Knowledge

Knud Jeppesen

Source 📝

1027: 834: 822: 58:, and studied musicology at Copenhagen University with Angul Hammerich. He passed the organist exam at the Royal Danish Conservatory of music in 1916. Owing to Hammerich's retirement, there was nobody on the faculty of the university to examine Jeppesen's work; therefore, he submitted his dissertation to the University of Vienna, where it was reviewed by 50:, although he was largely self-taught. Completing primary education in 1911, he first worked in Elbing and Liegnitz (Eastern Germany) as an opera coach and conductor. He found employment in Berlin in 1914, but returned to Denmark because of the outbreak of war. In Copenhagen he became a pupil of prominent Danish composers 142:
His published writings mostly regard music by Italian and Danish composers from the sixteenth and seventeenth centuries. Jeppesen engaged in much primary research – locating early manuscript and print copies of old scores and preparing editions with annotations and commentary. In 1962 he finished the
151:
Jeppesen's early efforts at composition were poorly received and he turned away from composition in 1919, only to resume after a fifteen-year hiatus. He is known for well-crafted songs set to Danish texts, church music, and motets. He also wrote cantatas, organ music, and an opera,
100:, the leading genre of Italian popular, secular songs in the late fifteenth and early sixteenth century. From 1927 until his death he was active in the International Musicological Society, serving as president from 1949 to 1952. He was also a member (from 1963) of the Italian 577:"The Manuscript Florence Biblioteca Nazionale Centrale, Banco rari 230: an Attempt at Diplomatic Reconstruction", Aspects of Medieval and Renaissance Music: a Birthday Offering to Gustave Reese, ed. J. LaRue and others (New York, 1966 revised), pp. 440–47 124:
has been a standard textbook since its appearance in German (1935) and English (1939), and remains in print today (the third and final edition remains untranslated). His doctoral thesis was expanded in 1923 and appeared in English in 1927 as
590:"An Unknown Pre-Madrigalian Music Print in Relation to other Contemporary Italian Sources (1520–1530)", Studies in Musicology: Essays … in Memory of Glen Haydon, ed. J.W. Pruett (Chapel Hill, NC, 1969), pp. 3–17 546:"Palestriniana: ein unbekanntes Autogramm und einige unveröffentlichte Falsibordoni des Giovanni Pierluigi da Palestrina", Miscelánea en homenaje a Monseñor Higinio Anglés (Barcelona, 1958–61), pp. 417–30 168:, to whom he was introduced by Guido Adler. From 1916 to 1931 Jeppesen was Nielsen's closest associate, and Jeppesen wrote several important articles about that composer. 866: 884: 1059: 927: 143:
first complete thematic catalog of Palestrina's oeuvre. Among his accomplishments were the discovery of ten previously unknown masses by Palestrina in 1949.
164:
is a classic with Danish church choirs. His style incorporates his knowledge of early counterpoint but also the style of late Viennese romantics including
92:
Following his retirement in 1957, Jeppesen resided in Italy, enabling him to make several discoveries in Italian libraries culminating in his magnum opus,
