417:
eye on Robert, under the same roof as Stella. While this is going on, the duc's guests begin arriving for a ball intended to mark Stella's wedding. The party is interrupted by
Monthabor, who comes to protest at being lodged in the attic. He comes face to face with the duchesse: they are both thunderstruck. She is his ex-wife and the mother of his daughter. The duchesse hastily orders that the Frenchmen are to be given the best rooms in the house, and she denies to Monthabor that Stella is his long-lost child. Stella finds herself alone with Robert. The two young people are quick to admit their mutual love. Monthabor is not satisfied with the explanations of his ex-wife. He questions Stella about her childhood and soon realises that she truly is his daughter. Stella changes into a new vivandiere uniform (made by Griolet and intended for Claudine) and announces to the assembled guests that she is French and the daughter of the drum-major. She has decided to follow her real father, but at this point the Austrian army, counter-attacking, invades the palace, and the act ends with a battle.
395:
tells his comrades that in civilian life, when he was a dyer in Paris, he met a pretty washerwoman, and married her – a grave mistake as she was impossible to live with and they divorced a few years later. She vanished, taking their only child, a daughter, with her. The soldiers eat the excellent meal Stella has made for them, and march on, somewhat reluctantly on Robert's part, as he is loth to leave Stella. Once the French have left, the Duc della Volta and the effete
Marquis Ernesto Bambini enter. The marquis has a financial hold over the duc, who is accordingly willing to allow Bambini to marry Stella. Suddenly the garden fills with people. The Mother Superior and her girls have been unable to reach their intended sanctuary and return, surrounded by the French soldiers. The duc is scandalised when he learns that Stella has been left alone with a detachment of enemy troops, but she firmly defends their conduct towards her. The duc angrily hustles her away.
598:
19:
167:
409:
372:
2066:
2050:
2036:
444:
everyone arrested but, as the police lead Robert and
Claudine away, martial music is heard. The main French army has entered Milan. Soldiers pour into the square and the jubilant people wave French flags. The duc prudently has a complete change of loyalties. Robert is freed to go to his Stella and Claudine gives the faithful Griolet her hand and heart, and a double wedding can take place.
1271:
443:
The bridal procession enters. The bridal veil conceals the fact the
Claudine has secretly taken Stella's place, to thwart the duc's plans. Robert, who does not know of the substitution, intervenes to prevent the sacrifice of the one he loves, and the subterfuge is discovered. The duc, furious, orders
430:
Claudine and Robert have been separated from their comrades during the skirmish, and they take refuge at an inn run by her uncle, a strongly pro-French activist, who distributes French tricolore flags to his customers. The duc and
Bambini arrive in pursuit, assuming Robert has Stella with him. Stella
416:
While Stella continues to refuse to marry
Bambini, the duc and duchesse attempt to persuade her and to keep Bambini happy. The French army has continued its advance and has arrived at Novara. Robert, Monthabor and Griolet take temporary residence in the palace, as does Claudine, determined to keep an
568:
The opera was generally well received. The critic Félix Clément was tepid, writing of unoriginal music and short-breathed phrases, but he found numbers to praise, specifically Stella's song of the forbidden fruit, Claudine's song of the donkey, Griolet's sewing song and several of the dance numbers.
157:
The opera was first staged at the Folies-Dramatiques on 13 December 1879. It was billed as the composer's 100th work. It received a standing ovation, and was the last of his premieres that he lived to attend. The piece was very successful, running for over 240 performances, taking more than 600,000
382:
The convent is in a war zone, as the revolutionary French army and the occupying
Austrians fight for possession of the territory. As the French forces advance, the Mother Superior of the convent moves her pupils to safety in a more secure buildings, forgetting that one pupil, Stella, has been left
394:
The obvious mutual attraction of Robert and Stella annoys
Claudine, who is much attracted to the lieutenant. She, in turn, is oblivious to the devotion of the ex-tailor Griolet, who tries in vain to engage her interest. The genial Monthabor is unimpressed with all talk of romance and marriage. He
391:, Claudine, cannot help them, as her supplies of food and drink have run out. The soldiers raid the convent's stores, and in doing so they find Stella. She is rather frightened at first, but the charm of the dashing Lieutenant Robert reassures her, and she offers to prepare a meal for them all.
