396:) without prior introduction and requested that he be allowed into the school immediately. He was accepted, and from that time began life as a live-in apprentice. Other than a brief trip to Kanazawa in December of the following year, Kyōka spent all of his time in the Ozaki household, proving his value to Kōyō through correcting his manuscripts and household tasks. Kyōka greatly adored his teacher, thinking of him as a teacher of more than literature, a benefactor who nourished his early career before he gained a name for himself. He felt deeply a personal indebtedness to Kōyō, and continued to admire the author throughout his life.
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Originally intending only to spend a summer there, he rented the house for four years. During this time he ate mainly rice gruel and sweet potatoes. In spite of illness that often left him in a dream-like state and a house that leaked when it rained, he managed to compose several stories there, including "One Day in Spring"
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In May 1896, Kyōka paid his grandmother, now in her mid-seventies, a visit in
Kanazawa, and the next year he decided to get his own house in Koishikawa and bring her to live with him. In spite of the beriberi that had not completely healed over the years, he was prolific at this time, though his work
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In
October of that same year, Kyōka's mentor, Ozaki Kōyō, died. Even on his deathbed, Kōyō continued to worry over Kyōka's future, and he continued to correct Kyōka's manuscripts. Then, in 1906, Kyōka lost his grandmother at the age of 87. His stomach troubles worsened and he returned to Zushi.
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January 9 of 1894, his father died and he once again returned to
Kanazawa. Facing an uncertain future, Kyōka worried about his means of obtaining a livelihood for himself and his relatives, a grandmother and younger brother; however, with his grandmother's encouragement he returned to his work in
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and his works would later show the influence of this early contact with such visual forms of story-telling. In April 1883, at nine years old, Kyōka lost his mother, who was 29 at the time. It was a great blow to his young mind, and he would attempt to recreate memories of her in works throughout
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Eccentric and superstitious, Kyōka developed a reputation for writing about the grotesque and the fantastic. However, he did not use fantasy to escape from what was happening in the real world, but for criticizing it. Kyōka saw human through the lens "of evolutionary regression, whether man into
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are still performed regularly. This was not always the case, however, as few of his plays were performed while he was alive. They saw a revival in the 1950s, but some scholars attribute his lasting impacts to dramatizations and adaptations of his prose fictions, usually done by other authors.
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newspaper. Apparently it was very unpopular and the editor requested the story be dropped immediately; however, due to Kōyō's pleadings on the part of his young student, Kyōka was allowed to print the entire story. The next year the story was resold to the
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Kyōka's writing differed greatly from that of the naturalist writers who dominated the literary scene at the time. Many of Kyōka's works are surrealist critiques of society. He is best known for a characteristic brand of
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He is also considered one of the supreme stylists in modern
Japanese literature, and the difficulty and richness of his prose has been frequently noted by fellow authors and critics. Like
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in Tokyo to follow work on an encyclopedia. On his departure, Kōyō treated Kyōka to a
Western style dinner where he taught his student to use a knife and fork.
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Poulton, Cody M., and
Gabrielle H. Cody. "Izumi Kyōka (1873 - 1939)." The Columbia Encyclopedia of Modern Drama. Vol. 1. N.p.: Columbia UP, 2007. 723. Print.
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Izumi Kyoka (2010). "Sea
Daemons" trans. Ginny Tapley Takemori, Kaiki: Uncanny Tales from Japan Volume 2: Country Delights, Kurodahan Press
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Poulton, Cody. "Drama and
Fiction in the Meiji Era: The Case of Izumi Kyōka." Asian Theatre Journal Vol 12, No. 2. (1995). 280-306. Web.
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Even before he entered grade school, young Kyōtarō's mother introduced him to literature in picture-books interspersed with text called
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He kept a number of journals of his travels, and he continued to write short stories and plays. In 1937, his last great project,
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is a literary award established by the city of
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He continued to have problems with beriberi, and in the summer of 1916, he spent a good portion of three months inside.
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before returning to Tokyo. He would later use the record he kept of his travels as a basis for his "Another Man's Wife"
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and other
Japanese authors with pen names, Kyōka is usually known by his pen name rather than his real given name.
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praised "Samisen Canal." At the same time, the first five volumes of Kyōka's collected works were published.
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The Similitude of Blossoms: A Critical Biography of Izumi Kyoka (1873–1939), Japanese Novelist and Playwright
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1339:"Izumi Kyōka." Encyclopædia Britannica Online. Encyclopædia Britannica, Inc. 1 Dec 2014. Web. 20 April 2015.
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Finally his ill-health took its toll, and, on 7 September 1939, at 2:45 in the morning, Izumi Kyōka died of
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Poulton, Mark C. "Metamorphosis: Fantasy and Animism in Izumi Kyōka." Japan Review. (1995): 71-92. Print.