403:"Das 'Sprunggesetz' des Palestrinastils bei betonten Viertelnoten (halben Taktzeiten)", Musikwissenschaftlicher Kongress: Basel 1924, pp. 211–19 934: 859: 793: 422:"Die neuentdeckten Bücher der Lauden des Ottaviano dei Petrucci und andere musikalische Seltenheiten der Biblioteca Colombina zu Sevilla", 1030: 852: 801: 77:
from 1920 to 1947, also serving on its board of directors. In 1946, he was appointed to the new post of professor of musicology at
549:"Et par notationstekniske problemer i det 16. aarhundredes musik og nogle dertil knyttede iagttagelser (taktindelling partitur)", 523:"Pierluigi da Palestrina, Herzog Gugliemo Gonzaga und die neugefundenen Mantovaner-Messen Palestrinas: ein ergänzender Bericht", 1079: 513:"Zur Kritik der klassischen Harmonielehre", International Musicological Society Congress Report IV: Basel 1949, pp. 23–34 434:"Wann entstand die Marcellus-Messe?", Studien zur Musikgeschichte: Festschrift für Guido Adler (Vienna, 1930), pp. 126–36 431:
Kontrapunkt (vokalpolyfoni) (Copenhagen, 1930, 3rd ed. 1962; Ger. trans., 1935, 5/1970; Eng. trans., 1939, 2 cd edition)
661: 913: 406:"Johann Joseph Fux und die moderne Kontrapunkttheorie", Deutsche Musikgesellschaft: Kongress I: Leipzig 1925, pp. 187–8 1089: 424: 81:, where he founded (in 1950) an Institute of Musicology which he directed until 1957. His students included the composers 1084: 419:"Die Textlegung in der Chansonmusik des späteren 15. Jahrhunderts", Beethoven-Zentenarfeier: Vienna 1927, pp. 155–7 496:"Choralis Constantinus som liturgisk dokument", Festskrift til O.M. Sandvik, ed. O. Gurvin (Oslo, 1945), pp. 52–82 593:"Alcune brevi annotazioni sulla musicologia", Scritti in onore di Luigi Ronga (Milan and Naples, 1973), pp. 275–8 875: 117: 31: 1074: 920: 906: 486:(1504–1514)", Emlékkönyv Kodály Zoltán hatvanadik születésnapjára, ed. B. Gunda (Budapest, 1943), pp. 265–74 780: 539: 1064: 1069: 462:"Rom og den danske musik", Rom og Danmark gennem tiderne, ii, ed. L. Bobé (Copenhagen, 1937), pp. 153–76 74: 472:"Venetian Folk-Songs of the Renaissance", papers of the American Musicological Society, 1939, pp. 62–75 1094: 1002: 712: 392:"Die Dissonanzbehandlung bei Palestrina" (diss., University of Vienna, 1922; enlarged Copenhagen, 1923, as 416:"Über einen Brief Palestrinas", Festschrift Peter Wagner, ed. K. Weinmann (Leipzig, 1926), pp. 100–07 617: 812: 272:, cantata for alto soloist, mixed chorus, string orchestra or organ (text: Dorothea Engelbretsdatter) 752: 838: 766: 970: 689: 649: 448:: Festschrift, ed. H. Zenck, H. Schultz and W. Gerstenberg (Regensburg, 1933), p. 69–76 1054: 1049: 899: 557: 157: 101: 8: 452: 373:
Italia sacra musica: musiche corali italiane sconosciute della prima metà del Cinquecento
952: 622: 483: 130: 975: 684: 657: 516:"The Recently Discovered Mantova Masses of Palestrina: a Provisional Communication", 211:
1937 Domine, refugium factus es nobis – Cantata for soprano, and flute or violin solo
78: 42:
Jeppesen demonstrated early musical talent at age 10 when he was first encouraged by
160:
on September 20, 1950. He also made many contributions to Danish hymnology, and his
844: 826: 136: 445: 86: 66: 43: 560:
