655:
653:
652:
646:
635:
629:
623:
612:
610:
604:
603:
596:
553:
514:
495:
481:
469:
447:
440:
436:
433:
427:
425:
384:
360:
352:
338:
330:
318:
306:
304:
301:
298:
295:
292:
288:
287:
281:
271:
260:
248:
232:
230:
227:
224:
221:
218:
214:
213:
187:
186:
170:
169:
164:
163:
139:
123:
122:
86:
77:
70:
62:
52:
36:
11070:
11069:
11065:
11064:
11063:
11061:
11060:
11059:
11025:
11024:
11023:
11013:
11011:
11001:
10999:
10991:
10989:
10984:
10918:
10835:
10748:
10700:
10609:
10509:
10478:
10433:Windsor uniform
10408:
10290:
10155:
9848:
9829:Peshawari pagri
9762:
9660:
9610:
9527:
9522:
9492:
9487:
9413:
9375:
9274:
9265:
9060:
9051:
9046:
8976:
8975:
8964:
8958:
8956:
8953:This audio file
8950:
8943:
8934:
8931:
8925:
8924:
8920:
8917:
8912:
8900:
8894:
8890:
8881:
8880:
8876:
8867:
8866:
8862:
8852:
8850:
8843:
8839:
8838:
8834:
8824:
8822:
8811:
8810:
8806:
8796:
8794:
8784:
8780:
8765:
8761:
8751:
8749:
8738:
8731:
8721:
8719:
8718:. Project Japan
8708:
8704:
8695:
8694:
8690:
8681:
8680:
8676:
8660:
8654:
8650:
8640:
8638:
8632:"Mon and Kamon"
8630:
8629:
8625:
8614:
8612:
8611:on 27 July 2008
8605:
8601:
8593:
8591:
8582:
8581:
8577:
8566:
8564:
8563:on 27 July 2008
8557:
8553:
8545:
8543:
8530:
8529:
8522:
8512:
8510:
8499:
8484:
8467:
8466:
8457:
8434:
8430:
8420:
8418:
8407:
8403:
8396:
8382:
8378:
8368:
8366:
8357:
8356:
8352:
8339:
8338:
8331:
8324:cafe-kimono.com
8318:
8317:
8302:
8295:The Kimono Lady
8289:
8288:
8281:
8271:
8269:
8258:
8254:
8244:
8242:
8234:
8233:
8216:
8199:
8198:
8181:
8168:
8164:
8154:
8152:
8143:
8142:
8138:
8128:
8126:
8113:
8112:
8108:
8091:
8090:
8077:
8058:
8051:
8041:
8039:
8034:
8033:
8029:
8011:
8004:
7987:
7983:
7973:
7971:
7961:
7957:
7950:
7936:
7932:
7920:
7919:
7915:
7904:
7902:
7901:on 27 July 2008
7895:
7891:
7883:
7881:
7868:
7867:
7856:
7846:
7844:
7829:
7825:
7818:
7800:
7793:
7783:
7781:
7763:
7759:
7752:
7738:
7725:
7709:
7708:
7701:
7699:
7698:on 16 June 2008
7688:
7684:
7674:
7672:
7666:(D.Phil thesis)
7665:
7659:
7574:
7566:
7562:
7541:
7537:
7527:
7525:
7517:
7516:
7512:
7505:
7491:
7487:
7472:
7465:
7450:
7446:
7437:Wayback Machine
7428:
7424:
7412:
7408:
7407:
7403:
7393:
7391:
7374:
7370:
7360:
7358:
7348:
7341:
7326:
7310:
7303:
7288:
7272:
7268:
7261:
7247:
7243:
7232:
7231:
7227:
7220:
7206:
7202:
7195:
7187:. Weatherhill.
7181:
7177:
7167:
7165:
7152:
7151:
7147:
7137:
7135:
7124:
7120:
7113:
7097:
7070:
7066:
7061:
7060:
7037:
7033:
7022:
7018:
6989:
6986:
6983:
6980:
6979:, and the noun
6962:
6959:
6956:
6953:
6947:
6943:
6938:
6908:
6870:
6743:Kurume, Fukuoka
6625:Miyako, Okinawa
6540:
6461:
6392:
6348:
6340:
6337:
6334:
6329:
6243:
6139:
6133:
6071:
6068:
6065:
6062:
5976:
5973:
5970:
5967:
5936:
5838:
5835:
5832:
5829:
5816:
5789:
5734:
5731:
5728:
5725:
5703:comes from the
5686:
5658:
5568:
5561:
5555:
5546:
5515:
5496:
5395:
5392:
5389:
5386:
5373:
5352:
5313:
5304:
5301:
5298:
5293:
5286:
5199:
5196:
5193:
5190:
5177:
5156:
5083:
5080:
5077:
5074:
5061:
5042:
4932:
4913:
4836:
4833:
4830:
4827:
4814:
4795:
4710:
4689:
4583:mostly have no
4558:
4555:
4552:
4549:
4536:
4515:
4472:
4446:
4432:
4426:
4335:, often with a
4210:
4187:
4181:
4125:
3998:
3989:
3942:
3898:
3808:
3725:kawari-chirimen
3686:
3593:
3521:
3459:
3442:
3440:Types of kimono
3353:(kimono shop).
3313:
3095:
3093:swinging sleeve
3092:
3089:
3086:
3073:
3019:worn by women.
