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671:, Robert Aldrich's blisteringly nihilistic noir in which star Ralph Meeker embodies Mickey Spillane's legendary P.I. with brute force savagery... The gumshoe's subsequent investigation into the woman's death doubles as a lacerating indictment of modern society's dissolution into physical/moral/spiritual degeneracy – a reversion that ultimately leads to nuclear apocalypse and man's return to the primordial sea – with the director's knuckle-sandwich cynicism pummeling the genre's romantic fatalism into a bloody pulp. 'Remember me?' Aldrich's sadistic, fatalistic masterpiece is impossible to forget".
720:. We have loved films that had only one idea, or twenty, or even fifty. In Alrdich's films, it is not unusual to encounter a new idea with each shot. In this movie the inventiveness is such that we don't know what to look at--the images are almost too full, too fertile. Watching a film like this is such an intense experience that we want it to go last for hours. It is easy to picture its author as a man overflowing with vitality, as much at ease behind a camera as Henry Miller facing a blank page. This is the film of a young director who is not yet worried about restraint."
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her participation. He readily resorts to violence, whether he's defending himself against the thugs Evello sends to kill him, breaking a potential informant's treasured record to get him to talk,or roughing up a coroner who has the temerity to demand payment in return for a key that
Christina had apparently swallowed before her death. Bezzerides wrote of the script: "I wrote it fast because I had contempt for it... I tell you Spillane didn't like what I did with his book. I ran into him at a restaurant and, boy, he didn't like me".
823:
footage showing the escape, and instead superimposing "The End" over the burning house. This implied that Hammer and Velda perished in the blaze, which some have interpreted as an apocalyptic ending. In 1997, the original ending was restored after the missing footage was discovered in the vaults of the
Directors Guild by
393:
Carl Evello comes in to question him, but gets nothing. Mike manages to work one hand free from the ropes. He calls out and Carl returns. He lures Carl over and knocks him out. Mike pretends to be Evello and summons Sugar in to kill Mike. Sugar enters the darkened room and stabs his boss, thinking it
369:
is a tough private investigator who, with the assistance of his associate and lover Velda, typically works on "penny-ante divorce cases." One evening, Hammer is forced to suddenly stop his sports car by
Christina, an escapee from a nearby psychiatric hospital, who is running barefoot along the road,
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Much to the derision of the local police, Hammer makes his living mostly by blackmailing adulterers, he or his secretary sometimes seducing and entrapping the targets themselves, a practice perhaps made even worse because Hammer seems to exploit the genuine affection that Velda feels for him to get
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Hammer goes to the apartment of Lily Carver, who says she was
Christina's roommate. Lily tells Hammer she is in hiding and asks him to protect her. She is after a mysterious box that, she believes, has contents worth a fortune. Hammer later arrives at the lavish mansion of gangster Carl Evello, who
377:
Hammer comes to in a hospital with Velda hovering over him. He decides to investigate
Christina's death, believing that it "must be connected with something big." He retrieves a book of poetry from the dead woman's apartment and reads aloud several lines from Rosetti's poem, "Remember", as he tries
586:
departs from other Mike Hammer films in that Hammer never carries a gun. This is explained when Lt. Murphy tells Hammer his PI license and gun permit have been revoked. Although he is held at gunpoint, pistol whipped, and even shot, he complies with the gun ban, relying only on his fists to hammer
408:
When Hammer comes into the room, Gabrielle says "Kiss me, Mike" and shoots him. She then opens the box, which emits a blinding light and piercing sound. Gabrielle screams and bursts into flames. Hammer, wounded, struggles to his feet, and looks for Velda. Together, the pair flee the burning house,
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Hammer's friend, Nick the auto mechanic, who helped defuse bombs planted in Hammer's car, is then murdered. Carl's thugs kidnap Hammer and take him to an isolated beach house, where another of their associates, Dr. G. E. Soberin (revealed to be responsible for the murders of
Christina and Nick),
822:
The original ending of the
American release of the film shows Hammer and Velda escaping from the burning house, staggering into the ocean as the words "The End" come over them on the screen. Sometime after its first release, the ending was altered on the film's negative, removing 82 seconds of
394:
is Mike. Mike kills Sugar and escapes. He locates the suspiciously hot box, which burns his arm, in a locker at the
Hollywood Athletic Club. But when he goes to his friend Lieutenant Murphy for help, Murphy warns him off, hinting it has to do with a top-secret government experiment akin to the
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era. "The great whatsit," as Velda refers to the object of Hammer's quest, turns out to be a mysterious valise, hot to the touch because of the dangerous, glowing substance it contains, a metaphor for the atomic bomb. The film has been described as "the definitive, apocalyptic, nihilistic,
405:. Before he arrives, Lily, now revealed to be an imposter named Gabrielle, is there with Soberin. They have the box, and have Velda locked in a bedroom. Gabrielle shoots Soberin to get the box for herself. With his dying words, Soberin urges the insatiably curious Gabrielle not to open it.
