629:, with the Spanish Princess Elvire. Alfonso, who has seduced Fenella, the Neapolitan Masaniello's mute sister and abandoned her, is tormented by doubts and remorse, fearing that she has committed suicide. During the festival Fenella rushes in to seek protection from the viceroy, who has kept her a prisoner for the past month. She has escaped from her prison and narrates the story of her seduction by gestures, showing a scarf which her lover gave her. Elvire promises to protect her and proceeds to the altar, Fenella vainly trying to follow. In the chapel Fenella recognizes her seducer in the bridegroom of the Princess. When the newly married couple come out of the church, Elvire presents Fenella to her husband and discovers from the mute girl's gestures, that he was her faithless lover. Fenella flees, leaving Alfonso and Elvire in sorrow and despair.
324:
42:
692:
2223:
723:. Many of its elements â the five-act structure, the obligatory ballet sequence, the use of spectacular stage effects, the focus on romantic passions against a background of historical troubles â would become the standard features of the form for the rest of the 19th century. Grand opera would play a far more important role in the subsequent career of the librettist than that of the composer. Auber went on to write three more works in the genre:
1758:
783:
355:
and procession on the final night, which left Auber's opera as the last public event in the king's honor. Though the subject of the opera is revolution, its role in the riots may have been more a marriage of convenience because the rebels had pre-ordained the final day of the festival as the start of the
Belgian Revolution.
381:, the public could no longer be restrained. They acclaimed aria and actor, they booed the fifth act in order to stop the performance, and the delirious crowd out of the hallâinto history. Welcomed by the other crowd which waited outside, it joined in the demonstrations which loosed the revolution of 1830.
642:
The fishermen, who have been brooding in silence over the tyranny of their foes, begin to assemble. Pietro, Masaniello's friend, has sought for
Fenella in vain, but at length she appears of her own accord and confesses her wrongs. Masaniello is infuriated and swears to have revenge, but Fenella, who
354:
The king's festival announcement was met with open plans for revolt. Posters were put up around
Brussels that advertised, "Monday, the 23rd, fireworks; Tuesday, the 24th, illuminations; Wednesday, the 25th, revolution." However, the king's only concession to public safety was to cancel the fireworks
350:
festival in celebration of the 15th year of his reign. The opera would cap the three-day festival of fireworks, feasts, and processions. William I had been present at the
Brussels premiere of the opera in 1829, and it enjoyed several successful performances in the city. When nationalist disturbances
702:
In a gathering of fishermen, Pietro confides to Moreno that he has administered poison to
Masaniello, in order to punish him for his treason, and that the king of one day will soon die. While he speaks, Borella rushes in to tell of a fresh troop of soldiers, marching against the people with Alfonso
670:
Fenella comes to her brother's dwelling and describes the horrors, which are taking place in the town. The relation fills his noble soul with sorrow and disgust. When
Fenella has retired to rest, Pietro enters with comrades and tries to excite Masaniello to further deeds, but he only wants liberty
371:
newspaper issued a coded call for attendees to leave prior to the fifth act. There are some disagreements about when in the opera the exodus actually began, but the most commonly cited moment is the second act duet "Amour sacré de la patrie". One contemporary account describes what happened in the
656:
People go to and fro, selling and buying, all the while concealing their purpose under a show of merriment and carelessness. Selva, the officer of the viceroy's body-guard, from whom
Fenella has escaped, discovers her and the attempt to re-arrest her is the sign for a general revolt, in which the
773:, "arias and duets in the wonted sense were scarcely to be detected any more, and certainly, with the exception of a single prima-donna aria in the first act, did not strike one at all as such; in each instance it was the ensemble of the whole act that riveted attention and carried one away...".
870:(soprano) â Elvire, Angus Wood (tenor) â Lorenzo, Ulf Paulsen (baritone) â Selva, Anne Weinkauf (mezzo) â Eine Holdame, Diego Torre (tenor) â Masaniello, Wiard Witholt (bass) â Pietro, Kostadin Arguirov (baritone) â Borella, Stephan Biener (bass) â Moreno; Opernchor des Anhaltischen Theaters,
674:
They tell him that
Alfonso has escaped and that they are resolved to overtake and kill him. Fenella, who hears all, decides to save her lover. At this moment Alfonso begs at her door for a hiding-place. He enters with Elvire, and Fenella, though at first disposed to avenge herself on her rival,
1185:, p. 60, confirms that the singer Pouilley was a bass, and also mentions that he joined the company in 1809. Tomvaco also mentions that the company employed a soprano, Mme Pouilley, who was his wife. Casaglia in the Amadeus Almanac lists this singer as Beltrame Pouilley, possibly an error.
255:). Additionally, the historic setting, liberal political implications, use of popular melodies, handling of large orchestra and chorus, and spectacular stage effects immediately marked this opera as different from preceding types, later earning it the title of the first of the genre of "
376:
When
Lafeuillade and Cassel began singing the celebrated duet. "Amour sacre de la patrie" enthusiasm exploded irresistibly and found it necessary to start afresh in the midst of the cheering. Finally, when Masaniello (Lafeuillade) launched into his entreaty, the invocation
703:
at their head. Knowing that
Masaniello alone can save them, the fishermen entreat him to take the command of them once more and Masaniello, though deadly ill and half bereft of his reason, complies with their request. The combat takes place, while an eruption of
675:
pardons her for Alfonso's sake. Masaniello, reentering, assures the strangers of his protection and even when Pietro denounces Alfonso as the viceroy's son, he holds his promise sacred. Pietro with his fellow-conspirators leaves him full of rage and hatred.