2991:Sleeve lengths
2985:
2941:
2938:
2935:
2932:
2927:
2830:
2827:
2824:
2821:
2816:
2766:
2763:
2760:
2757:
2752:
2686:
2680:
2658:
2653:
2650:
2647:
2644:
2633:
2621:
2616:
2614:neckband lining
2613:
2610:
2607:
2596:
2578:
2573:
2570:
2567:
2564:
2553:
2541:
2532:
2520:
2511:
2499:
2490:
2478:
2469:
2457:
2448:
2436:
2427:
2415:
2406:
2376:
2371:
2368:
2365:
2362:
2351:
2339:
2334:
2331:
2328:
2325:
2314:
2302:
2293:
2281:
2272:
2260:
2251:
2239:
2230:
2194:
2191:
2188:
2185:
2180:
2174:– are known as
2140:
2031:
2030:
2029:
2028:
2027:
2019:
2011:
2010:
2007:
1968:
1871:
1815:
1800:
1785:
1770:
1755:
1737:
1722:
1707:
1683:
1664:
1649:
1636:
1608:
1596:cherry blossoms
1501:
1453:), and figured
1421:
1415:
1389:
1371:
1273:
1224:montsuki hakama
1215:, divisions of
1134:
1119:
1084:
1083:
1082:
1081:
1078:
1055:
1046:
1029:
1020:
1017:
1004:
999:
906:Genroku culture
872:
867:
866:
865:
864:
861:
857:
831:
822:
807:
798:
797:, 12th century)
761:
688:
685:
682:
679:
647:
640:
598:
589:Imperial Palace
581:
566:In 718 CE, the
531:
526:
525:
524:
521:
515:
506:
496:
487:
470:
458:
448:
437:
431:
428:
385:
383:
373:
361:
350:
302:
299:
296:
293:
282:
228:
225:
222:
219:
205:
145:
98:
97:
96:
95:
94:
87:
79:
78:
53:
45:
44:
37:
24:
17:
12:
11:
5:
11068:
11058:
11057:
11052:
11047:
11042:
11037:
11022:
11021:
11009:
10986:
10985:
10983:
10982:
10977:
10972:
10967:
10962:
10957:
10952:
10947:
10942:
10937:
10932:
10926:
10924:
10920:
10919:
10917:
10916:
10915:
10914:
10909:
10904:
10899:
10894:
10889:
10881:
10876:
10875:
10874:
10869:
10859:
10854:
10849:
10843:
10841:
10837:
10836:
10834:
10833:
10832:
10831:
10821:
10816:
10811:
10806:
10801:
10796:
10791:
10790:
10789:
10784:
10782:Chilote poncho
10779:
10774:
10766:
10760:
10758:
10754:
10753:
10750:
10749:
10747:
10746:
10745:
10744:
10742:Sverigedräkten
10739:
10734:
10724:
10719:
10714:
10708:
10706:
10702:
10701:
10699:
10698:
10697:
10696:
10691:
10683:
10682:
10681:
10676:
10671:
10666:
10661:
10656:
10648:
10647:
10646:
10644:Breton costume
10638:
10637:
10636:
10631:
10626:
10617:
10615:
10611:
10610:
10608:
10607:
10606:
10605:
10600:
10598:Orenburg shawl
10595:
10590:
10585:
10577:
10576:
10575:
10570:
10565:
10560:
10555:
10550:
10545:
10535:
10534:
10533:
10523:
10517:
10515:
10511:
10510:
10508:
10507:
10502:
10497:
10492:
10486:
10484:
10480:
10479:
10477:
10476:
10471:
10470:
10469:
10464:
10459:
10457:Feather bonnet
10454:
10444:
10439:
10438:
10437:
10436:
10435:
10425:
10416:
10414:
10410:
10409:
10407:
10406:
10405:
10404:
10394:
10389:
10384:
10383:
10382:
10377:
10372:
10362:
10357:
10352:
10347:
10346:
10345:
10340:
10335:
10330:
10325:
10320:
10309:
10307:
10300:
10296:
10295:
10292:
10291:
10289:
10288:
10287:
10286:
10276:
10271:
10266:
10261:
10256:
10251:
10246:
10241:
10240:
10239:
10234:
10229:
10224:
10219:
10214:
10204:
10199:
10194:
10189:
10184:
10179:
10174:
10169:
10163:
10161:
10157:
10156:
10154:
10153:
10152:
10151:
10146:
10141:
10136:
10126:
10121:
10120:
10119:
10114:
10109:
10104:
10099:
10094:
10089:
10084:
10079:
10074:
10069:
10059:
10058:
10057:
10052:
10047:
10042:
10037:
10032:
10027:
10025:Barong tagalog
10017:
10016:
10015:
10010:
10005:
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8915:External links
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8507:Manga de Japan
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8365:. 25 June 2023
8350:
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8300:
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8179:
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8136:
8106:
8093:"Komon kimono"
8075:
8072:on 9 May 2014.
8049:
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8002:
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7930:
7924:. Shogakukan.
7913:
7854:
7823:
7817:978-0099286387
7816:
7791:
7757:
7750:
7723:
7692:"戦時衣生活簡素化実施要綱"
7682:
7572:
7560:
7550:(1988), p. 1.
7535:
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7504:978-0198725220
7503:
7485:
7480:Sengoku Daimyo
7463:
7458:Sengoku Daimyo
7444:
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7339:
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7286:
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7225:
7219:978-0525245742
7218:
7200:
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7175:
7164:on 4 July 2020
7145:
7132:japan-talk.com
7126:Spacey, John.
