232: – the first time an arts-based organization has ever won the prize. Beyond its goal of creating a Nunavut performing arts space, the organization also works to expand performing arts training for Inuit artists, to build economic opportunities for artists in the Arctic, to maintain at-risk Inuit performance art forms, and to nurture the creation of new Inuit performing arts work. Bathory began working as a program manager for the Qaggiavuut! Society in 2016.
219:. Of her experiences working with Tagaq, Bathory said in 2018: "Once we started performing together, we realized how much we sink and fly through the same realms of consciousness to create performance – her through her voice and me through my mask dancing. It is an incredible experience to perform together: we are unique from one another and heighten one another at the same time."
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Along with several other grassroots Inuit performing artists, Bathory is a founding member of the
Qaggiavuut! Society for a Nunavut Performing Arts Centre, a community-based organization that supports Inuit artists and is working toward building a community-centered performing arts centre in
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as playing with "four main themes: our humility as human beings in the vastness of the universe and our connection to our ancestors, sex, fear, and hilarity", and said that she " on all these themes in a performance, sometimes all at once, sometimes moving abruptly between them".
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as the cornerstone of her artistic practice. In an interview in March 2018 she explained: " makes me both open and brave to try new things, to dig deeper. I write poetry, tell stories, create theatre, performance art, video, and all of it has some sort of aspect of
200:(Secwepemc). In the film, Bathory works to dismantle stereotypes of the "Pocahottie" and speaks back against consistent sexual violence perpetrated against Indigenous women. Selected representations of #callresponse projects were displayed at
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when she was thirteen and trained and performed with her mother throughout her teenage years in
Saskatoon. She currently resides in Iqaluit, Nunavut with her husband and three children.
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in the 1970s
Greenlandic folk movement after the dance form was nearly eradicated by colonial missionaries in Greenland in the 18th–20th centuries. Bathory started learning
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Iqaluit. Qaggiavuut! Society has been operating as a volunteer organization since 2009, and in
January 2016 won the
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Bathory has been active in the Inuit, Indigenous, and
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215:. The pair also performed together in March 2018 as part of the Beyond Worlds series presented by the
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997:"Inuk Throat Singer Tanya Tagaq Demands "Retribution" in Aggressively Kinetic New Video"
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704:"No English at home: Nunavut parents go to great lengths to teach children Inuktitut"
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834:"Tanya Tagaq and Laakkuluk Williamson Bathory (Beyond Words) | Faculty of Arts"
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Bathory frequently collaborates with Inuk throat singer and recording artist
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as both a political and cultural act and an idiosyncratic art form.
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with
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1143:"Ilitarivingaa? Do You Recognize me? | AGO Art Gallery of Ontario"
956:"Laakkuluk Williamson Bathory: Winner of the 2021 Sobey Art Award"
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680:"Episode 46. Interview with Laakkuluk Williamson Bathory"
413:"Aqausiit: Can You Hear How Much Love You Evoke In Me?!"—
561:"Uaajeerneq – An ancient Inuit form of entertainment"
784:"Watch Tanya Tagaq's Music Video For 'Retribution'"
612:"Mask dancer and poet Laakkuluk Williamson Bathory"
1167:"Inuit Art in Motion | AGO Art Gallery of Ontario"
391:The North-South Project: An Anthology of the Lost
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382:"We are a Nation of Lovers"—
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931:"About | Qaggiavuut!"
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1119:"Naak silavit qeqqa?"
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182:Timiga Nunalu, Sikulu
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684:Broken Boxes Podcast
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443:"Incident Magazine"
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359:Inuit Art in Motion
337:Naak silavit qeqqa?
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422:Études huit
417:20(2), 2011
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342:, 2022-2023
268:Tanya Tagaq
209:Tanya Tagaq
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