549:
Final III: Choeur nuptial "Un mariag' s'apprête", ensemble, "Ecoutez, c'est le chant du départ" et final " La fille du tambour-major" – Finale III: Bridal Chorus "A Husband Is
Getting Ready", Together, "Listen, It's the Song of Departure" and Finale "The Drum Major's Daughter" –
524:
Final II: Choeur "Par devant monsieur le notaire" , Chanson de la fille du
Tambour Major "Que m'importe un titre éclatant" Final – Finale II: Chorus "In front of Monsieur le Notaire", Song of the Drum Major's daughter "What do I care for a brilliant title" Finale –
491:
Final I: Ensemble "Messieurs, les militaires", Couplets "Pour recevoir un régiment" Final "Allons, dépêchons et partons" – Finale I: Ensemble "Gentlemen, the military", Couplets "To receive a regiment" , Finale "Come, hurry and leave" – Stella,
536:
Choeur et scène "Chut, il faut de la prudence" (Claudine, Robert Clampin), Tarentelle "Nous étions à Novare" – Chorus and scene "Hush, we must be cautious" (Claudine, Robert Clampin), Tarantella "We were in Novara" – Robert, Claudine,
383:
behind, locked up in the linen cupboard as a punishment for singing a seditious, anti-Austrian, pro-French song. The French troops arrive, led by Lieutenant Robert; among their number are the drummer, Griolet, and the
146:(1840). In the earlier work the heroine, who has been brought up by an army regiment, is in reality, the daughter of a marchioness; in Duru and Chivot's version, the heroine's mother is a duchesse, and her father is
484:
Choeur "Puisque le couvert est mis", Couplets "Depuis longtemps l'Italie… Petit Français, brave Français – Chorus "Because the table is set", Couplets "For a long time Italy ... Little Frenchman, brave Frenchman –
468:
Choeur des pensionnaires "Reçois sainte madone", Chanson du fruit défendu "Prenez les grappes empourprées" – Chorus of the boarders "Receive holy Madonna", Song of forbidden fruit "Pick the red clusters" –
55:, Paris, on 13 December 1879, and, after a successful initial run, was frequently revived in Paris and internationally, but in recent times has not been among the Offenbach operas most frequently staged.
751:
comments, "It depends how you count". In his list of the composer's works there are several operas that were so extensively revised for revivals as to count as new works.
656:
by Fannie Leslie. The production ran there until January 1881, when it transferred to the Connaught Theatre, with a different cast. The work was given in French at the
76:
After immense success in the 1860s, Offenbach suffered a brief period of unpopularity with the Parisian public in the early 1870s for his association with the fallen
509:
Quatuor du billet de logement "C'est un billet de logement" – Quartet of the billetting notice "It is a billet of lodging" – Robert, the Duke, Monthabor, Griolet
690:
In more recent times, the work has been presented by the Odéon, Marseille (May 2018), but has not been among Offenbach's more frequently revived operas.
1056:
431:
arrives with Griolet and Monthabor: the three are convincingly disguised as, respectively, a little English coachman, a young Italian lord, and a
1343:
813:
581:
571:
1227:
546:
Duo de la confession "L'autre jour, contre toute attente" – Duet of confession "The other day, against all odds" – Monthabor, the Duchess
898:
2069:
2039:
616:
612:
605:
543:
Quatuor "Oui, ce sont vos amis" (Stella, Griolet, Robert, – Quartet "Yes, they are your friends" – Stella, Griolet, Robert, Monthabor
1918:
1582:
2053:
68:, depicts a young woman discovering her real identity, renouncing her aristocratic upbringing, and marrying a dashing soldier.