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6845:Ōshima Tsumugi
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6824:Ōshima-tsumugi
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6576:Example image
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6499:kazari jitsuke
6460:
6457:
6317:dressed up as
6242:
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6135:Main article:
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5974:trailing skirt
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5557:Main article:
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5493:kazari jitsuke
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4721:are a type of
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4459:Ōshima-tsumugi
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2108:seam allowance
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11050:Folk costumes
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8892:
8884:
8878:
8870:
8869:"Kogei Japan"
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8417:(in Japanese)
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8363:Jobs in Japan
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7917:
7900:
7896:
7879:
7875:
7871:
7865:
7863:
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7842:
7838:
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7808:
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7798:
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7697:
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7557:
7556:0-88259-955-0
7553:
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7524:
7520:
7514:
7506:
7500:
7496:
7489:
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7405:
7389:
7385:
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7346:
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7335:
7331:
7327:
7325:0-87654-897-4
7321:
7317:
7316:
7308:
7306:
7297:
7293:
7289:
7287:0-87654-897-4
7283:
7279:
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7270:
7262:
7256:
7252:
7245:
7237:
7236:
7229:
7221:
7215:
7211:
7204:
7196:
7194:0-8348-0283-X
7190:
7186:
7179:
7163:
7159:
7155:
7149:
7133:
7129:
7122:
7114:
7112:9780099428992
7108:
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6825:
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6812:
6809:
6808:
6802:
6800:
6799:Yūki, Ibaraki
6797:
6790:
6787:
6786:
6781:
6780:
6777:
6775:
6773:
6770:
6763:
6760:
6756:
6755:
6752:
6750:
6746:
6744:
6741:
6734:
6731:
6730:Kurume-Gasuri
6727:
6726:
6723:
6721:
6719:
6716:
6709:
6706:
6702:
6701:
6698:
6693:
6689:
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6524:
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6509:
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6500:
6494:
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6481:
6475:
6465:
6456:
6453:
6447:
6441:
6435:
6429:
6428:
6421:
6415:
6411:
6405:
6390:
6384:
6381:
6375:
6369:
6363:
6357:
6345:
6327:
6321:
6315:
6309:
6303:
6300:
6294:
6288:
6282:
6276:
6273:
6267:
6261:
6255:
6249:
6238:
6235:
6234:
6227:
6221:
6215:
6214:
6213:shichi-go-san
6207:
6201:
6200:
6193:
6190:
6185:
6180:
6179:
6173:
6168:
6164:
6160:
6156:
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6146:
6138:
6128:
6124:
6118:
6114:
6108:
6105:
6099:
6093:
6087:
6084:
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6056:
6050:
6044:
6038:
6032:
6027:
6023:
6017:
6012:
6009:
6004:
6000:
5995:
5989:
5983:
5961:
5952:
5946:
5940:
5933:
5927:
5924:
5918:
5912:
5906:
5900:
5895:
5890:
5884:
5878:
5875:
5869:
5863:
5857:
5852:
5849:
5846:
5822:
5814:
5805:
5799:
5793:
5786:
5780:
5777:
5771:
5765:
5761:
5755:
5749:
5744:
5741:
5719:
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5711:
5706:
5701:
5692:
5684:
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5673:
5668:
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5655:
5649:
5646:
5640:
5634:
5628:
5622:
5619:
5613:
5607:
5601:
5595:
5589:
5583:
5574:
5566:
5560:
5552:
5541:
5538:
5532:
5526:
5520:
5519:Kuro-montsuki
5512:
5511:Kuro-montsuki
5506:
5494:
5488:
5483:
5480:
5474:
5468:
5462:
5456:
5450:
5444:
5438:
5432:
5427:
5423:
5417:
5411:
5405:
5379:
5371:
5362:
5356:
5349:
5343:
5340:
5334:
5328:
5322:
5309:
5291:
5283:
5277:
5274:
5268:
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5256:
5250:
5244:
5238:
5232:
5226:
5220:
5214:
5208:
5183:
5175:
5166:
5160:
5153:
5147:
5144:
5138:
5133:
5130:
5124:
5118:
5112:
5106:
5101:
5098:
5092:
5081:visiting wear
5067:
5059:
5051:
5046:
5039:
5033:
5030:
5024:
5019:
5016:
5010:
5004:
4998:
4992:
4986:
4980:
4974:
4968:
4965:
4959:
4953:
4947:
4938:
4930:
4922:
4917:
4910:
4904:
4901:
4895:
4889:
4883:
4877:
4871:
4865:
4859:
4858:
4851:
4845:
4820:
4812:
4804:
4799:
4792:
4786:
4783:
4777:
4771:
4765:
4759:
4753:
4752:
4746:
4742:
4737:
4731:
4725:
4716:
4708:
4699:
4693:
4686:
4680:
4677:
4671:
4665:
4664:
4657:
4651:
4648:
4642:
4641:
4634:
4629:
4626:
4625:
4618:
4615:
4609:
4603:
4602:
4595:
4594:
4587:
4581:
4576:
4573:
4567:
4556:small pattern
4542:
4534:
4525:
4519:
4512:
4506:
4504:
4500:
4496:
4492:
4487:
4478:
4470:
4469:
4460:
4452:
4444:
4443:
4436:
4431:
4423:
4417:
4414:
4408:
4402:
4396:
4390:
4384:
4378:
4372:
4366:
4360:
4354:
4348:
4345:
4339:
4333:
4327:
4321:
4316:
4313:
4307:
4301:
4295:
4289:
4283:
4277:
4271:
4265:
4259:
4253:
4250:
4244:
4237:
4231:
4225:
4216:
4208:
4207:
4197:
4191:
4186:
4178:
4172:
4169:
4163:
4157:
4154:
4148:
4142:
4136:
4130:
4122:
4116:
4113:
4112:
4105:
4099:
4097:
4096:
4090:
4084:
4083:
4076:
4070:
4067:
4061:
4055:
4050:
4047:
4041:
4035:
4029:
4023:
4016:
4010:
4004:
3995:
3984:
3981:
3975:
3972:
3965:
3958:
3955:
3954:
3946:
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3934:
3928:
3922:
3916:
3910:
3904:
3893:
3890:
3884:
3878:
3872:
3866:
3860:
3859:
3852:
3846:
3840:
3834:
3828:
3822:
3816:
3815:
3803:
3801:
3800:
3794:
3793:
3785:
3779:
3776:
3770:
3769:
3762:
3756:
3755:
3749:
3744:
3738:
3732:
3726:
3720:
3714:
3711:
3707:summer wear.