924:
pays homage to the film, showing the main characters watching the beginning on their television; later the opening of the case is shown on screens on board the mega-Zeppelin. Two notable rock acts have borrowed the film's title for a song title. The first was the UK punk act
382:
also seeks the box. Hammer fends off
Charlie Max and Sugar Smallhouse, two of Evello's henchmen, and then confronts Evello, who is initially impressed by Hammer's brazenness and offers to work out a deal, but swiftly retracts the offer.
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released the film on VHS as part of their "Vintage
Classics" collection in 1999, and on DVD in 2001, with the alternative ending as a Special Feature. A digitally restored version of the film was released on DVD and Blu-ray by
634:
incline railway (still operating), where Hammer parks his Corvette and then takes the back steps up to the Hill Crest Hotel, although when he approaches the hotel's large porch, he is on the Third Street steps opposite Angels
323:, which accused it of being "designed to ruin young viewers", a verdict that director Aldrich protested. Despite initial critical disapproval, it is considered one of the most important and influential film noirs of all time.
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people into submission or worse. The screenplay also departs from Spillane's novel, replacing the mafia conspiracy at the center of the novel with an apparent case of espionage and a mysterious suitcase serving as the film's
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298:
appearing in their feature film debuts. The film follows a private investigator in Los Angeles who becomes embroiled in a complex mystery after picking up a female hitchhiker. The screenplay was written by Aldrich and
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reports that 97% of its critics gave the film a positive review, with an average rating of 8.1/10, based on 37 reviews. The consensus states, "An intriguing, wonderfully subversive blend of art and commerce,
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374:. Thugs waylay them, and Hammer hears Christina screaming as she is tortured to death. The thugs then push Hammer's car off a cliff with Christina's body and an unconscious Hammer inside.
2264:
664:, Bezzerides denied any conscious intention for this metaphor in his script, saying that "I was having fun with it. I wanted to make every scene, every character, interesting."
865:. In the 1960s, both filmmakers touted the film as the single American film "most responsible for the French New Wave." Homage is paid to the glowing suitcase MacGuffin in
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with contributions from Aldrich, though it "made no effort to follow the book’s convoluted plot, both are structured around search for a mysterious box."
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Pryors, Thomas M. (September 3, 1954). "TRACY AND CLIFT TO STAR IN FILM: Metro Will Team Actors in 'Bannon' Against Background of U. S. Labor Movement".
2218:
2071:
2055:
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843:, praising its bleak and nihilistic tone, its version of pulp fiction archetypes, and its twist ending. Its apocalyptic elements earned it an entry in
1166:, Obituary, "A.I. Bezzerides: Screenwriter victim of the Hollywood blacklist, he is renowned for three classic American film noirs," February 6, 2007.
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The Donigan 'Castle', a Victorian mansion at 325 S. Bunker Hill Avenue (where Cloris Leachman's character lived, used for interior and exterior shots)
2257:
2249:
2087:
2707:
1842:
essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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wearing nothing but a trench coat. Hammer gives her a ride. Christina asks him, whatever happens, to "remember me," alluding to a poem by
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2687:
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Apartment Building, 10401 Wilshire Boulevard, NW corner of Wilshire and Beverly Glen (Hammer's apartment building; still standing)
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911:(1981) is opened, the shot of Rene Belloq's face melting is directly inspired by that of Gabrielle opening the suitcase.
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Critics have generally viewed the film as a metaphor for the paranoia and fear of nuclear war that prevailed during the
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1229:, Obituary, "A.I. Bezzerides. No-nonsense novelist/screenwriter," January 20, 2007. Last accessed: March 25, 2008.
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helping each other along the beach to the ocean as the house explodes behind them and becomes consumed in flames.
24:
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science-fiction film noir of all time – at the close of the classic noir period." A leftist at the time of the
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grossed $ 726,000 in the United States and $ 226,000 overseas. The film received the condemnation of the
614:. Many of the locations disappeared in the urban development of the late 1960s, although a few remain.
