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hat, holds the hand of a young woman on a path surrounded by bushes, perhaps on the banks of the Seine, with the implication of an upcoming intimate encounter. The image of lovers walking through a woodland is based on a popular rococo theme. Interpretations of the figure models vary. It is
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by unnamed owners of the work when it was put up for sale in 1898. It was not until 1941 that questions about the original title came to light. Renoir was known to strenuously object to sentimental titles applied by others to his work. "Why have they given names to my pictures which never
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represent the reason I painted such and such a subject? My joy consists in painting, and it has never been in my mind to paint a preconceived subject", Renoir said in his later years. However, Renoir did exhibit a painting with the title of
161:(1865), showing a couple together in the forest. In 1869, Renoir and Monet spent time painting together at La Grenouillère. By 1870, Renoir was living in Louveciennes with his mother. Throughout this decade, the eighteenth-century
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273:"succeeds at last in what Renoir had for so long and so vainly sought: the integration of the figure in a landscape". Loyrette notes the influence of Monet in
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293:(1684–1721) on this work, particularly in Renoir's use of the intimate couple in the woods, a motif popularized in scenes found in Watteau's
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art movement was back in style and Renoir embraced it. France declared war against
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Beyond the Easel: Decorative
Painting by Bonnard, Vuillard, Denis, and Roussel, 1890–1930
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The
Culture Broker: Franklin D. Murphy and the Transformation of Los Angeles
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The original title of the painting is unknown. It first received the title
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81.3 cm Ă— 65 cm (32.0 in Ă— 26 in)
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For the 1876 painting by Renoir originally exhibited under this name, see
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reflects the older style and themes of eighteenth-century artists like
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209:(1839–1899) and the woman was Rapha, a companion of musician
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In the Garden - Under the Arbour at the Moulin de la
Galette
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Getty Picks Up a 'Delightful' Renoir for $ 17.7 Million
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Bazille and
Camille (Study for "DĂ©jeuner sur l'Herbe")
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Bazille and
Camille (Study for "DĂ©jeuner sur l'Herbe")
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Nineteenth-century
European Art: A Topical Dictionary
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Masterpieces of
Painting in the J. Paul Getty Museum
357:, American art historian and former director of the
197:generally believed that the model for the woman in
1141:Portrait of Irène Cahen d'Anvers (La Petite Irène)
941:Claude Monet Painting in His Garden at Argenteuil
474:Impressionism: Art, Leisure, and Parisian Society
334:(1878). In 1883, Renoir created a drawing titled
289:(1732–1806). Critics also view the influence of
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657:, Volume 18. The J. Paul Getty Museum. p. 176.
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442:. Getty Publications. pp. 1, 14, 53, 55, 81.
326:themes in several subsequent works including
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1101:Madame Georges Charpentier and Her Children
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678:. p. 303. University of California Press.
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653:Walsh, John. (1990). "Acquisitions".
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534:. Greenwood Publishing Group. p. 206.
476:. Yale University Press. pp. 190–192.
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133:on Renoir's new approach to painting.
16:1870 painting by Pierre-Auguste Renoir
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1586:Musée de Montmartre, home and studio
1021:Nude woman sitting on a couch (Anna)
981:Portrait of the Painter Claude Monet
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1351:The Coast at Cagnes, Sea, Mountains
851:LĂ©onard Renoir, The Artist's Father
588:Muchnic, Suzanne (April 6, 1989). "
439:Pierre-Auguste Renoir: La Promenade
361:, is credited with helping acquire
261:In a commentary for the exhibition
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365:for the Getty collection in 1989.
223:(1775–1778), Jean-Honoré Fragonard
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1378:The Farm at Les Collettes, Cagnes
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642:Renoir Centennial Loan Exhibition
505:. Yale University Press. p. 10.
655:The J. Paul Getty Museum Journal
192:(boatman) given his distinctive
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616:. Getty Publications. p. 93.
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101:painting by the French artist
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612:J. Paul Getty Museum (2003).
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1171:Two Sisters (On the Terrace)
596:. Retrieved April 16, 2015.
392:Nate B. and Frances Spingold
257:(1717), Jean-Antoine Watteau
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1461:A Studio at Les Batignolles
1011:Bal du moulin de la Galette
674:Davis, Margaret L. (2007).
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472:Herbert, Robert L. (1988).
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151:forest of Fontainebleau
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1311:Woman Playing a Guitar
1251:Les Grandes Baigneuses
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821:A Couple (Les Fiancés)
501:Groom, Gloria (2001).
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1261:Nature morte: fleurs
1241:Dance in the Country
1181:Young Women in Black
1091:The Cup of Chocolate
971:The Grand Boulevards
714:J. Paul Getty Museum
436:House, John (1997).
359:J. Paul Getty Museum
336:Couple on a Hillside
291:Jean-Antoine Watteau
184:(1865), Claude Monet
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127:Jean-Antoine Watteau
109:. Influenced by the
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1551:Alain Renoir
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119:La Promenade
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85:Getty Center
31:La Promenade
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1601:Lise Tréhot
1530:Jean Renoir
1489:(2012 film)
1443: 1914
1415:The Bathers
1398:(1915–1917)
1386: 1908
1359: 1910
1274:(1886–1887)
1254:(1884–1887)
1184:(1880–1882)
1064:(1876–1877)
332:Confidences
330:(1875) and
279:Les Fiancés
265:(1994–95),
203:Lise Tréhot
173:Description
117:, Renoir's
1701:Categories
1553:(grandson)
1545:(grandson)
1516:(daughter)
1453:Portrayals
1427:Sculptures
415:References
355:John Walsh
350:Provenance
328:The Lovers
312:The Lovers
303:Other work
137:Background
73:Dimensions
1418:(1918–19)
1271:The Braid
1031:The Swing
921:The Harem
874:(1869-70)
831:In Summer
757:Paintings
692:173275467
630:237849147
519:186413208
574:30623473
490:16925240
456:37109128
403:See also
190:canotier
107:woodland
81:Location
1578:Related
1174:(1881)
961:La Loge
712:at the
299:genre.
1508:(wife)
1498:Family
1486:Renoir
1408:(1918)
1388:–1914)
1371:(1911)
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324:rococo
314:(1875)
194:boater
163:rococo
63:Medium
45:Artist
1532:(son)
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791:Diana
395:Seito
1331:Nude
688:OCLC
680:ISBN
659:ISBN
626:OCLC
618:ISBN
570:OCLC
562:ISBN
536:ISBN
515:OCLC
507:ISBN
486:OCLC
478:ISBN
452:OCLC
444:ISBN
201:was
125:and
58:1870
55:Year
592:."
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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