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The next year in February, in order to continue to support his family in Kanazawa, Kyōka moved into the
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Poulton, Cody. "A Beggar's Art: Scripting Modernity in Japanese Drama." Project Muse. (2010): 69. Web.
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March 15, 2018. Volume 16, Issue 6 Number 1. Awarded the 2017 Kyoko Selden Memorial Translation Award.
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beast or adult into child," indicative of his critique on modern society.The Holy Man of Mount Kōya
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Kyōka was born Izumi Kyōtarō on November 4, 1873 in the Shitashinmachi section of
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preferring tales of the supernatural heavily influenced by works of the earlier
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newspapers. He was inducted the same year into the Imperial Arts Society.
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In April 1895, Kyōka's first, real critical success, “The Night Watchman”
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The city of Kanazawa's page on its Izumi Kyoka Memorial Hall and Museum
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storytelling, and also uses dramatic dialogues similar to that used in
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In 1902, suffering from gastrointestinal problems, Kyōka retired to
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by extending his efforts into the theater. In 1913, he composed
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opening pages; thus began Kyōka's entry into literary circles.
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Another female Izumi Kyōka is featured in a chapter of the
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His plays are particularly popular in Japan: such works as
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A female character named Izumi Kyōka appears in the manga
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Izumi Kyoka (2017). "Tale of the Enchanted Sword" (妖剣記聞,
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With growing popularity supporting him, Kyōka began the
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and took the opportunity to travel around Kyoto and the
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Dawn to the West: Japanese Literature of the Modern Era
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Izumi Kyoka (1956). "A Tale of Three Who Were Blind".
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In Light Of Shadows: More Gothic Tales By Izumi Kyoka
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Mark Cody Poulton. Japan Review No.6(1995), pp71–92.
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received mixed reviews. "The Holy Man of Mount Kōya
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to convalesce. While there, a woman named Ito Suzu
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1240:Spirits of Another Sort: The Plays of Izumi Kyoka
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1117:Meiji Tokyo Renka
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58:"Kyōka Izumi"
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287:Before Tokyo
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170:(1939-09-07)
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99:October 2022
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41:Please help
36:verification
33:
1563:1939 deaths
1558:1873 births
943:Kōya Hijiri
905:lung cancer
846:Lake Towada
836:Final years
653:Kōya Hijiri
614:Reiun Taoka
324:Nakata Suzu
306:Izumi Seiji
257:Romanticism
234:Izumi Kyōka
222:Izumi Kyōka
125:Izumi Kyōka
1552:Categories
1318:References
1256:Demon Pond
1199:Demon Lake
1105:spin-off,
1052:In fiction
983:Demon Pond
972:Nagai Kafū
911:in Tokyo.
818:Nihonbashi
780:Demon Pond
761:Kafū Nagai
696:Kagurazaka
628:Gekashitsu
587:Koishikawa
458:Iki-ningyō
363:Ozaki Kōyō
261:Edo period
182:Occupation
148:1873-11-04
69:newspapers
1073:Showa Era
964:hanamachi
885:Usu Kōbai
854:pneumonia
754:Uta Andon
720:Kōjimachi
691:hanamachi
603:Yakōjunsa
377:kusazōshi
353:kusazōshi
343:theater,
1494:LibriVox
1071:and the
952:The Ruby
683:Itō Suzu
491:beriberi
478:Kindokei
434:Hi no De
394:Shinjuku
241:Japanese
239:, was a
219:pen name
1516:Portals
1483:at the
707:春昼・春昼後刻
694:called
528:Yobihei
372:yomihon
332:tsuzumi
269:letters
177:, Japan
83:scholar
1530:Novels
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915:Legacy
245:kabuki
185:Writer
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1542:Japan
677:伊藤 すず
670:Zushi
430:Kyoto
417:冠弥左衛門
206:泉 鏡太郎
190:Genre
175:Tokyo
159:Japan
90:JSTOR
76:books
1443:ISBN
1424:ISBN
1300:天守物語
1281:海神別荘
1262:夜叉ヶ池
1244:ISBN
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1175:ISBN
1156:ISBN
1137:ISBN
1044:The
1027:天守物語
1008:海神別荘
989:夜叉ヶ池
974:and
896:and
848:and
805:海神別荘
797:and
786:夜叉ヶ池
730:三味線堀
597:夜行巡査
567:滝の白糸
540:義血侠血
502:他人の妻
375:and
318:中田 鈴
300:泉 清次
282:Life
267:and
228:泉 鏡花
165:Died
140:Born
62:news
1492:at
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968:Edo
937:高野聖
879:薄紅梅
858:Izu
824:日本橋
748:歌行燈
647:高野聖
621:外科室
522:予備兵
485:by
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452:活人形
432:'s
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337:Edo
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