707:
is going on. Masaniello falls in the act of saving Elvire's life. On hearing these terrible tidings Fanella rushes to the terrace, from which she leaps into the abyss beneath, while the fugitive noblemen take again possession of the city.
1761:
786:
2459:
1854:
1181:, p. 87, lists Pouilley in the bass role of Moreno. In his index on p. 1286, Tamvaco gives this singer's full name as Charles-Louis Pouilley but classifies him as a tenor.
2190:
1990:
1862:
2388:
1974:
1270:
871:
2054:
1910:
1713:
351:
occurred during a performance around the time of the July Revolution in Paris, the opera was temporarily banned. The ban was lifted for the 25 August performance.
1846:
360:
1894:
2038:
517:
2626:
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2206:
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1878:
2030:
2126:
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2014:
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still loves Alfonso, does not mention his name. Then Masaniello calls the fishermen to arms and they swear perdition to the enemy of their country.
1045:
1830:
1312:
1958:
1768:
of a scene from the opera, engraved by J. C. Edwards for The Keepsake annual, 1836, combined with a poetical illustration (Fenellaâs Escape) by
2611:
1870:
1521:
1380:
2158:
1918:
267:
it was possible to have a more realistic and natural drama which might suit the dignity of this theatre." The new genre was consolidated by
2166:
1998:
1934:
440:
1886:
2150:
2078:
1719:
2252:
2687:
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841:
2697:
1797:
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2702:
2707:
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1291:
2717:
2490:
2536:
2411:
2318:
1701:
1665:
Mondelli, Peter (2013). "The Sociability of History in French Grand Opera: A Historical Materialist Perspective", in
1656:
1617:
1505:
1495:
1436:
1406:
1322:
323:
2475:
1579:
Les Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théùtre, à Paris sous les deux restorations
678:
Meanwhile, the magistrate of the city presents Masaniello with the royal crown and he is proclaimed king of Naples.
1169:, p. 87. Tamvaco gives the full name of this singer as Antoine-Nicolas-ThérÚse Prévost in the index (p. 1287).
2667:
2662:
2580:
2237:
2226:
812:
806:
245:
and gesture as an integral part of an opera plot (these aspects were already familiar to Parisian audiences from
1210:, Edited and Introduced by Robert Ignatius Letellier, Cambridge Scholars Publishing, Newcastle-upon-Tyne (2011).
886:
2347:
1815:
547:
297:, that the opera "whose very representation had brought about, was recognised as an obvious precursor of the
2682:
2549:
1632:
1366:
1533:
2712:
2544:
2324:
2142:
347:
1482:
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2086:
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1303:
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commented after the premiere, "for a long time, enlightened critics have thought that alongside the old
2198:
1790:
591:
339:
328:
2575:
1724:
1396:
1258:
1150:
1137:
739:(1839). But their fame would be eclipsed by the grand operas for which Scribe provided the libretti:
1769:
800:
777:
365:
2621:
2585:
2559:
2330:
2521:
2480:
691:
1636:
1468:
1123:
985:
947:
2657:
2554:
2174:
2118:
1783:
1541:
563:
501:
2516:
1747:
1729:
1473:
Biographie universelle des musiciens et Bibliographie générale de la musique par F.-J. Fétis
2672:
2631:
2495:
2449:
2439:
2361:
2357:
1765:
1738:
882:
467:
273:
200:
41:
997:
8:
2485:
2419:
2022:
2006:
1966:
1648:
1641:
729:
608:
756:
2297:
2287:
2268:
1515:
1374:
496:
332:
318:
172:
2070:
1052:. Translated by William Ashton Ellis. Kegan Paul, Trench, TrĂŒbner & Co., 1896. 53.
735:
331:(Muntschouwburg) where the performance of 25 August 1830 sparked riots leading to the
2102:
2046:
1697:
1652:
1613:
1601:
1582:
1501:
1432:
1402:
1388:
1345:
1328:
1318:
1250:
915:
853:
740:
626:
301:, and seldom has an artistic product stood in closer connection with a world-event."