zum sechzigsten Geburtstag, ed. H. Hüschen (Regensburg, 1962), pp. 245–63
1043: 1009: 351:, Samfundet til udgivelse af dansk musik, 3rd ser., lxxxix (Copenhagen, 1946) 257: 165: 70: 47: 563:"Über italienische Kirchenmusik in der ersten Hälfte des 16. Jahrhunderts", 1014: 985: 113: 82: 51: 23: 311:
Musikstuderendes Kammerkor, conductor: Finn Mathiassen (Point – PCD5161/2)
229:
1942/45 Te Deum Danicum (for the opening of the Danish Radio concert hall)
410: 249:
1949 Ørnen og skarnbassen (for the Københavns Drengekors 25 year jubilee)
59: 55: 223:
1941 Lille Sommertrio (Little Summer Trio) (for flute, cello and piano)
744:
Glahn, Henrik. "Knud Jeppesen. 15. August 1892 bis 14. Juni 1974",
187:
1912 "Foraar" for soloists and orchestra (text: Johannes Jørgensen)
112:
Jeppesen's name is invariably associated with the study of musical
97: 27: 177:
1906 "Nordisk Festmarche" for 3 violins, cello, harmonium or piano
135:
cites as being the "most distinguished and influential example of
475:"Eine musiktheoretische Korrespondenz des früheren Cinquecento", 122:
Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
304:
Storstrøms Kammerensemble (Lille Sommertrio) (Helikon – HCD1023)
275:
1952 Kantate ved Det Jyske Musikkonservatoriums 25-års jubilæum
120:, of whom he was the leading scholar of his day. His 1930 work 413:
Peter Wagner, ed. K. Weinmann (Leipzig, 1926), pp. 87–100
394:
Palestrinastil med saerligt henblik paa dissonansbehandlingen
265:
1951 "Du gav mig o herre en lod af din jord" (C. R. Sundell)
244:
Kantate ved indvielsen af Aarhus Universitets hovedbygning
202:
1934 Gud, vend Øren til min Bøn (Motet 4-part mixed choir)
437:"Die 3 Gafurius-Kodizes der Fabbrico del Duomo, Milano", 235:
1944 Haglskyen (8 part male chorus. Text: Knud Wiinstedt)
570:"Carl Nielsen paa hundredaarsdagen: nogle erindringer", 205:
1935 Hvad er et Menneske? (Motet for 4-part mixed choir)
34:, about whose life and music he wrote numerous studies. 748:, Vol. 47, Fasc. 1 (January – June 1975), pp. 1–2. 256:, opera in three acts after texts by the composer and 810: 361:
Giovanni Pierluigi da Palestrina: Le messe di Mantova
342:
Die italienische Orgelmusik am Anfang des Cinquecento
874: 565:
Studia musicologica Academiae scientiarum hungaricae
262:
1951 Kantate ved genindvielsen af Haderslev Domkirke
704: 641: 344:(Copenhagen, 1943, enlarged 2 cd edition 1960) 584:: Venice, Mantua and Cremona 1968, pp. 313–22 409:"Das isometrische Moment in der Vokalpolyphonie", 73:from 1932 to 1947. He taught music theory at the 465:"Über einige unbekannte Frottolenhandschriften", 1041: 96:(1968–70), a detailed study and bibliography of 1060:International Musicological Society presidents 719:. Oxford Music Online, Oxford University Press 710: 626:. Oxford Music Online, Oxford University Press 556:"Ein altvenetianisches Tanzbuch", Festschrift 482:"Das Volksliedgut in den Frottolenbüchern des 190:1915 String quartet in F (student composition) 62:and Jeppesen was awarded a doctorate in 1922. 