233:, spending a hot summer's day drinking, reminiscing and hunting rabbits. José instigates the hunt. He is in debt because of an impending divorce and is living beyond his means with a younger woman. His main objective at the reunion is to secure a loan from Paco, a shrewd businessman, also unhappily in love and looking for younger women. Paco brings with him Luis, now employed at his factory. Luis is a weak, forlorn individual, an alcoholic addicted to wine, women and science fiction rather than social conviviality or male camaraderie. A fourth member of the group, Enrique, a teenage relative of Paco's, comes along for the thrill of the rabbit hunt.
257:; he also starts a fire that grows too large and has to be put out. Near the end, Paco kills a ferret; he claims he shot it accidentally, but José feels he did it maliciously. As the hunt gains in intensity, the gunfire becomes more rapid. The smoldering hatred and frustrations of the three men are triggered when Paco is hit by a blast from José's shotgun and falls mortally wounded, into a stream. Luis, enraged by the killing, tries to kill José by running him down with a
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261:. José retaliates, shooting at Luis, but the latter manages to survive long enough to shoot at the escaping José and kill him before going down himself. Enrique, unhurt, is left alone in the midst of this carnage, trying to fathom the inexplicable behavior of the three wartime comrades. The movie ends in a freeze-frame as he runs away from the carnage.
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to rout the rabbits from their holes. As the hunters prepare their guns, they reminisce about the Civil War and the excitement of hunting men instead of animals. After a few drinks, José asks Paco for a loan; it will cement their relationship, he says. Paco, who has grudgingly been expecting this,
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During the hunt, the men kill several rabbits and eventually lunch on them. Their relationships become more estranged as they fret over the past and rebuke each other in several ways. Luis becomes deranged and turns to practice-shooting with a
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Meeting at the local bar, the men proceed to a run-down farm house and hire Juan and his young niece Carmen to aid them in the hunt, as well as several
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The film was shot in a valley that once witnessed a Civil War battle similar to the one described in the dialogue. Saura won the
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From left to right Ismael Merlo, Alfredo Mayo, JosĂ© MarĂa Prada and Emilio GutiĂ©rrez Caba in a shot of the film.
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193:. The film is a psychological thriller about three veterans of the
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201:. It was Saura's first international success, winning the
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217:has said that it was a major influence upon him.
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345:"the Cultural Reinscription of The Wild Bunch"
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496:, Carlos Saura y el nuevo cine español
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350:. In Slocum, John David (ed.).
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110:Pablo González del Amo
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90:Emilio Gutiérrez Caba
565:Weeping for a Bandit
309:as La Madre de Juan
363:. pp. 64–100.
307:MarĂa Sánchez Aroca
44:Spanish film poster
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852:Flamenco, Flamenco
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277:Alfredo Mayo
271:Ismael Merlo
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191:Carlos Saura
189:directed by
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185:) is a 1966
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181:(in Spanish
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150:Running time
127:Release date
86:Alfredo Mayo
67:Carlos Saura
54:Carlos Saura
823:The 7th Day
785:Little Bird
677:Sweet Hours
402:|work=
72:Produced by
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908:1966 films
902:Categories
754:Sevillanas
701:The Stilts
429:2010-02-23
330:References
259:land rover
227:Falangists
154:91 minutes
138:1966-11-09
60:Written by
741:The South
717:El Dorado
685:Antonieta
597:Honeycomb
501:(Spanish)
404:ignored (
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384:August 7,
379:2577-7610
326:in 1966.
314:Reception
303:as Carmen
255:mannequin
106:Edited by
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748:Marathon
573:The Hunt
499:Suite101
178:The Hunt
167:Language
116:Music by
82:Starring
33:The Hunt
761:Outrage
494:La caza
483:La caza
322:at the
297:as Juan
285:as Luis
279:as Paco
273:as José
238:ferrets
231:Castile
205:at the
183:La Caza
170:Spanish
159:Country
136: (
18:La Caza
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882:(2021)
874:(2018)
868:(2016)
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830:Iberia
826:(2004)
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550:Cuenca
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213:, and
837:Fados
793:Tango
441:Notes
357:(PDF)
348:(PDF)
162:Spain
777:Taxi
488:IMDb
466:ISBN
452:ISBN
406:help
386:2018
375:ISSN
365:ISBN
265:Cast
221:Plot
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