278:
268:
184:
153:
98:
61:
2311:
602:
in 1647. The character of Fenella, the opera's eponymous heroine, was borrowed from
2383:
1565:
745:
283:
220:
136:
2267:
157:
66:
2692:
2616:
2434:
2182:
570:
430:
404:
306:
298:
232:
196:
765:(1835). Nevertheless, Auber's pioneering work caught the attention of the young
241:
was innovative in several ways. First, it marked the introduction into opera of
2429:
2393:
2062:
766:
290:
224:
216:
208:
2424:
1569:
188:
2651:
2511:
1672:
1491:
1464:
1332:
1308:
849:
845:
833:
829:
751:
449:
228:
212:
164:
1349:
1806:
1689:
1545:
791:
603:
145:
46:
33:
2110:
1609:
857:
231:, who was Lise Noblet's brother-in-law. The conductor at the premiere was
2526:
1684:
L'Histoire des Théùtres de Bruxelles: depuis leur origine jusqu'à ce jour
1392:
1254:
720:
483:
256:
204:
168:
29:
1926:
1605:
207:
played the mute title role, a part later taken by other dancers such as
2595:
2292:
1982:
1537:
798:
The material has been used for several films: the American silent film
595:
412:
396:
192:
1430:(third, revised ed.). Totowa, New Jersey: Rowman and Littlefield.
1124:
Histoire des théùtres de Bruxelles depuis leur origine jusqu'à ce jour
769:, who was eager to create a new form of music drama. He noted that in
837:
251:
2134:
1290:
Chouquet, Gustave (1889). "Valentino, Henri Justin Armand Joseph".
761:
704:
343:
149:
1757:
782:
2272:
1262:
462:
117:
2351:
1775:
599:
418:
246:
1475:(Supplément et complément). Vol. 2. Paris: Firmin-Didot.
881:/Anthony Hermus; recorded 24â26 May 2011, GroĂes Haus of the
425:
141:
1188:
1127:. France: Duchartre & Van Buggenhoudt. 744â5.
242:
1050:
Richard Wagner's Prose Works, Volume V: Actors and Singers
612:, which features a deaf and dumb dwarf of the same name.
1103:
958:
956:
1067:
1026:
1014:
1091:
953:
1401:(in German) (fourth ed.). Munich: K. G. Saur.
1079:
1055:
1640:
1481:
1420:. Vol. 2 . Paris: Librairie des Bibliophiles.
1302:
305:was revived in Paris immediately after the French
719:played a major role in establishing the genre of
2649:
1581:(2 volumes) (in French). Paris: CNRS Editions.
1556:and the Belgian Revolution of 1830 Revisited".
1317:(hardcover) (2nd ed.). London: Macmillan.
1314:The New Grove Dictionary of Music and Musicians
358:Prior to the performance of Auber's opera, the
171:. It is also known for its alleged role in the
2612:Monument to the Martyrs of the 1830 Revolution
1342:Dictionnaire des chanteurs de l'Opéra de Paris
819:
698:, the eruption of the volcano, 1893 production
625:We witness the wedding of Alfonso, son of the
338:The opera was chosen for a performance at the
2253:
1791:
1751:, English and Italian libretto (Boston, 1865)
1552:Slatin, Sonia (1979). "Opera and Revolution:
1387:
1162:
1296:(4 volumes). Vol. 4. London: Macmillan.
1418:BibliothÚque musicale du Théùtre de l'Opéra
1361:and her context". In David Charlton (ed.).
1300:
993:
973:
971:
2260:
2246:
1798:
1784:
1520:: CS1 maint: location missing publisher (
1425:
1379:: CS1 maint: location missing publisher (
1301:Cooper, Jeffrey; Ellis, Katharine (2001).
923:
40:
1720:International Music Score Library Project
1631:
1500:. Vol. 3. London. pp. 505â507.
1479:
1442:
1073:
962:
401:Premiere cast, 29 February 1828
2678:Opera world premieres at the Paris Opera
2400:List of members of the National Congress
1696:New York: Oxford University Press: 1992
1686:, Duchartre & Van Buggenhoudt, 1928.
1289:
981:
968:
920:Masaniello; or, The Dumb Girl of Portici
690:
322:
1677:The Oxford Illustrated History of Opera
1600:. Paris: Deposé au journal L'Entr'acte
1576:
1415:
1356:
1339:
1304:"Valentino, Henri Justin Armand Joseph"
1194:
1182:
1178:
1166:
1032:
1020:
989:
943:
934:, p. 957). It was given the title
931:
911:
866:Oscar de la Torre (tenor) â Alphonse,
842:Orchestre Philharmonique de Monte-Carlo
671:and shrinks from murder and cruelties.
2650:
2581:Treaty of the Eighteen Articles (1831)
1740:Masaniello, ovvero, La muta di Portici
1596:Wolff, Stéphane (1962; reprint 1983).
1551:
1463:
1363:The Cambridge Companion to Grand Opera
1223:, Low, Marston & Co., Ltd., London
1121:Renieu, Lionel (1928).
1109:
1097:
1085:
1061:
977:
2241:
1779:
1647:. New York: Penguin Putnam. pp.
1598:L'OpĂ©ra au Palais Garnier (1875â1962)
1595:
1005:
312:
135:
2637:1830 Volunteers' Commemorative Cross
2460:Emmanuel Van der Linden d'Hooghvorst
1268:
1009:
938:on certain repetitions at the Paris
848:, recorded in September 1986 at the
1451:
1293:A Dictionary of Music and Musicians
1281:. L'Almanacco di Gherardo Casaglia
1249:, full score. Paris: E. Troupenas.