1959:
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Hollywood Athletic Club, 6525 W. Sunset Blvd. (where Hammer finds the radioactive box; still standing)
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690:, you have to love movies passionately and to have a vivid memory of those evenings when you saw
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school than as a sleazy, narcissistic bully, perhaps the darkest private detective in film noir.
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591:. The film further departs from the book by portraying Hammer not so much as a sleuth of the
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Club Pigalle, 4800 block of Figueroa Avenue (the black jazz nightclub that Hammer frequents)
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1002:: "Get me to that bus stop and forget you ever saw me. If we don't make that bus stop...";
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1056:"Preserving the Silver Screen (December 1999) - Library of Congress Information Bulletin"
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The Hill Crest Hotel, NE corner of Third and Olive Streets (Italian opera singer's home)
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stories the following year, for Parklane Productions, an independent company owned by
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1967:
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is a time capsule of Los Angeles, much of it filmed in the downtown neighborhood of
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Film critic Nick Schager wrote, "Never was Mike Hammer's name more fitting than in
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1613:
Mickey Spillane on Screen: A Complete Study of the Television and Film Adaptations
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1991:
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895:(1998). The "shiny blue suitcase" is mentioned with other famous MacGuffins in
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330:, and has been cited as a major influence on a number of filmmakers, including
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Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982.
2015:
1935:
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has acknowledged its influence on his "elliptic" filmmaking style, as has
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In October 1954 Robert Aldrich announced he would produce and direct two
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This article is about the 1955 film. For the Mickey Spillane novel, see
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as being "culturally, historically, or aesthetically significant."
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as being "culturally, historically, or aesthetically significant".
339:
1177:
Visions of Empire: Political Imagery in Contemporary American Film
937:(1978); this song would be also be featured on the soundtrack to
627:
Carl Evello's Mansion, 603 Doheny Road, Beverly Hills, California
562:. Saville turned over control to Aldrich because he was busy on
1567:
1565:
1687:
Keep Watching The Skies: Science Fiction Films of the Fiftees
1633:. Jefferson, North Carolina: McFarland & Company, 1977.
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1883:
1024:
1144:
814:
in June 2011, and also includes the alternative ending.
326:
The film has been noted as a stylistic precursor to the
1596:. Knoxville, Tennessee: University of Tennessee Press.
1549:"The Encyclopedia of Science Fiction: Kiss Me Deadly"
2323:
839:
as one of the most influential exemples of American
1331:
1302:
959:was selected for preservation in the United States
350:was selected for preservation in the United States
1589:
1043:French box office results for Robert Aldrich films
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650:
2634:
853:has been cited as a stylistic precursor of the
1611:Collins, Max Allan; Traylor, James L. (2018).
1610:
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1869:
1428:
951:lead guitarist and glam metal solo performer
630:Clay Street, an alley on Bunker Hill beneath
578:
1644:
1587:
1393:
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1150:
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378:to figure out what that something might be.
2203:The Return of Mickey Spillane's Mike Hammer
1629:Parish, James Robert and Michael R. Pitts.
1238:
2693:United States National Film Registry films
2316:
2302:
1876:
1862:
1424:
1422:
1420:
1418:
38:
1546:
1388:
1083:"Complete National Film Registry Listing"
1790:Kiss Me Deadly: The Thriller of Tomorrow
1615:. Jefferson, North Carolina: McFarland.
1588:Arnold, Bill; Miller, Eugene L. (1986).
1190:
602:
2708:Films based on works by Mickey Spillane
1494:"Kiss Me Deadly (Robert Aldrich, 1955)"
1415:
2635:
1592:The Films and Career of Robert Aldrich
1135:
1105:
1103:
1036:
835:Contemporary film scholars have named
571:The screenplay was loosely adapted by
2728:English-language crime thriller films
2297:
1857:
1645:Silver, Alain; Ursini, James (1995).
1491:
749:
1647:Whatever Happened to Robert Aldrich?
1321:from the original on August 2, 2012.
1077:
1075:
743:
705:Le sang d'un poète (Blood of a Poet)
2698:Films about nuclear war and weapons
1457:
1275:. Last accessed: February 22, 2013.
1100:
846:The Encyclopedia of Science Fiction
13:
1631:The Great Science Fiction Pictures
1536:from the original on May 15, 2020.
1447:from the original on May 15, 2020.
1384:from the original on May 15, 2020.
1344:from the original on May 15, 2020.