3704:
3698:
3692:
3681:
3679:
3678:
3672:
3671:
3664:
3658:
3655:
3649:
3643:
3638:
3633:
3632:
3625:
3623:
3618:
3617:
3610:
3609:
3597:
3588:
3585:
3581:
3575:
3569:
3563:
3557:
3554:
3553:
3546:
3540:
3533:
3532:
3526:
3516:
3514:
3508:
3505:
3495:
3489:
3483:
3477:
3469:
3463:
3454:
3451:
3445:
3437:
3434:
3428:
3422:
3416:
3410:
3404:
3402:
3396:
3391:
3388:
3381:
3378:
3373:
3370:
3363:
3358:
3354:
3351:
3344:
3342:
3337:
3331:
3324:
3317:
3302:
3297:
3294:
3291:
3285:
3281:
3280:
3275:
3274:
3267:
3261:
3255:
3249:
3243:
3239:
3236:
3234:("mid-size")
3232:
3226:
3222:
3221:
3216:
3210:
3204:
3198:
3192:
3186:
3180:
3174:
3168:
3162:
3156:
3155:kuro-furisode
3152:Divided into
3151:
3148:
3144:
3140:(also called
3138:
3134:
3133:
3128:
3122:
3116:
3110:
3104:
3079:
3071:
3062:
3057:
3056:
3051:
3050:
3045:
3039:
3034:
3031:
3027:
3023:
3022:
3017:
3011:
3009:
3006:
3005:
3001:
2998:
2995:
2994:
2988:
2983:Sleeve length
2980:
2977:
2971:
2965:
2959:
2953:
2948:
2925:
2919:
2913:
2909:
2903:
2897:
2891:
2884:
2880:
2874:
2867:
2861:
2855:
2848:
2842:
2839:
2828:to drape upon
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2750:
2744:
2734:
2728:
2722:
2716:
2710:
2704:
2696:
2690:
2685:
2671:
2665:
2660:
2631:
2623:
2594:
2585:
2580:
2551:
2543:
2530:
2522:
2509:
2501:
2488:
2480:
2467:
2459:
2446:
2438:
2425:
2417:
2404:
2395:
2389:
2383:
2378:
2349:
2341:
2312:
2304:
2291:
2283:
2270:
2262:
2249:
2241:
2228:
2222:
2221:
2218:
2215:
2209:
2203:
2178:
2172:
2166:
2160:
2154:
2144:
2135:
2132:
2125:
2122:
2116:
2113:
2109:
2104:
2101:
2095:
2088:
2085:
2084:koshi-nue-age
2080:
2075:
2069:
2062:
2059:
2053:
2052:
2045:
2039:
2038:
2024:
2017:
2005:
1993:
1987:
1980:
1979:
1972:
1963:
1960:
1954:
1948:
1945:
1939:
1933:
1927:
1921:
1914:
1912:
1908:
1904:
1899:
1898:
1891:
1890:
1882:
1879:
1878:
1866:
1863:
1857:
1851:
1845:
1839:
1838:futomono dana
1833:
1827:
1821:
1810:
1798:
1783:
1768:
1753:
1747:
1735:
1720:
1705:
1699:
1693:
1681:
1676:
1662:
1647:
1630:
1625:
1620:
1619:
1612:
1603:
1599:
1597:
1591:
1587:
1582:
1578:
1573:
1570:
1565:
1559:
1553:
1547:
1541:
1535:
1529:
1519:
1518:
1511:
1505:
1499:Kimono motifs
1496:
1492:
1489:
1485:(such as the
1483:
1477:
1476:
1469:
1463:
1462:
1456:
1451:
1446:
1441:
1431:
1425:
1420:
1410:
1408:
1404:
1399:
1396:
1384:
1381:
1375:
1366:
1362:
1360:
1355:
1354:
1347:
1346:
1339:
1336:
1329:
1326:
1320:
1319:
1312:
1309:
1303:
1297:
1292:
1283:
1277:
1268:
1265:
1259:
1253:
1247:
1241:
1235:
1234:oyomeiri dōgu
1230:
1225:
1219:
1213:
1206:
1203:
1197:
1196:
1190:
1185:
1180:
1176:
1171:
1165:
1164:
1158:
1153:
1148:
1147:sailor outfit
1145:
1139:
1129:
1117:
1116:Emperor Meiji
1113:
1108:
1105:
1099:
1092:
1090:
1076:
1071:
1065:
1060:
1053:
1048:
1043:
1037:
1036:
1027:
1022:
1015:
1010:
1009:
997:Modern period
994:
991:
985:
979:
976:
970:
964:
962:
961:
955:
950:
945:
942:
941:
934:
929:
924:
923:
916:
911:
907:
903:
899:
891:
887:
882:
876:
851:
850:
843:
837:
829:
824:
819:
813:
805:
800:
796:
791:
790:
783:
782:
775:
769:
768:
759:
754:
753:
748:
745:
739:
733:
728:
724:
719:
715:instead. The
713:
707:
701:
700:
694:
673:
672:
665:
663:
659:
644:
639:
634:
628:
622:
621:
614:
609:
595:
590:
586:
576:
572:
569:
564:
562:
557:
552:
551:
544:
540:
536:
519:
513:
508:
504:
503:Yamato Period
500:
494:
489:
485:
480:
475:
468:
463:
462:
457:
446:
443:
435:
424:
421:
417:
414:
410:
407:
403:
400:
396:
393: –
392:
388:
387:Find sources:
381:
377:
371:
370:
365:This section
363:
359:
354:
353:
345:
342:
337:
336:
329:
328:
322:
317:
316:
308:
280:
275:
270:
269:
262:
259:
258:
252:
247:
246:
240:
236:
226:thing to wear
212:
204:
194:
182:
180:
176:
171:
167:
159:
157:
153:
150:Japanese name
148:
144:
138:
133:
129:
124:
118:
113:
107:
102:
92:
85:
76:
75:
69:
68:
61:
60:
51:
42:
35:
26:
22:
10912:Quechquemitl
10862:Western wear
10737:Bäckadräkten
10705:Scandinavian
10669:Cordovan hat
10620:Netherlands
10227:Tallit katan
10144:Áo giao lĩnh
10072:Chong kraben
9708:
9369:Tsunokakushi
9179:
8990:
8981:
8904:
8891:
8877:
8863:
8851:. Retrieved
8835:
8823:. Retrieved
8818:the original
8807:
8795:. Retrieved
8791:
8781:
8775:(in German).
