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patriarchal family head, beats his son in childhood for wandering around in the company of his friends. He does not allow the young boy to learn to play the flute, or to perform in his school's plays. Pandurang considers his father excessively money-minded, materialistic, selfish, unscrupulous, and dictatorial. In sharp contrast to his relationship with his father, Pandurang loves his mother and his sisters dearly.
333:
management of the hostel mess to one of his poor friends. But, although
Pandurang tries to help everyone around him, he ultimately discovers that his friends are using him. Finally, when he fails his exams badly and his financial position deteriorates, his father becomes angered by Pandurang's lifestyle. Pandurang learns a lesson: that good deeds do not count for much in life.
29:
337:
unsuccessful attempts to find work in the city, ultimately
Pandurang returns to his village, his mind "existentially vacant". He is now one of many unemployed youngsters of the village. As Pandurang tries to understand their views on life, their sorrows and their joys, the true meaning of life begins to dawn.
490:
was given a hostile reception by the
Marathi establishment, both for its portrayal of the professorial class, and for its description of the profane world. But it gained an enthusiastic following among readers of the younger generation, who identified with the thinking exemplified by its protagonist.
399:
Pandurang is estranged from his father, and has been from childhood. Later in the novel, this estrangement develops into a major theme of the younger generation's mute revolt against the patriarchal value system characteristic of traditional Indian life. Pandurang has not found anything meaningful in
275:
for his higher education. He feels isolated in his new social setting, and this persistent feeling of estrangement leads him to return home. There, he encounters further disillusionment, with the death of his sister, his father's domination, and his own financial dependence. The novel aims to portray
324:
Pandurang is the son of a well-to-do farmer from Sangvi, a village in
Khandesh. His family includes his parents, his grandmother, and his four sisters. Pandurang's relationship with his father is a difficult one, and they have been estranged since Pandurang was a boy. His father, who typifies the
336:
In his second year of college, Pandurang is an entirely new man, carefree and adventurous. Even his father now hesitates to ask him to mend his ways. He is shaken by the untimely death of his younger sister, Mani, but otherwise has no care for anything. In consequence, he fails his exam. After
332:
to attend college. While studying, Pandurang lives in a hostel. He decides to make the most of college life, and becomes the secretary of the college debating society, prefect of the hostel, and directs a play at the college Annual Day function. Out of kindness, he gives responsibility for the
208:
novel in
Marathi literature. Since its publication, its open-ended nature and potential for varied interpretations have been viewed as ground-breaking. The novel has become a modern classic of post-1960 Marathi fiction, and has been translated into eight South Asian languages and into English.
498:
has been considered a trendsetter in
Marathi literature, because of its open-ended quality and its potential for varied interpretation. It is the novel most widely appreciated and interpreted by a number of literary critics, including:
227:
At 21, Nemade had failed in his journalistic aspirations, and returned to his native village. He was rebuffed there by his father, who was disappointed that his son risked squandering an expensive education to end up being a cowherd.
353:. The novel is influenced by existential philosophy, exploring existentialist ideas such as an obsession with birth and death, dread, alienation, and absurdity. Like other existential novels,
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was published in
September that same year by J. J. Deshmukh, who had learned of Nemade's talent and encouraged him to write during his sojourn in Bombay.
288:
Pandurang
Sangavikar – The protagonist, and only son of a rich village farmer. His fellow hostel students call him by his nickname, Pandu.
525:, that opened up new, native possibilities of form and meaning and thus sought to change the direction of both literary taste and fictional tradition".
235:, accepted neither by the city nor his village family, a despairing Nemade shut himself away and wrote his novel over a three-week period.
400:
his experience of village life. Over a six-year period, this experience of meaninglessness repeats itself in his college life in Pune.
483:, or post-1960, Marathi fiction. Nemade rapidly came to be considered a representative writer of his generation with its publication.
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technique to recount the first twenty-five years in the life of
Pandurang Sangavikar, a young man of rural upbringing who moves to
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The novel heralded a new trend in
Marathi literature, and other commentators hold that it received immediate critical acclaim.
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1544:
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963:
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has been translated into eight Indian languages, and into English. The available translations of the novel are as follows:
911:
Gurjarpadhye-Khanderparkar, Prachi (July–August 2014). "Reinventing the Self: Nativist Cultural Imagination of "Kosla"".