774:AFI's 100 Years...100 Movie Quotes
14:
2739:
1701:
1305:"100 Greatest American Thrillers"
1196:
1072:
817:
680:is an influential noir classic."
2688:Films directed by Robert Aldrich
2459:What Ever Happened to Baby Jane?
303:, based on the 1952 crime novel
1820:("The Kiss Me Mangled Mystery")
1540:
1508:
1485:
1451:
1429:Poland, David (June 27, 1997).
1370:
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1325:
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1278:
1260:
1232:
1209:
989:
25:Kiss Me Deadly (disambiguation)
2703:Films based on American novels
2658:American black-and-white films
1492:Hamid, Rahul (18 March 2016).
1378:"Kiss Me Deadly [DVD]"
1169:
1156:
1129:
1048:
977:List of American films of 1955
943:(1998). The second was a 1988
789:AFI's 10 Top 10 – Mystery Film
651:Critical response and analysis
537:
1:
2723:Mike Hammer (character) films
2653:American crime thriller films
2258:Mickey Spillane's Mike Hammer
2250:Mickey Spillane's Mike Hammer
2211:Mike Hammer: Murder Takes All
1017:
1010:: "If we don't, remember me."
801:
759:AFI's 100 Years...100 Thrills
711:Les Dames du Bois de Boulogne
532:
2713:Films scored by Frank De Vol
2663:1950s English-language films
2519:The Killing of Sister George
2479:Hush...Hush, Sweet Charlotte
1731:AFI Catalog of Feature Films
830:
723:
7:
1516:"DVR Alert: Kiss Me Deadly"
1460:"Nuclear-powered nastiness"
1458:Cox, Alex (June 16, 2006).
1239:Slant Staff (May 5, 2006).
1179:, Praeger/Greenwood, 1992,
970:
251:436,699 admissions (France)
10:
2744:
2648:1950s crime thriller films
1581:
1572:Collins & Traylor 2018
645:
579:Differences from the novel
467:as Lily Carver / Gabrielle
390:before interrogating him.
18:
2559:Emperor of the North Pole
2509:The Legend of Lylah Clare
2489:The Flight of the Phoenix
2332:
2241:
2130:
1895:
1332:American Film Institute.
1303:American Film Institute.
266:produced and directed by
243:
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176:
162:
152:
142:
132:
101:
93:
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59:
49:
44:Theatrical release poster
37:
32:
2683:Films set in Los Angeles
2673:American detective films
2589:Twilight's Last Gleaming
2281:Mike Hammer, Private Eye
1404:The Criterion Collection
1380:. Amazon. 19 June 2001.
1151:Arnold & Miller 1986
1031:Silver & Ursini 1995
982:
812:The Criterion Collection
401:Hammer goes back to the
1785:("Evidence of a Style")
1649:. New York: Limelight.
1431:"The revised ending of
1334:"Greatest Movie Quotes"
908:Raiders of the Lost Ark
898:Guardians of the Galaxy
751:American Film Institute
550:. The stories would be
412:
361:
16:1955 American film noir
2227:Mike Hammer: Song Bird
1718:National Film Registry
1665:Science Fiction Movies
996:Nominated for dialogue
961:National Film Registry
717:The Lady From Shanghai
686:wrote, "To appreciate
352:National Film Registry
247:$ 726,000 (USA/Canada)
195:May 18, 1955
23:. For other uses, see
2187:Murder Me, Murder You
2096:Masquerade for Murder
1669:Octopus Books Limited
603:Los Angeles locations
2718:1950s American films
1799:Criterion Collection
1440:Entertainment Weekly
1411:on January 20, 2013.
1290:The Films In My Life
935:self titled debut LP
431:as Dr. G. E. Soberin
2419:Ten Seconds to Hell
2273:The New Mike Hammer
2104:Kill Me If You Can
2064:Murder Never Knocks
1808:photos from the set
1087:Library of Congress
1045:at Box Office Story
965:Library of Congress
929:, featuring singer
903:Ark of the Covenant
807:Metro-Goldwyn-Mayer
662:Hollywood blacklist
527:as nightclub singer
503:as Sugar Smallhouse
461:as Christina Bailey
356:Library of Congress
321:Kefauver Commission
290:. It also features
262:is a 1955 American
249:$ 226,000 (foreign)
2619:...All the Marbles
2449:Sodom and Gomorrah
2324:Films directed by
2120:Baby, It's Murder
1777:2019-02-12 at the
1765:TCM Movie Database
1524:. March 19, 2010.