939:
619:(1920 and 1945. The first Gaîté production surpassed the box-office success of the 1879 run, earning nearly a million francs.
1542:
1499:
1406:
1196:
1136:
1089:
687:. An Australian production opened in June 1881, and In Berlin the opera was given at the Walhalla Theater in September 1883.
472:
Choeur et couplets "Par une chaleur si forte" – Chorus and couplets "With so much heat" – Robert, Griolet, Monthabor, chorus
2092:
521:
Couplets de l'uniforme "le voilà , ce bel uniforme" – Couplets of the uniform "Here it is, this beautiful uniform" – Griolet
515:
Ensemble et valse "Dansons et valsons" – Ensemble and waltz "Dansons et valsons" – Chorus, the Duke, Monthabor, the Duchess
475:
Couplets de l'âne "Ce n'est pas un âne ordinaire" – Couplets of the donkey "This is not an ordinary donkey" – Claudine, all
91:
52:
1642:
435:
friar. Robert is recognised and arrested. The duc agrees to have him released on condition that Stella marries Bambini.
1270:
675:, opened at the 14th Street Theatre the following month. Dolaro later toured the US in the piece. Under the title
2097:
1220:
1426:
680:
432:
2016:
1053:
1682:
2006:
1632:
481:
Couplets du tailleur "Tout en tirant mon aiguille" – Tailor's couplets "While pulling my needle" – Griolet
1795:
1479:
51:. It was one of the composer's last works, premiered less than a year before his death. It opened at the
2107:
723:
1213:
657:
478:
Ensemble "De grâce, ayez pitié de moi" – Ensemble "Please, have mercy on me" – Stella, Robert, soldiers
1552:
1519:
1386:
664:
585:
write that the piece "fizzes with good tunes", has one of the composer's best waltz-tunes, a dashing
94:: a run of half that length was reckoned a success in the Parisian theatres of the time. The writers
1775:
1396:
820:, Opérette – Théâtre Musical, Académie Nationale de l'Opérette (in French). Retrieved 13 April 2019
1662:
112:
810:
1562:
1147:
142:
64:
1765:
1652:
1366:
488:
Légende "Il était une grand princess" – Legend "There was a great princess" – Claudine, Griolet
895:
512:
Couplets " Eh bien ! en voilà des manières" – Couplets "Well! There are ways " – Claudine
1996:
1722:
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170:
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125:
1416:
699:
2112:
1969:
1825:
1702:
1612:
1509:
1489:
1456:
1292:
1166:
1103:
597:
77:
579:
writes of "so exciting, so thrilling a score, set to an amusing libretto". The authors of
8:
1928:
1835:
1622:
1592:
623:
506:
Rondeau " Ah ! vraiment je le déclare" – Rondeau "Ah! I really declare it " – Stella
102:
were established authors of librettos for comic operas, having collaborated with Lecocq,
18:
933:
518:
Duo "Tenez, j'aurai de la franchise" – Duet "Here, I'll have frankness" – Stella, Robert
158:
francs at the box office, and was still playing when the composer died in October 1880.
124:
for the Folies-Dramatiques and its company, which starred Parisian favourites including
652:
261:
166:
80:. His position as the pre-emininent composer of operetta was threatened by the rise of
1805:
1469:
601:
1898:
1845:
1436:
1333:
1236:
1192:
1172:
1153:
1132:
1124:
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1085:
668:
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137:
59:
40:
1755:
371:
1986:
1306:
1184:
643:
627:
576:
1735:
1122:
575:, praised the work highly, and said it deserved a long run. Among modern critics,
36:
2102:
1077:
1060:
943:
902:
817:
748:
232:
129:
1672:
1532:
103:
1908:
1446:
1254:
540:
Gigue "Je suis le p'tit cocher" – Gigue "I'm the little coachman" – Stella, all
81:
1745:
1176:
1157:
2086:
1885:
1865:
1712:
1115:
672:
227:
107:
86:
1099:
388:
1949:
1692:
684:
151:
99:
48:
1855:
1785:
1602:
647:
358:
The opera is set in northern Italy at the beginning of the 19th century.