1001:
346:on 25 August 1830, as part of King
163:The work has an important place in
13:
1742:, Italian libretto (Palermo, 1860)
1733:, French libretto (Brussels, 1833)
1625:
1530:Oeuvres complĂštes: Operas, Ballets
776:This opera is the inspiration for
590:The opera is loosely based on the
14:
2729:
2537:United Kingdom of the Netherlands
2319:Provisional Government of Belgium
1725:The Standard Opera Glass Synopsis
1707:
1558:Journal of Musicological Research
1497:The New Grove Dictionary of Opera
1469:"Valentino (Henri-Justin-Joseph)"
441:Count of Arcos, Viceroy of Naples
191:on 29 February 1828. The role of
183:The opera was first given at the
2555:Ten Days' Campaign (August 1831)
2321:(September 1830 â February 1831)
2222:
2221:
1855:Le testament et les billets doux
1805:
1756:
926:, column 712) and in Italian as
840:, Ensemble Choral Jean Laforge,
781:
199:and Princess Elvire was sung by
2348:Ărasme, Baron Surlet de Chokier
1679:, Oxford University Press, 1994
1226:
1213:
1200:
1172:
1156:
1143:
1130:
1115:
804:(1916), the German silent film
2688:Operas set in the 17th century
2476:Ătienne Constantin de Gerlache
1694:The Oxford Dictionary of Opera
1206:Daniel-François-Esprit Auber:
1038:
905:
195:was taken by the famous tenor
1:
2698:Libretti by Germain Delavigne
2364:; July 1831 â December 1865)
2007:Gustave III, ou Le bal masqué
1416:Lajarte, Théodore de (1878).
1367:Cambridge Companions to Music
914:, p. 1273. For example,
893:
178:
2354:; February 1831 â July 1831)
2325:National Congress of Belgium
1577:Tamvaco, Jean-Louis (2000).
711:
7:
2708:Art works that caused riots
2591:Treaty of Maastricht (1843)
2384:Alexandre Dechet (Jenneval)
2087:Les diamants de la couronne
1991:La marquise de Brinvilliers
1643:The New Penguin Opera Guide
1635:(2001). "Daniel Auber". In
1480:Schneider, Herbert (1992).
1454:
1426:Loewenberg, Alfred (1978).
918:performed it in English as
820:Recordings and performances
687:Before the Viceroy's palace
585:
548:Jean-Ătienne-Auguste Massol
227:). Alphonse was created by
10:
2734:
2199:Le premier jour de bonheur
2191:La fiancée du roi de Garbe
1443:Mallinson, Vernon (1970).
1269:Casaglia, Gherardo (2005).
621:The square before a chapel
316:
140:) in some versions, is an
88:29 February 1828
2718:Operas adapted into films
2703:Libretti by EugĂšne Scribe
2604:
2576:London Conference of 1830
2568:
2535:
2504:
2468:
2410:
2371:
2340:
2280:
2217:
1822:
1813:
1612:. Paris: Slatkine (1983)
1570:10.1080/01411897908574506
1428:Annals of Opera 1597â1940
1163:Kutsch & Riemens 2002
372:theater during the duet:
83:
75:
54:
39:
28:
23:
2596:Iron Rhine Treaty (1873)
2491:Albert Goblet d'Alviella
2271:and the independence of
1770:Letitia Elizabeth Landon
1357:Hibberd, Sarah (2003). "
1219:Charles Annesley (1902)
872:Anhaltische Philharmonie
801:The Dumb Girl of Portici
778:Letitia Elizabeth Landon
681:
660:
646:
632:
615:
598:against Spanish rule in
385:
123:The Dumb Girl of Portici
2622:Civic Guard Merit Medal
2586:Treaty of London (1839)
2560:Siege of Antwerp (1832)
2331:Constitution of Belgium
1528:Scribe, EugĂšne (1875).
1221:The Standard Operaglass
996:. Other sources credit
994:Cooper & Ellis 2001
657:people are victorious.
533:Charles-Louis Pouilley
167:as the earliest French
2668:Operas by Daniel Auber
2663:French-language operas
2469:de Gerlache Government
2412:Provisional Government
2341:First Belgian monarchs
1975:Le dieu et la bayadĂšre
1340:Gourret, Jean (1982).
1245:Auber, Daniel (1828).
1046:Reminiscences of Auber
852:in Monte Carlo (EMI).
807:Die Stumme von Portici
725:Le Dieu et la bayadĂšre
699:
652:The Naples marketplace
556:officer of the Viceroy
383:
335:
295:Reminiscences of Auber
293:remarked, in his 1871
133:Italian pronunciation:
49:in the mute title role
2605:Monuments and honours
2055:La fĂȘte de Versailles
1863:La bergĂšre chĂątelaine
1762:The Escape of Fenella
1485:Muette de Portici, La
694:
540:confidant of Alphonse
502:Henri-Bernard Dabadie
374:
361:Courrier des Pays-Bas
340:Théùtre de la Monnaie
329:Théùtre de la Monnaie
326:
137:[mazaËnjÉllo]
16:Opera by Daniel Auber
2683:Operas set in Naples
2522:Charles de BrouckĂšre
2496:Sylvain Van de Weyer
2481:Charles de BrouckĂšre
2440:Sylvain Van de Weyer
2362:King of the Belgians
2304:La muette de Portici
2135:Haydée, ou Le Secret
2039:Les chaperons blancs
1951:La muette de Portici
1911:Le concert Ă la cour
1766:Alfred Edward Chalon
1731:La muette de Portici
1715:La muette de Portici
1554:La Muette de Portici
1398:GroĂes SĂ€ngerlexikon
1273:La muette de Portici
1247:La muette de Portici
1208:La Muette de Portici
1197:, pp. 87, 1270.