860: 611: 609: 607: 537:"Eine frühe Orgelmesse aus Castell'Arquato", 532:Journal of the American Musicological Society 30:. He was the leading scholar of the composer 22:(15 August 1892 – 14 June 1974) was a Danish 580:"Monteverdi, Kapellmeister an S. Barbara?", 242: 196:1925 Kantate for Rungsted Kostskoles Samfund 16:Danish musicologist and composer (1892–1974) 647: 587:La frottola (Århus and Copenhagen, 1968–70) 363:, Le opere complete, xviii–xix (Rome, 1954) 336:Die mehrstimmige italienische Laude um 1500 162:Bygen flygter, Forunderligt så sødt et smil 867: 853: 794:Edition of Knud Jeppesen's 44 lectures on 604: 503:, xx (1945), pp. 41–7, pp. 67–70 398:The Style of Palestrina and the Dissonance 325:(Copenhagen, 1927, 2 cd edition 1965) 127:The Style of Palestrina and the Dissonance 802:International Music Score Library Project 382:, issuing editions of early Danish music. 349:Min Gud er med mig (Der Herr ist mit mir) 226:1942 Prelude and fugue in E minor (organ) 338:(Leipzig and Copenhagen, 1935 (revised)) 278:1953 Vintergæk er brudt af mulden (Hymn) 444:"Ein venezianisches Laudenmanuskript", 355:La flora, arie &c. antiche italiane 1042: 848: 615: 656:. Pendragon Press. pp. 17, 61. 396:; Ger. trans., 1925; Eng. trans. as 331:, Dania sonans, i (Copenhagen, 1933) 551:Svensk tidskirft för musikforskning 506:"Carl Nielsen, a Danish Composer", 493:, xvi–xvii (1944–5), pp. 11–38 367:Balli antichi veneziani per cembalo 13: 738: 499:"Et nodefund paa Konservatoriet", 184:, Symphonic poem (tenor and piano) 14: 1106: 654:New Music of the Nordic Countries 582:Claudio Monteverdi e il suo tempo 425:Zeitschrift für Musikwissenschaft 281:1957 50 choral preludes for organ 1026: 1025: 876:Giovanni Pierluigi da Palestrina 832: 820: 428:, xii (1929–30), pp. 73–89. 199:1930 Sonatine in C major (piano) 65:He was organist at Copenhagen's 32:Giovanni Pierluigi da Palestrina 572:Dansk aarbog for musikforskning 553:, xliii (1961), pp. 171–93 171: 116:, particularly in the style of 677: 652:. In White, John David (ed.). 574:, iv (1964–5), pp. 137–50 543:, xii (1955), pp. 187–205 294: 290:Landsbymusik (small orchestra) 232:1944 Lille trio (La primavera) 1: 1080:20th-century Danish composers 711:Bent, Ian D; Pople, Anthony. 597: 567:, iii (1962), pp. 149–60 527:, xxv (1953), pp. 132–79 520:, xxii (1950), pp. 36–47 510:, vii (1946), pp. 170–77 107: 75:Royal Danish Academy of Music 69:from 1917 to 1932 and at the 1003:Palestrina - Prince of Music 540:Archiv für Musikwissenschaft 534:, viii (1955), pp. 81–5 479:, xiii (1941), pp. 3–39 469:, xi (1939), pp. 81–114 323:Der Kopenhagener Chansonnier 284:1965 (?) Passacaglia (organ) 214:1938 Sjællandsfar (symphony) 37: 7: 1090:20th-century male musicians 796:Carl Nielsen som symfoniker 459:, xii (1937), p. 63–70 386: 315: 287:Intonazione boreale (organ) 156:which was performed by the 10: 1111: 1085:20th-century musicologists 648:Christensen, Jean (2002). 