95:
44:
1356:
503:
Couplets "Examinez ma figure" – Couplets "Examine my face" – the Duchess
366:
1959:
711:
586:
84:, but by the later years of the 1870s he had recovered his popularity.
1815:
375:
280:
133:
1205:
412:
Costume designs, 1879: Claudine (top) and Robert and the duc (below)
611:
In Paris there were revivals at the Folies-Dramatiques (1884), the
245:
1572:
199:
615:(1889, 1891 and 1913), the Théâtre du Château d’Eau (1901), the
1282:
346:
Soldiers, Nuns, Convent inmates, Gentlemen and Ladies, People
1376:
1244:
954:, Association l'Art Lyrique Français. Retrieved 13 April 2019
214:
797:
795:
136:. The story of the new work was regarded as a variation on
387:, Monthabor. The men are tired, hungry and thirsty. Their
792:
760:
Equivalent to approximately €2,751,138 in modern terms.
671:
in September 1880. Farnie's English version, starring
425:
367:
The garden of a convent school in the town of Biella.
90:(1878) had run for more than 200 performances at the
1145:
905:, Historicalstatistics.org. Retrieved 13 April 2019
71:
1129:The Penguin Guide to Recorded Classical music 2010
724:Information about the opera and a recording of it
2084:
1098:
729:
700:Recordings on operadis-opera-discography.org.uk
630:, London. The latter, in an English version by
2007:Le barbier de Séville ou La précaution inutile
589:, and an abundance of good character numbers.
1344:Tromb-al-ca-zar, ou Les criminels dramatiques
1221:
1149:Les annales du théatre et de la musique, 1879
582:The Penguin Guide to Recorded Classical Music
438:
403:
58:The plot, which has elements in common with
1063:, Odéon, Marseille. Retrieved 13 April 2019
2049:
2035:
1228:
1214:
863:
861:
859:
2017:La folle journée, ou Le mariage de Figaro
1164:
1127:; Robert Layton; Paul Czajkowski (2009).
875:
873:
663:A New York production, sung in French by
1183:
891:
889:
622:In April 1880 productions opened at the
604:as Monthabor in the 1889 revival at the
596:
407:
370:
165:
17:
1146:Noël, Édouard; Edmond Stoullig (1880).
975:
973:
971:
969:
923:Offenbach, unnumbered introductory page
856:
572:Les annales du théâtre et de la musique
2085:
952:Encyclopédie de l'art lyrique français
870:
849:
847:
679:another English version played at the
1543:Croquefer, ou Le dernier des paladins
1235:
1209:
1076:
1014:Strong, S. H. "Shaftesbury Theatre",
1001:"Theatrical Revivals and Novelties",
886:
569:Edouard Noël and Edmond Stoullig, in
563:
195:putative daughter of the Della Voltas
966:
828:
826:
747:In his 1981 biography of Offenbach,
1583:M. Choufleuri restera chez lui le …
1108:Gänzl's Book of the Musical Theatre
935:Dictionnaire des opéras, supplément
844:
450:Gänzl's Book of the Musical Theatre
426:Scene 1: The Golden Lion inn, Milan
13:
1500:Vent du soir, ou L'horrible festin
650:, with the role of Griolet played
14:
2124:
823:
804:
717:
2065:
2064:
2048:
2034:
1973:(conversation alsacienne) (1863)
1643:La Grande-Duchesse de GĂ©rolstein
1407:La chatte métamorphosée en femme
1269:
186:Premiere Cast, December 13, 1879
72:Background and first performance
1047:
1034:
1021:
1008:
995:
982:
957:
926:
917:
908:
896:"Historical currency converter"
841:Faris, pp. 191, 229 and 236–250
763:
754:
1189:Operetta: A Theatrical History
835:
832:Noël and Stoullig, pp. 454–456
783:
741:
92:Théâtre des Folies-Dramatiques
53:Théâtre des Folies-Dramatiques
1:
1963:(chinoiserie musicale) (1855)
1084:. London: Faber & Faber.