1221:2007-10-01 at the
1138:The New York Times
1117:. 29 November 2013
1111:"Top 10 film noir"
887:John Frankenheimer
565:The Silver Chalice
372:Christina Rossetti
2630:
2629:
2529:Too Late the Hero
2291:
2290:
2171:Margin for Murder
2048:King of the Weeds
1984:Survival... Zero!
1968:The Twisted Thing
1920:Vengeance Is Mine
1656:978-0-879-10185-5
1622:978-0-786-49242-8
1603:978-0-870-49504-5
1286:François Truffaut
1175:Prince, Stephen,
877:Quentin Tarantino
859:François Truffaut
799:
798:
684:François Truffaut
509:as Harvey Wallace
479:as Carmen Trivago
477:Fortunio Bonanova
449:as Lt. Pat Murphy
396:Manhattan Project
386:injects him with
344:Quentin Tarantino
332:François Truffaut
255:
254:
171:Parklane Pictures
2735:
2623:
2613:
2603:
2593:
2583:
2573:
2569:The Longest Yard
2563:
2553:
2543:
2539:The Grissom Gang
2533:
2523:
2513:
2503:
2493:
2483:
2473:
2463:
2453:
2443:
2433:
2423:
2413:
2403:
2393:
2383:
2373:
2363:
2353:
2349:World for Ransom
2343:
2318:
2311:
2304:
2295:
2294:
2219:Come Die with Me
2195:More Than Murder
2163:The Girl Hunters
2072:The Will To Kill
2056:Kill Me, Darling
2024:Kiss Her Goodbye
2008:The Goliath Bone
1952:The Girl Hunters
1928:One Lonely Night
1878:
1871:
1864:
1855:
1854:
1829:
1663:Strick, Philip.
1660:
1626:
1607:
1595:
1575:
1569:
1560:
1559:
1557:
1555:
1544:
1538:
1537:
1512:
1506:
1505:
1504:on May 15, 2020.
1500:. Archived from
1498:Senses of Cinema
1489:
1483:
1482:
1480:
1478:
1455:
1449:
1448:
1426:
1413:
1412:
1407:. Archived from
1399:"Kiss Me Deadly"
1395:
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1199:"Kiss Me Deadly"
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515:as Paul Richards
455:as Velda Wakeman
388:sodium pentothal
202:
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2499:The Dirty Dozen
2496:
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2439:The Last Sunset
2436:
2429:The Angry Hills
2426:
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1992:The Killing Man
1976:The Body Lovers
1944:Kiss Me, Deadly
1912:My Gun Is Quick
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1292:. p. 94.
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2261:(1984–1985)
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2016:The Big Bang
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1936:The Big Kill
1934:
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1793:an essay by
1789:
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1554:February 21,
1552:. Retrieved
1542:
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1510:
1502:the original
1497:
1487:
1475:. Retrieved
1464:The Guardian
1463:
1453:
1438:
1432:
1409:the original
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1338:Filmsite.org
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1197:Dirks, Tim.
1192:
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1164:The Guardian
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1119:. Retrieved
1115:The Guardian
1114:
1090:. Retrieved
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1063:. Retrieved
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947:from former
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731:Institution
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420:Ralph Meeker
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272:Ralph Meeker
258:
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211:Running time
188:Release date
157:Frank De Vol
119:Paul Stewart
109:Ralph Meeker
78:
69:(uncredited)
2469:4 for Texas
2339:Big Leaguer
2284:(1997–1998)
2276:(1986–1987)
2253:(1958–1960)
2179:I, the Jury
2139:I, the Jury
2040:Complex 90
2000:Black Alley
1904:I, the Jury
1889:Mike Hammer
1816:article by
1795:J. Hoberman
1781:article by
1252:November 7,
1121:24 November
1060:www.loc.gov
1004:Mike Hammer
955:. In 1999,
901:. When the
885:(1994) and
612:Bunker Hill
538:Development
525:Kitty White
483:Nick Dennis
471:Marion Carr
447:Wesley Addy
424:Mike Hammer
403:beach house
367:Mike Hammer
346:. In 1999,
288:Wesley Addy
270:, starring
215:106 minutes
94:Produced by
50:Directed by
2643:1955 films
2637:Categories
2242:Television
2222:(TV, 1994)
2214:(TV, 1989)
2206:(TV, 1986)
2198:(TV, 1984)
2190:(TV, 1983)
2174:(TV, 1981)
1848:0826429777
1667:. London:
1364:6304508549
1065:2020-07-20
1018:References
945:hit single
931:Billy Idol
802:Home media
793:Nominated
778:Nominated
763:Nominated
593:hardboiled
533:Production
244:Box office
199:1955-05-18
164:Production
84:1952 novel
2668:Film noir
2369:Vera Cruz
1960:The Snake
1712:essay by
1530:0028-792X
1472:0261-3077
1008:Christina
1000:Christina
953:Lita Ford
940:SLC Punk!