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28:
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407:. Oblique, irrelevant humour is used as a serious moral strategy, to unmask the falseness of society and culture.
252:. Several editions appeared in the years following the novel's initial publication. The twenty-second edition of
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Pandurang's father – The head of a joint family, and a rich and respected man in his village.
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981:
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511:, Sukanya Aagase, Rekha Inamdar-Sane, and Vasudev Sawant. Chandrashekhar Jahagirdar wrote: "It was only
1687:
1343:
1154:
Sarang, Vilas (September–October 1992). "Tradition and Conflict in the Context of Marathi Literature".
198:
to narrate the journey of a young man, Pandurang Sangvikar, and his friends through his college years.
1350:
1176:
1001:
933:
890:
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to recount an individual's experiences, and in this exploration raises many questions regarding the
504:
1672:
868:(July–August 1996). "Speaking Out: Bhalchandra Nemade in conversation with Makarand Paranjape".
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and the value of existence. It is considered the first existential novel in Marathi literature.
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is widely regarded as both a modern classic and a ground-breaking novel which left its mark on
464:
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268:
248:, tracing the author's own story from childhood until his return to his village, it broke with
195:
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Five Decades: The National Academy of Letters, India : a Short History of Sahitya Akademi
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953:
1534:
1366:"Pratibimb Marathi Natya Utsav: A mix of commercial and experimental plays – art and culture"
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8:
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1165:
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879:
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42:
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Kosalabaddala : Bhalacandra Nemade Yancya Kadambarivarila Lekha, Parikshane, Tipa
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In 1963, Nemade was 25 and living in his village. Likening himself to the Hindu king
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narrates the life-story of Pandurang Sangvikar, a young man of 25, in six sections.
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1497:(in Assamese). Translated by Sharma, Kishorimohan. New Delhi: National Book Trust.
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1579:(in Odia). Translated by Indrasingh, Cheershree. New Delhi: National Book Trust.
1564:(in Urdu). Translated by Jauki, Musharraf Alam. New Delhi: National Book Trust.
1106:
Existentialism in the Selected American and Marathi Novels: a Comparative Study
979:
Hatkanagalekar, M.D. (November–December 1980). "Marathi: A Desirable Advance".
521:], which responding as it did to a crisis in the cultural consciousness of
459:
328:
After passing his local school's matriculation examination, Pandurang moves to
205:
80:
1108:(PhD). Kolhapur: Department of English, Shivaji University. pp. 144–145.
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Despite the novel's pessimistic undertones, an element of humour runs through
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1422:(in Hindi). Translated by Verma, Bhagwandas. New Delhi: National Book Trust.
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The novel's protagonist, Pandurang, has been described as a "quintessential
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1512:(in Punjabi). Translated by Singh, Ajeet. New Delhi: National Book Trust.
1445:(in Gujarati). Translated by Sheth, Usha. New Delhi: National Book Trust.
1127:
Padgaonkar, Latika (1997). "Cocoon by Bhalchandra Nemade (Book Review)".
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430:. The novel makes varied use of language, style and register, including:
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220:, Bhalchandra Nemade's debut novel, was conceived and written during his
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the spectrum of society from the viewpoint of Pandurang as a young boy.
1324:"Bhalchandra Nemade's Kosla: A Narrative of Revolt and Trapped Anguish"
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Labyrinth: An International Refereed Journal of Postmodern Studies
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Suresh Bapat – Pandurang's college friend in Pune.
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The novel proved innovative, and quickly became a success. As a
1192:"Marathi Novelist Bhalchandra Nemade Chosen for Jnanpith Award"
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443:
221:
1258:"Jnanpith award for Marathi author Bhalchandra Nemade - india"
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1395:. C. Chari for Perspective Publications. 2000. p. 31.
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Bombay Modern: Arun Kolatkar and Bilingual Literary Culture
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I am Pandurang Sangavikar), directed by Mandar Deshpande.
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1135:. New Delhi: C. Chari for Perspective Publications: 42.
1073:. Vol. 2. New Delhi: Sahitya Akademi. p. 745.
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Encyclopaedia of Indian Literature: Navaratri-Sarvasena
958:. Westport: Greenwood Publishing Group. p. 233.