329:Vaerker af Mogens Pedersøn 309:Monteverdi – Knud Jeppesen 238:1945 Dronning Dagmar Messe 1023: 994: 963: 944: 891: 882: 767:Knud Jeppesen (1892–1974) 400:, 1927, 2/1946 (revised)) 270:Dagen viger og gaar bort 208:1936 Reformation Cantata 146: 785:Det Kongelige Bibliotek 771:Det Kongelige Bibliotek 730:(subscription required) 637:(subscription required) 217:1940 To Patetiske sange 1075:Pupils of Carl Nielsen 650:"New Music of Denmark" 489:"Marcellus-Probleme", 243: 1065:Danish male composers 971:Abbate Giuseppe Baini 690:Enciclopedia Treccani 530:"Cavazzoni-Cabezón", 501:Dansk musiktidsskrift 457:Dansk musiktidsskrift 451:"Diderik Buxtehude" ( 1070:Danish musicologists 900:Missa Papae Marcelli 885:List of compositions 558:Karl Gustav Fellerer 347:Dietrich Buxtehude: 158:Royal Danish Theatre 102:Accademia dei Lincei 85:(in Copenhagen) and 1095:Palestrina scholars 945:Cultural depictions 928:Canticum Canticorum 753:Prof. Knud Jeppesen 453:Dieterich Buxtehude 441:, iii (1931), 14–28 378:Founding editor of 67:St. Stephens church 921:Missa Tu es Petrus 914:Missa L'homme armé 907:O Magnum Mysterium 717:Grove Music Online 623:Grove Music Online 375:(Copenhagen, 1962) 369:(Copenhagen, 1962) 357:(Copenhagen, 1949) 220:1941 Horn concerto 193:1919 Violin sonata 137:stylistic analysis 1037: 1036: 976:Johann Joseph Fux 746:Acta Musicologica 663:978-1-57647-019-0 616:Bergsagel, John. 334:with V. Brøndal: 321:with V. Brøndal: 79:Aarhus University 1102: 1029: 1028: 995:Related articles 869: 862: 855: 846: 845: 837: 836: 835: 825: 824: 823: 816: 807: 790: 776: 762: 757:PremioGalilei.It 732: 731: 728: 726: 724: 708: 702: 701: 699: 697: 681: 675: 674: 672: 670: 645: 639: 638: 635: 633: 631: 618:"Jeppesen, Knud" 613: 525:Acta Musicologia 518:Acta Musicologia 491:Acta Musicologia 484:Octavio Petrucci 477:Acta Musicologia 467:Acta Musicologia 439:Acta Musicologia 302:Musik ved Susåen 246: 1110: 1109: 1105: 1104: 1103: 1101: 1100: 1099: 1040: 1039: 1038: 1033: 1019: 990: 959: 940: 887: 878: 873: 843: 839:Classical music 833: 831: 821: 819: 811: 805: 788: 774: 760: 741: 739:Further reading 736: 735: 729: 722: 720: 709: 705: 695: 693: 685:"Knud Jeppesen" 683: 682: 678: 668: 666: 664: 646: 642: 636: 629: 627: 614: 605: 600: 389: 318: 297: 174: 149: 139:at this time". 129:– a work which 110: 40: 17: 12: 11: 5: 1108: 1098: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1035: 1034: 1024: 1021: 1020: 1018: 1017: 1012: 1007: 998: 996: 992: 991: 989: 988: 983: 978: 973: 967: 965: 961: 960: 958: 957: 948: 946: 942: 941: 939: 938: 931: 924: 917: 910: 903: 895: 893: 889: 888: 883: 880: 879: 872: 871: 864: 857: 849: 842: 841: 829: 809: 808: 791: 777: 763: 749: 740: 737: 734: 733: 703: 676: 662: 640: 602: 601: 599: 596: 595: 594: 591: 588: 585: 578: 575: 568: 561: 554: 547: 544: 535: 528: 521: 514: 511: 504: 497: 494: 487: 480: 473: 470: 463: 460: 449: 446:Theodor Kroyer 442: 435: 432: 429: 420: 417: 414: 407: 404: 401: 388: 385: 384: 383: 376: 370: 364: 358: 352: 345: 339: 332: 326: 317: 314: 313: 312: 305: 296: 293: 292: 291: 288: 285: 282: 279: 276: 273: 266: 263: 260: 250: 247: 239: 236: 233: 230: 227: 224: 221: 218: 215: 212: 209: 206: 203: 200: 197: 194: 191: 188: 185: 178: 173: 170: 148: 145: 109: 106: 87:Bent Lorentzen 44:Hakon Andersen 39: 36: 15: 9: 6: 4: 3: 2: 1107: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1047: 1045: 1032: 1022: 1016: 1013: 1011: 1010:Prima pratica 1008: 1005: 1004: 1000: 999: 997: 993: 987: 984: 982: 981:Knud Jeppesen 979: 977: 974: 972: 969: 968: 966: 962: 955: 954: 950: 949: 947: 943: 936: 932: 930: 929: 925: 923: 922: 918: 916: 915: 911: 908: 904: 902: 901: 897: 896: 