8772:
8762:
8750:. Retrieved
8745:
8720:. Retrieved
8715:
8705:
8691:
8677:
8664:
8651:
8639:. Retrieved
8636:wafuku.co.uk
8635:
8626:
8613:. Retrieved
8609:the original
8592:. Retrieved
8578:
8565:. Retrieved
8561:the original
8544:. Retrieved
8535:
8511:. Retrieved
8506:
8476:
8472:
8445:
8439:
8431:
8419:. Retrieved
8414:
8404:
8385:
8379:
8367:. Retrieved
8362:
8353:
8344:
8323:
8294:
8270:. Retrieved
8265:
8255:
8243:. Retrieved
8239:
8208:
8204:
8175:
8171:
8165:
8153:. Retrieved
8148:
8139:
8127:. Retrieved
8118:
8109:
8100:
8096:
8070:the original
8065:
8040:. Retrieved
8030:
8023:the fulltext
8015:
7996:
7991:
7984:
7972:. Retrieved
7968:
7958:
7939:
7933:
7925:
7921:
7916:
7903:. Retrieved
7899:the original
7882:. Retrieved
7873:
7845:. Retrieved
7841:the original
7836:
7826:
7805:
7782:. Retrieved
7771:The Guardian
7770:
7760:
7741:
7700:. Retrieved
7696:the original
7685:
7673:. Retrieved
7563:
7543:
7538:
7526:. Retrieved
7522:
7513:
7494:
7488:
7479:
7457:
7447:
7425:
7416:
7404:
7392:. Retrieved
7390:(2): 112–123
7387:
7383:
7371:
7359:. Retrieved
7355:
7314:
7276:
7269:
7250:
7244:
7234:
7228:
7209:
7203:
7184:
7178:
7166:. Retrieved
7162:the original
7157:
7148:
7136:. Retrieved
7134:. Japan Talk
7131:
7121:
7101:
7034:
7019:
7011:
7007:
6949:
6944:
6901:
6886:
6871:
6842:
6838:Amami Ōshima
6807:Yūki-tsumugi
6803:
6785:Yūki-tsumugi
6692:Yokosogasuri
6541:
6520:
6510:
6505:kurotomesode
6493:shitsuke ito
6485:
6470:
6416:
6385:
6304:
6277:
6244:
6233:seijin no hi
6194:
6169:
6165:
6161:
6140:
6119:
6109:
6088:
6028:
6013:
5997:, actors in
5957:
5951:kurotomesode
5879:
5810:
5804:tsunokakushi
5766:
5745:
5732:small sleeve
5680:
5623:
5562:
5531:kurotomesode
5516:
5487:Kurotomesode
5484:
5473:Kurotomesode
5467:kurotomesode
5461:Kurotomesode
5449:kurotomesode
5443:kurotomesode
5431:Kurotomesode
5428:
5410:kurotomesode
5370:Kurotomesode
5367:
5361:kurotomesode
5348:Kurotomesode
5321:Iro-montsuki
5290:Iro-montsuki
5287:
5282:Iro-montsuki
5261:kurotomesode
5231:kurotomesode
5219:kurotomesode
5207:kurotomesode
5171:
5134:
5102:
5055:
5020:
4969:
4926:
4834:solid colour
4808:
4704:
4652:
4630:
4619:
4577:
4530:
4464:
4349:
4317:
4267:(half-width
4254:
4202:
4158:
4126:
4111:beni itajime
4100:
4093:
4071:
4051:
3999:
3976:
3959:
3947:
3943:
3899:
3809:
3797:
3780:
3748:rainy season
3715:
3687:
3675:
3659:
3626:
3602:
3586:
3558:
3522:
3509:
3499:
3468:hinata kamon
3446:
3443:
3405:
3397:
3393:
3383:
3374:
3365:
3360:
3355:
3345:
3325:
3322:
3290:hon-furisode
3273:seijin shiki
3269:are worn to
3266:Tyu-furisode
3248:tyu-furisode
3242:Tyu-furisode
3231:chu-furisode
3225:Tyu-furisode
3167:kurotomesode
3161:iro-furisode
3146:) ("short")
2986:
2954:
2914:
2885:
2843:
2773:
2764:small sleeve
2739:
2670:ushiromigoro
2667:" and "left
2664:ushiromigoro
2630:Ushiromigoro
2403:Miyatsukuchi
2391:" and "left
2219:
2214:ushiromigoro
2149:
2126:
2117:
2105:
2089:
2074:kata-nue-age
2063:
2032:
2023:Kata-nue-age
1966:Construction
1949:
1915:
1883:
1872:
1816:
1748:
1694:
1642:
1624:tea ceremony
1600:
1592:
1574:
1524:
1493:
1436:
1400:
1390:
1376:
1372:
1363:
1358:
1340:
1330:
1313:
1305:and crooked
1291:World War II
1288:
1207:
1202:heiyō-gasuri
1138:army uniform
1135:
1112:Meiji period
1109:
1093:
1085:
980:
965:
959:
946:
895:
889:
686:small sleeve
666:
615:
608:kokufū-bunka
585:Heian period
582:
573:
567:
565:
539:Kofun period
532:
438:
429:
419:
412:
405:
398:
386:
374:Please help
369:verification
366:
309:
263:
253:sandals and
202:
200:
179:Romanization
141:'Kimono' in
117:Fukuoka City
25:
10930:Grass skirt
10804:Liqui liqui
10777:Chilote cap
10694:Coppola cap
10588:Kosovorotka
10553:Kozhushanka
10160:Middle East
10097:Raj pattern
10087:Pha khao ma
10030:Baro't saya
10020:Philippines
9998:Baju Melayu
9993:Baju Kurung
9870:Gaung baung
9629:Afghanistan
9576:Kente cloth
9065:Traditional
8773:Tim no Tabi
6664:Heiyōgasuri
6652:Including:
6611:Miyako Jofu
6527:dry cleaned
6427:Fuji Musume
6150:Ainu people
6086:invisible.