1040:"La Fille du Tambour-Major",
988:"La Fille du Tambour-Major",
776:
730:Notes, references and sources
693:
39:in three acts, with music by
1027:"Music &c in New York",
7:
2093:Operas by Jacques Offenbach
1796:La permission de dix heures
1480:Le financier et le savetier
1165:Offenbach, Jacques (1879).
1110:. London: The Bodley Head.
1054:"La fille du tambour-major"
914:Gänzl and Lamb, pp. 374–379
769:€4,840,571 in modern terms.
705:
592:
353:
10:
2129:
1683:La princesse de Trébizonde
1070:
667:'s company, opened at the
456:
439:Scene 2: A square in Milan
420:
404:The ducal palace in Novara
2028:
1985:
1953:(légende bretonne) (1855)
1940:
1897:
1876:La fille du tambour-major
1734:
1531:
1520:Apothicaire et perruquier
1468:
1387:Une demoiselle en loterie
1355:
1324:
1317:
1281:
1243:
1168:La fille du tambour-major
1031:, 6 November 1880, p. 703
801:Noël and Stoullig, p. 458
398:
344:
122:La fille du tambour-major
110:and, in 1868, Offenbach (
33:The Drum Major's Daughter
28:La fille du tambour-major
1776:Monsieur et Madame Denis
1397:Le mariage aux lanternes
1005:, 12 January 1881, p. 10
734:
361:
161:
22:Poster for 1889 revival
2098:French-language operas
1919:Le voyage dans la lune
1766:La chanson de Fortunio
1367:La rose de Saint-Flour
1152:. Paris: Charpentier.
979:Gänzl and Lamb, p. 374
883:, 29 August 1891, p. 9
879:"The Drama in Paris",
853:Faris, pp. 191 and 194
789:Faris, pp. 100 and 188
712:Libretto in WikiSource
608:
413:
379:
174:
23:
1325:Bouffonnerie musicale
1265:The Tales of Hoffmann
1191:. London: Routledge.
1018:, 16 May 1908, p. 309
1003:The Pall Mall Gazette
992:, 25 April 1880, p. 7
600:
411:
374:
289:regimental vivandière
224:Duchesse Della Volta
205:Juliette Simon-Girard
171:Juliette Simon-Girard
169:
126:Juliette Simon-Girard
21:
2040:List of compositions
1997:Le malade imaginaire
1970:Lischen et Fritzchen
1563:Geneviève de Brabant
1510:Mesdames de la Halle
1457:Pierrette et Jacquot
1044:, 25 June 1881, p. 4
1016:The Musical Standard
557:Source: Vocal score.
266:François-Louis Luco
143:La fille du régiment
65:La fille du régiment
62:'s 1840 comic opera
1836:La jolie parfumeuse
1593:Le pont des soupirs
1171:. Paris: Choudens.
1131:. London: Penguin.
963:March et al, p. 896
660:, London, in 1908.