992:, pp. 87, 619;
980:, pp. 597â598;
883:Anhaltisches Theater
864:La muette de Portici
826:La muette de Portici
717:La muette de Portici
696:La muette de Portici
526:friend of Masaniello
510:friend of Masaniello
492:friend of Masaniello
476:sister of Masaniello
468:Laure Cinti-Damoreau
405:Henri Valentino
223:(the future wife of
201:Laure Cinti-Damoreau
111:La muette de Portici
24:La muette de Portici
2713:Opera controversies
2627:1830 Star of Honour
2505:Lebeau I Government
2486:Alexandre Gendebien
2455:Joseph Vanderlinden
2445:Feuillien de Coppin
2420:Alexandre Gendebien
2023:Le cheval de bronze
1847:Le séjour militaire
1532:. Paris: E. Dentu.
1344:. Paris: Albatros.
1232:Parker, pp. 143â145
868:Angelina Ruzzafante
810:, the Italian film
609:Peveril of the Peak
592:historical uprising
458:fiancée of Alphonse
219:, also the actress
2517:Ătienne de Sauvage
2389:Frédéric de Mérode
2288:Belgian Revolution
2281:Belgian Revolution
2269:Belgian Revolution
1895:VendĂŽme en Espagne
1667:19th Century Music
1389:Kutsch, Karl-Josef
1044:Wagner, Richard. "
1000:as the conductor:
930:on 10 March 1849 (
885:, Dessau, Germany
860:. 2 Hours 29 Mins.
813:La muta di Portici
787:"Fenella's Escape"
700:
666:Masaniello's house
336:
333:Belgian Revolution
319:Belgian Revolution
313:Belgian revolution
173:Belgian Revolution
2645:
2644:
2403:
2372:Important figures
2235:
2234:
2143:L'enfant prodigue
2103:La part du diable
1764:., a painting by
1588:978-2-271-05685-6
1452:Parouty, Michel.
1279:29 February 1828"
1112:, pp. 53â54.
998:François Habeneck
627:Viceroy of Naples
583:
582:
518:Alexandre Prévost
185:Salle Le Peletier
154:Germain Delavigne
116:The Mute Girl of
107:
106:
99:Salle Le Peletier
62:Germain Delavigne
2725:
2397:
2262:
2255:
2248:
2239:
2238:
2225:
2224:
2127:Les premiers pas
1903:Les trois genres
1800:
1793:
1786:
1777:
1776:
1760:
1718:: Scores at the
1692:and West, Ewan,
1682:Renieu, Lionel,
1662:
1646:
1620:
1592:
1573:
1525:
1519:
1511:
1489:
1476:
1460:
1448:
1431:
1421:
1412:
1384:
1378:
1370:
1353:
1336:
1306:
1297:
1286:
1284:
1278:
1233:
1230:
1224:
1217:
1211:
1204:
1198:
1192:
1186:
1176:
1170:
1165:, p. 3763;
1160:
1154:
1147:
1141:
1134:
1128:
1119:
1113:
1107:
1101:
1095:
1089:
1083:
1077:
1071:
1065:
1059:
1053:
1042:
1036:
1030:
1024:
1018:
1012:
975:
966:
960:
951:
909:
880:
785:
746:Robert le diable
564:Ferdinand PrévÎt
390:
389:
369:
284:Robert le diable
265:tragédie lyrique
221:Harriet Smithson
144:in five acts by
139:
134:
95:
93:
44:
21:
20:
2733:
2732:
2728:
2727:
2726:
2724:
2723:
2722:
2648:
2647:
2646:
2641:
2617:Congress Column
2600:
2564:
2531:
2500:
2464:
2450:FĂ©lix de MĂ©rode
2435:Louis de Potter
2406:
2396:
2379:Charles Niellon
2367:
2336:
2333:(February 1831)
2327:(November 1830)
2276:
2266:
2236:
2231:
2213:
2183:La circassienne
2095:Le duc d'Olonne
2071:Le lac des fées
1839:Jean de Couvain
1818:
1809:
1804:
1753:at Google Books
1744:at Google Books
1735:at Google Books
1710:
1669:vol. 37, no. 1.