5710:uchikake-ru
5674:, from the
5455:irotomesode
5404:irotomesode
5358:A pre-WWII
5327:irotomesode
5267:Irotomesode
5249:Irotomesode
5225:irotomesode
5213:Irotomesode
5174:Irotomesode
5165:irotomesode
5152:Irotomesode
4264:hanhaba obi
4159:Unlike the
3854:are called
3839:hitotsu mon
3827:itsutsu mon
3754:Echigo-jofu
3737:komayori ro
3677:Musa basjoo
3591:Fabric type
3209:ko-furisode
3203:ko-furisode
3191:Ko-furisode
3179:ko-furisode
3173:irotomesode
3143:nisyakusode
3137:Ko-furisode
2939:wide collar
2813:uchikake-ru
2571:over-collar
2508:Susomawashi
2284:The collar.
2094:shigoki obi
2055:jacket and
1832:gofuku dana
1675:State of Wu
1637: 1800
1353:Seijinshiki
1110:During the
940:tsujigahana
896:During the
858: 1650
641: [
583:During the
561:Han dynasty
518:Nara-period
432:August 2020
91:other views
11029:Categories
10814:Panama hat
10568:Vyshyvanka
10526:Azerbaijan
10495:Lederhosen
10360:Fustanella
10149:Áo tứ thân
10035:Buntal hat
9882:Chong Kben
9692:Tangzhuang
8968:Audio help
8959:2009-02-19
8752:20 October
8641:20 October
8469:"Tomosode"
8236:"Furisode"
7837:kimono5.jp
7675:24 January
7442:for school
7430:平安時代の貴族の服装
7394:29 October
7361:16 October
7168:27 January
7138:27 January
7064:References
5894:bridal wig
5636:and black
5311:-decorated
5252:with five
4741:Edo period
4505:patterns.
4326:nagoya obi
3637:leno weave
3301:ō-furisode
3284:Ō-furisode
3260:ō-furisode
3254:ō-furisode
2369:front body
1614:Patchwork
1447:(known as
1359:de rigueur
1181:movement.
1067:. Women's
1057:Family of
898:Edo period
402:newspapers
274:the season
10799:Guayabera
10664:Cachirulo
10659:Barretina
10583:Kokoshnik
10563:Sharovary
10531:Kelaghayi
10387:Macedonia
10350:Aromanian
10264:Palestine
10117:Tabengman
10077:Chut Thai
10050:Patadyong
10013:Tengkolok
9909:Baju bodo
9904:Indonesia
9853:Southeast
9704:Hachimaki
9677:Cheongsam
9601:Tagelmust
9566:Jellabiya
9436:Jika-tabi
9297:Hachimaki
9155:Jūnihitoe
8615:26 August
8594:26 August
8567:26 August
8546:26 August
8149:iz2.or.jp
8042:13 August
8036:"男のきもの大全"
7905:26 August
7779:0261-3077
6948:The term
6914:Jūnihitoe
6851:Sharinbai
6649:Yamagata
6570:Location
6523:aired out
6480:arai hari
6474:toki arai
6326:nagajuban
6299:hadajuban
6293:hadajuban
6287:hadajuban
5923:shiromuku
5917:shiromuku
5911:shiromuku
5883:shiromuku
5868:shiromuku
5813:Shiromuku
5798:shiromuku
5785:Shiromuku
5129:tsukesage
5117:tsukesage
5097:tsukesage
5091:tsukesage
5023:Tsukesage
5009:tsukesage
4997:tsukesage
4994:; often,
4985:tsukesage
4973:tsukesage
4952:tsukesage
4929:Tsukesage
4921:Tsukesage
4909:Tsukesage
4864:edo komon
4773:with one
4770:edo komon
4758:Edo komon
4751:kamishimo
4730:edo komon
4707:Edo komon
4698:edo komon
4685:Edo komon
4663:Edo komon
4614:tsukesage
4491:silk noil
4438:Detailed
4389:nagajuban
4365:nagajuban
4359:hadajuban
4168:hadajuban
4162:nagajuban
4153:hadajuban
4147:nagajuban
4141:Hadajuban
4135:nagajuban
4129:Hadajuban
4121:Hadajuban
4009:nagajuban
3961:realm of
3833:mitsu mon
3799:koromogae
3545:suso-moyo
3457:Formality
3387:kakoikomi
2947:bachi-eri
2715:koshimaki
2651:back body
2487:Sodetsuke
2466:Sodeguchi
2394:maemigoro
2388:maemigoro
2348:Maemigoro
2208:maemigoro
2121:arai-hari
2112:selvedges
2068:hitotsumi
1932:furoshiki
1767:momenfuku
1704:gofukuten
1695:The term
1517:nadeshiko
1507:A modern
1229:trousseau
1123:東京婦人子供服組合
767:jūnihitoe
620:jūnihitoe
10970:Taʻovala
10950:Lavalava
10907:Sombrero
10887:Huarache
10867:Bolo tie
10787:Chupalla
10772:Chamanto
10679:Mantilla
10634:Oorijzer
10543:Kobeniak
10419:Britain
10380:Himation
10343:Xhubleta
10338:Xhamadan
10249:Keffiyeh
10232:Tefillin
10134:Áo bà ba
10112:Suea pat
10092:Pha nung
10062:Thailand
9988:Malaysia
9976:Suea pat
9971:Xout lao
9919:Blangkon