658:Shaftesbury Theatre
624:Theater an der Wien
613:Théâtre de la Gaîté
1663:L'île de Tulipatan
1417:Un mari Ă la porte
1059:2018-07-11 at the
942:2018-09-02 at the
901:2018-08-15 at the
816:2019-03-30 at the
683:in 1889, starring
626:in Vienna and the
609:
564:Critical reception
414:
380:
175:
113:L'île de Tulipatan
24:
2080:
2079:
2054:List of operettas
1981:
1980:
1703:Madame l'archiduc
1653:Le château à Toto
1633:La vie parisienne
1603:Bavard et bavarde
1553:Orphée aux enfers
1490:La bonne d'enfant
1437:Il signor Fagotto
1334:Les deux aveugles
1318:Other stage works
1237:Jacques Offenbach
1198:978-1-138-13892-6
1185:Traubner, Richard
1138:978-0-14-104162-9
1125:Edward Greenfield
1091:978-0-571-11147-3
1082:Jacques Offenbach
1029:The Musical World
351:
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138:Gaetano Donizetti
60:Gaetano Donizetti
41:Jacques Offenbach
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669:Standard Theatre
644:Constance Loseby
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628:Alhambra Theatre
577:Richard Traubner
312:Marquis Bambini
301:Mother Superior
211:Duc Della Volta
188:(Conductor: - )
177:
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120:the three wrote
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116:). To follow
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108:Edmond Audran
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87:Madame Favart
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43:and words by
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37:opéra comique
34:
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2070:Compositions
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2015:
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241:a lieutenant
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100:Henri Chivot
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49:Henri Chivot
32:
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15:
2113:1879 operas
1941:Other types
1929:Whittington
1786:Les bergers
1623:Barbe-bleue
1447:Pomme d'api
1293:Le papillon
1104:Andrew Lamb
1100:Gänzl, Kurt
653:en travesti
648:Fred Leslie
255:Monthabor,
183:Voice type
150:of an army
96:Alfred Duru
45:Alfred Duru
2087:Categories
1960:Ba-ta-clan
1305:(arranged
1177:1047467783
1158:1024149992
777:References
694:Recordings
642:, starred
587:tarantella
389:vivandière
385:drum major
378:as Griolet
340:Listrelle
334:Francesca
287:Claudine,
148:drum major
1856:La créole
1846:Bagatelle
1816:Vert-Vert
1116:966051934
533:Entr'acte
500:Entr'acte
376:Simon-Max
326:baritone
281:Simon-Max
273:a drummer
271:Griolet,
173:as Stella
134:Simon-Max
2000:(1851/2)
1826:Fantasio
1746:L'alcĂ´ve
1357:Opérette
1187:(2016).
1106:(1988).
1080:(1980).
1057:Archived
940:Archived
899:Archived
814:Archived
706:See also
593:Revivals
529:Act III
465:Overture
448:Source:
433:Capuchin
354:Synopsis
337:soprano
329:Henriot
323:Clampas
304:soprano
293:soprano
246:baritone
239:Robert,
193:Stella,
35:) is an
1573:Barkouf
1283:Ballets
1268:(1881)
1071:Sources
1042:The Era
990:The Era
881:The Era
496:Act II
457:Numbers
421:Act III
318:Bartel
250:Lepers
200:soprano
2103:Operas
2020:(1852)
2010:(1852)
1932:(1874)
1922:(1875)
1912:(1872)
1889:(1880)
1879:(1879)
1869:(1878)
1859:(1875)
1849:(1874)
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1819:(1869)
1809:(1867)
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1789:(1865)
1779:(1862)
1769:(1861)
1759:(1853)
1756:PĂ©pito
1749:(1847)
1726:(1878)
1716:(1877)
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1400:(1857)
1390:(1857)
1380:(1856)
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1347:(1856)
1337:(1855)
1258:(1864)
1245:Operas
1195:
1175:
1156:
1135:
1114:
1088:
948:quoted
937:, 1880
640:Farnie
638:
634:
525:Stella
485:Stella
469:Stella
461:Act I
399:Act II
315:tenor
277:tenor
1377:Le 66
735:Notes
606:Gaîté
537:choir
362:Act I
215:tenor
180:Role
162:Roles
1193:ISBN
1173:OCLC
1154:OCLC
1133:ISBN
1112:OCLC
1086:ISBN
646:and
262:bass
132:and
98:and
47:and
950:at
550:all
492:all
140:'s
2089::
1102:;
968:^
946:,
888:^
872:^
858:^
846:^
825:^
794:^
636:B.
632:H.
154:.
128:,
106:,
1309:)
1229:e
1222:t
1215:v
1201:.
1179:.
1160:.
1141:.
1118:.
1094:.
452:.
31:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