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468:, a novel to which it has a similar narrative style.
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Giridhar – Pandurang's village friend.
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834:(2). Bombay: Modern Education Foundation: 161–175.
955:Handbook of Twentieth-century Literatures of India
952:Nalini Natarajan; Emmanuel Sampath Nelson (1996).
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414:presents a fusion of different genres, including:
1604:] (in Marathi). Aurangabad: Dhara Prakasana.
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317:), and in Pune. Using the autobiographical form,
294:Mani – Pandurang's younger sister.
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1222:. New Delhi: Sahitya Akademi. pp. 27, 274.
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1071:Modern Indian Literature: an Anthology: Fiction
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1289:. Northwestern University Press. p. 274.
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826:(1969). "Alienation in Four Marathi Novels".
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1472:. New Delhi: Sahitya Akademi. p. 127.
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1539:. New Delhi: Sahitya Akademi. p. 11.
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1164:(5). New Delhi: Sahitya Akademi: 159–168.
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921:(4). New Delhi: Sahitya Akademi: 172–185.
878:(4). New Delhi: Sahitya Akademi: 180–184.
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458:is said to have been inspired in part by
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16:1963 Marathi novel by Bhalchandra Nemade
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1190:Nandgaonkar, Satish (6 February 2015).
1097:Khaladkar, Dattatraya Dnyandev (2010).
438:language, urban and non-urban dialect,
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989:(6). New Delhi: Sahitya Akademi: 146.
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309:The story unfolds during the 1950s in
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1364:Banerjee, Kaushani (31 July 2016).
1242:: CS1 maint: ignored ISBN errors (
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594:Macmillan Publishers India, Chennai
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1602:Articles on Marathi novel 'Kosalā'
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1099:"Existentialism in Marathi Novels"
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1035:Masterpieces of Indian Literature
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1698:Indian novels adapted into plays
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715:National Book Trust, New Delhi
692:National Book Trust, New Delhi
669:National Book Trust, New Delhi
646:National Book Trust, New Delhi
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204:is considered to be the first
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1713:First-person narrative novels
1628:Center for Research Libraries
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507:, Chandrashekhar Jahagirdar,
486:According to Nemade himself,
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1668:Novels by Bhalchandra Nemade
1575:Nemade, Bhalchandra (2005).
1560:Nemade, Bhalchandra (2002).
1508:Nemade, Bhalchandra (1996).
1493:Nemade, Bhalchandra (1996).
1466:Kartik Chandra Dutt (1999).
1441:Nemade, Bhalchandra (1995).
1416:Nemade, Bhalchandra (1992).
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250:Marathi narrative traditions
33:Cover of English translation
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1322:Digole, D. P. (July 2012).
1032:George, K. M., ed. (1997).
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359:first person point of view
1708:Novels set in Maharashtra
1594:Bhand, Baba, ed. (1979).
1283:Nerlekar, Anjali (2016).
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533:Me, Pandurang Sangavikar
418:, the diary, the novel,
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663:Vaman Dattatraya Bendre
494:Since its publication,
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256:was published in 2013.
182:novel by Indian writer
465:The Catcher in the Rye
269:first-person narrative
1703:Indian bildungsromans
1678:Existentialist novels
864:Nemade, Bhalchandra;
784:Cheershree Indrasingh
196:autobiographical form
194:, the novel uses the
172:), sometimes spelled
1042:. pp. 875–877.
761:Musharraf Alam Jauki
341:Theme and techniques
113:Deshmukh and Company
1654:(Hindi translation)
1630:(Marathi first ed.)
1533:Rao, D. S. (2004).
1216:Lal, Mohan (1991).
1040:National Book Trust
866:Paranjape, Makarand
732:Vandana Alase Hazra
686:Kishorimohan Sharma
618:National Book Trust
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49:Original title
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1683:1963 Indian novels
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410:In its narrative,
345:The main theme of
192:Marathi literature
184:Bhalchandra Nemade
43:Bhalchandra Nemade
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1688:1963 debut novels
1546:978-81-260-2060-7
1479:978-81-260-0873-5
1296:978-0-8101-3275-7
1264:. 7 February 2015
1157:Indian Literature
1049:978-81-237-1978-8
982:Indian Literature
965:978-0-313-28778-7
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440:slang
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