9877:Cambodia
9844:Sherwani
9814:Pakistan
9756:Manggeon
9687:Mao suit
9561:Head tie
9556:Djellaba
9418:Footwear
9315:Kanzashi
9279:Headgear
9092:Furisode
9083:Fundoshi
8970: ·
8847:Archived
8722:5 August
8669:Archived
8588:Archived
8540:Archived
8513:2 August
8450:Archived
8123:Archived
7940:きもの自分流入門
7878:Archived
7712:cite web
7433:Archived
7334:33947597
7296:33947597
7047:ohashori
7041:hikizuri
6906:See also
6878:Curitiba
6552:meibutsu
6241:Layering
6220:furisode
6152:and the
6123:susohiki
6113:susohiki
6098:susohiki
6092:susohiki
6083:ohashori
6069:red silk
6049:ohashori
6043:susohiki
6037:ohashori
6031:Susohiki
6022:susohiki
6016:Susohiki
6008:susohiki
5988:Susohiki
5982:hikizuri
5960:Susohiki
5945:susohiki
5899:kanzashi
5874:uchikake
5862:uchikake
5856:uchikake
5845:Japanese
5770:uchikake
5760:uchikake
5748:Uchikake
5740:uchikake
5705:Japanese
5700:uchikake
5683:Uchikake
5667:uchikake
5654:Uchikake
5630:, black
5585:kimono,
5522:("black
4736:kozakura
4493:, short-
4306:heko obi
4300:heko obi
4294:kaku obi
4276:heko obi
4028:ohashori
3980:furisode
3971:furisode
3964:furisode
3953:furisode
3877:nakakage
3858:montsuki
3719:usu-mono
3539:furisode
3450:gofukuya
3401:Nishijin
3377:Gofukuya
3369:gofukuya
3350:gofukuya
3215:furisode
3127:furisode
3121:Furisode
3115:furisode
3103:furisode
3070:Furisode
3055:Furisode
3047:kimono.
3044:tomesode
3026:Tomesode
2976:ohashori
2970:hikizuri
2964:susohiki
2924:hiro-eri
2902:ohashori
2896:ohashori
2807:uchikake
2789:hoso-obi
2727:uchikake
2332:dangling
2211:and the
2177:dō-bitoe
2100:ohashori
2077:) and a
1889:boroboro
1862:gofukuya
1850:futomono
1826:futomono
1752:futomono
1719:gofukuya
1629:chabaori
1577:seasonal
1488:maru obi
1457:weaves (
1450:chirimen
1430:furisode
1413:Textiles
1345:furisode
1302:ohashori
1246:ohashori
1218:tomesode
1179:Art Deco
933:nerinuki
821:beneath.
597:culture"
482:skirt. (
474:Goguryeo
391:"Kimono"
300:dressing
59:rakugoka
11035:Dresses
11019:Fashion
10993:Portals
10945:Lap-lap
10923:Oceania
10883:Mexico
10819:Pollera
10809:Lliklla
10722:Iceland
10640:France
10629:Kraplap
10614:Western
10603:Sarafan
10579:Russia
10558:Ochipok
10548:Kozhukh
10538:Ukraine
10521:Armenia
10514:Eastern
10483:Central
10467:Sporran
10442:Ireland
10423:Country
10392:Romania
10375:Chlamys
10355:Croatia
10333:Qeleshe
10269:Pandama
10254:Kurdish
10237:Tzitzit
10217:Sheitel
10187:Boshiya
10177:Assyria
10129:Vietnam
10055:Salakot
10008:Songkok
10003:Songket
9949:Songkok
9944:Songket
9794:Dupatta
9773:Bhutan
9751:Jokduri
9746:Hwagwan
9731:Daenggi
9726:Cheopji
9656:Paranja
9651:Malahai
9622:Central
9606:Wrapper
9551:Dashiki
9463:Uwabaki
9398:Uwa-obi
9351:Tenugui
9342:Shaguma
9306:Kanmuri
9241:Sokutai
9232:Shitagi
9196:Mawashi
9164:Keikogi
9074:Chihaya
8957: (
8928:minutes
8853:8 April
8369:25 June
8272:13 June
8245:31 July
8201:"Juban"
8155:13 June
7974:10 June
7833:"季節の着物"
7702:22 July
7026:iromuji
6928:Sokutai
6515:tatōshi
6488:basting
6380:han'eri
6374:han'eri
6335:
6260:shitagi
6206:pokkuri
6148:of the
6104:hōmongi
6063:
5968:
5889:katsura
5830:
5767:Bridal
5726:
5645:obijime
5633:obijime
5387:
5305:colour
5299:
5191:
5143:hōmongi
5137:Hōmongi
5123:hōmongi
5111:hōmongi
5105:Hōmongi
5075:
5058:Hōmongi
5050:Hōmongi
5038:Hōmongi
5015:hōmongi
5003:hōmongi
4991:hōmongi
4979:hōmongi
4964:hōmongi
4958:hōmongi
4946:hōmongi
4900:iromuji
4888:Shibori
4876:Iromuji
4870:iromuji
4850:iromuji
4844:iromuji
4828:
4811:Iromuji
4803:Iromuji
4791:Iromuji
4764:iromuji
4745:samurai
4676:iromuji
4640:tsumugi
4601:shibori
4550:
4499:Tsumugi
4486:Tsumugi
4468:Tsumugi
4430:Tsumugi
4422:Tsumugi
4273:) or a
4082:tanmono
3903:obijime
3889:nui mon
3848:) with
3792:tsumugi
3663:tsumugi
3622:habutai
3608:tsumugi
3515:class.