894: 890: 886: 881: 877: 870: 865: 863: 858: 856: 851: 850: 847: 840: 830: 828: 818: 817: 814: 803: 799: 797: 792: 786: 782: 778: 772: 768: 764: 758: 754: 750: 747: 743: 742: 718: 714: 707: 692: 691: 686: 680: 665: 659: 655: 651: 644: 625: 624: 619: 612: 610: 608: 603: 592: 589: 586: 583: 579: 576: 573: 569: 566: 562: 559: 555: 552: 548: 545: 542: 541: 536: 533: 529: 526: 522: 519: 515: 512: 509: 505: 502: 498: 495: 492: 488: 485: 481: 478: 474: 471: 468: 464: 461: 458: 454: 450: 447: 443: 440: 436: 433: 430: 427: 426: 421: 418: 415: 412: 408: 405: 402: 399: 395: 391: 390: 381: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 346: 343: 340: 337: 333: 330: 327: 324: 320: 319: 310: 306: 303: 299: 298: 289: 286: 283: 280: 277: 274: 271: 267: 264: 261: 259: 258:Carlo Goldoni 255: 251: 248: 245: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 210: 207: 204: 201: 198: 195: 192: 189: 186: 183: 179: 176: 175: 169: 167: 166:Gustav Mahler 163: 159: 155: 144: 140: 138: 134: 133: 132:The New Grove 128: 123: 119: 115: 105: 103: 99: 95: 90: 89:(in Aarhus). 88: 84: 80: 76: 72: 71:Holmen Church 68: 63: 61: 57: 53: 49: 48:Paul Hellmuth 45: 35: 33: 29: 25: 21: 20:Knud Jeppesen 1015:Roman School 1001: 986:Jerome Roche 980: 951: 935:Stabat Mater 926: 919: 912: 898: 892:Compositions 795: 784: 770: 761:(in Italian) 756: 745: 721:. Retrieved 716: 706: 694:. Retrieved 688: 679: 667:. Retrieved 653: 643: 628:. Retrieved 621: 581: 571: 564: 550: 538: 531: 524: 517: 508:Music Review 507: 500: 490: 476: 466: 456: 438: 423: 397: 393: 380:Dania Sonans 379: 372: 366: 360: 354: 348: 341: 335: 328: 322: 308: 301: 269: 253: 181: 172:Compositions 161: 153: 150: 141: 131: 126: 121: 114:counterpoint 111: 93: 91: 83:Vagn Holmboe 64: 52:Carl Nielsen 41: 24:musicologist 19: 18: 1055:1974 deaths 1050:1892 births 1006:(2009 film) 806:(in Danish) 798:(1951–1954) 789:(in Danish) 775:(in Danish) 411:Festschrift 295:Discography 94:La frottola 60:Guido Adler 56:Thomas Laub 1044:Categories 953:Palestrina 713:"Analysis" 598:References 118:Palestrina 108:Musicology 827:Biography 38:Biography 1031:Category 964:Scholars 804:(IMSLP) 387:Writings 316:Editions 154:Rosaura, 98:frottole 28:composer 956:(opera) 813:Portals 800:at the 781:Katalog 723:31 July 696:31 July 669:31 July 630:31 July 254:Rosaura 660:  307:2003 300:1996 268:1951 252:1950 241:1946 182:Staka 180:1911 147:Music 725:2013 698:2013 671:2013 658:ISBN 632:2013 54:and 46:and 26:and 783:", 769:", 755:", 455:), 1046:: 787:. 773:. 759:. 715:. 687:. 620:. 606:^ 104:. 937:" 933:" 909:" 905:" 868:e 861:t 854:v 815:: 779:" 765:" 751:" 727:. 700:. 673:. 634:.

Index

musicologist
composer
Giovanni Pierluigi da Palestrina
Hakon Andersen
Paul Hellmuth
Carl Nielsen
Thomas Laub
Guido Adler
St. Stephens church
Holmen Church
Royal Danish Academy of Music
Aarhus University
Vagn Holmboe
Bent Lorentzen
frottole
Accademia dei Lincei
counterpoint
Palestrina
The New Grove
stylistic analysis
Royal Danish Theatre
Gustav Mahler
Carlo Goldoni
Festschrift
Zeitschrift für Musikwissenschaft
Theodor Kroyer
Dieterich Buxtehude
Octavio Petrucci
Archiv für Musikwissenschaft
Karl Gustav Fellerer

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.