841:film noir
831:Influence
737:Category
724:Accolades
589:MacGuffin
489:Jack Elam
473:as Friday
264:film noir
239:$ 410,000
143:Edited by
2265:episodes
1775:Archived
1754:AllMovie
1671:, 1976.
1534:Archived
1477:July 27,
1445:Archived
1382:Archived
1342:Archived
1319:Archived
1288:(1975).
1241:"B Noir"
1219:Archived
971:See also
949:Runaways
920:(2006),
875:(1984),
872:Repo Man
867:Alex Cox
693:Scarface
657:Cold War
340:Alex Cox
228:Language
153:Music by
102:Starring
75:Based on
2234:, 2003)
1833:YouTube
1797:at the
1763:at the
1728:at the
1720:website
1716:on the
1582:Sources
1340:. AMC.
963:by the
740:Result
646:Release
485:as Nick
354:by the
231:English
220:Country
197: (
166:company
2622:(1981)
2612:(1979)
2602:(1977)
2592:(1977)
2582:(1975)
2579:Hustle
2572:(1974)
2562:(1973)
2552:(1972)
2542:(1971)
2532:(1970)
2522:(1968)
2512:(1968)
2502:(1967)
2492:(1965)
2482:(1964)
2472:(1963)
2462:(1962)
2452:(1962)
2442:(1961)
2432:(1959)
2422:(1959)
2412:(1956)
2409:Attack
2402:(1956)
2392:(1955)
2382:(1955)
2372:(1954)
2362:(1954)
2359:Apache
2352:(1954)
2342:(1953)
2182:(1982)
2166:(1963)
2158:(1957)
2150:(1955)
2142:(1953)
2123:(2024)
2115:(2023)
2107:(2022)
2099:(2020)
2091:(2019)
2083:(2018)
2075:(2017)
2067:(2016)
2059:(2015)
2051:(2014)
2043:(2013)
2035:(2012)
2027:(2011)
2019:(2010)
2011:(2008)
2003:(1996)
1995:(1989)
1987:(1970)
1979:(1967)
1971:(1966)
1963:(1964)
1955:(1962)
1947:(1952)
1939:(1951)
1931:(1951)
1923:(1950)
1915:(1950)
1907:(1947)
1896:Novels
1846:
1693:
1675:
1653:
1637:
1619:
1600:
1528:
1470:
1362:
1183:
1092:May 4,
714:, and
635:Flight
342:, and
286:, and
236:Budget
2131:Films
983:Notes
892:Ronin
785:2008
770:2005
755:2001
734:Year
1844:ISBN
1743:IMDb
1691:ISBN
1673:ISBN
1651:ISBN
1635:ISBN
1617:ISBN
1598:ISBN
1556:2021
1526:ISSN
1479:2019
1468:ISSN
1360:ASIN
1254:2022
1181:ISBN
1123:2022
1094:2020
744:Ref.
556:and
413:Cast
362:Plot
294:and
1887:'s
1831:on
1752:at
1741:at
1315:AMC
1271:at
914:In
905:in
889:'s
879:'s
869:'s
422:as
309:by
86:by
2639::
1685:.
1564:^
1532:.
1518:.
1496:.
1466:.
1462:.
1443:.
1437:.
1417:^
1401:.
1390:^
1358:.
1336:.
1317:.
1313:.
1307:.
1243:.
1225:.
1201:.
1113:.
1102:^
1085:.
1074:^
1058:.
998::
857:.
849:.
827:.
708:,
702:,
696:,
568:.
398:.
338:,
334:,
313:.
282:,
278:,
274:,
2317:e
2310:t
2303:v
2232:V
2230:(
1877:e
1870:t
1863:v
1697:.
1679:.
1659:.
1641:.
1625:.
1606:.
1558:.
1481:.
1435:"
1366:.
1256:.
1205:.
1187:.
1140:.
1125:.
1096:.
1068:.
201:)
27:.
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