1659:
1633:Macdonald, Hugh
1628:
1626:Further reading
1589:
1513:
1512:
1508:
1409:
1372:
1371:
1325:
1282:
1276:
1237:
1236:
1231:
1227:
1218:
1214:
1205:
1201:
1193:
1189:
1177:
1173:
1161:
1157:
1148:
1144:
1135:
1131:
1120:
1116:
1108:
1104:
1096:
1092:
1084:
1080:
1072:
1068:
1060:
1056:
1043:
1039:
1031:
1027:
1019:
1015:
1008:, p. 152;
976:
969:
961:
954:
924:Loewenberg 1978
922:on 4 May 1829 (
910:
906:
896:
874:
844:, conducted by
822:
789:. published in
736:Le lac des fées
714:
684:
663:
649:
635:
618:
588:
571:Lady-in-waiting
431:Adolphe Nourrit
402:
388:
363:
321:
315:
307:July Revolution
299:July Revolution
259:". The journal
233:Henri Valentino
197:Adolphe Nourrit
181:
132:
125:), also called
103:
102:
96:
91:
89:
71:
50:
17:
12:
11:
5:
2731:
2721:
2720:
2715:
2710:
2705:
2700:
2695:
2690:
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2675:
2670:
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2660:
2643:
2642:
2640:
2639:
2634:
2629:
2624:
2619:
2614:
2608:
2606:
2602:
2601:
2599:
2598:
2593:
2588:
2583:
2578:
2572:
2570:
2566:
2565:
2563:
2562:
2557:
2552:
2550:Prince William
2547:
2545:King William I
2541:
2539:
2533:
2532:
2530:
2529:
2524:
2519:
2514:
2508:
2506:
2502:
2501:
2499:
2498:
2493:
2488:
2483:
2478:
2472:
2470:
2466:
2465:
2463:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2430:Charles Rogier
2427:
2422:
2416:
2414:
2408:
2407:
2405:
2404:
2394:Juan Van Halen
2391:
2386:
2381:
2375:
2373:
2369:
2368:
2366:
2365:
2355:
2344:
2342:
2338:
2337:
2335:
2334:
2328:
2322:
2316:
2312:La Brabançonne
2308:
2300:
2295:
2290:
2284:
2282:
2278:
2277:
2265:
2264:
2257:
2250:
2242:
2233:
2232:
2230:
2229:
2218:
2215:
2214:
2212:
2211:
2203:
2195:
2187:
2179:
2171:
2163:
2155:
2147:
2139:
2131:
2123:
2115:
2107:
2099:
2091:
2083:
2075:
2067:
2063:Le domino noir
2059:
2051:
2047:L'ambassadrice
2043:
2035:
2027:
2019:
2011:
2003:
1995:
1987:
1979:
1971:
1963:
1955:
1947:
1939:
1931:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1867:
1859:
1851:
1843:
1835:
1826:
1824:
1820:
1819:
1816:List of operas
1814:
1811:
1810:
1803:
1802:
1795:
1788:
1780:
1774:
1773:
1754:
1745:
1736:
1727:
1722:
1709:
1708:External links
1706:
1705:
1704:
1687:
1680:
1670:
1663:
1657:
1627:
1624:
1623:
1622:
1593:
1587:
1574:
1549:
1526:
1506:
1477:
1465:Pougin, Arthur
1461:
1459:(Media notes).
1449:
1440:
1423:
1413:
1407:
1385:
1354:
1337:
1323:
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1287:
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1212:
1199:
1187:
1171:
1155:
1142:
1129:
1114:
1102:
1090:
1078:
1074:Mallinson 1970
1066:
1054:
1037:
1035:, p. 150.
1025:
1023:, p. 154.
1013:
967:
963:Schneider 1992
952:
903:
902:
895:
892:
891:
890:
861:
821:
818:
767:Richard Wagner
713:
710:
683:
680:
662:
659:
648:
645:
634:
631:
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614:
587:
584:
581:
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428:
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409:
408:
399:
394:
387:
384:
317:Main article:
314:
311:
291:Richard Wagner
274:Guillaume Tell
225:Hector Berlioz
217:Pauline Leroux
209:Marie Taglioni
180:
177:
105:
104:
97:
87:
85:
81:
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64:
58:
56:
52:
51:
45:
37:
36:
26:
25:
15:
9:
6:
4:
3:
2:
2730:
2719:
2716:
2714:
2711:
2709:
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2540:
2538:
2534:
2528:
2525:
2523:
2520:
2518:
2515:
2513:
2512:Joseph Lebeau
2510:
2509:
2507:
2503:
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2349:
2346:
2345:
2343:
2339:
2332:
2329:
2326:
2323:
2320:
2317:
2315:(August 1830)
2314:
2313:
2309:
2307:(August 1830)
2306:
2305:
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2285:
2283:
2279:
2274:
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2263:
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2256:
2251:
2249:
2244:
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2240:
2228:
2220:
2219:
2216:
2209:
2208:
2204:
2201:
2200:
2196:
2193:
2192:
2188:
2185:
2184:
2180:
2177:
2176:
2175:Manon Lescaut
2172:
2169:
2168:
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2144:
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2128:
2124:
2121:
2120:
2119:La barcarolle
2116:
2113:
2112:
2108:
2105:
2104:
2100:
2097:
2096:
2092:
2089:
2088:
2084:
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2073:
2072:
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2028:
2025:
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2017:
2016:
2012:
2009:
2008:
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2001:
2000:
1996:
1993:
1992:
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1968:
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1961:
1960:
1956:
1953:
1952:
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1945:
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1937:
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1734:
1732:
1728:
1726:
1723:
1721:
1717:
1716:
1712:
1711:
1703:
1702:0-19-869164-5
1699:
1695:
1691:
1690:Warrack, John
1688:
1685:
1681:
1678:
1674:
1673:Parker, Roger
1671:
1668:
1664:
1660:
1658:0-14-029312-4
1654:
1650:
1645:
1644:
1638:
1637:Amanda Holden
1634:
1630:
1629:
1619:
1618:9782050002142
1615:
1611:
1607:
1603:
1599:
1594:
1590:
1584:
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1575:
1571:
1567:
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1559:
1555:
1550:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1517:
1509:
1507:0-333-73432-7
1503:
1499:
1498:
1493:
1492:Stanley Sadie
1488:
1486:
1478:
1474:
1470:
1466:
1462:
1458:
1456:
1450:
1446:
1441:
1438:
1437:9780874718515
1434:
1429:
1424:
1419:
1414:
1410:
1408:9783598115981
1404:
1400:
1399:
1394:
1390:
1386:
1382:
1376:
1368:
1364:
1360:
1355:
1351:
1347:
1343:
1338:
1334:
1330:
1326:
1324:9781561592395
1320:
1316:
1315:
1310:
1309:Stanley Sadie
1305:
1299:
1295:
1294:
1288:
1280:
1274:
1267:
1264:
1260:
1256:
1252:
1248:
1244:
1243:
1242:
1241:
1229:
1222:
1216:
1209:
1203:
1196:
1191:
1184:
1180:
1175:
1168:
1164:
1159:
1152:
1151:"Personnages"
1146:
1139:
1136:Scribe 1875,
1133:
1126:
1125:
1118:
1111:
1106:
1100:, p. 50.
1099:
1094:
1088:, p. 60.
1087:
1082:
1076:, p. 54.
1075:
1070:
1064:, p. 47.
1063:
1058:
1051:
1047:
1041:
1034:
1029:
1022:
1017:
1011:
1007:
1003:
999:
995:
991:
987:
983:
982:Chouquet 1889
979:
974:
972:
964:
959:
957:
949:
945:
941:
937:
933:
929:
925:
921:
917:
916:Covent Garden
913:
908:
904:
901:
900:
888:
884:
878:
873:
869:
865:
862:
859:
855:
851:
850:Salle Garnier
847:
846:Thomas Fulton
843:
839:
835:
834:Alfredo Kraus
831:
830:June Anderson
827:
824:
823:
817:
815:
814:
809:
808:
803:
802:
796:
794:
793:
788:
784:
779:
774:
772:
768:
764:
763:
758:
754:
753:
752:Les Huguenots
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731:
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579:Anne Lorotte
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450:Alexis Dupont
448:
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244:
240:
236:
234:
230:
229:Alexis Dupont
226:
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218:
214:
213:Fanny Elssler
210:
206:
203:. The dancer
202:
198:
194:
190:
186:
176:
174:
170:
166:
165:music history
161:
159:
158:EugĂšne Scribe
156:, revised by
155:
151:
147:
143:
138:
130:
129:
124:
120:
119:
113:
112:
100:
86:
82:
78:
74:
68:
67:EugĂšne Scribe
65:
63:
60:
59:
57:
53:
48:
43:
38:
35:
31:
27:
22:
19:
2658:Grand operas
2310:
2303:
2302:
2207:RĂȘve d'amour
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2149:
2141:
2133:
2125:
2117:
2109:
2101:
2093:
2085:
2077:
2069:
2061:
2053:
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1950:
1949:
1941:
1933:
1925:
1917:
1909:
1901:
1893:
1885:
1877:
1869:
1861:
1853:
1845:
1837:
1829:
1807:Daniel Auber
1748:
1739:
1730:
1714:
1693:
1683:
1676:
1666:
1642:
1597:
1578:
1564:(3): 45â62.
1561:
1557:
1553:
1546:Google Books
1529:
1496:
1484:
1472:
1453:
1444:
1427:
1417:
1397:
1393:Riemens, Leo
1369:. Cambridge.