3513:samurai
3330:bashofu
3182:with a
3087:
2933:
2918:tanmono
2822:
2758:
2733:katsugi
2724:in the
2645:
2608:
2565:
2550:Tomoeri
2363:
2326:
2248:Hakkake
2186:
2171:hakkake
2044:tanmono
2037:tanmono
1992:tanmono
1978:tanmono
1953:kataire
1897:Sashiko
1877:tanmono
1865:today.
1782:asafuku
1569:ryōzuma
1564:couched
1475:tanmono
1419:Tanmono
1335:kitsuke
1296:kitsuke
1282:kitsuke
1264:kitsuke
1258:kitsuke
1240:kitsuke
1212:hōmongi
1089:mauvine
984:tanmono
954:shibori
902:Genroku
680:
627:chun ju
563:China.
550:shibori
416:scholar
348:History
335:rikishi
294:
279:kitsuke
268:tanmono
261:socks.
220:
10980:Tupenu
10955:Kiekie
10940:I-sala
10902:Serape
10897:Rebozo
10879:Huipil
10852:Tignon
10824:Poncho
10794:Chullo
10768:Chile
10764:Aguayo
10727:Sweden
10689:Ciocia
10685:Italy
10650:Spain
10624:Poffer
10505:Tracht
10500:Poland
10490:Dirndl
10452:Aboyne
10402:Kosovo
10397:Serbia
10370:Chiton
10328:Opinga
10323:Çorape
10306:Balkan
10299:Europe
10284:Hejazi
10279:Turban
10244:Jilbāb
10222:Tallit
10212:Kippah
10207:Jewish
10197:Chador
10139:Áo dài
10124:Tudong
10067:Banong
10040:Malong
9954:Tanjak
9939:Kupiah
9934:Kemben
9929:Kebaya
9892:Sompot
9865:Longyi
9819:Pathin
9741:Hanbok
9709:Kimono
9641:Chapan
9586:Litham
9546:Boubou
9541:Balgha
9533:Africa
9472:Waraji
9407:Tasuki
9333:Raikan
9288:Benkan
9259:Yukata
9214:Nemaki
9187:Kyahan
9180:Kimono
9173:Kosode
9137:Jinbei
9110:Hakama
9101:Hanten
8825:14 May
8797:14 May
8501:Mimi.
8421:14 May
8392:
8129:3 July
7946:
7884:2 July
7847:2 July
7814:
7806:Geisha
7784:2 July
7777:
7748:
7554:
7528:4 June
7501:
7332:
7322:
7294:
7284:
7257:
7216:
7191:
7109:
7012:kimono
7008:kimono
6950:kimono
6882:Paraná
6856:kasuri
6749:kasuri
6637:Oitama
6573:Notes
6545:sanchi
6535:Sanchi
6452:hiyoku
6449:. The
6446:hiyoku
6420:hiyoku
6410:hiyoku
6404:hiyoku
6389:hiyoku
6314:yukata
6308:yukata
6281:hadagi
6272:o-tsui
6254:o-tsui
6248:dōnuki
6172:geisha
6155:ryusou
5999:kabuki
5865:, the
5848:Shinto
5717:kosode
5672:cranes
5639:obiage
5618:hakama
5594:Mofuku
5582:Mofuku
5565:Mofuku
5551:Mofuku
5537:hakama
5437:hiyoku
5339:hakama
5333:hakama
4894:obiage
4767:, and
4647:jinken
4624:kasuri
4503:Kasuri
4495:staple
4461:Kimono
4457:on an
4442:kasuri
4401:yukata
4377:yukata
4371:Yukata
4353:yukata
4344:yukata
4332:yukata
4320:Yukata
4312:yukata
4288:yukata
4258:yukata
4243:yukata
4236:yukata
4230:yukata
4224:Yukata
4206:Yukata
4196:yukata
4185:Yukata
4177:Yukata
4165:, the
4150:; the
4072:Men's
4046:yukata
3927:hakama
3909:obiage
3871:hinata
3845:hakama
3806:Crests
3734:) and
3703:yukata
3670:kasuri
3616:meisen
3531:kasuri
3525:indigo
3362:again.
3197:hakama
3109:yukata
3038:yukata
2899:. The
2866:kosode
2854:kosode
2847:kosode
2838:kosode
2795:kosode
2777:kosode
2749:kosode
2736:style.
2721:kosode
2709:kosode
2695:kosode
2684:kosode
2593:Uraeri
2584:uraeri
2529:Tamoto
2205:, the
2079:kolpos
1944:hiyoku
1938:dōnuki
1911:handle
1909:, and
1903:weight
1856:gofuku
1820:gofuku
1698:gofuku
1646:Gofuku
1590:ones.
1586:yukata
1510:yukata
1455:damask
1409:list.
1403:UNESCO
1395:yukata
1380:yukata
1195:kasuri
1184:Meisen
1170:meisen
1163:meisen
1152:hakama
1070:hakama
1064:hakama
1042:hakama
969:kosode
928:damask
915:chōnin
836:kosode
818:kosode
789:hakama
781:kosode
744:hakama
732:kosode
718:kosode
706:kosode
703:, the
699:hakama
671:kosode
662:Hakama
594:kokufū
501:(late
418:
411:
404:
397:
389:
321:Geisha
315:yukata
203:kimono
185:kimono
126:Kimono
11007:Japan
10975:Tēfui
10960:Pareo
10872:Chaps
10829:Ruana
10717:Gákti
10712:Bunad
10593:Lapti
10474:Wales
10428:Court
10365:Greek
10274:Thawb
10259:Niqāb
10202:Izaar
10192:Burqa
10182:Bisht
10167:Abaya
10102:Sabai
9914:Batik
9887:Krama
9860:Burma
9824:Perak
9809:Nepal
9804:Lungi
9799:India
9789:Dhoti
9767:South
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