1362:
1358:
1341:
1313:
1292:
1283:(in Italian)
1272:
1246:
1239:
1238:
1228:
1220:
1215:
1207:
1202:
1195:Tamvaco 2000
1190:
1183:Gourret 1982
1179:Tamvaco 2000
1174:
1167:Tamvaco 2000
1158:
1149:Auber 1828 (
1145:
1132:
1122:
1117:
1105:
1093:
1081:
1069:
1057:
1049:
1040:
1033:Hibberd 2003
1028:
1021:Hibberd 2003
1016:
990:Tamvaco 2000
944:Lajarte 1878
939:
935:
932:Tamvaco 2000
927:
919:
912:Tamvaco 2000
907:
898:
897:
863:
825:
811:
805:
799:
797:
792:The Keepsake
790:
775:
770:
760:
750:
744:
734:
728:
724:
716:
715:
701:
695:
686:
685:
677:
673:
669:
665:
664:
655:
651:
650:
641:
638:On the beach
637:
636:
624:
620:
619:
607:
604:Walter Scott
589:
555:
539:
525:
509:
491:
475:
457:
438:
416:
403:(Conductor:
378:
375:
359:
357:
353:
337:
302:
294:
289:
282:
272:
264:
260:
250:
238:
237:
182:
162:
146:Daniel Auber
127:
126:
122:
115:
110:
109:
108:
47:Anna Pavlova
34:Daniel Auber
18:
2673:1828 operas
2527:Paul Devaux
2425:André Jolly
2275:(1830â1839)
2159:Marco Spada
1967:Fra Diavolo
1110:Slatin 1979
1098:Slatin 1979
1086:Slatin 1979
1062:Slatin 1979
978:Pougin 1880
875: [
755:(1836) and
749:(1831) and
733:(1833) and
730:Gustave III
721:grand opera
484:Lise Noblet
439:son of the
364: [
348:William I's
277:(1829) and
257:grand opera
205:Lise Noblet
189:Paris Opéra
169:grand opera
30:Grand opera
2652:Categories
2632:Iron Cross
2398:(see also
2293:Rattachism
2167:Jenny Bell
1999:Le serment
1983:Le philtre
1959:La fiancée
1749:Masaniello
1538:HathiTrust
1447:. Praeger.
1006:Wolff 1962
984:, p.
946:, p.
936:Mazaniello
928:Masaniello
894:References
889:777 694-2
596:Masaniello
573:to Elvire
437:Alphonse,
419:Neapolitan
413:Masaniello
397:Voice type
379:Aux armes!
193:Masaniello
179:Background
128:Masaniello
92:1828-02-29
55:Librettist
2358:Leopold I
2111:La sirĂšne
1935:Le timide
1879:Leicester
1610:460748195
1516:cite book
1457:recording
1375:cite book
1359:La Muette
1333:419285866
858:605508655
838:John Aler
771:La muette
741:Meyerbeer
712:Influence
538:Lorenzo,
508:Borella,
474:Fenella,
421:fisherman
309:of 1830.
303:La muette
279:Meyerbeer
252:mélodrame
239:La muette
175:of 1830.
148:, with a
2569:Treaties
2298:Orangism
2227:Category
1943:Fiorella
1927:Le maçon
1919:LĂ©ocadie
1887:La neige
1467:(1880).
1395:(2002).
1350:10018314
1255:21809057
1010:Casaglia
816:(1952).
795:, 1836.
780:'s poem
762:La Juive
727:(1830),
705:Vesuvius
586:Synopsis
576:soprano
524:Moreno,
490:Pietro,
456:Elvire,
344:Brussels
287:(1831).
150:libretto
84:Premiere
76:Language
2273:Belgium
2151:Zerline
2079:Zanetta
2015:Lestocq
1639:(ed.).
1606:7068320
1494:(ed.).
1445:Belgium
1311:(ed.).
1263:Gallica
1240:Sources
1002:Parouty
554:Selva,
480:dancer
463:soprano
269:Rossini
261:Pandore
187:of the
118:Portici
101:, Paris
90: (
2693:Operas
2352:Regent
2210:(1869)
2202:(1868)
2194:(1864)
2186:(1861)
2178:(1856)
2170:(1855)
2162:(1852)
2154:(1851)
2146:(1850)
2138:(1847)
2130:(1847)
2122:(1845)
2114:(1844)
2106:(1843)
2098:(1842)
2090:(1841)
2082:(1840)
2074:(1839)
2066:(1837)
2058:(1837)
2050:(1836)
2042:(1836)
2034:(1836)
2031:Actéon
2026:(1835)
2018:(1834)
2010:(1833)
2002:(1832)
1994:(1831)
1986:(1831)
1978:(1830)
1970:(1830)
1962:(1829)
1954:(1828)
1946:(1826)
1938:(1826)
1930:(1825)
1922:(1824)
1914:(1824)
1906:(1824)
1898:(1823)
1890:(1823)
1882:(1823)
1874:(1821)
1866:(1820)
1858:(1819)
1850:(1813)
1842:(1812)
1834:(1805)
1823:Operas
1700:
1655:
1616:
1604:
1585:
1504:
1455:Fulton
1435:
1405:
1348:
1331:
1321:
1277:
1253:
1048:", in
856:
757:Halévy
600:Naples
544:tenor
446:tenor
247:ballet
79:French
1831:Julie
1649:24â26
1490:. In
1307:. In
1138:p. 26
940:Opéra
899:Notes
879:]
682:Act 5
661:Act 4
647:Act 3
633:Act 2
616:Act 1
560:bass
530:bass
514:bass
426:tenor
393:Role
386:Roles
368:]
142:opera
121:, or
1871:Emma
1698:ISBN
1653:ISBN
1614:ISBN
1602:OCLC
1583:ISBN
1542:copy
1534:Copy
1522:link
1502:ISBN
1433:ISBN
1403:ISBN
1381:link
1346:OCLC
1329:OCLC
1319:ISBN
1259:Copy
1251:OCLC
854:OCLC
497:bass
327:The
249:and
243:mime
215:and
1566:doi
1544:at
1536:at
1261:at
986:214
948:129
887:CPO
759:'s
743:'s
606:'s
594:of
342:in
281:'s
271:'s
152:by
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